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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #665776 it is the complementary color #99A889. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #665776. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #665776 shade: #6B5771, #7C6984, #8D7B97, #9E8DAA and #AF9FBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #665776. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #665776 shade: #665776, #554563, #443350, #33213D and #220F2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #665776 shade: #665775, #6E5775, #755775, #75576C and #755764

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #665776 shade: #665775, #5D5775 and #575775

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #665776 shade matches the following richer shades: #665775, #654686, #643696, #6425A7 and #6315B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #665776 shade: #665775, #666765, #677854, #678844 and #689933

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #665776 shade: #575875, #5D5775, #655775, #6E5775 and #755775

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #665776 shade: #3C3446, #51455E, #665775, #7A688D and #8F7EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #665776 shade: #665776, #755760 and #577559

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #665776 shade: #665776, #756557 and #577565

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #665776 shade: #665776, #755760, #677557 and #57756C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #665776 shade: #665776, #755757, #677557 and #577575

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

Complementary color

CMYK 9 / 0 / 18 / 34

HEX #99A889

RGB 153 168 137

HSL 89.03, 0.15%, 0.6%

LAB 66.96, -11.02, 14.27

 

CMYK 5 / 23 / 0 / 56

HEX #6B5771

RGB 107 87 113

HSL 286.15, 0.13%, 0.39%

LAB 39.81, 13.4, -11.72

 

CMYK 6 / 20 / 0 / 48

HEX #7C6984

RGB 124 105 132

HSL 282.22, 0.11%, 0.46%

LAB 47.05, 12.86, -12.12

 

CMYK 7 / 19 / 0 / 41

HEX #8D7B97

RGB 141 123 151

HSL 278.57, 0.12%, 0.54%

LAB 54.09, 12.37, -12.52

 

CMYK 7 / 17 / 0 / 33

HEX #9E8DAA

RGB 158 141 170

HSL 275.17, 0.15%, 0.61%

LAB 60.98, 11.94, -12.92

 

CMYK 7 / 16 / 0 / 26

HEX #AF9FBD

RGB 175 159 189

HSL 272, 0.19%, 0.68%

LAB 67.71, 11.55, -13.32

 

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

CMYK 14 / 30 / 0 / 61

HEX #554563

RGB 85 69 99

HSL 272, 0.18%, 0.33%

LAB 32.01, 13.34, -15.06

 

CMYK 15 / 36 / 0 / 69

HEX #443350

RGB 68 51 80

HSL 275.17, 0.22%, 0.26%

LAB 24.24, 14.08, -14.84

 

CMYK 16 / 46 / 0 / 76

HEX #33213D

RGB 51 33 61

HSL 278.57, 0.3%, 0.18%

LAB 16.15, 14.96, -14.64

 

CMYK 19 / 64 / 0 / 84

HEX #220F2A

RGB 34 15 42

HSL 282.22, 0.47%, 0.11%

LAB 7.67, 15.95, -14.39

 

CMYK 13 / 26 / 0 / 54

HEX #665775

RGB 102 87 117

HSL 270, 0.15%, 0.4%

LAB 39.45, 12.49, -14.76

 

CMYK 6 / 26 / 0 / 54

HEX #6E5775

RGB 110 87 117

HSL 286, 0.15%, 0.4%

LAB 40.27, 15.39, -13.44

 

CMYK 0 / 26 / 0 / 54

HEX #755775

RGB 117 87 117

HSL 300, 0.15%, 0.4%

LAB 41.03, 17.96, -12.22

 

CMYK 0 / 26 / 8 / 54

HEX #75576C

RGB 117 87 108

HSL 318, 0.15%, 0.4%

LAB 40.7, 16.14, -7.18

 

CMYK 0 / 26 / 15 / 54

HEX #755764

RGB 117 87 100

HSL 334, 0.15%, 0.4%

LAB 40.44, 14.63, -2.65

 

CMYK 13 / 26 / 0 / 54

HEX #665775

RGB 102 87 117

HSL 270, 0.15%, 0.4%

LAB 39.45, 12.49, -14.76

 

CMYK 21 / 26 / 0 / 54

HEX #5D5775

RGB 93 87 117

HSL 252, 0.15%, 0.4%

LAB 38.6, 9.3, -16.15

 

CMYK 26 / 26 / 0 / 54

HEX #575775

RGB 87 87 117

HSL 240, 0.15%, 0.4%

LAB 38.07, 7.23, -17

 

CMYK 13 / 26 / 0 / 54

HEX #665775

RGB 102 87 117

HSL 270, 0.15%, 0.4%

LAB 39.45, 12.49, -14.76

 

CMYK 25 / 48 / 0 / 47

HEX #654686

RGB 101 70 134

HSL 269.06, 0.31%, 0.4%

LAB 35.73, 26.88, -31.02

 

CMYK 33 / 64 / 0 / 41

HEX #643696

RGB 100 54 150

HSL 268.75, 0.47%, 0.4%

LAB 33.03, 40.06, -45.14

 

CMYK 40 / 78 / 0 / 35

HEX #6425A7

RGB 100 37 167

HSL 269.08, 0.64%, 0.4%

LAB 31.4, 52.59, -58.09

 

CMYK 46 / 89 / 0 / 28

HEX #6315B7

RGB 99 21 183

HSL 268.89, 0.79%, 0.4%

LAB 30.9, 61.67, -68.49

 

CMYK 13 / 26 / 0 / 54

HEX #665775

RGB 102 87 117

HSL 270, 0.15%, 0.4%

LAB 39.45, 12.49, -14.76

 

CMYK 1 / 0 / 2 / 60

HEX #666765

RGB 102 103 101

HSL 90, 0.01%, 0.4%

LAB 43.46, -0.8, 0.98

 

CMYK 14 / 0 / 30 / 53

HEX #677854

RGB 103 120 84

HSL 88.33, 0.18%, 0.4%

LAB 48.21, -13.25, 17.76

 

CMYK 24 / 0 / 50 / 47

HEX #678844

RGB 103 136 68

HSL 89.12, 0.33%, 0.4%

LAB 52.85, -23.94, 32.59

 

CMYK 32 / 0 / 67 / 40

HEX #689933

RGB 104 153 51

HSL 88.82, 0.5%, 0.4%

LAB 58, -33.46, 46.68

 

CMYK 26 / 25 / 0 / 54

HEX #575875

RGB 87 88 117

HSL 238, 0.15%, 0.4%

LAB 38.36, 6.61, -16.56

 

CMYK 21 / 26 / 0 / 54

HEX #5D5775

RGB 93 87 117

HSL 252, 0.15%, 0.4%

LAB 38.6, 9.3, -16.15

 

CMYK 14 / 26 / 0 / 54

HEX #655775

RGB 101 87 117

HSL 268, 0.15%, 0.4%

LAB 39.36, 12.13, -14.92

 

CMYK 6 / 26 / 0 / 54

HEX #6E5775

RGB 110 87 117

HSL 286, 0.15%, 0.4%

LAB 40.27, 15.39, -13.44

 

CMYK 0 / 26 / 0 / 54

HEX #755775

RGB 117 87 117

HSL 300, 0.15%, 0.4%

LAB 41.03, 17.96, -12.22

 

CMYK 14 / 26 / 0 / 73

HEX #3C3446

RGB 60 52 70

HSL 266.67, 0.15%, 0.24%

LAB 23.2, 7.76, -9.84

 

CMYK 14 / 27 / 0 / 63

HEX #51455E

RGB 81 69 94

HSL 268.8, 0.15%, 0.32%

LAB 31.38, 10.64, -12.87

 

CMYK 13 / 26 / 0 / 54

HEX #665775

RGB 102 87 117

HSL 270, 0.15%, 0.4%

LAB 39.45, 12.49, -14.76

 

CMYK 13 / 26 / 0 / 45

HEX #7A688D

RGB 122 104 141

HSL 269.19, 0.15%, 0.48%

LAB 46.92, 14.76, -17.69

 

CMYK 11 / 21 / 0 / 37

HEX #8F7EA0

RGB 143 126 160

HSL 270, 0.15%, 0.56%

LAB 55.38, 13.26, -15.78

 

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

CMYK 0 / 26 / 18 / 54

HEX #755760

RGB 117 87 96

HSL 342, 0.15%, 0.4%

LAB 40.32, 13.91, -0.36

 

CMYK 26 / 0 / 24 / 54

HEX #577559

RGB 87 117 89

HSL 124, 0.15%, 0.4%

LAB 46.27, -16.92, 12.01

 

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

CMYK 0 / 14 / 26 / 54

HEX #756557

RGB 117 101 87

HSL 28, 0.15%, 0.4%

LAB 43.91, 3.98, 10.28

 

CMYK 26 / 0 / 14 / 54

HEX #577565

RGB 87 117 101

HSL 148, 0.15%, 0.4%

LAB 46.56, -14.45, 5.33

 

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

CMYK 0 / 26 / 18 / 54

HEX #755760

RGB 117 87 96

HSL 342, 0.15%, 0.4%

LAB 40.32, 13.91, -0.36

 

CMYK 12 / 0 / 26 / 54

HEX #677557

RGB 103 117 87

HSL 88, 0.15%, 0.4%

LAB 47.36, -11.1, 14.86

 

CMYK 26 / 0 / 8 / 54

HEX #57756C

RGB 87 117 108

HSL 162, 0.15%, 0.4%

LAB 46.75, -12.88, 1.44

 

CMYK 14 / 26 / 0 / 54

HEX #665776

RGB 102 87 118

HSL 269.03, 0.15%, 0.4%

LAB 39.49, 12.73, -15.32

 

CMYK 0 / 26 / 26 / 54

HEX #755757

RGB 117 87 87

HSL 0, 0.15%, 0.4%

LAB 40.06, 12.4, 4.83

 

CMYK 12 / 0 / 26 / 54

HEX #677557

RGB 103 117 87

HSL 88, 0.15%, 0.4%

LAB 47.36, -11.1, 14.86

 

CMYK 26 / 0 / 0 / 54

HEX #577575

RGB 87 117 117

HSL 180, 0.15%, 0.4%

LAB 47.02, -10.74, -3.53

 

Description

Color code: HEX #665776 | qconv.com Color code: HEX #665776 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 87 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 87 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 26 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 26% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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