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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6672C8 it is the complementary color #998D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6672C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6672C8 shade: #6B72C3, #7C84D6, #8D96E9, #9EA8FC and #AFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6672C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6672C8 shade: #6672C8, #5560B5, #444EA2, #333C8F and #222A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6672C8 shade: #6571C8, #7465C8, #8E65C8, #A965C8 and #C365C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6672C8 shade: #6571C8 and #6565C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6672C8 shade matches the following richer shades: #6571C8, #5465D9, #4358E9 and #334BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6672C8 shade: #6571C8, #767EB7, #878BA6, #989895 and #A9A484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6672C8 shade: #65A7C8, #658DC8, #6572C8, #7265C8 and #8D65C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6672C8 shade: #3A46A1, #4755BD, #6571C8, #848DD3 and #A2A9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6672C8 shade: #6672C8, #C865C1 and #9AC865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6672C8 shade: #6672C8, #C86572 and #72C865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6672C8 shade: #6672C8, #C865C1, #C8BA65 and #65C86C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6672C8 shade: #6672C8, #C865A4, #C8BA65 and #65C889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

Complementary color

CMYK 0 / 8 / 64 / 40

HEX #998D37

RGB 153 141 55

HSL 52.65, 0.47%, 0.41%

LAB 58.13, -6.37, 46.11

 

CMYK 45 / 42 / 0 / 24

HEX #6B72C3

RGB 107 114 195

HSL 235.23, 0.42%, 0.59%

LAB 50.8, 18.72, -43.29

 

CMYK 42 / 38 / 0 / 16

HEX #7C84D6

RGB 124 132 214

HSL 234.67, 0.52%, 0.66%

LAB 57.7, 17.79, -43.1

 

CMYK 39 / 36 / 0 / 9

HEX #8D96E9

RGB 141 150 233

HSL 234.13, 0.68%, 0.73%

LAB 64.45, 16.99, -42.96

 

CMYK 37 / 33 / 0 / 1

HEX #9EA8FC

RGB 158 168 252

HSL 233.62, 0.94%, 0.8%

LAB 71.08, 16.29, -42.87

 

CMYK 31 / 27 / 0 / 0

HEX #AFBAFF

RGB 175 186 255

HSL 231.75, 1%, 0.84%

LAB 76.95, 11.63, -35.26

 

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

CMYK 53 / 47 / 0 / 29

HEX #5560B5

RGB 85 96 181

HSL 233.13, 0.39%, 0.52%

LAB 43.7, 20.28, -46.58

 

CMYK 58 / 52 / 0 / 36

HEX #444EA2

RGB 68 78 162

HSL 233.62, 0.41%, 0.45%

LAB 36.53, 21.8, -46.91

 

CMYK 64 / 58 / 0 / 44

HEX #333C8F

RGB 51 60 143

HSL 234.13, 0.47%, 0.38%

LAB 29.21, 23.71, -47.26

 

CMYK 73 / 66 / 0 / 51

HEX #222A7C

RGB 34 42 124

HSL 234.67, 0.57%, 0.31%

LAB 21.77, 26.11, -47.55

 

CMYK 50 / 44 / 0 / 22

HEX #6571C8

RGB 101 113 200

HSL 232.73, 0.47%, 0.59%

LAB 50.39, 19.42, -46.84

 

CMYK 42 / 50 / 0 / 22

HEX #7465C8

RGB 116 101 200

HSL 249.09, 0.47%, 0.59%

LAB 48.5, 30.29, -49.78

 

CMYK 29 / 50 / 0 / 22

HEX #8E65C8

RGB 142 101 200

HSL 264.85, 0.47%, 0.59%

LAB 50.95, 36.96, -45.73

 

CMYK 16 / 50 / 0 / 22

HEX #A965C8

RGB 169 101 200

HSL 281.21, 0.47%, 0.59%

LAB 53.93, 44.36, -40.82

 

CMYK 3 / 50 / 0 / 22

HEX #C365C8

RGB 195 101 200

HSL 296.97, 0.47%, 0.59%

LAB 57.15, 51.68, -35.54

 

CMYK 50 / 44 / 0 / 22

HEX #6571C8

RGB 101 113 200

HSL 232.73, 0.47%, 0.59%

LAB 50.39, 19.42, -46.84

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

CMYK 50 / 44 / 0 / 22

HEX #6571C8

RGB 101 113 200

HSL 232.73, 0.47%, 0.59%

LAB 50.39, 19.42, -46.84

 

CMYK 61 / 53 / 0 / 15

HEX #5465D9

RGB 84 101 217

HSL 232.33, 0.64%, 0.59%

LAB 47.24, 28.89, -61.65

 

CMYK 71 / 62 / 0 / 9

HEX #4358E9

RGB 67 88 233

HSL 232.41, 0.79%, 0.59%

LAB 44.31, 39.94, -75.52

 

CMYK 80 / 70 / 0 / 2

HEX #334BFA

RGB 51 75 250

HSL 232.76, 0.95%, 0.59%

LAB 42.21, 52.01, -88.55

 

CMYK 50 / 44 / 0 / 22

HEX #6571C8

RGB 101 113 200

HSL 232.73, 0.47%, 0.59%

LAB 50.39, 19.42, -46.84

 

CMYK 36 / 31 / 0 / 28

HEX #767EB7

RGB 118 126 183

HSL 232.62, 0.31%, 0.59%

LAB 54.23, 11.01, -30.96

 

CMYK 19 / 16 / 0 / 35

HEX #878BA6

RGB 135 139 166

HSL 232.26, 0.15%, 0.59%

LAB 58.39, 4.39, -14.74

 

CMYK 0 / 0 / 2 / 40

HEX #989895

RGB 152 152 149

HSL 60, 0.01%, 0.59%

LAB 62.76, -0.57, 1.57

 

CMYK 0 / 3 / 22 / 34

HEX #A9A484

RGB 169 164 132

HSL 51.89, 0.18%, 0.59%

LAB 67.02, -3.58, 17.29

 

CMYK 50 / 17 / 0 / 22

HEX #65A7C8

RGB 101 167 200

HSL 200, 0.47%, 0.59%

LAB 65.42, -11.98, -23.37

 

CMYK 50 / 30 / 0 / 22

HEX #658DC8

RGB 101 141 200

HSL 215.76, 0.47%, 0.59%

LAB 58.02, 2.64, -34.8

 

CMYK 50 / 43 / 0 / 22

HEX #6572C8

RGB 101 114 200

HSL 232.12, 0.47%, 0.59%

LAB 50.65, 18.81, -46.42

 

CMYK 43 / 50 / 0 / 22

HEX #7265C8

RGB 114 101 200

HSL 247.88, 0.47%, 0.59%

LAB 48.33, 29.8, -50.06

 

CMYK 30 / 50 / 0 / 22

HEX #8D65C8

RGB 141 101 200

HSL 264.24, 0.47%, 0.59%

LAB 50.85, 36.69, -45.9

 

CMYK 64 / 57 / 0 / 37

HEX #3A46A1

RGB 58 70 161

HSL 233.01, 0.47%, 0.43%

LAB 33.67, 24.79, -50.95

 

CMYK 62 / 55 / 0 / 26

HEX #4755BD

RGB 71 85 189

HSL 232.88, 0.47%, 0.51%

LAB 40.43, 27.17, -56.57

 

CMYK 50 / 44 / 0 / 22

HEX #6571C8

RGB 101 113 200

HSL 232.73, 0.47%, 0.59%

LAB 50.39, 19.42, -46.84

 

CMYK 37 / 33 / 0 / 17

HEX #848DD3

RGB 132 141 211

HSL 233.16, 0.47%, 0.67%

LAB 60.48, 13.78, -37

 

CMYK 27 / 24 / 0 / 13

HEX #A2A9DD

RGB 162 169 221

HSL 232.88, 0.46%, 0.75%

LAB 70.37, 8.97, -27.05

 

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

CMYK 0 / 50 / 4 / 22

HEX #C865C1

RGB 200 101 193

HSL 304.24, 0.47%, 0.59%

LAB 57.5, 51.86, -30.95

 

CMYK 23 / 0 / 50 / 22

HEX #9AC865

RGB 154 200 101

HSL 87.88, 0.47%, 0.59%

LAB 75.52, -31.64, 44.34

 

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

CMYK 0 / 50 / 43 / 22

HEX #C86572

RGB 200 101 114

HSL 352.12, 0.47%, 0.59%

LAB 54.87, 40.59, 11.09

 

CMYK 43 / 0 / 50 / 22

HEX #72C865

RGB 114 200 101

HSL 112.12, 0.47%, 0.59%

LAB 73.43, -45.27, 41.31

 

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

CMYK 0 / 50 / 4 / 22

HEX #C865C1

RGB 200 101 193

HSL 304.24, 0.47%, 0.59%

LAB 57.5, 51.86, -30.95

 

CMYK 0 / 7 / 50 / 22

HEX #C8BA65

RGB 200 186 101

HSL 51.52, 0.47%, 0.59%

LAB 75.04, -6.41, 44.54

 

CMYK 50 / 0 / 46 / 22

HEX #65C86C

RGB 101 200 108

HSL 124.24, 0.47%, 0.59%

LAB 73, -48.05, 37.18

 

CMYK 49 / 43 / 0 / 22

HEX #6672C8

RGB 102 114 200

HSL 232.65, 0.47%, 0.59%

LAB 50.72, 19.04, -46.3

 

CMYK 0 / 50 / 18 / 22

HEX #C865A4

RGB 200 101 164

HSL 321.82, 0.47%, 0.59%

LAB 56.35, 47.1, -16

 

CMYK 0 / 7 / 50 / 22

HEX #C8BA65

RGB 200 186 101

HSL 51.52, 0.47%, 0.59%

LAB 75.04, -6.41, 44.54

 

CMYK 50 / 0 / 32 / 22

HEX #65C889

RGB 101 200 137

HSL 141.82, 0.47%, 0.59%

LAB 73.47, -43.19, 22.81

 

Description

Color code: HEX #6672C8 | qconv.com Color code: HEX #6672C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 114 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 114 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 43 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 43% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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