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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667DF4CE it is the complementary color #99820BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667DF4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667DF4CE shade: #6B7DEFCE, #7C8FFFCE, #8DA1FFCE, #9EB3FFCE and #AFC5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667DF4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667DF4CE shade: #667DF4CE, #556BE1CE, #4459CECE, #3347BBCE and #2235A8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667DF4CE shade: #667DF4, #7666F4, #9C66F4, #C266F4 and #E966F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667DF4CE shade: #667DF4 and #6666F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667DF4CE shade matches the following richer shades: #667DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667DF4CE shade: #667DF4, #7486E7, #818FDA, #8E98CD and #9BA1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667DF4CE shade: #66CAF4, #66A4F4, #667EF4, #7566F4 and #9A66F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667DF4CE shade: #193CEF, #405DF2, #667DF4, #8D9EF7 and #B4BFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667DF4CE shade: #667DF4, #F466F0 and #B7F466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667DF4CE shade: #667DF4, #F4667E and #7EF466

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667DF4CE shade: #667DF4, #F466F0, #F4DD66 and #66F46B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667DF4CE shade: #667DF4, #F466C5, #F4DD66 and #66F496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 40 / 0 / 3

HEX #667DF4CE

RGBA 102 125 244 0.81

HSLA 230.28, 0.87%, 0.68%, 0.81

LABA 56.11, 26.33, -62.45, 0.81

 

Complementary color

CMYK 0 / 12 / 75 / 32

HEX #99820BCE

RGBA 153 130 11 0.81

HSLA 50.28, 0.87%, 0.32%, 0.81

LABA 54.83, -2.15, 57.96, 0.81

 

CMYK 45 / 39 / 0 / 5

HEX #6B7DEFCE

RGBA 107 125 239 0.81

HSLA 231.82, 0.8%, 0.68%, 0.81

LABA 56.11, 25.69, -59.66, 0.81

 

CMYK 42 / 36 / 0 / 0

HEX #7C8FFFCE

RGBA 124 143 255 0.81

HSLA 231.3, 1%, 0.74%, 0.81

LABA 62.63, 23.44, -57.99, 0.81

 

CMYK 36 / 30 / 0 / 0

HEX #8DA1FFCE

RGBA 141 161 255 0.81

HSLA 229.47, 1%, 0.78%, 0.81

LABA 68.29, 16.83, -48.95, 0.81

 

CMYK 31 / 24 / 0 / 0

HEX #9EB3FFCE

RGBA 158 179 255 0.81

HSLA 227.01, 1%, 0.81%, 0.81

LABA 74.02, 10.92, -39.91, 0.81

 

CMYK 25 / 18 / 0 / 0

HEX #AFC5FFCE

RGBA 175 197 255 0.81

HSLA 223.5, 1%, 0.84%, 0.81

LABA 79.77, 5.62, -30.92, 0.81

 

CMYK 47 / 40 / 0 / 3

HEX #667DF4CE

RGBA 102 125 244 0.81

HSLA 230.28, 0.87%, 0.68%, 0.81

LABA 56.11, 26.33, -62.45, 0.81

 

CMYK 50 / 42 / 0 / 10

HEX #556BE1CE

RGBA 85 107 225 0.81

HSLA 230.57, 0.7%, 0.61%, 0.81

LABA 49.35, 28.04, -62.76, 0.81

 

CMYK 54 / 46 / 0 / 16

HEX #4459CECE

RGBA 68 89 206 0.81

HSLA 230.87, 0.58%, 0.54%, 0.81

LABA 42.51, 30.07, -63.07, 0.81

 

CMYK 59 / 50 / 0 / 22

HEX #3347BBCE

RGBA 51 71 187 0.81

HSLA 231.18, 0.57%, 0.47%, 0.81

LABA 35.59, 32.48, -63.31, 0.81

 

CMYK 65 / 55 / 0 / 28

HEX #2235A8CE

RGBA 34 53 168 0.81

HSLA 231.49, 0.66%, 0.4%, 0.81

LABA 28.68, 35.33, -63.38, 0.81

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 52 / 58 / 0 / 4

HEX #7666F4

RGB 118 102 244

HSL 246.76, 0.87%, 0.68%

LAB 51.71, 43.02, -69.5

 

CMYK 36 / 58 / 0 / 4

HEX #9C66F4

RGB 156 102 244

HSL 262.82, 0.87%, 0.68%

LAB 55.18, 50.87, -63.73

 

CMYK 20 / 58 / 0 / 4

HEX #C266F4

RGB 194 102 244

HSL 278.87, 0.87%, 0.68%

LAB 59.44, 59.65, -56.66

 

CMYK 5 / 58 / 0 / 4

HEX #E966F4

RGB 233 102 244

HSL 295.35, 0.87%, 0.68%

LAB 64.45, 69.09, -48.39

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 58 / 58 / 0 / 4

HEX #6666F4

RGB 102 102 244

HSL 240, 0.87%, 0.68%

LAB 50.52, 40.16, -71.48

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 50 / 42 / 0 / 9

HEX #7486E7

RGB 116 134 231

HSL 230.61, 0.71%, 0.68%

LAB 58.54, 19.71, -51.3

 

CMYK 41 / 34 / 0 / 15

HEX #818FDA

RGB 129 143 218

HSL 230.56, 0.55%, 0.68%

LAB 61.11, 13.75, -39.94

 

CMYK 31 / 26 / 0 / 20

HEX #8E98CD

RGB 142 152 205

HSL 230.48, 0.39%, 0.68%

LAB 63.85, 8.67, -28.36

 

CMYK 19 / 16 / 0 / 25

HEX #9BA1C0

RGB 155 161 192

HSL 230.27, 0.23%, 0.68%

LAB 66.72, 4.46, -16.64

 

CMYK 58 / 17 / 0 / 4

HEX #66CAF4

RGB 102 202 244

HSL 197.75, 0.87%, 0.68%

LAB 77.04, -17.41, -29.54

 

CMYK 58 / 33 / 0 / 4

HEX #66A4F4

RGB 102 164 244

HSL 213.8, 0.87%, 0.68%

LAB 66.45, 3.29, -46.01

 

CMYK 58 / 48 / 0 / 4

HEX #667EF4

RGB 102 126 244

HSL 229.86, 0.87%, 0.68%

LAB 56.37, 25.73, -62.04

 

CMYK 52 / 58 / 0 / 4

HEX #7566F4

RGB 117 102 244

HSL 246.34, 0.87%, 0.68%

LAB 51.63, 42.83, -69.63

 

CMYK 37 / 58 / 0 / 4

HEX #9A66F4

RGB 154 102 244

HSL 261.97, 0.87%, 0.68%

LAB 54.97, 50.43, -64.07

 

CMYK 90 / 75 / 0 / 6

HEX #193CEF

RGB 25 60 239

HSL 230.19, 0.87%, 0.52%

LAB 37.24, 55.47, -90.6

 

CMYK 74 / 62 / 0 / 5

HEX #405DF2

RGB 64 93 242

HSL 230.22, 0.87%, 0.6%

LAB 46.08, 39.66, -77.69

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 43 / 36 / 0 / 3

HEX #8D9EF7

RGB 141 158 247

HSL 230.38, 0.87%, 0.76%

LAB 67.15, 16.29, -46.39

 

CMYK 28 / 24 / 0 / 2

HEX #B4BFFA

RGB 180 191 250

HSL 230.57, 0.88%, 0.84%

LAB 78.38, 9.09, -30.34

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 0 / 58 / 2 / 4

HEX #F466F0

RGB 244 102 240

HSL 301.69, 0.87%, 0.68%

LAB 65.77, 71.12, -44

 

CMYK 25 / 0 / 58 / 4

HEX #B7F466

RGB 183 244 102

HSL 85.77, 0.87%, 0.68%

LAB 89.73, -40.92, 60.94

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 0 / 58 / 48 / 4

HEX #F4667E

RGB 244 102 126

HSL 349.86, 0.87%, 0.68%

LAB 61.86, 56.45, 14.86

 

CMYK 48 / 0 / 58 / 4

HEX #7EF466

RGB 126 244 102

HSL 109.86, 0.87%, 0.68%

LAB 87.04, -59.27, 57.16

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 0 / 58 / 2 / 4

HEX #F466F0

RGB 244 102 240

HSL 301.69, 0.87%, 0.68%

LAB 65.77, 71.12, -44

 

CMYK 0 / 9 / 58 / 4

HEX #F4DD66

RGB 244 221 102

HSL 50.28, 0.87%, 0.68%

LAB 87.92, -6.16, 60.08

 

CMYK 58 / 0 / 56 / 4

HEX #66F46B

RGB 102 244 107

HSL 122.11, 0.87%, 0.68%

LAB 86.3, -64.75, 53.89

 

CMYK 58 / 49 / 0 / 4

HEX #667DF4

RGB 102 125 244

HSL 230.28, 0.87%, 0.68%

LAB 56.11, 26.33, -62.45

 

CMYK 0 / 58 / 19 / 4

HEX #F466C5

RGB 244 102 197

HSL 319.86, 0.87%, 0.68%

LAB 63.97, 64.59, -22.74

 

CMYK 0 / 9 / 58 / 4

HEX #F4DD66

RGB 244 221 102

HSL 50.28, 0.87%, 0.68%

LAB 87.92, -6.16, 60.08

 

CMYK 58 / 0 / 39 / 4

HEX #66F496

RGB 102 244 150

HSL 140.28, 0.87%, 0.68%

LAB 86.86, -58.54, 34.08

 

Description

Color code: HEX #667DF4CE | qconv.com Color code: HEX #667DF4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 125 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 125 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 40 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 40% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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