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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6654C1 it is the complementary color #99AB3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6654C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6654C1 shade: #6B54BC, #7C66CF, #8D78E2, #9E8AF5 and #AF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6654C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6654C1 shade: #6654C1, #5542AE, #44309B, #331E88 and #220C75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6654C1 shade: #6553C1, #8353C1, #A053C1, #BE53C1 and #C153A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6654C1 shade: #6553C1 and #5353C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6654C1 shade matches the following richer shades: #6553C1, #5840D4, #4B2DE7 and #3F1AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6654C1 shade: #6553C1, #7166AE, #7E799B, #8B8C88 and #989E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6654C1 shade: #537DC1, #535FC1, #6353C1, #8153C1 and #9E53C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6654C1 shade: #42338E, #503EAC, #6553C1, #8071CC and #9B8FD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6654C1 shade: #6654C1, #C1539A and #6EC153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6654C1 shade: #6654C1, #C16353 and #53C163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6654C1 shade: #6654C1, #C1539A, #B0C153 and #53C179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6654C1 shade: #6654C1, #C15379, #B0C153 and #53C19A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

Complementary color

CMYK 11 / 0 / 64 / 33

HEX #99AB3E

RGB 153 171 62

HSL 69.91, 0.47%, 0.46%

LAB 66.71, -21.57, 52.22

 

CMYK 43 / 55 / 0 / 26

HEX #6B54BC

RGB 107 84 188

HSL 253.27, 0.44%, 0.53%

LAB 42.91, 34.86, -51.84

 

CMYK 40 / 51 / 0 / 19

HEX #7C66CF

RGB 124 102 207

HSL 252.57, 0.52%, 0.61%

LAB 49.85, 33.62, -51.59

 

CMYK 38 / 47 / 0 / 11

HEX #8D78E2

RGB 141 120 226

HSL 251.89, 0.65%, 0.68%

LAB 56.67, 32.52, -51.37

 

CMYK 36 / 44 / 0 / 4

HEX #9E8AF5

RGB 158 138 245

HSL 251.21, 0.84%, 0.75%

LAB 63.37, 31.53, -51.18

 

CMYK 31 / 39 / 0 / 0

HEX #AF9CFF

RGB 175 156 255

HSL 251.52, 1%, 0.81%

LAB 69.55, 28.37, -46.81

 

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

CMYK 51 / 62 / 0 / 32

HEX #5542AE

RGB 85 66 174

HSL 250.56, 0.45%, 0.47%

LAB 35.76, 36.71, -55.25

 

CMYK 56 / 69 / 0 / 39

HEX #44309B

RGB 68 48 155

HSL 251.21, 0.53%, 0.4%

LAB 28.67, 38.34, -55.43

 

CMYK 63 / 78 / 0 / 47

HEX #331E88

RGB 51 30 136

HSL 251.89, 0.64%, 0.33%

LAB 21.62, 39.93, -55.32

 

CMYK 71 / 90 / 0 / 54

HEX #220C75

RGB 34 12 117

HSL 252.57, 0.81%, 0.25%

LAB 14.88, 40.82, -54.41

 

CMYK 48 / 57 / 0 / 24

HEX #6553C1

RGB 101 83 193

HSL 249.82, 0.47%, 0.54%

LAB 42.47, 35.58, -55.5

 

CMYK 32 / 57 / 0 / 24

HEX #8353C1

RGB 131 83 193

HSL 266.18, 0.47%, 0.54%

LAB 45.44, 42.51, -50.55

 

CMYK 17 / 57 / 0 / 24

HEX #A053C1

RGB 160 83 193

HSL 282, 0.47%, 0.54%

LAB 48.9, 49.83, -44.84

 

CMYK 2 / 57 / 0 / 24

HEX #BE53C1

RGB 190 83 193

HSL 298.36, 0.47%, 0.54%

LAB 52.93, 57.66, -38.19

 

CMYK 0 / 57 / 14 / 24

HEX #C153A6

RGB 193 83 166

HSL 314.73, 0.47%, 0.54%

LAB 52.15, 53.98, -23.69

 

CMYK 48 / 57 / 0 / 24

HEX #6553C1

RGB 101 83 193

HSL 249.82, 0.47%, 0.54%

LAB 42.47, 35.58, -55.5

 

CMYK 57 / 57 / 0 / 24

HEX #5353C1

RGB 83 83 193

HSL 240, 0.47%, 0.54%

LAB 41.02, 31.95, -57.91

 

CMYK 48 / 57 / 0 / 24

HEX #6553C1

RGB 101 83 193

HSL 249.82, 0.47%, 0.54%

LAB 42.47, 35.58, -55.5

 

CMYK 58 / 70 / 0 / 17

HEX #5840D4

RGB 88 64 212

HSL 249.73, 0.63%, 0.54%

LAB 38.72, 49.9, -72.65

 

CMYK 68 / 81 / 0 / 9

HEX #4B2DE7

RGB 75 45 231

HSL 249.68, 0.79%, 0.54%

LAB 36.26, 63.28, -87.63

 

CMYK 75 / 90 / 0 / 2

HEX #3F1AFA

RGB 63 26 250

HSL 249.91, 0.96%, 0.54%

LAB 35.4, 74.24, -99.83

 

CMYK 48 / 57 / 0 / 24

HEX #6553C1

RGB 101 83 193

HSL 249.82, 0.47%, 0.54%

LAB 42.47, 35.58, -55.5

 

CMYK 35 / 41 / 0 / 32

HEX #7166AE

RGB 113 102 174

HSL 249.17, 0.31%, 0.54%

LAB 47.07, 21.55, -37.01

 

CMYK 19 / 22 / 0 / 39

HEX #7E799B

RGB 126 121 155

HSL 248.82, 0.15%, 0.54%

LAB 52.37, 9.27, -17.59

 

CMYK 1 / 0 / 3 / 45

HEX #8B8C88

RGB 139 140 136

HSL 75, 0.02%, 0.54%

LAB 58.06, -1.14, 2

 

CMYK 4 / 0 / 26 / 38

HEX #989E75

RGB 152 158 117

HSL 68.78, 0.17%, 0.54%

LAB 63.68, -9.24, 20.76

 

CMYK 57 / 35 / 0 / 24

HEX #537DC1

RGB 83 125 193

HSL 217.09, 0.47%, 0.54%

LAB 52.24, 5.85, -39.97

 

CMYK 57 / 51 / 0 / 24

HEX #535FC1

RGB 83 95 193

HSL 233.45, 0.47%, 0.54%

LAB 44.05, 24.44, -53.01

 

CMYK 49 / 57 / 0 / 24

HEX #6353C1

RGB 99 83 193

HSL 248.73, 0.47%, 0.54%

LAB 42.29, 35.15, -55.79

 

CMYK 33 / 57 / 0 / 24

HEX #8153C1

RGB 129 83 193

HSL 265.09, 0.47%, 0.54%

LAB 45.23, 42.03, -50.91

 

CMYK 18 / 57 / 0 / 24

HEX #9E53C1

RGB 158 83 193

HSL 280.91, 0.47%, 0.54%

LAB 48.64, 49.32, -45.26

 

CMYK 54 / 64 / 0 / 44

HEX #42338E

RGB 66 51 142

HSL 249.89, 0.47%, 0.38%

LAB 28.06, 32.04, -48.45

 

CMYK 53 / 64 / 0 / 33

HEX #503EAC

RGB 80 62 172

HSL 249.82, 0.47%, 0.46%

LAB 34.25, 37.52, -56.53

 

CMYK 48 / 57 / 0 / 24

HEX #6553C1

RGB 101 83 193

HSL 249.82, 0.47%, 0.54%

LAB 42.47, 35.58, -55.5

 

CMYK 37 / 45 / 0 / 20

HEX #8071CC

RGB 128 113 204

HSL 249.89, 0.47%, 0.62%

LAB 52.68, 27.29, -45.34

 

CMYK 28 / 33 / 0 / 16

HEX #9B8FD7

RGB 155 143 215

HSL 250, 0.47%, 0.7%

LAB 62.94, 20.16, -35.26

 

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

CMYK 0 / 57 / 20 / 24

HEX #C1539A

RGB 193 83 154

HSL 321.27, 0.47%, 0.54%

LAB 51.68, 52.17, -17.36

 

CMYK 43 / 0 / 57 / 24

HEX #6EC153

RGB 110 193 83

HSL 105.27, 0.47%, 0.54%

LAB 70.93, -45.75, 46.86

 

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 57 / 0 / 49 / 24

HEX #53C163

RGB 83 193 99

HSL 128.73, 0.47%, 0.54%

LAB 70.09, -51.2, 37.89

 

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

CMYK 0 / 57 / 20 / 24

HEX #C1539A

RGB 193 83 154

HSL 321.27, 0.47%, 0.54%

LAB 51.68, 52.17, -17.36

 

CMYK 9 / 0 / 57 / 24

HEX #B0C153

RGB 176 193 83

HSL 69.27, 0.47%, 0.54%

LAB 74.82, -21.41, 52.35

 

CMYK 57 / 0 / 37 / 24

HEX #53C179

RGB 83 193 121

HSL 140.73, 0.47%, 0.54%

LAB 70.43, -47.59, 27.04

 

CMYK 47 / 56 / 0 / 24

HEX #6654C1

RGB 102 84 193

HSL 249.91, 0.47%, 0.54%

LAB 42.79, 35.2, -54.98

 

CMYK 0 / 57 / 37 / 24

HEX #C15379

RGB 193 83 121

HSL 339.27, 0.47%, 0.54%

LAB 50.58, 47.84, 0.65

 

CMYK 9 / 0 / 57 / 24

HEX #B0C153

RGB 176 193 83

HSL 69.27, 0.47%, 0.54%

LAB 74.82, -21.41, 52.35

 

CMYK 57 / 0 / 20 / 24

HEX #53C19A

RGB 83 193 154

HSL 158.73, 0.47%, 0.54%

LAB 71.09, -40.82, 10.28

 

Description

Color code: HEX #6654C1 | qconv.com Color code: HEX #6654C1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 84 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 84 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 56 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 56% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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