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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65FC5A it is the complementary color #9A03A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65FC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65FC5A shade: #6AFC55, #7BFF68, #8CFF7B, #9DFF8E and #AEFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65FC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65FC5A shade: #65FC5A, #54EA47, #43D834, #32C621 and #21B40E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65FC5A shade: #65FC5A, #91FC5A, #BCFC5A, #E8FC5A and #FCE45A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65FC5A shade: #65FC5A, #5AFC7B, #5AFCA6, #5AFCD2 and #5AFAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65FC5A shade matches the following richer shades: #65FC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65FC5A shade: #65FC5A, #71EE68, #7DE075, #88D383 and #94C591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65FC5A shade: #BEFC5A, #93FC5A, #68FC5A, #5AFC78 and #5AFCA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65FC5A shade: #1AFA09, #3FFB32, #65FC5A, #8BFC82 and #B1FDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65FC5A shade: #65FC5A, #5AE9FC and #FC5AA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65FC5A shade: #65FC5A, #5A68FC and #FC5A68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65FC5A shade: #65FC5A, #5AE9FC, #EE5AFC and #FC6D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65FC5A shade: #65FC5A, #5AB8FC, #EE5AFC and #FC9D5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

Complementary color

CMYK 7 / 98 / 0 / 35

HEX #9A03A5

RGB 154 3 165

HSL 295.93, 0.96%, 0.33%

LAB 37.21, 68.79, -47.06

 

CMYK 58 / 0 / 66 / 1

HEX #6AFC55

RGB 106 252 85

HSL 112.46, 0.97%, 0.66%

LAB 88.61, -68.88, 65.7

 

CMYK 52 / 0 / 59 / 0

HEX #7BFF68

RGB 123 255 104

HSL 112.45, 1%, 0.7%

LAB 90.2, -63.97, 59.88

 

CMYK 45 / 0 / 52 / 0

HEX #8CFF7B

RGB 140 255 123

HSL 112.27, 1%, 0.74%

LAB 91.02, -57.26, 52.59

 

CMYK 38 / 0 / 44 / 0

HEX #9DFF8E

RGB 157 255 142

HSL 112.04, 1%, 0.78%

LAB 91.97, -49.89, 45

 

CMYK 32 / 0 / 37 / 0

HEX #AEFFA1

RGB 174 255 161

HSL 111.7, 1%, 0.82%

LAB 93.05, -41.98, 37.29

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 0 / 70 / 8

HEX #54EA47

RGB 84 234 71

HSL 115.21, 0.8%, 0.6%

LAB 82.48, -68.79, 64.32

 

CMYK 69 / 0 / 76 / 15

HEX #43D834

RGB 67 216 52

HSL 114.51, 0.68%, 0.53%

LAB 76.41, -67.65, 64.63

 

CMYK 75 / 0 / 83 / 22

HEX #32C621

RGB 50 198 33

HSL 113.82, 0.71%, 0.45%

LAB 70.3, -65.99, 64.2

 

CMYK 82 / 0 / 92 / 29

HEX #21B40E

RGB 33 180 14

HSL 113.13, 0.86%, 0.38%

LAB 64.16, -63.65, 62.58

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 42 / 0 / 64 / 1

HEX #91FC5A

RGB 145 252 90

HSL 99.63, 0.96%, 0.67%

LAB 90.03, -57.96, 65.69

 

CMYK 25 / 0 / 64 / 1

HEX #BCFC5A

RGB 188 252 90

HSL 83.7, 0.96%, 0.67%

LAB 92.15, -43.56, 68.6

 

CMYK 8 / 0 / 64 / 1

HEX #E8FC5A

RGB 232 252 90

HSL 67.41, 0.96%, 0.67%

LAB 94.96, -26.87, 72.4

 

CMYK 0 / 10 / 64 / 1

HEX #FCE45A

RGB 252 228 90

HSL 51.11, 0.96%, 0.67%

LAB 90.28, -7.16, 67.98

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 0 / 51 / 1

HEX #5AFC7B

RGB 90 252 123

HSL 132.22, 0.96%, 0.67%

LAB 88.55, -68.02, 49.22

 

CMYK 64 / 0 / 34 / 1

HEX #5AFCA6

RGB 90 252 166

HSL 148.15, 0.96%, 0.67%

LAB 89.18, -61.06, 29.08

 

CMYK 64 / 0 / 17 / 1

HEX #5AFCD2

RGB 90 252 210

HSL 164.44, 0.96%, 0.67%

LAB 90.07, -51.79, 7.78

 

CMYK 64 / 1 / 0 / 1

HEX #5AFAFC

RGB 90 250 252

HSL 180.74, 0.96%, 0.67%

LAB 90.58, -40.32, -13.27

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 53 / 0 / 56 / 7

HEX #71EE68

RGB 113 238 104

HSL 115.97, 0.8%, 0.67%

LAB 84.82, -60.25, 53.58

 

CMYK 44 / 0 / 48 / 12

HEX #7DE075

RGB 125 224 117

HSL 115.51, 0.63%, 0.67%

LAB 81.27, -49.87, 43.32

 

CMYK 36 / 0 / 38 / 17

HEX #88D383

RGB 136 211 131

HSL 116.25, 0.48%, 0.67%

LAB 78.15, -38.94, 32.45

 

CMYK 25 / 0 / 26 / 23

HEX #94C591

RGB 148 197 145

HSL 116.54, 0.31%, 0.67%

LAB 75, -26.19, 21.02

 

CMYK 25 / 0 / 64 / 1

HEX #BEFC5A

RGB 190 252 90

HSL 82.96, 0.96%, 0.67%

LAB 92.27, -42.84, 68.75

 

CMYK 42 / 0 / 64 / 1

HEX #93FC5A

RGB 147 252 90

HSL 98.89, 0.96%, 0.67%

LAB 90.12, -57.35, 65.81

 

CMYK 59 / 0 / 64 / 1

HEX #68FC5A

RGB 104 252 90

HSL 114.81, 0.96%, 0.67%

LAB 88.59, -68.89, 63.71

 

CMYK 64 / 0 / 52 / 1

HEX #5AFC78

RGB 90 252 120

HSL 131.11, 0.96%, 0.67%

LAB 88.52, -68.42, 50.57

 

CMYK 64 / 0 / 35 / 1

HEX #5AFCA3

RGB 90 252 163

HSL 147.04, 0.96%, 0.67%

LAB 89.13, -61.61, 30.52

 

CMYK 90 / 0 / 96 / 2

HEX #1AFA09

RGB 26 250 9

HSL 115.77, 0.96%, 0.51%

LAB 86.31, -83.77, 81.38

 

CMYK 75 / 0 / 80 / 2

HEX #3FFB32

RGB 63 251 50

HSL 116.12, 0.96%, 0.59%

LAB 87.13, -79.06, 75.39

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 45 / 0 / 48 / 1

HEX #8BFC82

RGB 139 252 130

HSL 115.57, 0.95%, 0.75%

LAB 90.19, -55.49, 48.32

 

CMYK 30 / 0 / 32 / 1

HEX #B1FDAB

RGB 177 253 171

HSL 115.61, 0.95%, 0.83%

LAB 92.81, -38.66, 32.02

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 8 / 0 / 1

HEX #5AE9FC

RGB 90 233 252

HSL 187.04, 0.96%, 0.67%

LAB 85.75, -32.45, -20.55

 

CMYK 0 / 64 / 33 / 1

HEX #FC5AA8

RGB 252 90 168

HSL 331.11, 0.96%, 0.67%

LAB 62.37, 68.16, -8.5

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 59 / 0 / 1

HEX #5A68FC

RGB 90 104 252

HSL 234.81, 0.96%, 0.67%

LAB 50.81, 39.65, -75.5

 

CMYK 0 / 64 / 59 / 1

HEX #FC5A68

RGB 252 90 104

HSL 354.81, 0.96%, 0.67%

LAB 60.79, 62.43, 26.29

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 8 / 0 / 1

HEX #5AE9FC

RGB 90 233 252

HSL 187.04, 0.96%, 0.67%

LAB 85.75, -32.45, -20.55

 

CMYK 6 / 64 / 0 / 1

HEX #EE5AFC

RGB 238 90 252

HSL 294.81, 0.96%, 0.67%

LAB 63.77, 76.55, -53.84

 

CMYK 0 / 57 / 64 / 1

HEX #FC6D5A

RGB 252 109 90

HSL 7.04, 0.96%, 0.67%

LAB 63.65, 53.36, 37.79

 

CMYK 60 / 0 / 64 / 1

HEX #65FC5A

RGB 101 252 90

HSL 115.93, 0.96%, 0.67%

LAB 88.51, -69.56, 63.59

 

CMYK 64 / 27 / 0 / 1

HEX #5AB8FC

RGB 90 184 252

HSL 205.19, 0.96%, 0.67%

LAB 71.88, -7.48, -41.87

 

CMYK 6 / 64 / 0 / 1

HEX #EE5AFC

RGB 238 90 252

HSL 294.81, 0.96%, 0.67%

LAB 63.77, 76.55, -53.84

 

CMYK 0 / 38 / 64 / 1

HEX #FC9D5A

RGB 252 157 90

HSL 24.81, 0.96%, 0.67%

LAB 73.25, 29.53, 49.19

 

Description

Color code: HEX #65FC5A | qconv.com Color code: HEX #65FC5A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 252 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 252 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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