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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #668A07 it is the complementary color #9975F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #668A07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #668A07 shade: #6B8A02, #7C9C15, #8DAE28, #9EC03B and #AFD24E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #668A07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #668A07 shade: #668A07, #557800, #446600, #335400 and #224200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #668A07 shade: #648807, #878807, #886607, #884307 and #882007

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #668A07 shade: #648807, #428807, #1F8807, #078812 and #078835

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #668A07 shade matches the following richer shades: #648807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #668A07 shade: #648807, #5F7C13, #5A711E, #55652A and #505935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #668A07 shade: #886507, #888807, #658807, #438807 and #218807

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #668A07 shade: #2A3903, #476005, #648807, #81AF09 and #9ED60B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #668A07 shade: #668A07, #078843 and #770788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #668A07 shade: #668A07, #076588 and #880765

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #668A07 shade: #668A07, #078843, #290788 and #88074C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #668A07 shade: #668A07, #07886A, #290788 and #880725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

Complementary color

CMYK 38 / 53 / 0 / 3

HEX #9975F8

RGB 153 117 248

HSL 256.49, 0.9%, 0.72%

LAB 58.29, 43, -60.95

 

CMYK 22 / 0 / 99 / 46

HEX #6B8A02

RGB 107 138 2

HSL 73.68, 0.97%, 0.27%

LAB 53.28, -27.46, 56.66

 

CMYK 21 / 0 / 87 / 39

HEX #7C9C15

RGB 124 156 21

HSL 74.22, 0.76%, 0.35%

LAB 59.99, -28.51, 59.1

 

CMYK 19 / 0 / 77 / 32

HEX #8DAE28

RGB 141 174 40

HSL 74.78, 0.63%, 0.42%

LAB 66.59, -29.32, 60.13

 

CMYK 18 / 0 / 69 / 25

HEX #9EC03B

RGB 158 192 59

HSL 75.34, 0.53%, 0.49%

LAB 73.08, -29.93, 60.15

 

CMYK 17 / 0 / 63 / 18

HEX #AFD24E

RGB 175 210 78

HSL 75.91, 0.59%, 0.56%

LAB 79.48, -30.39, 59.62

 

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

CMYK 29 / 0 / 100 / 53

HEX #557800

RGB 85 120 0

HSL 77.5, 1%, 0.24%

LAB 46.13, -28.17, 50.93

 

CMYK 33 / 0 / 100 / 60

HEX #446600

RGB 68 102 0

HSL 80, 1%, 0.2%

LAB 39.12, -26.68, 45.1

 

CMYK 39 / 0 / 100 / 67

HEX #335400

RGB 51 84 0

HSL 83.57, 1%, 0.16%

LAB 31.91, -25.14, 39.1

 

CMYK 48 / 0 / 100 / 74

HEX #224200

RGB 34 66 0

HSL 89.09, 1%, 0.13%

LAB 24.44, -23.5, 32.4

 

CMYK 26 / 0 / 95 / 47

HEX #648807

RGB 100 136 7

HSL 76.74, 0.9%, 0.28%

LAB 52.21, -29.34, 54.73

 

CMYK 1 / 0 / 95 / 47

HEX #878807

RGB 135 136 7

HSL 60.47, 0.9%, 0.28%

LAB 54.84, -13.84, 57.92

 

CMYK 0 / 25 / 95 / 47

HEX #886607

RGB 136 102 7

HSL 44.19, 0.9%, 0.28%

LAB 45.29, 5.66, 50.71

 

CMYK 0 / 51 / 95 / 47

HEX #884307

RGB 136 67 7

HSL 27.91, 0.9%, 0.28%

LAB 36.49, 25.97, 44.25

 

CMYK 0 / 76 / 95 / 47

HEX #882007

RGB 136 32 7

HSL 11.63, 0.9%, 0.28%

LAB 30.11, 42.72, 39.77

 

CMYK 26 / 0 / 95 / 47

HEX #648807

RGB 100 136 7

HSL 76.74, 0.9%, 0.28%

LAB 52.21, -29.34, 54.73

 

CMYK 51 / 0 / 95 / 47

HEX #428807

RGB 66 136 7

HSL 92.56, 0.9%, 0.28%

LAB 50.43, -42.02, 52.55

 

CMYK 77 / 0 / 95 / 47

HEX #1F8807

RGB 31 136 7

HSL 108.84, 0.9%, 0.28%

LAB 49.39, -50.58, 51.26

 

CMYK 95 / 0 / 87 / 47

HEX #078812

RGB 7 136 18

HSL 125.12, 0.9%, 0.28%

LAB 49.13, -52.81, 48.61

 

CMYK 95 / 0 / 61 / 47

HEX #078835

RGB 7 136 53

HSL 141.4, 0.9%, 0.28%

LAB 49.39, -49.52, 35.29

 

CMYK 26 / 0 / 95 / 47

HEX #648807

RGB 100 136 7

HSL 76.74, 0.9%, 0.28%

LAB 52.21, -29.34, 54.73

 

CMYK 26 / 0 / 95 / 47

HEX #648807

RGB 100 136 7

HSL 76.74, 0.9%, 0.28%

LAB 52.21, -29.34, 54.73

 

CMYK 23 / 0 / 85 / 51

HEX #5F7C13

RGB 95 124 19

HSL 76.57, 0.73%, 0.28%

LAB 48.13, -25.27, 48.57

 

CMYK 20 / 0 / 73 / 56

HEX #5A711E

RGB 90 113 30

HSL 76.63, 0.58%, 0.28%

LAB 44.34, -21.29, 41.06

 

CMYK 16 / 0 / 58 / 60

HEX #55652A

RGB 85 101 42

HSL 76.27, 0.41%, 0.28%

LAB 40.26, -16.13, 30.91

 

CMYK 10 / 0 / 40 / 65

HEX #505935

RGB 80 89 53

HSL 75, 0.25%, 0.28%

LAB 36.19, -10.28, 19.68

 

CMYK 0 / 26 / 95 / 47

HEX #886507

RGB 136 101 7

HSL 43.72, 0.9%, 0.28%

LAB 45.02, 6.25, 50.5

 

CMYK 0 / 0 / 95 / 47

HEX #888807

RGB 136 136 7

HSL 60, 0.9%, 0.28%

LAB 54.93, -13.38, 58.02

 

CMYK 26 / 0 / 95 / 47

HEX #658807

RGB 101 136 7

HSL 76.28, 0.9%, 0.28%

LAB 52.28, -28.92, 54.81

 

CMYK 51 / 0 / 95 / 47

HEX #438807

RGB 67 136 7

HSL 92.09, 0.9%, 0.28%

LAB 50.47, -41.7, 52.6

 

CMYK 76 / 0 / 95 / 47

HEX #218807

RGB 33 136 7

HSL 107.91, 0.9%, 0.28%

LAB 49.43, -50.24, 51.31

 

CMYK 26 / 0 / 95 / 78

HEX #2A3903

RGB 42 57 3

HSL 76.67, 0.9%, 0.12%

LAB 21.67, -14.99, 28.51

 

CMYK 26 / 0 / 95 / 62

HEX #476005

RGB 71 96 5

HSL 76.48, 0.9%, 0.2%

LAB 37.33, -22.21, 42.35

 

CMYK 26 / 0 / 95 / 47

HEX #648807

RGB 100 136 7

HSL 76.74, 0.9%, 0.28%

LAB 52.21, -29.34, 54.73

 

CMYK 26 / 0 / 95 / 31

HEX #81AF09

RGB 129 175 9

HSL 76.63, 0.9%, 0.36%

LAB 66.02, -35.61, 66.19

 

CMYK 26 / 0 / 95 / 16

HEX #9ED60B

RGB 158 214 11

HSL 76.55, 0.9%, 0.44%

LAB 79.26, -41.61, 77.15

 

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

CMYK 95 / 0 / 51 / 47

HEX #078843

RGB 7 136 67

HSL 147.91, 0.9%, 0.28%

LAB 49.57, -47.33, 28.33

 

CMYK 13 / 95 / 0 / 47

HEX #770788

RGB 119 7 136

HSL 292.09, 0.9%, 0.28%

LAB 29.03, 57.6, -42.8

 

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

CMYK 95 / 26 / 0 / 47

HEX #076588

RGB 7 101 136

HSL 196.28, 0.9%, 0.28%

LAB 39.8, -11.06, -26.19

 

CMYK 0 / 95 / 26 / 47

HEX #880765

RGB 136 7 101

HSL 316.28, 0.9%, 0.28%

LAB 30.22, 55.58, -18.46

 

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

CMYK 95 / 0 / 51 / 47

HEX #078843

RGB 7 136 67

HSL 147.91, 0.9%, 0.28%

LAB 49.57, -47.33, 28.33

 

CMYK 70 / 95 / 0 / 47

HEX #290788

RGB 41 7 136

HSL 255.81, 0.9%, 0.28%

LAB 17.46, 48.38, -62.22

 

CMYK 0 / 95 / 44 / 47

HEX #88074C

RGB 136 7 76

HSL 327.91, 0.9%, 0.28%

LAB 29.18, 52.8, -3.61

 

CMYK 26 / 0 / 95 / 46

HEX #668A07

RGB 102 138 7

HSL 76.49, 0.9%, 0.28%

LAB 52.97, -29.46, 55.39

 

CMYK 95 / 0 / 22 / 47

HEX #07886A

RGB 7 136 106

HSL 166.05, 0.9%, 0.28%

LAB 50.33, -38.64, 7.43

 

CMYK 70 / 95 / 0 / 47

HEX #290788

RGB 41 7 136

HSL 255.81, 0.9%, 0.28%

LAB 17.46, 48.38, -62.22

 

CMYK 0 / 95 / 73 / 47

HEX #880725

RGB 136 7 37

HSL 346.05, 0.9%, 0.28%

LAB 28.17, 50.02, 21.19

 

Description

Color code: HEX #668A07 | qconv.com Color code: HEX #668A07 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 138 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 138 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 95 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 95% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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