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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65F9C5 it is the complementary color #9A063A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65F9C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65F9C5 shade: #6AF9C0, #7BFFD3, #8CFFE6, #9DFFF9 and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65F9C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65F9C5 shade: #65F9C5, #54E7B2, #43D59F, #32C38C and #21B179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65F9C5 shade: #66F9C6, #66F99E, #66F977, #7EF966 and #A6F966

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65F9C5 shade: #66F9C6, #66F9ED, #66DEF9, #66B6F9 and #668FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65F9C5 shade matches the following richer shades: #66F9C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65F9C5 shade: #66F9C6, #73EDC2, #80E0BE, #8DD3BA and #9AC6B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65F9C5 shade: #66F975, #66F99C, #66F9C4, #66F9EB and #66E1F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65F9C5 shade: #17F7A8, #3FF8B7, #66F9C6, #8EFBD5 and #B6FCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65F9C5 shade: #65F9C5, #667FF9 and #F98966

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65F9C5 shade: #65F9C5, #C466F9 and #F9C466

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65F9C5 shade: #65F9C5, #667FF9, #F9669C and #F9E166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65F9C5 shade: #65F9C5, #7A66F9, #F9669C and #E6F966

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

Complementary color

CMYK 0 / 96 / 62 / 40

HEX #9A063A

RGB 154 6 58

HSL 338.92, 0.93%, 0.31%

LAB 32.49, 56.01, 13.62

 

CMYK 57 / 0 / 23 / 2

HEX #6AF9C0

RGB 106 249 192

HSL 156.08, 0.92%, 0.7%

LAB 89.22, -51.69, 15.93

 

CMYK 52 / 0 / 17 / 0

HEX #7BFFD3

RGB 123 255 211

HSL 160, 1%, 0.74%

LAB 91.88, -46.61, 9.98

 

CMYK 45 / 0 / 10 / 0

HEX #8CFFE6

RGB 140 255 230

HSL 166.96, 1%, 0.77%

LAB 92.93, -38.58, 1.77

 

CMYK 38 / 0 / 2 / 0

HEX #9DFFF9

RGB 157 255 249

HSL 176.33, 1%, 0.81%

LAB 94.11, -30.15, -6.24

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

CMYK 64 / 0 / 23 / 9

HEX #54E7B2

RGB 84 231 178

HSL 158.37, 0.75%, 0.62%

LAB 83.05, -51.4, 14.43

 

CMYK 69 / 0 / 25 / 16

HEX #43D59F

RGB 67 213 159

HSL 157.81, 0.63%, 0.55%

LAB 76.85, -51.06, 15.67

 

CMYK 74 / 0 / 28 / 24

HEX #32C38C

RGB 50 195 140

HSL 157.24, 0.59%, 0.48%

LAB 70.6, -50.51, 17.04

 

CMYK 81 / 0 / 32 / 31

HEX #21B179

RGB 33 177 121

HSL 156.67, 0.69%, 0.41%

LAB 64.28, -49.63, 18.54

 

CMYK 59 / 0 / 20 / 2

HEX #66F9C6

RGB 102 249 198

HSL 159.18, 0.92%, 0.69%

LAB 89.23, -51.17, 12.84

 

CMYK 59 / 0 / 37 / 2

HEX #66F99E

RGB 102 249 158

HSL 142.86, 0.92%, 0.69%

LAB 88.47, -59.09, 32.2

 

CMYK 59 / 0 / 52 / 2

HEX #66F977

RGB 102 249 119

HSL 126.94, 0.92%, 0.69%

LAB 87.92, -65.05, 50.38

 

CMYK 49 / 0 / 59 / 2

HEX #7EF966

RGB 126 249 102

HSL 110.2, 0.92%, 0.69%

LAB 88.52, -61.16, 58.85

 

CMYK 33 / 0 / 59 / 2

HEX #A6F966

RGB 166 249 102

HSL 93.88, 0.92%, 0.69%

LAB 90.24, -48.98, 61.26

 

CMYK 59 / 0 / 20 / 2

HEX #66F9C6

RGB 102 249 198

HSL 159.18, 0.92%, 0.69%

LAB 89.23, -51.17, 12.84

 

CMYK 59 / 0 / 5 / 2

HEX #66F9ED

RGB 102 249 237

HSL 175.1, 0.92%, 0.69%

LAB 90.18, -41.92, -6.04

 

CMYK 59 / 11 / 0 / 2

HEX #66DEF9

RGB 102 222 249

HSL 191.02, 0.92%, 0.69%

LAB 82.86, -26.04, -23.3

 

CMYK 59 / 27 / 0 / 2

HEX #66B6F9

RGB 102 182 249

HSL 207.35, 0.92%, 0.69%

LAB 71.64, -5.23, -40.6

 

CMYK 59 / 43 / 0 / 2

HEX #668FF9

RGB 102 143 249

HSL 223.27, 0.92%, 0.69%

LAB 61.05, 17.15, -57.3

 

CMYK 59 / 0 / 20 / 2

HEX #66F9C6

RGB 102 249 198

HSL 159.18, 0.92%, 0.69%

LAB 89.23, -51.17, 12.84

 

CMYK 59 / 0 / 20 / 2

HEX #66F9C6

RGB 102 249 198

HSL 159.18, 0.92%, 0.69%

LAB 89.23, -51.17, 12.84

 

CMYK 51 / 0 / 18 / 7

HEX #73EDC2

RGB 115 237 194

HSL 158.85, 0.77%, 0.69%

LAB 86.06, -44.27, 10.46

 

CMYK 43 / 0 / 15 / 12

HEX #80E0BE

RGB 128 224 190

HSL 158.75, 0.61%, 0.69%

LAB 82.71, -36.2, 7.84

 

CMYK 33 / 0 / 12 / 17

HEX #8DD3BA

RGB 141 211 186

HSL 158.57, 0.44%, 0.69%

LAB 79.5, -27.37, 5.42

 

CMYK 22 / 0 / 8 / 22

HEX #9AC6B7

RGB 154 198 183

HSL 159.55, 0.28%, 0.69%

LAB 76.48, -17.59, 2.76

 

CMYK 59 / 0 / 53 / 2

HEX #66F975

RGB 102 249 117

HSL 126.12, 0.92%, 0.69%

LAB 87.9, -65.31, 51.27

 

CMYK 59 / 0 / 37 / 2

HEX #66F99C

RGB 102 249 156

HSL 142.04, 0.92%, 0.69%

LAB 88.44, -59.43, 33.16

 

CMYK 59 / 0 / 21 / 2

HEX #66F9C4

RGB 102 249 196

HSL 158.37, 0.92%, 0.69%

LAB 89.19, -51.61, 13.81

 

CMYK 59 / 0 / 6 / 2

HEX #66F9EB

RGB 102 249 235

HSL 174.29, 0.92%, 0.69%

LAB 90.13, -42.43, -5.08

 

CMYK 59 / 10 / 0 / 2

HEX #66E1F9

RGB 102 225 249

HSL 189.8, 0.92%, 0.69%

LAB 83.71, -27.51, -22.02

 

CMYK 91 / 0 / 32 / 3

HEX #17F7A8

RGB 23 247 168

HSL 158.84, 0.93%, 0.53%

LAB 86.77, -66.15, 24.63

 

CMYK 75 / 0 / 26 / 3

HEX #3FF8B7

RGB 63 248 183

HSL 158.92, 0.93%, 0.61%

LAB 87.78, -60.06, 18.41

 

CMYK 59 / 0 / 20 / 2

HEX #66F9C6

RGB 102 249 198

HSL 159.18, 0.92%, 0.69%

LAB 89.23, -51.17, 12.84

 

CMYK 43 / 0 / 15 / 2

HEX #8EFBD5

RGB 142 251 213

HSL 159.08, 0.93%, 0.77%

LAB 91.48, -40.01, 8.48

 

CMYK 28 / 0 / 10 / 1

HEX #B6FCE4

RGB 182 252 228

HSL 159.43, 0.92%, 0.85%

LAB 93.96, -26.52, 4.53

 

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

CMYK 59 / 49 / 0 / 2

HEX #667FF9

RGB 102 127 249

HSL 229.8, 0.92%, 0.69%

LAB 56.92, 26.75, -63.91

 

CMYK 0 / 45 / 59 / 2

HEX #F98966

RGB 249 137 102

HSL 14.29, 0.92%, 0.69%

LAB 68.74, 39.45, 37.5

 

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

CMYK 21 / 59 / 0 / 2

HEX #C466F9

RGB 196 102 249

HSL 278.37, 0.92%, 0.69%

LAB 59.96, 61.17, -58.59

 

CMYK 0 / 21 / 59 / 2

HEX #F9C466

RGB 249 196 102

HSL 38.37, 0.92%, 0.69%

LAB 82.15, 8.7, 53.61

 

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

CMYK 59 / 49 / 0 / 2

HEX #667FF9

RGB 102 127 249

HSL 229.8, 0.92%, 0.69%

LAB 56.92, 26.75, -63.91

 

CMYK 0 / 59 / 37 / 2

HEX #F9669C

RGB 249 102 156

HSL 337.96, 0.92%, 0.69%

LAB 63.38, 60.99, -0.16

 

CMYK 0 / 10 / 59 / 2

HEX #F9E166

RGB 249 225 102

HSL 50.2, 0.92%, 0.69%

LAB 89.37, -6.13, 61.82

 

CMYK 59 / 0 / 21 / 2

HEX #65F9C5

RGB 101 249 197

HSL 158.92, 0.93%, 0.69%

LAB 89.18, -51.58, 13.28

 

CMYK 51 / 59 / 0 / 2

HEX #7A66F9

RGB 122 102 249

HSL 248.16, 0.92%, 0.69%

LAB 52.38, 45.24, -71.19

 

CMYK 0 / 59 / 37 / 2

HEX #F9669C

RGB 249 102 156

HSL 337.96, 0.92%, 0.69%

LAB 63.38, 60.99, -0.16

 

CMYK 8 / 0 / 59 / 2

HEX #E6F966

RGB 230 249 102

HSL 67.76, 0.92%, 0.69%

LAB 94.11, -25.45, 66.65

 

Description

Color code: HEX #65F9C5 | qconv.com Color code: HEX #65F9C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 249 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 249 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 21 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 21% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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