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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66ABCF it is the complementary color #995430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66ABCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66ABCF shade: #6BABCA, #7CBDDD, #8DCFF0, #9EE1FF and #AFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66ABCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66ABCF shade: #66ABCF, #5599BC, #4487A9, #337596 and #226383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66ABCF shade: #68ACCF, #6890CF, #6874CF, #7868CF and #9368CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66ABCF shade: #68ACCF, #6890CF, #6874CF and #6868CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66ABCF shade matches the following richer shades: #68ACCF, #58B1DF and #48B6EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66ABCF shade: #68ACCF, #78A7BF, #88A2AF, #989D9F and #A8988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66ABCF shade: #68CFBB, #68C8CF, #68ADCF, #6891CF and #6876CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66ABCF shade: #3785AE, #489BC5, #68ACCF, #87BDD9 and #A7CEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66ABCF shade: #66ABCF, #9F68CF and #CFC868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66ABCF shade: #66ABCF, #CF68AD and #ADCF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66ABCF shade: #66ABCF, #9F68CF, #CF8A68 and #98CF68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66ABCF shade: #66ABCF, #BE68CF, #CF8A68 and #79CF68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

Complementary color

CMYK 0 / 45 / 69 / 40

HEX #995430

RGB 153 84 48

HSL 20.57, 0.52%, 0.39%

LAB 43.25, 25.44, 33.11

 

CMYK 47 / 15 / 0 / 21

HEX #6BABCA

RGB 107 171 202

HSL 199.58, 0.47%, 0.61%

LAB 66.91, -12.15, -22.17

 

CMYK 44 / 14 / 0 / 13

HEX #7CBDDD

RGB 124 189 221

HSL 199.79, 0.59%, 0.68%

LAB 73.48, -12.38, -22.49

 

CMYK 41 / 14 / 0 / 6

HEX #8DCFF0

RGB 141 207 240

HSL 200, 0.77%, 0.75%

LAB 79.94, -12.56, -22.82

 

CMYK 38 / 12 / 0 / 0

HEX #9EE1FF

RGB 158 225 255

HSL 198.56, 1%, 0.81%

LAB 86.18, -13.71, -21.23

 

CMYK 31 / 5 / 0 / 0

HEX #AFF3FF

RGB 175 243 255

HSL 189, 1%, 0.84%

LAB 91.88, -18.29, -12.57

 

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

CMYK 55 / 19 / 0 / 26

HEX #5599BC

RGB 85 153 188

HSL 200.39, 0.43%, 0.54%

LAB 60.2, -11.47, -24.72

 

CMYK 60 / 20 / 0 / 34

HEX #4487A9

RGB 68 135 169

HSL 200.2, 0.43%, 0.46%

LAB 53.41, -10.93, -24.42

 

CMYK 66 / 22 / 0 / 41

HEX #337596

RGB 51 117 150

HSL 200, 0.49%, 0.39%

LAB 46.48, -10.19, -24.09

 

CMYK 74 / 24 / 0 / 49

HEX #226383

RGB 34 99 131

HSL 199.79, 0.59%, 0.32%

LAB 39.42, -9.14, -23.72

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 50 / 30 / 0 / 19

HEX #6890CF

RGB 104 144 207

HSL 216.7, 0.52%, 0.61%

LAB 59.34, 3.73, -36.68

 

CMYK 50 / 44 / 0 / 19

HEX #6874CF

RGB 104 116 207

HSL 233.01, 0.52%, 0.61%

LAB 51.77, 20.45, -48.62

 

CMYK 42 / 50 / 0 / 19

HEX #7868CF

RGB 120 104 207

HSL 249.32, 0.52%, 0.61%

LAB 49.98, 31.47, -51.41

 

CMYK 29 / 50 / 0 / 19

HEX #9368CF

RGB 147 104 207

HSL 265.05, 0.52%, 0.61%

LAB 52.52, 38.32, -47.21

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 50 / 30 / 0 / 19

HEX #6890CF

RGB 104 144 207

HSL 216.7, 0.52%, 0.61%

LAB 59.34, 3.73, -36.68

 

CMYK 50 / 44 / 0 / 19

HEX #6874CF

RGB 104 116 207

HSL 233.01, 0.52%, 0.61%

LAB 51.77, 20.45, -48.62

 

CMYK 50 / 50 / 0 / 19

HEX #6868CF

RGB 104 104 207

HSL 240, 0.52%, 0.61%

LAB 48.7, 27.77, -53.53

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 61 / 21 / 0 / 13

HEX #58B1DF

RGB 88 177 223

HSL 200.44, 0.68%, 0.61%

LAB 68.64, -13.17, -31.14

 

CMYK 70 / 24 / 0 / 6

HEX #48B6EF

RGB 72 182 239

HSL 200.48, 0.84%, 0.61%

LAB 70.22, -13.33, -37.46

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 37 / 13 / 0 / 25

HEX #78A7BF

RGB 120 167 191

HSL 200.28, 0.36%, 0.61%

LAB 66.05, -9.62, -17.32

 

CMYK 22 / 7 / 0 / 31

HEX #88A2AF

RGB 136 162 175

HSL 200, 0.2%, 0.61%

LAB 65.1, -6.08, -9.73

 

CMYK 4 / 1 / 0 / 38

HEX #989D9F

RGB 152 157 159

HSL 197.14, 0.04%, 0.61%

LAB 64.4, -1.39, -1.67

 

CMYK 0 / 10 / 15 / 34

HEX #A8988F

RGB 168 152 143

HSL 21.6, 0.13%, 0.61%

LAB 63.97, 4.35, 6.87

 

CMYK 50 / 0 / 10 / 19

HEX #68CFBB

RGB 104 207 187

HSL 168.35, 0.52%, 0.61%

LAB 76.77, -34.83, 0.73

 

CMYK 50 / 3 / 0 / 19

HEX #68C8CF

RGB 104 200 207

HSL 184.08, 0.52%, 0.61%

LAB 75.3, -26.4, -12.24

 

CMYK 50 / 16 / 0 / 19

HEX #68ADCF

RGB 104 173 207

HSL 199.81, 0.52%, 0.61%

LAB 67.53, -12.51, -24

 

CMYK 50 / 30 / 0 / 19

HEX #6891CF

RGB 104 145 207

HSL 216.12, 0.52%, 0.61%

LAB 59.62, 3.15, -36.24

 

CMYK 50 / 43 / 0 / 19

HEX #6876CF

RGB 104 118 207

HSL 231.84, 0.52%, 0.61%

LAB 52.29, 19.23, -47.79

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 63 / 21 / 0 / 23

HEX #489BC5

RGB 72 155 197

HSL 200.16, 0.52%, 0.53%

LAB 60.65, -12.3, -29.13

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 38 / 13 / 0 / 15

HEX #87BDD9

RGB 135 189 217

HSL 200.49, 0.52%, 0.69%

LAB 73.9, -10.61, -19.63

 

CMYK 26 / 9 / 0 / 11

HEX #A7CEE3

RGB 167 206 227

HSL 201, 0.52%, 0.77%

LAB 80.69, -8.14, -14.61

 

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

CMYK 23 / 50 / 0 / 19

HEX #9F68CF

RGB 159 104 207

HSL 272.04, 0.52%, 0.61%

LAB 53.79, 41.54, -45.11

 

CMYK 0 / 3 / 50 / 19

HEX #CFC868

RGB 207 200 104

HSL 55.92, 0.52%, 0.61%

LAB 79.37, -10.47, 48.43

 

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

CMYK 0 / 50 / 16 / 19

HEX #CF68AD

RGB 207 104 173

HSL 319.81, 0.52%, 0.61%

LAB 58.21, 49.2, -18.3

 

CMYK 16 / 0 / 50 / 19

HEX #ADCF68

RGB 173 207 104

HSL 79.81, 0.52%, 0.61%

LAB 78.76, -27.46, 47.09

 

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

CMYK 23 / 50 / 0 / 19

HEX #9F68CF

RGB 159 104 207

HSL 272.04, 0.52%, 0.61%

LAB 53.79, 41.54, -45.11

 

CMYK 0 / 33 / 50 / 19

HEX #CF8A68

RGB 207 138 104

HSL 19.81, 0.52%, 0.61%

LAB 63.71, 22.57, 28.91

 

CMYK 27 / 0 / 50 / 19

HEX #98CF68

RGB 152 207 104

HSL 92.04, 0.52%, 0.61%

LAB 77.46, -35.28, 45.22

 

CMYK 51 / 17 / 0 / 19

HEX #66ABCF

RGB 102 171 207

HSL 200.57, 0.52%, 0.61%

LAB 66.87, -11.89, -25.02

 

CMYK 8 / 50 / 0 / 19

HEX #BE68CF

RGB 190 104 207

HSL 290.1, 0.52%, 0.61%

LAB 57.42, 50.1, -39.15

 

CMYK 0 / 33 / 50 / 19

HEX #CF8A68

RGB 207 138 104

HSL 19.81, 0.52%, 0.61%

LAB 63.71, 22.57, 28.91

 

CMYK 42 / 0 / 50 / 19

HEX #79CF68

RGB 121 207 104

HSL 110.1, 0.52%, 0.61%

LAB 75.88, -45.69, 42.92

 

Description

Color code: HEX #66ABCF | qconv.com Color code: HEX #66ABCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 171 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 171 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 17 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 17% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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