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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #666B58 it is the complementary color #9994A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #666B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #666B58 shade: #6B6B53, #7C7D66, #8D8F79, #9EA18C and #AFB39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #666B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #666B58 shade: #666B58, #555945, #444732, #33351F and #22230C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #666B58 shade: #656B57, #6B6A57, #6B6557, #6B6057 and #6B5B57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #666B58 shade: #656B57, #606B57, #5B6B57, #576B59 and #576B5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #666B58 shade matches the following richer shades: #656B57, #6D7A48, #748A38, #7C9A28 and #83A918

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #666B58 shade: #656B57, #5E5B67, #574B77, #4F3C86 and #482C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #666B58 shade: #6B6557, #6B6A57, #666B57, #616B57 and #5B6B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #666B58 shade: #3A3D32, #505445, #656B57, #7B816A and #90967E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #666B58 shade: #666B58, #576B60 and #68576B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #666B58 shade: #666B58, #57666B and #6B5766

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #666B58 shade: #666B58, #576B60, #5C576B and #6B5762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #666B58 shade: #666B58, #576B66, #5C576B and #6B575C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

Complementary color

CMYK 8 / 11 / 0 / 35

HEX #9994A7

RGB 153 148 167

HSL 255.79, 0.1%, 0.62%

LAB 62.29, 5.61, -9.29

 

CMYK 0 / 0 / 22 / 58

HEX #6B6B53

RGB 107 107 83

HSL 60, 0.13%, 0.37%

LAB 44.61, -4.42, 13.5

 

CMYK 1 / 0 / 18 / 51

HEX #7C7D66

RGB 124 125 102

HSL 62.61, 0.1%, 0.45%

LAB 51.74, -4.6, 12.44

 

CMYK 1 / 0 / 15 / 44

HEX #8D8F79

RGB 141 143 121

HSL 65.45, 0.09%, 0.52%

LAB 58.68, -4.76, 11.47

 

CMYK 2 / 0 / 13 / 37

HEX #9EA18C

RGB 158 161 140

HSL 68.57, 0.1%, 0.59%

LAB 65.48, -4.89, 10.57

 

CMYK 2 / 0 / 11 / 30

HEX #AFB39F

RGB 175 179 159

HSL 72, 0.12%, 0.66%

LAB 72.13, -5.01, 9.73

 

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

CMYK 4 / 0 / 22 / 65

HEX #555945

RGB 85 89 69

HSL 72, 0.13%, 0.31%

LAB 36.94, -5.54, 11.07

 

CMYK 4 / 0 / 30 / 72

HEX #444732

RGB 68 71 50

HSL 68.57, 0.17%, 0.24%

LAB 29.33, -5.4, 12.25

 

CMYK 4 / 0 / 42 / 79

HEX #33351F

RGB 51 53 31

HSL 65.45, 0.26%, 0.16%

LAB 21.39, -5.18, 13.61

 

CMYK 3 / 0 / 66 / 86

HEX #22230C

RGB 34 35 12

HSL 62.61, 0.49%, 0.09%

LAB 13.04, -4.77, 14.17

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 0 / 1 / 19 / 58

HEX #6B6A57

RGB 107 106 87

HSL 57, 0.1%, 0.38%

LAB 44.41, -3.17, 10.83

 

CMYK 0 / 6 / 19 / 58

HEX #6B6557

RGB 107 101 87

HSL 42, 0.1%, 0.38%

LAB 42.95, -0.23, 8.78

 

CMYK 0 / 10 / 19 / 58

HEX #6B6057

RGB 107 96 87

HSL 27, 0.1%, 0.38%

LAB 41.5, 2.75, 6.74

 

CMYK 0 / 15 / 19 / 58

HEX #6B5B57

RGB 107 91 87

HSL 12, 0.1%, 0.38%

LAB 40.07, 5.78, 4.71

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 10 / 0 / 19 / 58

HEX #606B57

RGB 96 107 87

HSL 93, 0.1%, 0.38%

LAB 43.79, -8.25, 9.83

 

CMYK 15 / 0 / 19 / 58

HEX #5B6B57

RGB 91 107 87

HSL 108, 0.1%, 0.38%

LAB 43.4, -10.24, 9.23

 

CMYK 19 / 0 / 17 / 58

HEX #576B59

RGB 87 107 89

HSL 126, 0.1%, 0.38%

LAB 43.16, -11.39, 7.64

 

CMYK 19 / 0 / 12 / 58

HEX #576B5E

RGB 87 107 94

HSL 141, 0.1%, 0.38%

LAB 43.29, -10.35, 4.82

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 11 / 0 / 41 / 52

HEX #6D7A48

RGB 109 122 72

HSL 75.6, 0.26%, 0.38%

LAB 49.05, -13.64, 25.77

 

CMYK 16 / 0 / 59 / 46

HEX #748A38

RGB 116 138 56

HSL 76.1, 0.42%, 0.38%

LAB 54.21, -20.9, 40.46

 

CMYK 19 / 0 / 74 / 40

HEX #7C9A28

RGB 124 154 40

HSL 75.79, 0.59%, 0.38%

LAB 59.48, -26.71, 52.96

 

CMYK 22 / 0 / 86 / 34

HEX #83A918

RGB 131 169 24

HSL 75.72, 0.75%, 0.38%

LAB 64.38, -31.69, 62.32

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 9 / 12 / 0 / 60

HEX #5E5B67

RGB 94 91 103

HSL 255, 0.06%, 0.38%

LAB 39.31, 3.8, -6.43

 

CMYK 27 / 37 / 0 / 53

HEX #574B77

RGB 87 75 119

HSL 256.36, 0.23%, 0.38%

LAB 34.78, 15.38, -23.33

 

CMYK 41 / 55 / 0 / 47

HEX #4F3C86

RGB 79 60 134

HSL 255.41, 0.38%, 0.38%

LAB 30.91, 26.88, -38.82

 

CMYK 52 / 71 / 0 / 41

HEX #482C96

RGB 72 44 150

HSL 255.85, 0.55%, 0.38%

LAB 27.79, 39.79, -53.78

 

CMYK 0 / 6 / 19 / 58

HEX #6B6557

RGB 107 101 87

HSL 42, 0.1%, 0.38%

LAB 42.95, -0.23, 8.78

 

CMYK 0 / 1 / 19 / 58

HEX #6B6A57

RGB 107 106 87

HSL 57, 0.1%, 0.38%

LAB 44.41, -3.17, 10.83

 

CMYK 5 / 0 / 19 / 58

HEX #666B57

RGB 102 107 87

HSL 75, 0.1%, 0.38%

LAB 44.27, -5.82, 10.58

 

CMYK 9 / 0 / 19 / 58

HEX #616B57

RGB 97 107 87

HSL 90, 0.1%, 0.38%

LAB 43.86, -7.85, 9.95

 

CMYK 15 / 0 / 19 / 58

HEX #5B6B57

RGB 91 107 87

HSL 108, 0.1%, 0.38%

LAB 43.4, -10.24, 9.23

 

CMYK 5 / 0 / 18 / 76

HEX #3A3D32

RGB 58 61 50

HSL 76.36, 0.1%, 0.22%

LAB 25.16, -3.65, 6.36

 

CMYK 5 / 0 / 18 / 67

HEX #505445

RGB 80 84 69

HSL 76, 0.1%, 0.3%

LAB 34.95, -4.67, 8.24

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 5 / 0 / 18 / 49

HEX #7B816A

RGB 123 129 106

HSL 75.65, 0.1%, 0.46%

LAB 52.9, -6.58, 11.73

 

CMYK 4 / 0 / 16 / 41

HEX #90967E

RGB 144 150 126

HSL 75, 0.1%, 0.54%

LAB 61, -6.6, 11.94

 

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

CMYK 19 / 0 / 10 / 58

HEX #576B60

RGB 87 107 96

HSL 147, 0.1%, 0.38%

LAB 43.34, -9.92, 3.69

 

CMYK 3 / 19 / 0 / 58

HEX #68576B

RGB 104 87 107

HSL 291, 0.1%, 0.38%

LAB 39.28, 10.96, -8.85

 

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

CMYK 19 / 5 / 0 / 58

HEX #57666B

RGB 87 102 107

HSL 195, 0.1%, 0.38%

LAB 42.14, -4.49, -4.73

 

CMYK 0 / 19 / 5 / 58

HEX #6B5766

RGB 107 87 102

HSL 315, 0.1%, 0.38%

LAB 39.41, 11.07, -5.52

 

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

CMYK 19 / 0 / 10 / 58

HEX #576B60

RGB 87 107 96

HSL 147, 0.1%, 0.38%

LAB 43.34, -9.92, 3.69

 

CMYK 14 / 19 / 0 / 58

HEX #5C576B

RGB 92 87 107

HSL 255, 0.1%, 0.38%

LAB 38.12, 6.47, -10.71

 

CMYK 0 / 19 / 8 / 58

HEX #6B5762

RGB 107 87 98

HSL 327, 0.1%, 0.38%

LAB 39.28, 10.27, -3.24

 

CMYK 5 / 0 / 18 / 58

HEX #666B58

RGB 102 107 88

HSL 75.79, 0.1%, 0.38%

LAB 44.3, -5.64, 10.02

 

CMYK 19 / 0 / 5 / 58

HEX #576B66

RGB 87 107 102

HSL 165, 0.1%, 0.38%

LAB 43.51, -8.58, 0.31

 

CMYK 14 / 19 / 0 / 58

HEX #5C576B

RGB 92 87 107

HSL 255, 0.1%, 0.38%

LAB 38.12, 6.47, -10.71

 

CMYK 0 / 19 / 14 / 58

HEX #6B575C

RGB 107 87 92

HSL 345, 0.1%, 0.38%

LAB 39.1, 9.12, 0.2

 

Description

Color code: HEX #666B58 | qconv.com Color code: HEX #666B58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 107 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 107 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 18 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 18% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - 커뮤니티│에뛰드
Link: http://www.etude.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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