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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6626DB it is the complementary color #99D924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6626DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6626DB shade: #6B26D6, #7C38E9, #8D4AFC, #9E5CFF and #AF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6626DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6626DB shade: #6626DB, #5514C8, #4402B5, #3300A2 and #22008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6626DB shade: #6524DB, #9624DB, #C824DB, #DB24BD and #DB248C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6626DB shade: #6524DB, #3324DB and #2424DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6626DB shade matches the following richer shades: #6524DB and #5F0FF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6626DB shade: #6524DB, #6B38C7, #714DB2, #77629D and #7D7689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6626DB shade: #2445DB, #3324DB, #6424DB, #9524DB and #C624DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6626DB shade: #441894, #541EB8, #6524DB, #7E47E1 and #976BE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6626DB shade: #6626DB, #DB2476 and #2DDB24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6626DB shade: #6626DB, #DB6424 and #24DB64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6626DB shade: #6626DB, #DB2476, #9BDB24 and #24DB89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6626DB shade: #6626DB, #DB243F, #9BDB24 and #24DBC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

Complementary color

CMYK 29 / 0 / 83 / 15

HEX #99D924

RGB 153 217 36

HSL 81.22, 0.72%, 0.5%

LAB 79.91, -44.21, 73.47

 

CMYK 50 / 82 / 0 / 16

HEX #6B26D6

RGB 107 38 214

HSL 263.52, 0.7%, 0.49%

LAB 36.68, 64.73, -77.08

 

CMYK 47 / 76 / 0 / 9

HEX #7C38E9

RGB 124 56 233

HSL 263.05, 0.8%, 0.57%

LAB 42.76, 64.66, -77.88

 

CMYK 44 / 71 / 0 / 1

HEX #8D4AFC

RGB 141 74 252

HSL 262.58, 0.97%, 0.64%

LAB 48.99, 64.05, -78.28

 

CMYK 38 / 64 / 0 / 0

HEX #9E5CFF

RGB 158 92 255

HSL 264.29, 1%, 0.68%

LAB 54.18, 59.19, -71.43

 

CMYK 31 / 57 / 0 / 0

HEX #AF6EFF

RGB 175 110 255

HSL 266.9, 1%, 0.72%

LAB 59.42, 53.63, -62.89

 

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

CMYK 58 / 90 / 0 / 22

HEX #5514C8

RGB 85 20 200

HSL 261.67, 0.82%, 0.43%

LAB 30.88, 64.6, -78.6

 

CMYK 62 / 99 / 0 / 29

HEX #4402B5

RGB 68 2 181

HSL 262.12, 0.98%, 0.36%

LAB 25.59, 62.51, -76.2

 

CMYK 69 / 100 / 0 / 36

HEX #3300A2

RGB 51 0 162

HSL 258.89, 1%, 0.32%

LAB 21.25, 57.51, -71.99

 

CMYK 76 / 100 / 0 / 44

HEX #22008F

RGB 34 0 143

HSL 254.27, 1%, 0.28%

LAB 17.1, 52.09, -67.23

 

CMYK 54 / 84 / 0 / 14

HEX #6524DB

RGB 101 36 219

HSL 261.31, 0.72%, 0.5%

LAB 36.26, 65.99, -80.68

 

CMYK 32 / 84 / 0 / 14

HEX #9624DB

RGB 150 36 219

HSL 277.38, 0.72%, 0.5%

LAB 42.55, 72.17, -70.11

 

CMYK 9 / 84 / 0 / 14

HEX #C824DB

RGB 200 36 219

HSL 293.77, 0.72%, 0.5%

LAB 50.28, 80.16, -57.22

 

CMYK 0 / 84 / 14 / 14

HEX #DB24BD

RGB 219 36 189

HSL 309.84, 0.72%, 0.5%

LAB 51.83, 79.26, -37.29

 

CMYK 0 / 84 / 36 / 14

HEX #DB248C

RGB 219 36 140

HSL 325.9, 0.72%, 0.5%

LAB 49.76, 73.5, -11.5

 

CMYK 54 / 84 / 0 / 14

HEX #6524DB

RGB 101 36 219

HSL 261.31, 0.72%, 0.5%

LAB 36.26, 65.99, -80.68

 

CMYK 77 / 84 / 0 / 14

HEX #3324DB

RGB 51 36 219

HSL 244.92, 0.72%, 0.5%

LAB 31.99, 62.04, -87.88

 

CMYK 84 / 84 / 0 / 14

HEX #2424DB

RGB 36 36 219

HSL 240, 0.72%, 0.5%

LAB 31.23, 61.37, -89.16

 

CMYK 54 / 84 / 0 / 14

HEX #6524DB

RGB 101 36 219

HSL 261.31, 0.72%, 0.5%

LAB 36.26, 65.99, -80.68

 

CMYK 60 / 94 / 0 / 6

HEX #5F0FF0

RGB 95 15 240

HSL 261.33, 0.88%, 0.5%

LAB 36.11, 75.81, -92.93

 

CMYK 54 / 84 / 0 / 14

HEX #6524DB

RGB 101 36 219

HSL 261.31, 0.72%, 0.5%

LAB 36.26, 65.99, -80.68

 

CMYK 46 / 72 / 0 / 22

HEX #6B38C7

RGB 107 56 199

HSL 261.4, 0.56%, 0.5%

LAB 37.98, 53.31, -66.25

 

CMYK 37 / 57 / 0 / 30

HEX #714DB2

RGB 113 77 178

HSL 261.39, 0.4%, 0.5%

LAB 41.27, 37.6, -48.59

 

CMYK 24 / 38 / 0 / 38

HEX #77629D

RGB 119 98 157

HSL 261.36, 0.23%, 0.5%

LAB 45.76, 21.25, -29.02

 

CMYK 9 / 14 / 0 / 46

HEX #7D7689

RGB 125 118 137

HSL 262.11, 0.07%, 0.5%

LAB 50.83, 6.59, -9.38

 

CMYK 84 / 68 / 0 / 14

HEX #2445DB

RGB 36 69 219

HSL 229.18, 0.72%, 0.5%

LAB 37.38, 43.91, -78.98

 

CMYK 77 / 84 / 0 / 14

HEX #3324DB

RGB 51 36 219

HSL 244.92, 0.72%, 0.5%

LAB 31.99, 62.04, -87.88

 

CMYK 54 / 84 / 0 / 14

HEX #6424DB

RGB 100 36 219

HSL 260.98, 0.72%, 0.5%

LAB 36.15, 65.89, -80.86

 

CMYK 32 / 84 / 0 / 14

HEX #9524DB

RGB 149 36 219

HSL 277.05, 0.72%, 0.5%

LAB 42.41, 72.03, -70.35

 

CMYK 10 / 84 / 0 / 14

HEX #C624DB

RGB 198 36 219

HSL 293.11, 0.72%, 0.5%

LAB 49.96, 79.82, -57.76

 

CMYK 54 / 84 / 0 / 42

HEX #441894

RGB 68 24 148

HSL 261.29, 0.72%, 0.34%

LAB 23.74, 48.34, -59.22

 

CMYK 54 / 84 / 0 / 28

HEX #541EB8

RGB 84 30 184

HSL 261.04, 0.72%, 0.42%

LAB 30.09, 57.42, -70.47

 

CMYK 54 / 84 / 0 / 14

HEX #6524DB

RGB 101 36 219

HSL 261.31, 0.72%, 0.5%

LAB 36.26, 65.99, -80.68

 

CMYK 44 / 68 / 0 / 12

HEX #7E47E1

RGB 126 71 225

HSL 261.43, 0.72%, 0.58%

LAB 44.77, 56.04, -70.05

 

CMYK 35 / 54 / 0 / 9

HEX #976BE7

RGB 151 107 231

HSL 261.29, 0.72%, 0.66%

LAB 54.93, 43.69, -56.89

 

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

CMYK 0 / 84 / 46 / 14

HEX #DB2476

RGB 219 36 118

HSL 333.11, 0.72%, 0.5%

LAB 49.04, 71.46, 0.78

 

CMYK 79 / 0 / 84 / 14

HEX #2DDB24

RGB 45 219 36

HSL 117.05, 0.72%, 0.5%

LAB 76.89, -72.79, 69.41

 

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

CMYK 0 / 54 / 84 / 14

HEX #DB6424

RGB 219 100 36

HSL 20.98, 0.72%, 0.5%

LAB 56.39, 43.23, 55.34

 

CMYK 84 / 0 / 54 / 14

HEX #24DB64

RGB 36 219 100

HSL 140.98, 0.72%, 0.5%

LAB 77.26, -67.86, 45.99

 

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

CMYK 0 / 84 / 46 / 14

HEX #DB2476

RGB 219 36 118

HSL 333.11, 0.72%, 0.5%

LAB 49.04, 71.46, 0.78

 

CMYK 29 / 0 / 84 / 14

HEX #9BDB24

RGB 155 219 36

HSL 80.98, 0.72%, 0.5%

LAB 80.6, -44.32, 74.11

 

CMYK 84 / 0 / 37 / 14

HEX #24DB89

RGB 36 219 137

HSL 153.11, 0.72%, 0.5%

LAB 77.78, -61.65, 28.37

 

CMYK 53 / 83 / 0 / 14

HEX #6626DB

RGB 102 38 219

HSL 261.22, 0.72%, 0.5%

LAB 36.6, 65.4, -80.11

 

CMYK 0 / 84 / 71 / 14

HEX #DB243F

RGB 219 36 63

HSL 351.15, 0.72%, 0.5%

LAB 47.86, 67.98, 32.73

 

CMYK 29 / 0 / 84 / 14

HEX #9BDB24

RGB 155 219 36

HSL 80.98, 0.72%, 0.5%

LAB 80.6, -44.32, 74.11

 

CMYK 84 / 0 / 12 / 14

HEX #24DBC0

RGB 36 219 192

HSL 171.15, 0.72%, 0.5%

LAB 78.95, -48.94, 1.04

 

Description

Color code: HEX #6626DB | qconv.com Color code: HEX #6626DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 38 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 38 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 83 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 83% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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