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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66A5CE it is the complementary color #995A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66A5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66A5CE shade: #6BA5C9, #7CB7DC, #8DC9EF, #9EDBFF and #AFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66A5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66A5CE shade: #66A5CE, #5593BB, #4481A8, #336F95 and #225D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66A5CE shade: #65A4CD, #6588CD, #656CCD, #7A65CD and #9665CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66A5CE shade: #65A4CD, #6588CD, #656CCD and #6565CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66A5CE shade matches the following richer shades: #65A4CD, #54A8DE, #44ABEE and #33AEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66A5CE shade: #65A4CD, #75A1BD, #869DAC, #969A9C and #A7968B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66A5CE shade: #65CDBD, #65C1CD, #65A5CD, #6589CD and #656ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66A5CE shade: #377CA9, #4692C3, #65A4CD, #84B6D7 and #A3C9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66A5CE shade: #66A5CE, #A265CD and #CDCB65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66A5CE shade: #66A5CE, #CD65A5 and #A5CD65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66A5CE shade: #66A5CE, #A265CD, #CD8D65 and #90CD65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66A5CE shade: #66A5CE, #C165CD, #CD8D65 and #71CD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

Complementary color

CMYK 0 / 41 / 68 / 40

HEX #995A31

RGB 153 90 49

HSL 23.65, 0.51%, 0.4%

LAB 44.67, 22.11, 34.18

 

CMYK 47 / 18 / 0 / 21

HEX #6BA5C9

RGB 107 165 201

HSL 202.98, 0.47%, 0.6%

LAB 65.16, -9.18, -24.29

 

CMYK 44 / 17 / 0 / 14

HEX #7CB7DC

RGB 124 183 220

HSL 203.13, 0.58%, 0.67%

LAB 71.77, -9.45, -24.56

 

CMYK 41 / 16 / 0 / 6

HEX #8DC9EF

RGB 141 201 239

HSL 203.27, 0.75%, 0.75%

LAB 78.27, -9.68, -24.83

 

CMYK 38 / 14 / 0 / 0

HEX #9EDBFF

RGB 158 219 255

HSL 202.27, 1%, 0.81%

LAB 84.56, -10.63, -23.68

 

CMYK 31 / 7 / 0 / 0

HEX #AFEDFF

RGB 175 237 255

HSL 193.5, 1%, 0.84%

LAB 90.28, -15.3, -14.97

 

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

CMYK 55 / 21 / 0 / 27

HEX #5593BB

RGB 85 147 187

HSL 203.53, 0.43%, 0.53%

LAB 58.4, -8.45, -26.93

 

CMYK 60 / 23 / 0 / 34

HEX #4481A8

RGB 68 129 168

HSL 203.4, 0.42%, 0.46%

LAB 51.56, -7.84, -26.69

 

CMYK 66 / 26 / 0 / 42

HEX #336F95

RGB 51 111 149

HSL 203.27, 0.49%, 0.39%

LAB 44.58, -7.02, -26.45

 

CMYK 74 / 28 / 0 / 49

HEX #225D82

RGB 34 93 130

HSL 203.13, 0.59%, 0.32%

LAB 37.45, -5.87, -26.19

 

CMYK 51 / 20 / 0 / 20

HEX #65A4CD

RGB 101 164 205

HSL 203.65, 0.51%, 0.6%

LAB 64.74, -8.89, -27.18

 

CMYK 51 / 34 / 0 / 20

HEX #6588CD

RGB 101 136 205

HSL 219.81, 0.51%, 0.6%

LAB 56.86, 7.11, -39.44

 

CMYK 51 / 47 / 0 / 20

HEX #656CCD

RGB 101 108 205

HSL 235.96, 0.51%, 0.6%

LAB 49.37, 24.04, -51.31

 

CMYK 40 / 51 / 0 / 20

HEX #7A65CD

RGB 122 101 205

HSL 252.12, 0.51%, 0.6%

LAB 49.32, 33.16, -51.31

 

CMYK 27 / 51 / 0 / 20

HEX #9665CD

RGB 150 101 205

HSL 268.27, 0.51%, 0.6%

LAB 52.06, 40.31, -46.77

 

CMYK 51 / 20 / 0 / 20

HEX #65A4CD

RGB 101 164 205

HSL 203.65, 0.51%, 0.6%

LAB 64.74, -8.89, -27.18

 

CMYK 51 / 34 / 0 / 20

HEX #6588CD

RGB 101 136 205

HSL 219.81, 0.51%, 0.6%

LAB 56.86, 7.11, -39.44

 

CMYK 51 / 47 / 0 / 20

HEX #656CCD

RGB 101 108 205

HSL 235.96, 0.51%, 0.6%

LAB 49.37, 24.04, -51.31

 

CMYK 51 / 51 / 0 / 20

HEX #6565CD

RGB 101 101 205

HSL 240, 0.51%, 0.6%

LAB 47.6, 28.32, -54.16

 

CMYK 51 / 20 / 0 / 20

HEX #65A4CD

RGB 101 164 205

HSL 203.65, 0.51%, 0.6%

LAB 64.74, -8.89, -27.18

 

CMYK 62 / 24 / 0 / 13

HEX #54A8DE

RGB 84 168 222

HSL 203.48, 0.68%, 0.6%

LAB 65.88, -9.32, -34.89

 

CMYK 71 / 28 / 0 / 7

HEX #44ABEE

RGB 68 171 238

HSL 203.65, 0.83%, 0.6%

LAB 66.92, -8.21, -42.07

 

CMYK 80 / 32 / 0 / 0

HEX #33AEFF

RGB 51 174 255

HSL 203.82, 1%, 0.6%

LAB 68.16, -5.93, -49.4

 

CMYK 51 / 20 / 0 / 20

HEX #65A4CD

RGB 101 164 205

HSL 203.65, 0.51%, 0.6%

LAB 64.74, -8.89, -27.18

 

CMYK 38 / 15 / 0 / 26

HEX #75A1BD

RGB 117 161 189

HSL 203.33, 0.35%, 0.6%

LAB 64.12, -7.7, -19.15

 

CMYK 22 / 9 / 0 / 33

HEX #869DAC

RGB 134 157 172

HSL 203.68, 0.19%, 0.6%

LAB 63.48, -4.67, -10.49

 

CMYK 4 / 1 / 0 / 39

HEX #969A9C

RGB 150 154 156

HSL 200, 0.03%, 0.6%

LAB 63.34, -1.04, -1.56

 

CMYK 0 / 10 / 17 / 35

HEX #A7968B

RGB 167 150 139

HSL 23.57, 0.14%, 0.6%

LAB 63.25, 4.41, 8.08

 

CMYK 51 / 0 / 8 / 20

HEX #65CDBD

RGB 101 205 189

HSL 170.77, 0.51%, 0.6%

LAB 76.13, -34.08, -1.29

 

CMYK 51 / 6 / 0 / 20

HEX #65C1CD

RGB 101 193 205

HSL 186.92, 0.51%, 0.6%

LAB 73.1, -24.11, -14.47

 

CMYK 51 / 20 / 0 / 20

HEX #65A5CD

RGB 101 165 205

HSL 203.08, 0.51%, 0.6%

LAB 65.03, -9.43, -26.74

 

CMYK 51 / 33 / 0 / 20

HEX #6589CD

RGB 101 137 205

HSL 219.23, 0.51%, 0.6%

LAB 57.14, 6.51, -39.01

 

CMYK 51 / 46 / 0 / 20

HEX #656ECD

RGB 101 110 205

HSL 234.81, 0.51%, 0.6%

LAB 49.89, 22.81, -50.49

 

CMYK 67 / 27 / 0 / 34

HEX #377CA9

RGB 55 124 169

HSL 203.68, 0.51%, 0.44%

LAB 49.61, -7.03, -30.35

 

CMYK 64 / 25 / 0 / 24

HEX #4692C3

RGB 70 146 195

HSL 203.52, 0.51%, 0.52%

LAB 57.85, -8.29, -32.36

 

CMYK 51 / 20 / 0 / 20

HEX #65A4CD

RGB 101 164 205

HSL 203.65, 0.51%, 0.6%

LAB 64.74, -8.89, -27.18

 

CMYK 39 / 15 / 0 / 16

HEX #84B6D7

RGB 132 182 215

HSL 203.86, 0.51%, 0.68%

LAB 71.74, -8.19, -21.85

 

CMYK 28 / 11 / 0 / 12

HEX #A3C9E1

RGB 163 201 225

HSL 203.23, 0.51%, 0.76%

LAB 79.04, -7.15, -16.03

 

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

CMYK 21 / 51 / 0 / 20

HEX #A265CD

RGB 162 101 205

HSL 275.19, 0.51%, 0.6%

LAB 53.38, 43.53, -44.6

 

CMYK 0 / 1 / 51 / 20

HEX #CDCB65

RGB 205 203 101

HSL 58.85, 0.51%, 0.6%

LAB 79.97, -13.07, 50.53

 

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

CMYK 0 / 51 / 20 / 20

HEX #CD65A5

RGB 205 101 165

HSL 323.08, 0.51%, 0.6%

LAB 57.08, 48.84, -15.42

 

CMYK 20 / 0 / 51 / 20

HEX #A5CD65

RGB 165 205 101

HSL 83.08, 0.51%, 0.6%

LAB 77.64, -29.87, 47.06

 

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

CMYK 21 / 51 / 0 / 20

HEX #A265CD

RGB 162 101 205

HSL 275.19, 0.51%, 0.6%

LAB 53.38, 43.53, -44.6

 

CMYK 0 / 31 / 51 / 20

HEX #CD8D65

RGB 205 141 101

HSL 23.08, 0.51%, 0.6%

LAB 64.14, 19.84, 31.06

 

CMYK 30 / 0 / 51 / 20

HEX #90CD65

RGB 144 205 101

HSL 95.19, 0.51%, 0.6%

LAB 76.39, -37.56, 45.26

 

CMYK 50 / 20 / 0 / 19

HEX #66A5CE

RGB 102 165 206

HSL 203.65, 0.51%, 0.6%

LAB 65.11, -8.91, -27.16

 

CMYK 6 / 51 / 0 / 20

HEX #C165CD

RGB 193 101 205

HSL 293.08, 0.51%, 0.6%

LAB 57.13, 52.06, -38.44

 

CMYK 0 / 31 / 51 / 20

HEX #CD8D65

RGB 205 141 101

HSL 23.08, 0.51%, 0.6%

LAB 64.14, 19.84, 31.06

 

CMYK 45 / 0 / 51 / 20

HEX #71CD65

RGB 113 205 101

HSL 113.08, 0.51%, 0.6%

LAB 74.9, -47.66, 43.09

 

Description

Color code: HEX #66A5CE | qconv.com Color code: HEX #66A5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 165 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 165 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 20 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 20% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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