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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #664482 it is the complementary color #99BB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #664482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #664482 shade: #6B447D, #7C5690, #8D68A3, #9E7AB6 and #AF8CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #664482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #664482 shade: #664482, #55326F, #44205C, #330E49 and #220036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #664482 shade: #664582, #774582, #82457D, #82456C and #82455C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #664482 shade: #664582, #564582 and #454582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #664482 shade matches the following richer shades: #664582, #683592, #6A24A2, #6B14B3 and #6D04C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #664482 shade: #664582, #655572, #636562, #627552 and #608542

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #664482 shade: #454582, #554582, #664582, #764582 and #82457E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #664482 shade: #3C284C, #513667, #664582, #7C539D and #9069B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #664482 shade: #664482, #824555 and #45824D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #664482 shade: #664482, #826645 and #458266

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #664482 shade: #664482, #824555, #618245 and #458272

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #664482 shade: #664482, #824745, #618245 and #458082

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

Complementary color

CMYK 18 / 0 / 33 / 27

HEX #99BB7D

RGB 153 187 125

HSL 92.9, 0.31%, 0.61%

LAB 72.09, -22.66, 27.75

 

CMYK 14 / 46 / 0 / 51

HEX #6B447D

RGB 107 68 125

HSL 281.05, 0.3%, 0.38%

LAB 35.48, 27.76, -25.81

 

CMYK 14 / 40 / 0 / 44

HEX #7C5690

RGB 124 86 144

HSL 279.31, 0.25%, 0.45%

LAB 42.69, 26.91, -26

 

CMYK 13 / 36 / 0 / 36

HEX #8D68A3

RGB 141 104 163

HSL 277.63, 0.24%, 0.52%

LAB 49.75, 26.12, -26.18

 

CMYK 13 / 33 / 0 / 29

HEX #9E7AB6

RGB 158 122 182

HSL 276, 0.29%, 0.6%

LAB 56.65, 25.4, -26.37

 

CMYK 13 / 30 / 0 / 21

HEX #AF8CC9

RGB 175 140 201

HSL 274.43, 0.36%, 0.67%

LAB 63.41, 24.74, -26.56

 

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

CMYK 23 / 55 / 0 / 56

HEX #55326F

RGB 85 50 111

HSL 274.43, 0.38%, 0.32%

LAB 27.74, 28.35, -29.39

 

CMYK 26 / 65 / 0 / 64

HEX #44205C

RGB 68 32 92

HSL 276, 0.48%, 0.24%

LAB 20.18, 29.27, -29.2

 

CMYK 30 / 81 / 0 / 71

HEX #330E49

RGB 51 14 73

HSL 277.63, 0.68%, 0.17%

LAB 12.6, 29.75, -28.65

 

CMYK 37 / 100 / 0 / 79

HEX #220036

RGB 34 0 54

HSL 277.78, 1%, 0.11%

LAB 5.48, 27.78, -26.79

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 8 / 47 / 0 / 49

HEX #774582

RGB 119 69 130

HSL 289.18, 0.31%, 0.39%

LAB 37.46, 32.13, -25.68

 

CMYK 0 / 47 / 4 / 49

HEX #82457D

RGB 130 69 125

HSL 304.92, 0.31%, 0.39%

LAB 38.7, 34.66, -20.57

 

CMYK 0 / 47 / 17 / 49

HEX #82456C

RGB 130 69 108

HSL 321.64, 0.31%, 0.39%

LAB 37.99, 31.58, -11.1

 

CMYK 0 / 47 / 29 / 49

HEX #82455C

RGB 130 69 92

HSL 337.38, 0.31%, 0.39%

LAB 37.44, 29.04, -1.89

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 34 / 47 / 0 / 49

HEX #564582

RGB 86 69 130

HSL 256.72, 0.31%, 0.39%

LAB 33.66, 21.95, -31.93

 

CMYK 47 / 47 / 0 / 49

HEX #454582

RGB 69 69 130

HSL 240, 0.31%, 0.39%

LAB 32.11, 17.21, -34.49

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 29 / 64 / 0 / 43

HEX #683592

RGB 104 53 146

HSL 272.9, 0.47%, 0.39%

LAB 33.06, 40.55, -42.62

 

CMYK 35 / 78 / 0 / 36

HEX #6A24A2

RGB 106 36 162

HSL 273.33, 0.64%, 0.39%

LAB 31.66, 52.83, -54.61

 

CMYK 40 / 89 / 0 / 30

HEX #6B14B3

RGB 107 20 179

HSL 272.83, 0.8%, 0.39%

LAB 31.53, 61.97, -65.02

 

CMYK 44 / 98 / 0 / 24

HEX #6D04C3

RGB 109 4 195

HSL 272.98, 0.96%, 0.39%

LAB 32.43, 68.47, -73.01

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 11 / 25 / 0 / 55

HEX #655572

RGB 101 85 114

HSL 273.1, 0.15%, 0.39%

LAB 38.69, 12.66, -14.09

 

CMYK 2 / 0 / 3 / 60

HEX #636562

RGB 99 101 98

HSL 100, 0.02%, 0.39%

LAB 42.52, -1.4, 1.42

HEX #636562

CMYK 16 / 0 / 30 / 54

HEX #627552

RGB 98 117 82

HSL 92.57, 0.18%, 0.39%

LAB 46.88, -13.94, 17.06

HEX #627552

CMYK 28 / 0 / 50 / 48

HEX #608542

RGB 96 133 66

HSL 93.13, 0.34%, 0.39%

LAB 51.45, -25.43, 31.83

HEX #608542

CMYK 47 / 47 / 0 / 49

HEX #454582

RGB 69 69 130

HSL 240, 0.31%, 0.39%

LAB 32.11, 17.21, -34.49

 

CMYK 35 / 47 / 0 / 49

HEX #554582

RGB 85 69 130

HSL 255.74, 0.31%, 0.39%

LAB 33.56, 21.66, -32.09

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 9 / 47 / 0 / 49

HEX #764582

RGB 118 69 130

HSL 288.2, 0.31%, 0.39%

LAB 37.33, 31.81, -25.89

 

CMYK 0 / 47 / 3 / 49

HEX #82457E

RGB 130 69 126

HSL 303.93, 0.31%, 0.39%

LAB 38.74, 34.85, -21.12

 

CMYK 21 / 47 / 0 / 70

HEX #3C284C

RGB 60 40 76

HSL 273.33, 0.31%, 0.23%

LAB 20.04, 17.49, -18.77

 

CMYK 21 / 48 / 0 / 60

HEX #513667

RGB 81 54 103

HSL 273.06, 0.31%, 0.31%

LAB 27.76, 22.57, -24.26

 

CMYK 22 / 47 / 0 / 49

HEX #664582

RGB 102 69 130

HSL 272.46, 0.31%, 0.39%

LAB 35.39, 26.79, -29.09

 

CMYK 21 / 47 / 0 / 38

HEX #7C539D

RGB 124 83 157

HSL 273.24, 0.31%, 0.47%

LAB 42.62, 31.72, -33.9

 

CMYK 18 / 40 / 0 / 31

HEX #9069B0

RGB 144 105 176

HSL 272.96, 0.31%, 0.55%

LAB 50.88, 29.45, -31.97

 

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

CMYK 0 / 47 / 35 / 49

HEX #824555

RGB 130 69 85

HSL 344.26, 0.31%, 0.39%

LAB 37.22, 28.04, 2.21

 

CMYK 47 / 0 / 41 / 49

HEX #45824D

RGB 69 130 77

HSL 127.87, 0.31%, 0.39%

LAB 49.21, -31.82, 22.71

 

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

CMYK 0 / 22 / 47 / 49

HEX #826645

RGB 130 102 69

HSL 32.46, 0.31%, 0.39%

LAB 45.19, 6.64, 22.9

 

CMYK 47 / 0 / 22 / 49

HEX #458266

RGB 69 130 102

HSL 152.46, 0.31%, 0.39%

LAB 49.73, -26.78, 9.11

 

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

CMYK 0 / 47 / 35 / 49

HEX #824555

RGB 130 69 85

HSL 344.26, 0.31%, 0.39%

LAB 37.22, 28.04, 2.21

 

CMYK 25 / 0 / 47 / 49

HEX #618245

RGB 97 130 69

HSL 92.46, 0.31%, 0.39%

LAB 50.61, -23.15, 29.21

 

CMYK 47 / 0 / 12 / 49

HEX #458272

RGB 69 130 114

HSL 164.26, 0.31%, 0.39%

LAB 50.03, -23.91, 2.54

 

CMYK 22 / 48 / 0 / 49

HEX #664482

RGB 102 68 130

HSL 272.9, 0.31%, 0.39%

LAB 35.14, 27.39, -29.47

 

CMYK 0 / 45 / 47 / 49

HEX #824745

RGB 130 71 69

HSL 1.97, 0.31%, 0.39%

LAB 37.27, 24.9, 12.34

 

CMYK 25 / 0 / 47 / 49

HEX #618245

RGB 97 130 69

HSL 92.46, 0.31%, 0.39%

LAB 50.61, -23.15, 29.21

 

CMYK 47 / 2 / 0 / 49

HEX #458082

RGB 69 128 130

HSL 181.97, 0.31%, 0.39%

LAB 49.88, -18.62, -7.07

 

Description

Color code: HEX #664482 | qconv.com Color code: HEX #664482 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 68 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 68 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 48 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 48% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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