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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #662699 it is the complementary color #99D966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #662699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #662699 shade: #6B2694, #7C38A7, #8D4ABA, #9E5CCD and #AF6EE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #662699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #662699 shade: #662699, #551486, #440273, #330060 and #22004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #662699 shade: #652697, #832697, #97268C, #97266E and #97264F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #662699 shade: #652697, #462697, #282697 and #262697

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #662699 shade matches the following richer shades: #652697, #6616A6 and #6807B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #662699 shade: #652697, #633588, #614478, #605469 and #5E635A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #662699 shade: #282697, #462697, #642697, #822697 and #97268E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #662699 shade: #391555, #4F1D76, #652697, #7B2EB8 and #9040CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #662699 shade: #662699, #972642 and #269737

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #662699 shade: #662699, #976426 and #269764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #662699 shade: #662699, #972642, #599726 and #26977B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #662699 shade: #662699, #972B26, #599726 and #269197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

Complementary color

CMYK 29 / 0 / 53 / 15

HEX #99D966

RGB 153 217 102

HSL 93.39, 0.6%, 0.63%

LAB 80.38, -39.65, 49.68

 

CMYK 28 / 74 / 0 / 42

HEX #6B2694

RGB 107 38 148

HSL 277.64, 0.59%, 0.36%

LAB 31, 48.97, -47.15

 

CMYK 26 / 66 / 0 / 35

HEX #7C38A7

RGB 124 56 167

HSL 276.76, 0.5%, 0.44%

LAB 37.67, 48.72, -47.77

 

CMYK 24 / 60 / 0 / 27

HEX #8D4ABA

RGB 141 74 186

HSL 275.89, 0.45%, 0.51%

LAB 44.38, 48.09, -48.11

 

CMYK 23 / 55 / 0 / 20

HEX #9E5CCD

RGB 158 92 205

HSL 275.04, 0.53%, 0.58%

LAB 51.07, 47.3, -48.29

 

CMYK 22 / 51 / 0 / 12

HEX #AF6EE0

RGB 175 110 224

HSL 274.21, 0.65%, 0.65%

LAB 57.7, 46.45, -48.4

 

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

CMYK 37 / 85 / 0 / 47

HEX #551486

RGB 85 20 134

HSL 274.21, 0.74%, 0.3%

LAB 24.17, 48.68, -49.71

 

CMYK 41 / 98 / 0 / 55

HEX #440273

RGB 68 2 115

HSL 275.04, 0.97%, 0.23%

LAB 17.96, 47, -47.88

 

CMYK 47 / 100 / 0 / 62

HEX #330060

RGB 51 0 96

HSL 271.88, 1%, 0.19%

LAB 12.91, 41.35, -43.81

 

CMYK 56 / 100 / 0 / 70

HEX #22004D

RGB 34 0 77

HSL 266.49, 1%, 0.15%

LAB 7.91, 34.95, -39.22

 

CMYK 33 / 75 / 0 / 41

HEX #652697

RGB 101 38 151

HSL 273.45, 0.6%, 0.37%

LAB 30.37, 48.47, -50.05

 

CMYK 13 / 75 / 0 / 41

HEX #832697

RGB 131 38 151

HSL 289.38, 0.6%, 0.37%

LAB 34.89, 54.61, -42.51

 

CMYK 0 / 75 / 7 / 41

HEX #97268C

RGB 151 38 140

HSL 305.84, 0.6%, 0.37%

LAB 37.59, 57.15, -31.3

 

CMYK 0 / 75 / 27 / 41

HEX #97266E

RGB 151 38 110

HSL 321.77, 0.6%, 0.37%

LAB 36.16, 52.8, -14.83

 

CMYK 0 / 75 / 48 / 41

HEX #97264F

RGB 151 38 79

HSL 338.23, 0.6%, 0.37%

LAB 35.06, 49.3, 3.38

 

CMYK 33 / 75 / 0 / 41

HEX #652697

RGB 101 38 151

HSL 273.45, 0.6%, 0.37%

LAB 30.37, 48.47, -50.05

 

CMYK 54 / 75 / 0 / 41

HEX #462697

RGB 70 38 151

HSL 256.99, 0.6%, 0.37%

LAB 26.51, 42.99, -56.5

 

CMYK 74 / 75 / 0 / 41

HEX #282697

RGB 40 38 151

HSL 241.06, 0.6%, 0.37%

LAB 23.91, 39.1, -60.88

 

CMYK 75 / 75 / 0 / 41

HEX #262697

RGB 38 38 151

HSL 240, 0.6%, 0.37%

LAB 23.78, 38.9, -61.1

 

CMYK 33 / 75 / 0 / 41

HEX #652697

RGB 101 38 151

HSL 273.45, 0.6%, 0.37%

LAB 30.37, 48.47, -50.05

 

CMYK 39 / 87 / 0 / 35

HEX #6616A6

RGB 102 22 166

HSL 273.33, 0.77%, 0.37%

LAB 29.79, 57.9, -60.1

 

CMYK 43 / 96 / 0 / 29

HEX #6807B5

RGB 104 7 181

HSL 273.45, 0.93%, 0.37%

LAB 30.48, 64.52, -67.97

 

CMYK 33 / 75 / 0 / 41

HEX #652697

RGB 101 38 151

HSL 273.45, 0.6%, 0.37%

LAB 30.37, 48.47, -50.05

 

CMYK 27 / 61 / 0 / 47

HEX #633588

RGB 99 53 136

HSL 273.25, 0.44%, 0.37%

LAB 31.75, 36.81, -38.59

 

CMYK 19 / 43 / 0 / 53

HEX #614478

RGB 97 68 120

HSL 273.46, 0.28%, 0.37%

LAB 34.05, 23.32, -25.02

 

CMYK 9 / 20 / 0 / 59

HEX #605469

RGB 96 84 105

HSL 274.29, 0.11%, 0.37%

LAB 37.57, 9.35, -10.27

 

CMYK 5 / 0 / 9 / 61

HEX #5E635A

RGB 94 99 90

HSL 93.33, 0.05%, 0.37%

LAB 41.28, -3.81, 4.44

 

CMYK 74 / 75 / 0 / 41

HEX #282697

RGB 40 38 151

HSL 241.06, 0.6%, 0.37%

LAB 23.91, 39.1, -60.88

 

CMYK 54 / 75 / 0 / 41

HEX #462697

RGB 70 38 151

HSL 256.99, 0.6%, 0.37%

LAB 26.51, 42.99, -56.5

 

CMYK 34 / 75 / 0 / 41

HEX #642697

RGB 100 38 151

HSL 272.92, 0.6%, 0.37%

LAB 30.23, 48.28, -50.28

 

CMYK 14 / 75 / 0 / 41

HEX #822697

RGB 130 38 151

HSL 288.85, 0.6%, 0.37%

LAB 34.73, 54.4, -42.78

 

CMYK 0 / 75 / 6 / 41

HEX #97268E

RGB 151 38 142

HSL 304.78, 0.6%, 0.37%

LAB 37.7, 57.47, -32.35

 

CMYK 33 / 75 / 0 / 67

HEX #391555

RGB 57 21 85

HSL 273.75, 0.6%, 0.21%

LAB 15.81, 30.73, -31.64

 

CMYK 33 / 75 / 0 / 54

HEX #4F1D76

RGB 79 29 118

HSL 273.71, 0.61%, 0.29%

LAB 23.17, 40.1, -41.25

 

CMYK 33 / 75 / 0 / 41

HEX #652697

RGB 101 38 151

HSL 273.45, 0.6%, 0.37%

LAB 30.37, 48.47, -50.05

 

CMYK 33 / 75 / 0 / 28

HEX #7B2EB8

RGB 123 46 184

HSL 273.48, 0.6%, 0.45%

LAB 37.16, 56.9, -58.7

 

CMYK 30 / 69 / 0 / 19

HEX #9040CF

RGB 144 64 207

HSL 273.57, 0.6%, 0.53%

LAB 44.38, 58.38, -60.28

 

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

CMYK 0 / 75 / 56 / 41

HEX #972642

RGB 151 38 66

HSL 345.13, 0.6%, 0.37%

LAB 34.72, 48.17, 11.31

 

CMYK 75 / 0 / 64 / 41

HEX #269737

RGB 38 151 55

HSL 129.03, 0.6%, 0.37%

LAB 54.89, -50.9, 40.76

 

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

CMYK 0 / 34 / 75 / 41

HEX #976426

RGB 151 100 38

HSL 32.92, 0.6%, 0.37%

LAB 46.76, 14.87, 41.94

 

CMYK 75 / 0 / 34 / 41

HEX #269764

RGB 38 151 100

HSL 152.92, 0.6%, 0.37%

LAB 55.55, -43.3, 18.17

 

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

CMYK 0 / 75 / 56 / 41

HEX #972642

RGB 151 38 66

HSL 345.13, 0.6%, 0.37%

LAB 34.72, 48.17, 11.31

 

CMYK 41 / 0 / 75 / 41

HEX #599726

RGB 89 151 38

HSL 92.92, 0.6%, 0.37%

LAB 56.48, -39.04, 50.05

 

CMYK 75 / 0 / 19 / 41

HEX #26977B

RGB 38 151 123

HSL 165.13, 0.6%, 0.37%

LAB 56.06, -37.79, 5.91

 

CMYK 33 / 75 / 0 / 40

HEX #662699

RGB 102 38 153

HSL 273.39, 0.6%, 0.37%

LAB 30.67, 49.14, -50.78

 

CMYK 0 / 72 / 75 / 41

HEX #972B26

RGB 151 43 38

HSL 2.65, 0.6%, 0.37%

LAB 34.9, 44.53, 29.23

 

CMYK 41 / 0 / 75 / 41

HEX #599726

RGB 89 151 38

HSL 92.92, 0.6%, 0.37%

LAB 56.48, -39.04, 50.05

 

CMYK 75 / 4 / 0 / 41

HEX #269197

RGB 38 145 151

HSL 183.19, 0.6%, 0.37%

LAB 54.97, -26.91, -11.75

 

Description

Color code: HEX #662699 | qconv.com Color code: HEX #662699 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 38 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 38 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 75 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 75% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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