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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6698C8 it is the complementary color #996737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6698C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6698C8 shade: #6B98C3, #7CAAD6, #8DBCE9, #9ECEFC and #AFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6698C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6698C8 shade: #6698C8, #5586B5, #4474A2, #33628F and #22507C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6698C8 shade: #6597C8, #657DC8, #6865C8, #8365C8 and #9D65C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6698C8 shade: #6597C8, #657DC8 and #6565C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6698C8 shade matches the following richer shades: #6597C8, #5498D9, #4398E9 and #3398FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6698C8 shade: #6597C8, #7697B7, #8797A6, #989695 and #A99684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6698C8 shade: #65C8C3, #65B2C8, #6598C8, #657EC8 and #6765C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6698C8 shade: #3A6EA1, #4783BD, #6597C8, #84ACD3 and #A2C0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6698C8 shade: #6698C8, #A865C8 and #BFC865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6698C8 shade: #6698C8, #C86598 and #98C865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6698C8 shade: #6698C8, #A865C8, #C89565 and #84C865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6698C8 shade: #6698C8, #C665C8, #C89565 and #67C865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

Complementary color

CMYK 0 / 33 / 64 / 40

HEX #996737

RGB 153 103 55

HSL 29.39, 0.47%, 0.41%

LAB 47.94, 15.07, 34.72

 

CMYK 45 / 22 / 0 / 24

HEX #6B98C3

RGB 107 152 195

HSL 209.32, 0.42%, 0.59%

LAB 61.24, -3.67, -26.97

 

CMYK 42 / 21 / 0 / 16

HEX #7CAAD6

RGB 124 170 214

HSL 209.33, 0.52%, 0.66%

LAB 67.94, -4.02, -27.15

 

CMYK 39 / 19 / 0 / 9

HEX #8DBCE9

RGB 141 188 233

HSL 209.35, 0.68%, 0.73%

LAB 74.52, -4.32, -27.34

 

CMYK 37 / 18 / 0 / 1

HEX #9ECEFC

RGB 158 206 252

HSL 209.36, 0.94%, 0.8%

LAB 80.98, -4.57, -27.55

 

CMYK 31 / 12 / 0 / 0

HEX #AFE0FF

RGB 175 224 255

HSL 203.25, 1%, 0.84%

LAB 86.82, -8.67, -20.16

 

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

CMYK 53 / 26 / 0 / 29

HEX #5586B5

RGB 85 134 181

HSL 209.38, 0.39%, 0.52%

LAB 54.36, -2.89, -29.77

 

CMYK 58 / 28 / 0 / 36

HEX #4474A2

RGB 68 116 162

HSL 209.36, 0.41%, 0.45%

LAB 47.4, -2.18, -29.66

 

CMYK 64 / 31 / 0 / 44

HEX #33628F

RGB 51 98 143

HSL 209.35, 0.47%, 0.38%

LAB 40.28, -1.24, -29.58

 

CMYK 73 / 35 / 0 / 51

HEX #22507C

RGB 34 80 124

HSL 209.33, 0.57%, 0.31%

LAB 32.99, 0.07, -29.5

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 50 / 38 / 0 / 22

HEX #657DC8

RGB 101 125 200

HSL 225.45, 0.47%, 0.59%

LAB 53.6, 12.13, -41.74

 

CMYK 48 / 50 / 0 / 22

HEX #6865C8

RGB 104 101 200

HSL 241.82, 0.47%, 0.59%

LAB 47.52, 27.45, -51.4

 

CMYK 35 / 50 / 0 / 22

HEX #8365C8

RGB 131 101 200

HSL 258.18, 0.47%, 0.59%

LAB 49.86, 34.06, -47.53

 

CMYK 22 / 50 / 0 / 22

HEX #9D65C8

RGB 157 101 200

HSL 273.94, 0.47%, 0.59%

LAB 52.56, 41.03, -43.08

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 50 / 38 / 0 / 22

HEX #657DC8

RGB 101 125 200

HSL 225.45, 0.47%, 0.59%

LAB 53.6, 12.13, -41.74

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 61 / 30 / 0 / 15

HEX #5498D9

RGB 84 152 217

HSL 209.32, 0.64%, 0.59%

LAB 61.09, -1.95, -39.59

 

CMYK 71 / 35 / 0 / 9

HEX #4398E9

RGB 67 152 233

HSL 209.28, 0.79%, 0.59%

LAB 61.25, 0.71, -48.26

 

CMYK 80 / 39 / 0 / 2

HEX #3398FA

RGB 51 152 250

HSL 209.55, 0.95%, 0.59%

LAB 61.71, 4.91, -56.91

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 36 / 17 / 0 / 28

HEX #7697B7

RGB 118 151 183

HSL 209.54, 0.31%, 0.59%

LAB 61.14, -3.46, -20.32

 

CMYK 19 / 9 / 0 / 35

HEX #8797A6

RGB 135 151 166

HSL 209.03, 0.15%, 0.59%

LAB 61.69, -2.4, -9.78

 

CMYK 0 / 1 / 2 / 40

HEX #989695

RGB 152 150 149

HSL 20, 0.01%, 0.59%

LAB 62.22, 0.54, 0.78

 

CMYK 0 / 11 / 22 / 34

HEX #A99684

RGB 169 150 132

HSL 29.19, 0.18%, 0.59%

LAB 63.27, 4.08, 12.07

 

CMYK 50 / 0 / 3 / 22

HEX #65C8C3

RGB 101 200 195

HSL 176.97, 0.47%, 0.59%

LAB 74.83, -30.2, -6.45

 

CMYK 50 / 11 / 0 / 22

HEX #65B2C8

RGB 101 178 200

HSL 193.33, 0.47%, 0.59%

LAB 68.59, -17.82, -18.54

 

CMYK 50 / 24 / 0 / 22

HEX #6598C8

RGB 101 152 200

HSL 209.09, 0.47%, 0.59%

LAB 61.13, -3.68, -29.98

 

CMYK 50 / 37 / 0 / 22

HEX #657EC8

RGB 101 126 200

HSL 224.85, 0.47%, 0.59%

LAB 53.88, 11.52, -41.31

 

CMYK 49 / 50 / 0 / 22

HEX #6765C8

RGB 103 101 200

HSL 241.21, 0.47%, 0.59%

LAB 47.44, 27.22, -51.53

 

CMYK 64 / 32 / 0 / 37

HEX #3A6EA1

RGB 58 110 161

HSL 209.71, 0.47%, 0.43%

LAB 45.12, -0.93, -32.69

 

CMYK 62 / 31 / 0 / 26

HEX #4783BD

RGB 71 131 189

HSL 209.49, 0.47%, 0.51%

LAB 53.22, -1.45, -36.18

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 37 / 18 / 0 / 17

HEX #84ACD3

RGB 132 172 211

HSL 209.62, 0.47%, 0.67%

LAB 68.83, -3.81, -24.08

 

CMYK 27 / 13 / 0 / 13

HEX #A2C0DD

RGB 162 192 221

HSL 209.49, 0.46%, 0.75%

LAB 76.44, -3.61, -17.81

 

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

CMYK 16 / 50 / 0 / 22

HEX #A865C8

RGB 168 101 200

HSL 280.61, 0.47%, 0.59%

LAB 53.82, 44.08, -41.01

 

CMYK 5 / 0 / 50 / 22

HEX #BFC865

RGB 191 200 101

HSL 65.45, 0.47%, 0.59%

LAB 78.07, -17.24, 48

 

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

CMYK 0 / 50 / 24 / 22

HEX #C86598

RGB 200 101 152

HSL 329.09, 0.47%, 0.59%

LAB 55.94, 45.33, -9.64

 

CMYK 24 / 0 / 50 / 22

HEX #98C865

RGB 152 200 101

HSL 89.09, 0.47%, 0.59%

LAB 75.4, -32.38, 44.17

 

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

CMYK 16 / 50 / 0 / 22

HEX #A865C8

RGB 168 101 200

HSL 280.61, 0.47%, 0.59%

LAB 53.82, 44.08, -41.01

 

CMYK 0 / 26 / 50 / 22

HEX #C89565

RGB 200 149 101

HSL 29.09, 0.47%, 0.59%

LAB 65.53, 13.4, 32.73

 

CMYK 34 / 0 / 50 / 22

HEX #84C865

RGB 132 200 101

HSL 101.21, 0.47%, 0.59%

LAB 74.29, -39.47, 42.55

 

CMYK 49 / 24 / 0 / 22

HEX #6698C8

RGB 102 152 200

HSL 209.39, 0.47%, 0.59%

LAB 61.18, -3.44, -29.89

 

CMYK 1 / 50 / 0 / 22

HEX #C665C8

RGB 198 101 200

HSL 298.79, 0.47%, 0.59%

LAB 57.54, 52.53, -34.9

 

CMYK 0 / 26 / 50 / 22

HEX #C89565

RGB 200 149 101

HSL 29.09, 0.47%, 0.59%

LAB 65.53, 13.4, 32.73

 

CMYK 49 / 0 / 50 / 22

HEX #67C865

RGB 103 200 101

HSL 118.79, 0.47%, 0.59%

LAB 72.98, -48.49, 40.65

 

Description

Color code: HEX #6698C8 | qconv.com Color code: HEX #6698C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 152 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 152 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 24 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 24% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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