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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #663948 it is the complementary color #99C6B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #663948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #663948 shade: #6B3943, #7C4B56, #8D5D69, #9E6F7C and #AF818F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #663948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #663948 shade: #663948, #552735, #441522, #33030F and #220000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #663948 shade: #653948, #65393C and #653939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #663948 shade: #653948, #653954, #653960, #5F3965 and #533965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #663948 shade matches the following richer shades: #653948, #722C43, #7F1F3F, #8C133B and #980637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #663948 shade: #653948, #58464C, #4C5250, #3F5F54 and #326C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #663948 shade: #65395F, #653953, #653948, #65393C and #654239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #663948 shade: #301B22, #4B2A35, #653948, #80485A and #9A576D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #663948 shade: #663948, #655F39 and #395965

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #663948 shade: #663948, #486539 and #394865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #663948 shade: #663948, #655F39, #396556 and #393F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #663948 shade: #663948, #5E6539, #396556 and #403965

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

Complementary color

CMYK 23 / 0 / 8 / 22

HEX #99C6B7

RGB 153 198 183

HSL 160, 0.28%, 0.69%

LAB 76.42, -17.91, 2.66

 

CMYK 0 / 47 / 37 / 58

HEX #6B3943

RGB 107 57 67

HSL 348, 0.3%, 0.32%

LAB 30.54, 23.35, 3.68

 

CMYK 0 / 40 / 31 / 51

HEX #7C4B56

RGB 124 75 86

HSL 346.53, 0.25%, 0.39%

LAB 37.82, 22.33, 2.34

 

CMYK 0 / 34 / 26 / 45

HEX #8D5D69

RGB 141 93 105

HSL 345, 0.21%, 0.46%

LAB 44.96, 21.42, 1.24

 

CMYK 0 / 30 / 22 / 38

HEX #9E6F7C

RGB 158 111 124

HSL 343.4, 0.2%, 0.53%

LAB 51.94, 20.62, 0.3

 

CMYK 0 / 26 / 18 / 31

HEX #AF818F

RGB 175 129 143

HSL 341.74, 0.22%, 0.6%

LAB 58.79, 19.91, -0.55

 

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

CMYK 0 / 54 / 38 / 67

HEX #552735

RGB 85 39 53

HSL 341.74, 0.37%, 0.24%

LAB 22.44, 23.07, 0.91

 

CMYK 0 / 69 / 50 / 73

HEX #441522

RGB 68 21 34

HSL 343.4, 0.53%, 0.17%

LAB 14.85, 24, 2.99

 

CMYK 0 / 94 / 71 / 80

HEX #33030F

RGB 51 3 15

HSL 345, 0.89%, 0.11%

LAB 7.26, 24.72, 4.95

 

CMYK 0 / 100 / 100 / 87

HEX #220000

RGB 34 0 0

HSL 0, 1%, 0.07%

LAB 3.07, 13.78, 4.85

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 44 / 41 / 60

HEX #65393C

RGB 101 57 60

HSL 355.91, 0.28%, 0.31%

LAB 29.46, 19.89, 6.6

 

CMYK 0 / 44 / 44 / 60

HEX #653939

RGB 101 57 57

HSL 0, 0.28%, 0.31%

LAB 29.38, 19.49, 8.45

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 44 / 17 / 60

HEX #653954

RGB 101 57 84

HSL 323.18, 0.28%, 0.31%

LAB 30.24, 23.68, -7.93

 

CMYK 0 / 44 / 5 / 60

HEX #653960

RGB 101 57 96

HSL 306.82, 0.28%, 0.31%

LAB 30.73, 25.98, -14.94

 

CMYK 6 / 44 / 0 / 60

HEX #5F3965

RGB 95 57 101

HSL 291.82, 0.28%, 0.31%

LAB 30.15, 24.93, -19.1

 

CMYK 18 / 44 / 0 / 60

HEX #533965

RGB 83 57 101

HSL 275.45, 0.28%, 0.31%

LAB 28.66, 20.82, -21.55

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 61 / 41 / 55

HEX #722C43

RGB 114 44 67

HSL 340.29, 0.44%, 0.31%

LAB 28.86, 33.29, 1.41

 

CMYK 0 / 76 / 50 / 50

HEX #7F1F3F

RGB 127 31 63

HSL 340, 0.61%, 0.31%

LAB 29.03, 43.03, 4.63

 

CMYK 0 / 86 / 58 / 45

HEX #8C133B

RGB 140 19 59

HSL 340.17, 0.76%, 0.31%

LAB 30.3, 50.14, 9.46

 

CMYK 0 / 96 / 64 / 40

HEX #980637

RGB 152 6 55

HSL 339.86, 0.92%, 0.31%

LAB 31.99, 55.32, 14.85

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 20 / 14 / 65

HEX #58464C

RGB 88 70 76

HSL 340, 0.11%, 0.31%

LAB 31.75, 8.8, -0.69

 

CMYK 7 / 0 / 2 / 68

HEX #4C5250

RGB 76 82 80

HSL 160, 0.04%, 0.31%

LAB 34.29, -2.84, 0.34

 

CMYK 34 / 0 / 12 / 63

HEX #3F5F54

RGB 63 95 84

HSL 159.38, 0.2%, 0.31%

LAB 37.63, -14.41, 2.57

 

CMYK 54 / 0 / 18 / 58

HEX #326C59

RGB 50 108 89

HSL 160.34, 0.37%, 0.31%

LAB 41.41, -24.04, 4.88

 

CMYK 0 / 44 / 6 / 60

HEX #65395F

RGB 101 57 95

HSL 308.18, 0.28%, 0.31%

LAB 30.69, 25.78, -14.36

 

CMYK 0 / 44 / 18 / 60

HEX #653953

RGB 101 57 83

HSL 324.55, 0.28%, 0.31%

LAB 30.2, 23.5, -7.34

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 44 / 41 / 60

HEX #65393C

RGB 101 57 60

HSL 355.91, 0.28%, 0.31%

LAB 29.46, 19.89, 6.6

 

CMYK 0 / 35 / 44 / 60

HEX #654239

RGB 101 66 57

HSL 12.27, 0.28%, 0.31%

LAB 31.71, 13.95, 11.66

 

CMYK 0 / 44 / 29 / 81

HEX #301B22

RGB 48 27 34

HSL 340, 0.28%, 0.15%

LAB 12.78, 11.62, -0.44

 

CMYK 0 / 44 / 29 / 71

HEX #4B2A35

RGB 75 42 53

HSL 340, 0.28%, 0.23%

LAB 21.61, 17.03, -0.49

 

CMYK 0 / 44 / 29 / 60

HEX #653948

RGB 101 57 72

HSL 339.55, 0.28%, 0.31%

LAB 29.81, 21.64, -0.74

 

CMYK 0 / 44 / 30 / 50

HEX #80485A

RGB 128 72 90

HSL 340.71, 0.28%, 0.39%

LAB 37.77, 26.26, -0.17

 

CMYK 0 / 44 / 29 / 40

HEX #9A576D

RGB 154 87 109

HSL 340.3, 0.28%, 0.47%

LAB 45.35, 30.45, -0.42

 

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

CMYK 0 / 6 / 44 / 60

HEX #655F39

RGB 101 95 57

HSL 51.82, 0.28%, 0.31%

LAB 39.99, -3.76, 22.59

 

CMYK 44 / 12 / 0 / 60

HEX #395965

RGB 57 89 101

HSL 196.36, 0.28%, 0.31%

LAB 35.9, -8.2, -10.59

 

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

CMYK 29 / 0 / 44 / 60

HEX #486539

RGB 72 101 57

HSL 99.55, 0.28%, 0.31%

LAB 39.55, -19.72, 21.55

 

CMYK 44 / 29 / 0 / 60

HEX #394865

RGB 57 72 101

HSL 219.55, 0.28%, 0.31%

LAB 30.51, 2.46, -18.85

 

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

CMYK 0 / 6 / 44 / 60

HEX #655F39

RGB 101 95 57

HSL 51.82, 0.28%, 0.31%

LAB 39.99, -3.76, 22.59

 

CMYK 44 / 0 / 15 / 60

HEX #396556

RGB 57 101 86

HSL 159.55, 0.28%, 0.31%

LAB 39.33, -19.16, 3.74

 

CMYK 44 / 38 / 0 / 60

HEX #393F65

RGB 57 63 101

HSL 231.82, 0.28%, 0.31%

LAB 27.75, 8.43, -23.16

 

CMYK 0 / 44 / 29 / 60

HEX #663948

RGB 102 57 72

HSL 340, 0.28%, 0.31%

LAB 29.96, 22.05, -0.51

 

CMYK 7 / 0 / 44 / 60

HEX #5E6539

RGB 94 101 57

HSL 69.55, 0.28%, 0.31%

LAB 41.19, -10.39, 23.98

 

CMYK 44 / 0 / 15 / 60

HEX #396556

RGB 57 101 86

HSL 159.55, 0.28%, 0.31%

LAB 39.33, -19.16, 3.74

 

CMYK 37 / 44 / 0 / 60

HEX #403965

RGB 64 57 101

HSL 249.55, 0.28%, 0.31%

LAB 26.61, 14.61, -24.91

 

Description

Color code: HEX #663948 | qconv.com Color code: HEX #663948 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 57 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 57 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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