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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65EA76 it is the complementary color #9A1589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65EA76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65EA76 shade: #6AEA71, #7BFC84, #8CFF97, #9DFFAA and #AEFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65EA76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65EA76 shade: #65EA76, #54D863, #43C650, #32B43D and #21A22A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65EA76 shade: #66EA77, #79EA66, #9DEA66, #C0EA66 and #E4EA66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65EA76 shade: #66EA77, #66EA9B, #66EABE, #66EAE2 and #66CFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65EA76 shade matches the following richer shades: #66EA77 and #58F86D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65EA76 shade: #66EA77, #74DC82, #82CE8C, #90C097 and #9FB2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65EA76 shade: #9DEA66, #7AEA66, #66EA76, #66EA99 and #66EABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65EA76 shade: #1EE037, #42E557, #66EA77, #8BEF98 and #AFF4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65EA76 shade: #65EA76, #66C0EA and #EA668C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65EA76 shade: #65EA76, #7666EA and #EA7666

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65EA76 shade: #65EA76, #66C0EA, #EA66DB and #EA9066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65EA76 shade: #65EA76, #6699EA, #EA66DB and #EAB866

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

Complementary color

CMYK 0 / 86 / 11 / 40

HEX #9A1589

RGB 154 21 137

HSL 307.67, 0.76%, 0.34%

LAB 36.39, 61.9, -31.3

 

CMYK 55 / 0 / 52 / 8

HEX #6AEA71

RGB 106 234 113

HSL 123.28, 0.75%, 0.67%

LAB 83.5, -59.4, 47.81

 

CMYK 51 / 0 / 48 / 1

HEX #7BFC84

RGB 123 252 132

HSL 124.19, 0.96%, 0.74%

LAB 89.63, -59.49, 46.54

 

CMYK 45 / 0 / 41 / 0

HEX #8CFF97

RGB 140 255 151

HSL 125.74, 1%, 0.77%

LAB 91.38, -53.5, 39.74

 

CMYK 38 / 0 / 33 / 0

HEX #9DFFAA

RGB 157 255 170

HSL 127.96, 1%, 0.81%

LAB 92.39, -45.76, 31.79

 

CMYK 32 / 0 / 26 / 0

HEX #AEFFBD

RGB 174 255 189

HSL 131.11, 1%, 0.84%

LAB 93.53, -37.57, 23.88

 

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

CMYK 61 / 0 / 54 / 15

HEX #54D863

RGB 84 216 99

HSL 126.82, 0.63%, 0.59%

LAB 77.22, -59.63, 46.63

 

CMYK 66 / 0 / 60 / 22

HEX #43C650

RGB 67 198 80

HSL 125.95, 0.53%, 0.52%

LAB 70.98, -59.08, 47.92

 

CMYK 72 / 0 / 66 / 29

HEX #32B43D

RGB 50 180 61

HSL 125.08, 0.57%, 0.45%

LAB 64.69, -58.14, 49.07

 

CMYK 80 / 0 / 74 / 36

HEX #21A22A

RGB 33 162 42

HSL 124.19, 0.66%, 0.38%

LAB 58.35, -56.63, 49.88

 

CMYK 56 / 0 / 49 / 8

HEX #66EA77

RGB 102 234 119

HSL 127.73, 0.76%, 0.66%

LAB 83.44, -59.55, 44.88

 

CMYK 48 / 0 / 56 / 8

HEX #79EA66

RGB 121 234 102

HSL 111.36, 0.76%, 0.66%

LAB 83.9, -56.82, 53.46

 

CMYK 33 / 0 / 56 / 8

HEX #9DEA66

RGB 157 234 102

HSL 95, 0.76%, 0.66%

LAB 85.49, -45.68, 55.72

 

CMYK 18 / 0 / 56 / 8

HEX #C0EA66

RGB 192 234 102

HSL 79.09, 0.76%, 0.66%

LAB 87.49, -33.09, 58.54

 

CMYK 3 / 0 / 56 / 8

HEX #E4EA66

RGB 228 234 102

HSL 62.73, 0.76%, 0.66%

LAB 90, -19.06, 62.05

 

CMYK 56 / 0 / 49 / 8

HEX #66EA77

RGB 102 234 119

HSL 127.73, 0.76%, 0.66%

LAB 83.44, -59.55, 44.88

 

CMYK 56 / 0 / 34 / 8

HEX #66EA9B

RGB 102 234 155

HSL 144.09, 0.76%, 0.66%

LAB 83.99, -53.74, 27.71

 

CMYK 56 / 0 / 19 / 8

HEX #66EABE

RGB 102 234 190

HSL 160, 0.76%, 0.66%

LAB 84.68, -46.62, 10.53

 

CMYK 56 / 0 / 3 / 8

HEX #66EAE2

RGB 102 234 226

HSL 176.36, 0.76%, 0.66%

LAB 85.59, -37.96, -7.07

 

CMYK 56 / 12 / 0 / 8

HEX #66CFEA

RGB 102 207 234

HSL 192.27, 0.76%, 0.66%

LAB 78.11, -22.85, -22.55

 

CMYK 56 / 0 / 49 / 8

HEX #66EA77

RGB 102 234 119

HSL 127.73, 0.76%, 0.66%

LAB 83.44, -59.55, 44.88

 

CMYK 65 / 0 / 56 / 3

HEX #58F86D

RGB 88 248 109

HSL 127.88, 0.92%, 0.66%

LAB 87.15, -68.82, 53.9

 

CMYK 56 / 0 / 49 / 8

HEX #66EA77

RGB 102 234 119

HSL 127.73, 0.76%, 0.66%

LAB 83.44, -59.55, 44.88

 

CMYK 47 / 0 / 41 / 14

HEX #74DC82

RGB 116 220 130

HSL 128.08, 0.6%, 0.66%

LAB 79.9, -48.87, 35.09

 

CMYK 37 / 0 / 32 / 19

HEX #82CE8C

RGB 130 206 140

HSL 127.89, 0.44%, 0.66%

LAB 76.55, -37.11, 25.61

 

CMYK 25 / 0 / 21 / 25

HEX #90C097

RGB 144 192 151

HSL 128.75, 0.28%, 0.66%

LAB 73.46, -24.04, 15.64

 

CMYK 11 / 0 / 10 / 30

HEX #9FB2A1

RGB 159 178 161

HSL 126.32, 0.11%, 0.66%

LAB 70.72, -9.87, 6.46

 

CMYK 33 / 0 / 56 / 8

HEX #9DEA66

RGB 157 234 102

HSL 95, 0.76%, 0.66%

LAB 85.49, -45.68, 55.72

 

CMYK 48 / 0 / 56 / 8

HEX #7AEA66

RGB 122 234 102

HSL 110.91, 0.76%, 0.66%

LAB 83.94, -56.54, 53.52

 

CMYK 56 / 0 / 50 / 8

HEX #66EA76

RGB 102 234 118

HSL 127.27, 0.76%, 0.66%

LAB 83.43, -59.68, 45.34

 

CMYK 56 / 0 / 35 / 8

HEX #66EA99

RGB 102 234 153

HSL 143.18, 0.76%, 0.66%

LAB 83.95, -54.1, 28.68

 

CMYK 56 / 0 / 20 / 8

HEX #66EABC

RGB 102 234 188

HSL 159.09, 0.76%, 0.66%

LAB 84.64, -47.06, 11.52

 

CMYK 87 / 0 / 75 / 12

HEX #1EE037

RGB 30 224 55

HSL 127.73, 0.76%, 0.5%

LAB 78.38, -74.6, 65.42

 

CMYK 71 / 0 / 62 / 10

HEX #42E557

RGB 66 229 87

HSL 127.73, 0.76%, 0.58%

LAB 80.67, -68.92, 55.9

 

CMYK 56 / 0 / 49 / 8

HEX #66EA77

RGB 102 234 119

HSL 127.73, 0.76%, 0.66%

LAB 83.44, -59.55, 44.88

 

CMYK 42 / 0 / 36 / 6

HEX #8BEF98

RGB 139 239 152

HSL 127.8, 0.76%, 0.74%

LAB 86.75, -46.97, 33.16

 

CMYK 28 / 0 / 25 / 4

HEX #AFF4B8

RGB 175 244 184

HSL 127.83, 0.76%, 0.82%

LAB 90.45, -33.08, 22.18

 

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

CMYK 56 / 18 / 0 / 8

HEX #66C0EA

RGB 102 192 234

HSL 199.09, 0.76%, 0.66%

LAB 73.85, -15.15, -29.06

 

CMYK 0 / 56 / 40 / 8

HEX #EA668C

RGB 234 102 140

HSL 342.73, 0.76%, 0.66%

LAB 60.68, 54.54, 4.88

 

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

CMYK 50 / 56 / 0 / 8

HEX #7666EA

RGB 118 102 234

HSL 247.27, 0.76%, 0.66%

LAB 51.03, 40.06, -65.01

 

CMYK 0 / 50 / 56 / 8

HEX #EA7666

RGB 234 118 102

HSL 7.27, 0.76%, 0.66%

LAB 62.85, 43.39, 29.59

 

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

CMYK 56 / 18 / 0 / 8

HEX #66C0EA

RGB 102 192 234

HSL 199.09, 0.76%, 0.66%

LAB 73.85, -15.15, -29.06

 

CMYK 0 / 56 / 6 / 8

HEX #EA66DB

RGB 234 102 219

HSL 306.82, 0.76%, 0.66%

LAB 63.43, 65.16, -36.07

 

CMYK 0 / 38 / 56 / 8

HEX #EA9066

RGB 234 144 102

HSL 19.09, 0.76%, 0.66%

LAB 68.31, 30.01, 36.54

 

CMYK 57 / 0 / 50 / 8

HEX #65EA76

RGB 101 234 118

HSL 127.67, 0.76%, 0.66%

LAB 83.4, -59.92, 45.3

 

CMYK 56 / 35 / 0 / 8

HEX #6699EA

RGB 102 153 234

HSL 216.82, 0.76%, 0.66%

LAB 62.97, 6.45, -46

 

CMYK 0 / 56 / 6 / 8

HEX #EA66DB

RGB 234 102 219

HSL 306.82, 0.76%, 0.66%

LAB 63.43, 65.16, -36.07

 

CMYK 0 / 21 / 56 / 8

HEX #EAB866

RGB 234 184 102

HSL 37.27, 0.76%, 0.66%

LAB 77.72, 8.81, 48.02

 

Description

Color code: HEX #65EA76 | qconv.com Color code: HEX #65EA76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 234 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 234 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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