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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #661FE2 it is the complementary color #99E01D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #661FE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #661FE2 shade: #6B1FDD, #7C31F0, #8D43FF, #9E55FF and #AF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #661FE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #661FE2 shade: #661FE2, #550DCF, #4400BC, #3300A9 and #220096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #661FE2 shade: #651DE2, #9A1DE2, #CF1DE2, #E21DC0 and #E21D8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #661FE2 shade: #651DE2, #301DE2 and #1D1DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #661FE2 shade matches the following richer shades: #651DE2 and #5F09F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #661FE2 shade: #651DE2, #6A32CD, #7047B8, #765BA4 and #7B708F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #661FE2 shade: #1D41E2, #2E1DE2, #621DE2, #961DE2 and #CB1DE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #661FE2 shade: #441499, #5519BD, #651DE2, #7E42E6 and #9766EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #661FE2 shade: #661FE2, #E21D76 and #27E21D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #661FE2 shade: #661FE2, #E2621D and #1DE262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #661FE2 shade: #661FE2, #E21D76, #9DE21D and #1DE289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #661FE2 shade: #661FE2, #E21D3B, #9DE21D and #1DE2C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

Complementary color

CMYK 32 / 0 / 87 / 12

HEX #99E01D

RGB 153 224 29

HSL 81.85, 0.77%, 0.5%

LAB 81.93, -47.38, 76.65

 

CMYK 52 / 86 / 0 / 13

HEX #6B1FDD

RGB 107 31 221

HSL 264, 0.75%, 0.49%

LAB 36.6, 68.68, -81.23

 

CMYK 48 / 80 / 0 / 6

HEX #7C31F0

RGB 124 49 240

HSL 263.56, 0.86%, 0.57%

LAB 42.42, 69.14, -82.4

 

CMYK 45 / 74 / 0 / 0

HEX #8D43FF

RGB 141 67 255

HSL 263.62, 1%, 0.63%

LAB 48.13, 67.91, -81.36

 

CMYK 38 / 67 / 0 / 0

HEX #9E55FF

RGB 158 85 255

HSL 265.76, 1%, 0.67%

LAB 52.93, 62.61, -73.45

 

CMYK 31 / 60 / 0 / 0

HEX #AF67FF

RGB 175 103 255

HSL 268.42, 1%, 0.7%

LAB 58.07, 57.23, -65.06

 

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

CMYK 59 / 94 / 0 / 19

HEX #550DCF

RGB 85 13 207

HSL 262.27, 0.88%, 0.43%

LAB 31.17, 67.79, -82.21

 

CMYK 64 / 100 / 0 / 26

HEX #4400BC

RGB 68 0 188

HSL 261.7, 1%, 0.37%

LAB 26.33, 64.56, -79.14

 

CMYK 70 / 100 / 0 / 34

HEX #3300A9

RGB 51 0 169

HSL 258.11, 1%, 0.33%

LAB 22.19, 59.22, -74.69

 

CMYK 77 / 100 / 0 / 41

HEX #220096

RGB 34 0 150

HSL 253.6, 1%, 0.29%

LAB 18.11, 53.87, -69.9

 

CMYK 55 / 87 / 0 / 11

HEX #651DE2

RGB 101 29 226

HSL 261.93, 0.77%, 0.5%

LAB 36.25, 69.87, -84.72

 

CMYK 32 / 87 / 0 / 11

HEX #9A1DE2

RGB 154 29 226

HSL 278.07, 0.77%, 0.5%

LAB 43.12, 75.84, -73.16

 

CMYK 8 / 87 / 0 / 11

HEX #CF1DE2

RGB 207 29 226

HSL 294.21, 0.77%, 0.5%

LAB 51.42, 83.77, -59.31

 

CMYK 0 / 87 / 15 / 11

HEX #E21DC0

RGB 226 29 192

HSL 310.36, 0.77%, 0.5%

LAB 52.79, 82.26, -37.45

 

CMYK 0 / 87 / 38 / 11

HEX #E21D8B

RGB 226 29 139

HSL 326.5, 0.77%, 0.5%

LAB 50.58, 76.31, -9.53

 

CMYK 55 / 87 / 0 / 11

HEX #651DE2

RGB 101 29 226

HSL 261.93, 0.77%, 0.5%

LAB 36.25, 69.87, -84.72

 

CMYK 79 / 87 / 0 / 11

HEX #301DE2

RGB 48 29 226

HSL 245.79, 0.77%, 0.5%

LAB 31.8, 66.45, -92.22

 

CMYK 87 / 87 / 0 / 11

HEX #1D1DE2

RGB 29 29 226

HSL 240, 0.77%, 0.5%

LAB 30.95, 65.85, -93.66

 

CMYK 55 / 87 / 0 / 11

HEX #651DE2

RGB 101 29 226

HSL 261.93, 0.77%, 0.5%

LAB 36.25, 69.87, -84.72

 

CMYK 61 / 96 / 0 / 4

HEX #5F09F6

RGB 95 9 246

HSL 261.77, 0.93%, 0.5%

LAB 36.52, 78.04, -95.64

 

CMYK 55 / 87 / 0 / 11

HEX #651DE2

RGB 101 29 226

HSL 261.93, 0.77%, 0.5%

LAB 36.25, 69.87, -84.72

 

CMYK 48 / 76 / 0 / 20

HEX #6A32CD

RGB 106 50 205

HSL 261.68, 0.61%, 0.5%

LAB 37.4, 57.53, -70.7

 

CMYK 39 / 61 / 0 / 28

HEX #7047B8

RGB 112 71 184

HSL 261.77, 0.44%, 0.5%

LAB 40.27, 42.39, -53.74

 

CMYK 28 / 45 / 0 / 36

HEX #765BA4

RGB 118 91 164

HSL 262.19, 0.29%, 0.5%

LAB 44.25, 26.96, -35.53

 

CMYK 14 / 22 / 0 / 44

HEX #7B708F

RGB 123 112 143

HSL 261.29, 0.12%, 0.5%

LAB 49.23, 10.78, -15.35

 

CMYK 87 / 71 / 0 / 11

HEX #1D41E2

RGB 29 65 226

HSL 229.04, 0.77%, 0.5%

LAB 36.99, 48.38, -83.64

 

CMYK 80 / 87 / 0 / 11

HEX #2E1DE2

RGB 46 29 226

HSL 245.18, 0.77%, 0.5%

LAB 31.69, 66.37, -92.4

 

CMYK 57 / 87 / 0 / 11

HEX #621DE2

RGB 98 29 226

HSL 261.02, 0.77%, 0.5%

LAB 35.92, 69.6, -85.26

 

CMYK 34 / 87 / 0 / 11

HEX #961DE2

RGB 150 29 226

HSL 276.85, 0.77%, 0.5%

LAB 42.54, 75.31, -74.13

 

CMYK 10 / 87 / 0 / 11

HEX #CB1DE2

RGB 203 29 226

HSL 292.99, 0.77%, 0.5%

LAB 50.76, 83.12, -60.4

 

CMYK 56 / 87 / 0 / 40

HEX #441499

RGB 68 20 153

HSL 261.65, 0.77%, 0.34%

LAB 23.77, 51.16, -62.26

 

CMYK 55 / 87 / 0 / 26

HEX #5519BD

RGB 85 25 189

HSL 261.95, 0.77%, 0.42%

LAB 30.16, 60.49, -73.33

 

CMYK 55 / 87 / 0 / 11

HEX #651DE2

RGB 101 29 226

HSL 261.93, 0.77%, 0.5%

LAB 36.25, 69.87, -84.72

 

CMYK 45 / 71 / 0 / 10

HEX #7E42E6

RGB 126 66 230

HSL 261.95, 0.77%, 0.58%

LAB 44.3, 59.75, -73.66

 

CMYK 36 / 57 / 0 / 8

HEX #9766EB

RGB 151 102 235

HSL 262.11, 0.77%, 0.66%

LAB 54.11, 47.46, -60.45

 

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

CMYK 0 / 87 / 48 / 11

HEX #E21D76

RGB 226 29 118

HSL 332.89, 0.77%, 0.5%

LAB 49.92, 74.48, 2.23

 

CMYK 83 / 0 / 87 / 11

HEX #27E21D

RGB 39 226 29

HSL 116.95, 0.77%, 0.5%

LAB 78.99, -75.75, 72.73

 

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

CMYK 0 / 57 / 87 / 11

HEX #E2621D

RGB 226 98 29

HSL 21.02, 0.77%, 0.5%

LAB 57.07, 46.66, 58.99

 

CMYK 87 / 0 / 57 / 11

HEX #1DE262

RGB 29 226 98

HSL 141.02, 0.77%, 0.5%

LAB 79.35, -70.9, 49.4

 

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

CMYK 0 / 87 / 48 / 11

HEX #E21D76

RGB 226 29 118

HSL 332.89, 0.77%, 0.5%

LAB 49.92, 74.48, 2.23

 

CMYK 31 / 0 / 87 / 11

HEX #9DE21D

RGB 157 226 29

HSL 81.02, 0.77%, 0.5%

LAB 82.73, -46.77, 77.4

 

CMYK 87 / 0 / 39 / 11

HEX #1DE289

RGB 29 226 137

HSL 152.89, 0.77%, 0.5%

LAB 79.87, -64.63, 31.14

 

CMYK 55 / 86 / 0 / 11

HEX #661FE2

RGB 102 31 226

HSL 261.85, 0.77%, 0.5%

LAB 36.55, 69.39, -84.21

 

CMYK 0 / 87 / 74 / 11

HEX #E21D3B

RGB 226 29 59

HSL 350.86, 0.77%, 0.5%

LAB 48.71, 71.03, 36.45

 

CMYK 31 / 0 / 87 / 11

HEX #9DE21D

RGB 157 226 29

HSL 81.02, 0.77%, 0.5%

LAB 82.73, -46.77, 77.4

 

CMYK 87 / 0 / 13 / 11

HEX #1DE2C4

RGB 29 226 196

HSL 170.86, 0.77%, 0.5%

LAB 81.09, -51.24, 2.03

 

Description

Color code: HEX #661FE2 | qconv.com Color code: HEX #661FE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 31 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 31 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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