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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667FCF it is the complementary color #998030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667FCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667FCF shade: #6B7FCA, #7C91DD, #8DA3F0, #9EB5FF and #AFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667FCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667FCF shade: #667FCF, #556DBC, #445BA9, #334996 and #223783

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667FCF shade: #6880CF, #6B68CF, #8768CF, #A368CF and #BF68CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667FCF shade: #6880CF and #6868CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667FCF shade matches the following richer shades: #6880CF, #5878DF and #4870EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667FCF shade: #6880CF, #7889BF, #8891AF, #989A9F and #A8A28F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667FCF shade: #68B9CF, #689DCF, #6882CF, #6A68CF and #8568CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667FCF shade: #3753AE, #4866C5, #6880CF, #879BD9 and #A7B5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667FCF shade: #667FCF, #CA68CF and #ABCF68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667FCF shade: #667FCF, #CF6882 and #82CF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667FCF shade: #667FCF, #CA68CF, #CFB568 and #6DCF68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667FCF shade: #667FCF, #CF68B5, #CFB568 and #68CF82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

Complementary color

CMYK 0 / 16 / 69 / 40

HEX #998030

RGB 153 128 48

HSL 45.71, 0.52%, 0.39%

LAB 54.47, 0.36, 45.41

 

CMYK 47 / 37 / 0 / 21

HEX #6B7FCA

RGB 107 127 202

HSL 227.37, 0.47%, 0.61%

LAB 54.63, 12.98, -41.24

 

CMYK 44 / 34 / 0 / 13

HEX #7C91DD

RGB 124 145 221

HSL 227.01, 0.59%, 0.68%

LAB 61.44, 12.17, -41.11

 

CMYK 41 / 32 / 0 / 6

HEX #8DA3F0

RGB 141 163 240

HSL 226.67, 0.77%, 0.75%

LAB 68.13, 11.47, -41.04

 

CMYK 38 / 29 / 0 / 0

HEX #9EB5FF

RGB 158 181 255

HSL 225.77, 1%, 0.81%

LAB 74.53, 9.8, -39.1

 

CMYK 31 / 22 / 0 / 0

HEX #AFC7FF

RGB 175 199 255

HSL 222, 1%, 0.84%

LAB 80.28, 4.54, -30.13

 

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

CMYK 55 / 42 / 0 / 26

HEX #556DBC

RGB 85 109 188

HSL 226.02, 0.43%, 0.54%

LAB 47.62, 14.44, -44.4

 

CMYK 60 / 46 / 0 / 34

HEX #445BA9

RGB 68 91 169

HSL 226.34, 0.43%, 0.46%

LAB 40.53, 15.81, -44.65

 

CMYK 66 / 51 / 0 / 41

HEX #334996

RGB 51 73 150

HSL 226.67, 0.49%, 0.39%

LAB 33.29, 17.56, -44.94

 

CMYK 74 / 58 / 0 / 49

HEX #223783

RGB 34 55 131

HSL 227.01, 0.59%, 0.32%

LAB 25.9, 19.85, -45.23

 

CMYK 50 / 38 / 0 / 19

HEX #6880CF

RGB 104 128 207

HSL 226.02, 0.52%, 0.61%

LAB 54.96, 13.19, -43.57

 

CMYK 48 / 50 / 0 / 19

HEX #6B68CF

RGB 107 104 207

HSL 241.75, 0.52%, 0.61%

LAB 48.92, 28.43, -53.16

 

CMYK 35 / 50 / 0 / 19

HEX #8768CF

RGB 135 104 207

HSL 258.06, 0.52%, 0.61%

LAB 51.33, 35.2, -49.17

 

CMYK 21 / 50 / 0 / 19

HEX #A368CF

RGB 163 104 207

HSL 274.37, 0.52%, 0.61%

LAB 54.23, 42.63, -44.38

 

CMYK 8 / 50 / 0 / 19

HEX #BF68CF

RGB 191 104 207

HSL 290.68, 0.52%, 0.61%

LAB 57.54, 50.37, -38.94

 

CMYK 50 / 38 / 0 / 19

HEX #6880CF

RGB 104 128 207

HSL 226.02, 0.52%, 0.61%

LAB 54.96, 13.19, -43.57

 

CMYK 50 / 50 / 0 / 19

HEX #6868CF

RGB 104 104 207

HSL 240, 0.52%, 0.61%

LAB 48.7, 27.77, -53.53

 

CMYK 50 / 38 / 0 / 19

HEX #6880CF

RGB 104 128 207

HSL 226.02, 0.52%, 0.61%

LAB 54.96, 13.19, -43.57

 

CMYK 61 / 46 / 0 / 13

HEX #5878DF

RGB 88 120 223

HSL 225.78, 0.68%, 0.61%

LAB 52.77, 19.88, -56.13

 

CMYK 70 / 53 / 0 / 6

HEX #4870EF

RGB 72 112 239

HSL 225.63, 0.84%, 0.61%

LAB 50.92, 27.79, -68.13

 

CMYK 50 / 38 / 0 / 19

HEX #6880CF

RGB 104 128 207

HSL 226.02, 0.52%, 0.61%

LAB 54.96, 13.19, -43.57

 

CMYK 37 / 28 / 0 / 25

HEX #7889BF

RGB 120 137 191

HSL 225.63, 0.36%, 0.61%

LAB 57.7, 7.3, -30.12

 

CMYK 22 / 17 / 0 / 31

HEX #8891AF

RGB 136 145 175

HSL 226.15, 0.2%, 0.61%

LAB 60.41, 3.41, -16.79

 

CMYK 4 / 3 / 0 / 38

HEX #989A9F

RGB 152 154 159

HSL 222.86, 0.04%, 0.61%

LAB 63.58, 0.27, -2.87

 

CMYK 0 / 4 / 15 / 34

HEX #A8A28F

RGB 168 162 143

HSL 45.6, 0.13%, 0.61%

LAB 66.63, -1.15, 10.66

 

CMYK 50 / 11 / 0 / 19

HEX #68B9CF

RGB 104 185 207

HSL 192.82, 0.52%, 0.61%

LAB 70.97, -18.83, -18.76

 

CMYK 50 / 24 / 0 / 19

HEX #689DCF

RGB 104 157 207

HSL 209.13, 0.52%, 0.61%

LAB 62.98, -3.71, -31.01

 

CMYK 50 / 37 / 0 / 19

HEX #6882CF

RGB 104 130 207

HSL 224.85, 0.52%, 0.61%

LAB 55.5, 11.99, -42.71

 

CMYK 49 / 50 / 0 / 19

HEX #6A68CF

RGB 106 104 207

HSL 241.17, 0.52%, 0.61%

LAB 48.85, 28.21, -53.28

 

CMYK 36 / 50 / 0 / 19

HEX #8568CF

RGB 133 104 207

HSL 256.89, 0.52%, 0.61%

LAB 51.14, 34.69, -49.48

 

CMYK 68 / 52 / 0 / 32

HEX #3753AE

RGB 55 83 174

HSL 225.88, 0.52%, 0.45%

LAB 37.94, 20.46, -51.82

 

CMYK 63 / 48 / 0 / 23

HEX #4866C5

RGB 72 102 197

HSL 225.6, 0.52%, 0.53%

LAB 45.51, 19.32, -53.01

 

CMYK 50 / 38 / 0 / 19

HEX #6880CF

RGB 104 128 207

HSL 226.02, 0.52%, 0.61%

LAB 54.96, 13.19, -43.57

 

CMYK 38 / 29 / 0 / 15

HEX #879BD9

RGB 135 155 217

HSL 225.37, 0.52%, 0.69%

LAB 64.65, 8.15, -33.84

 

CMYK 26 / 20 / 0 / 11

HEX #A7B5E3

RGB 167 181 227

HSL 226, 0.52%, 0.77%

LAB 74.07, 5.26, -24.63

 

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

CMYK 2 / 50 / 0 / 19

HEX #CA68CF

RGB 202 104 207

HSL 297.09, 0.52%, 0.61%

LAB 58.94, 53.45, -36.65

 

CMYK 17 / 0 / 50 / 19

HEX #ABCF68

RGB 171 207 104

HSL 80.97, 0.52%, 0.61%

LAB 78.63, -28.23, 46.9

 

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

CMYK 0 / 50 / 37 / 19

HEX #CF6882

RGB 207 104 130

HSL 344.85, 0.52%, 0.61%

LAB 56.86, 43.35, 4.68

 

CMYK 37 / 0 / 50 / 19

HEX #82CF68

RGB 130 207 104

HSL 104.85, 0.52%, 0.61%

LAB 76.3, -42.83, 43.53

 

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

CMYK 2 / 50 / 0 / 19

HEX #CA68CF

RGB 202 104 207

HSL 297.09, 0.52%, 0.61%

LAB 58.94, 53.45, -36.65

 

CMYK 0 / 13 / 50 / 19

HEX #CFB568

RGB 207 181 104

HSL 44.85, 0.52%, 0.61%

LAB 74.39, -0.62, 42.4

 

CMYK 47 / 0 / 50 / 19

HEX #6DCF68

RGB 109 207 104

HSL 117.09, 0.52%, 0.61%

LAB 75.37, -49.24, 42.19

 

CMYK 51 / 39 / 0 / 19

HEX #667FCF

RGB 102 127 207

HSL 225.71, 0.52%, 0.61%

LAB 54.56, 13.33, -44.19

 

CMYK 0 / 50 / 13 / 19

HEX #CF68B5

RGB 207 104 181

HSL 315.15, 0.52%, 0.61%

LAB 58.51, 50.45, -22.44

 

CMYK 0 / 13 / 50 / 19

HEX #CFB568

RGB 207 181 104

HSL 44.85, 0.52%, 0.61%

LAB 74.39, -0.62, 42.4

 

CMYK 50 / 0 / 37 / 19

HEX #68CF82

RGB 104 207 130

HSL 135.15, 0.52%, 0.61%

LAB 75.56, -46.65, 29.3

 

Description

Color code: HEX #667FCF | qconv.com Color code: HEX #667FCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 127 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 127 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 39 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 39% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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