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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6616EB it is the complementary color #99E914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6616EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6616EB shade: #6B16E6, #7C28F9, #8D3AFF, #9E4CFF and #AF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6616EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6616EB shade: #6616EB, #5504D8, #4400C5, #3300B2 and #22009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6616EB shade: #6514EB, #9F14EB, #D814EB, #EB14C3 and #EB1489

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6616EB shade: #6514EB, #2B14EB and #1414EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6616EB shade matches the following richer shades: #6514EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6616EB shade: #6514EB, #6A29D6, #6F3EC1, #7452AD and #796798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6616EB shade: #1438EB, #2A14EB, #6314EB, #9C14EB and #D514EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6616EB shade: #440E9F, #5511C5, #6514EB, #7E3AEE and #9760F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6616EB shade: #6616EB, #EB1471 and #1CEB14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6616EB shade: #6616EB, #EB6314 and #14EB63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6616EB shade: #6616EB, #EB1471, #9CEB14 and #14EB8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6616EB shade: #6616EB, #EB1431, #9CEB14 and #14EBCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

Complementary color

CMYK 34 / 0 / 91 / 9

HEX #99E914

RGB 153 233 20

HSL 82.54, 0.84%, 0.5%

LAB 84.54, -51.29, 80.21

 

CMYK 53 / 90 / 0 / 10

HEX #6B16E6

RGB 107 22 230

HSL 264.52, 0.83%, 0.49%

LAB 36.77, 73.06, -86.12

 

CMYK 50 / 84 / 0 / 2

HEX #7C28F9

RGB 124 40 249

HSL 264.11, 0.95%, 0.57%

LAB 42.22, 74.34, -87.79

 

CMYK 45 / 77 / 0 / 0

HEX #8D3AFF

RGB 141 58 255

HSL 265.28, 1%, 0.61%

LAB 46.85, 71.57, -83.45

 

CMYK 38 / 70 / 0 / 0

HEX #9E4CFF

RGB 158 76 255

HSL 267.49, 1%, 0.65%

LAB 51.45, 66.75, -75.87

 

CMYK 31 / 63 / 0 / 0

HEX #AF5EFF

RGB 175 94 255

HSL 270.19, 1%, 0.68%

LAB 56.43, 61.67, -67.71

 

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

CMYK 61 / 98 / 0 / 15

HEX #5504D8

RGB 85 4 216

HSL 262.92, 0.96%, 0.43%

LAB 31.75, 71.31, -86.47

 

CMYK 65 / 100 / 0 / 23

HEX #4400C5

RGB 68 0 197

HSL 260.71, 1%, 0.39%

LAB 27.46, 66.67, -82.57

 

CMYK 71 / 100 / 0 / 30

HEX #3300B2

RGB 51 0 178

HSL 257.19, 1%, 0.35%

LAB 23.4, 61.41, -78.1

 

CMYK 79 / 100 / 0 / 38

HEX #22009F

RGB 34 0 159

HSL 252.83, 1%, 0.31%

LAB 19.41, 56.15, -73.28

 

CMYK 57 / 91 / 0 / 8

HEX #6514EB

RGB 101 20 235

HSL 262.6, 0.84%, 0.5%

LAB 36.49, 74.15, -89.44

 

CMYK 32 / 91 / 0 / 8

HEX #9F14EB

RGB 159 20 235

HSL 278.79, 0.84%, 0.5%

LAB 44.05, 79.88, -76.73

 

CMYK 8 / 91 / 0 / 8

HEX #D814EB

RGB 216 20 235

HSL 294.7, 0.84%, 0.5%

LAB 53.06, 87.85, -61.69

 

CMYK 0 / 91 / 17 / 8

HEX #EB14C3

RGB 235 20 195

HSL 311.16, 0.84%, 0.5%

LAB 54.14, 85.54, -36.95

 

CMYK 0 / 91 / 42 / 8

HEX #EB1489

RGB 235 20 137

HSL 327.35, 0.84%, 0.5%

LAB 51.8, 79.38, -6.32

 

CMYK 57 / 91 / 0 / 8

HEX #6514EB

RGB 101 20 235

HSL 262.6, 0.84%, 0.5%

LAB 36.49, 74.15, -89.44

 

CMYK 82 / 91 / 0 / 8

HEX #2B14EB

RGB 43 20 235

HSL 246.42, 0.84%, 0.5%

LAB 31.83, 71.28, -97.31

 

CMYK 91 / 91 / 0 / 8

HEX #1414EB

RGB 20 20 235

HSL 240, 0.84%, 0.5%

LAB 30.99, 70.83, -98.75

 

CMYK 57 / 91 / 0 / 8

HEX #6514EB

RGB 101 20 235

HSL 262.6, 0.84%, 0.5%

LAB 36.49, 74.15, -89.44

 

CMYK 57 / 91 / 0 / 8

HEX #6514EB

RGB 101 20 235

HSL 262.6, 0.84%, 0.5%

LAB 36.49, 74.15, -89.44

 

CMYK 50 / 81 / 0 / 16

HEX #6A29D6

RGB 106 41 214

HSL 262.54, 0.68%, 0.5%

LAB 36.94, 63.52, -76.66

 

CMYK 42 / 68 / 0 / 24

HEX #6F3EC1

RGB 111 62 193

HSL 262.44, 0.51%, 0.5%

LAB 39.03, 49.43, -61.02

 

CMYK 33 / 53 / 0 / 32

HEX #7452AD

RGB 116 82 173

HSL 262.42, 0.36%, 0.5%

LAB 42.41, 34.11, -43.8

 

CMYK 20 / 32 / 0 / 40

HEX #796798

RGB 121 103 152

HSL 262.04, 0.19%, 0.5%

LAB 47.02, 17.63, -24.09

 

CMYK 91 / 76 / 0 / 8

HEX #1438EB

RGB 20 56 235

HSL 229.95, 0.84%, 0.5%

LAB 35.94, 56.17, -90.51

 

CMYK 82 / 91 / 0 / 8

HEX #2A14EB

RGB 42 20 235

HSL 246.14, 0.84%, 0.5%

LAB 31.79, 71.25, -97.4

 

CMYK 58 / 91 / 0 / 8

HEX #6314EB

RGB 99 20 235

HSL 262.05, 0.84%, 0.5%

LAB 36.27, 74, -89.81

 

CMYK 34 / 91 / 0 / 8

HEX #9C14EB

RGB 156 20 235

HSL 277.95, 0.84%, 0.5%

LAB 43.6, 79.52, -77.47

 

CMYK 9 / 91 / 0 / 8

HEX #D514EB

RGB 213 20 235

HSL 293.86, 0.84%, 0.5%

LAB 52.56, 87.39, -62.52

 

CMYK 57 / 91 / 0 / 38

HEX #440E9F

RGB 68 14 159

HSL 262.34, 0.84%, 0.34%

LAB 23.82, 54.53, -65.84

 

CMYK 57 / 91 / 0 / 23

HEX #5511C5

RGB 85 17 197

HSL 262.67, 0.84%, 0.42%

LAB 30.31, 64.6, -77.79

 

CMYK 57 / 91 / 0 / 8

HEX #6514EB

RGB 101 20 235

HSL 262.6, 0.84%, 0.5%

LAB 36.49, 74.15, -89.44

 

CMYK 47 / 76 / 0 / 7

HEX #7E3AEE

RGB 126 58 238

HSL 262.67, 0.84%, 0.58%

LAB 43.7, 65.34, -79.15

 

CMYK 37 / 60 / 0 / 5

HEX #9760F1

RGB 151 96 241

HSL 262.76, 0.84%, 0.66%

LAB 53.27, 52.21, -65.15

 

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

CMYK 0 / 91 / 52 / 8

HEX #EB1471

RGB 235 20 113

HSL 334.05, 0.84%, 0.5%

LAB 51.1, 77.47, 7.19

 

CMYK 88 / 0 / 91 / 8

HEX #1CEB14

RGB 28 235 20

HSL 117.77, 0.84%, 0.5%

LAB 81.68, -79.43, 76.44

 

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

CMYK 0 / 58 / 91 / 8

HEX #EB6314

RGB 235 99 20

HSL 22.05, 0.84%, 0.5%

LAB 58.64, 49.36, 63.58

 

CMYK 91 / 0 / 58 / 8

HEX #14EB63

RGB 20 235 99

HSL 142.05, 0.84%, 0.5%

LAB 82.09, -74.07, 52.16

 

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

CMYK 0 / 91 / 52 / 8

HEX #EB1471

RGB 235 20 113

HSL 334.05, 0.84%, 0.5%

LAB 51.1, 77.47, 7.19

 

CMYK 34 / 0 / 91 / 8

HEX #9CEB14

RGB 156 235 20

HSL 82.05, 0.84%, 0.5%

LAB 85.27, -51.05, 80.87

 

CMYK 91 / 0 / 40 / 8

HEX #14EB8E

RGB 20 235 142

HSL 154.05, 0.84%, 0.5%

LAB 82.66, -67.27, 32.28

 

CMYK 57 / 91 / 0 / 8

HEX #6616EB

RGB 102 22 235

HSL 262.54, 0.84%, 0.5%

LAB 36.74, 73.81, -89.03

 

CMYK 0 / 91 / 79 / 8

HEX #EB1431

RGB 235 20 49

HSL 351.91, 0.84%, 0.5%

LAB 49.96, 74.3, 44.03

 

CMYK 34 / 0 / 91 / 8

HEX #9CEB14

RGB 156 235 20

HSL 82.05, 0.84%, 0.5%

LAB 85.27, -51.05, 80.87

 

CMYK 91 / 0 / 12 / 8

HEX #14EBCE

RGB 20 235 206

HSL 171.91, 0.84%, 0.5%

LAB 83.98, -52.72, 0.93

 

Description

Color code: HEX #6616EB | qconv.com Color code: HEX #6616EB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 22 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 22 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 91 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 91% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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