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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65E5E7 it is the complementary color #9A1A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65E5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65E5E7 shade: #6AE5E2, #7BF7F5, #8CFFFF, #9DFFFF and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65E5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65E5E7 shade: #65E5E7, #54D3D4, #43C1C1, #32AFAE and #219D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65E5E7 shade: #65E5E7, #65C2E7, #659FE7, #657BE7 and #7165E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65E5E7 shade: #65E5E7, #65C2E7, #659FE7, #657BE7 and #6565E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65E5E7 shade matches the following richer shades: #65E5E7 and #56F3F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65E5E7 shade: #65E5E7, #73D7D8, #81C9CA, #90BBBC and #9EADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65E5E7 shade: #65E7A1, #65E7C4, #65E7E7, #65C4E7 and #65A1E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65E5E7 shade: #22D5D7, #41DFE1, #65E5E7, #88EBEC and #ACF1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65E5E7 shade: #65E5E7, #7F65E7 and #E7B365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65E5E7 shade: #65E5E7, #E765E7 and #E7E765

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65E5E7 shade: #65E5E7, #7F65E7, #E76565 and #CDE765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65E5E7 shade: #65E5E7, #A665E7, #E76565 and #A6E765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

Complementary color

CMYK 0 / 83 / 84 / 40

HEX #9A1A18

RGB 154 26 24

HSL 0.92, 0.73%, 0.35%

LAB 33.3, 50.7, 35.85

 

CMYK 54 / 0 / 1 / 10

HEX #6AE5E2

RGB 106 229 226

HSL 178.54, 0.7%, 0.66%

LAB 84.27, -34.9, -9.01

 

CMYK 50 / 0 / 1 / 3

HEX #7BF7F5

RGB 123 247 245

HSL 179.03, 0.89%, 0.73%

LAB 90.47, -35.05, -9.7

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 60 / 0 / 0 / 17

HEX #54D3D4

RGB 84 211 212

HSL 180.47, 0.6%, 0.58%

LAB 78.01, -34.19, -10.95

 

CMYK 65 / 0 / 0 / 24

HEX #43C1C1

RGB 67 193 193

HSL 180, 0.5%, 0.51%

LAB 71.68, -33.72, -10.16

 

CMYK 71 / 0 / 1 / 31

HEX #32AFAE

RGB 50 175 174

HSL 179.52, 0.56%, 0.44%

LAB 65.27, -33.04, -9.29

 

CMYK 79 / 0 / 1 / 38

HEX #219D9B

RGB 33 157 155

HSL 179.03, 0.65%, 0.37%

LAB 58.79, -32.09, -8.32

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 56 / 16 / 0 / 9

HEX #65C2E7

RGB 101 194 231

HSL 197.08, 0.73%, 0.65%

LAB 74.27, -17.27, -26.8

 

CMYK 56 / 31 / 0 / 9

HEX #659FE7

RGB 101 159 231

HSL 213.23, 0.73%, 0.65%

LAB 64.43, 1.84, -42.05

 

CMYK 56 / 47 / 0 / 9

HEX #657BE7

RGB 101 123 231

HSL 229.85, 0.73%, 0.65%

LAB 54.76, 23.15, -57.38

 

CMYK 51 / 56 / 0 / 9

HEX #7165E7

RGB 113 101 231

HSL 245.54, 0.73%, 0.65%

LAB 50.2, 38.76, -64.68

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 56 / 16 / 0 / 9

HEX #65C2E7

RGB 101 194 231

HSL 197.08, 0.73%, 0.65%

LAB 74.27, -17.27, -26.8

 

CMYK 56 / 31 / 0 / 9

HEX #659FE7

RGB 101 159 231

HSL 213.23, 0.73%, 0.65%

LAB 64.43, 1.84, -42.05

 

CMYK 56 / 47 / 0 / 9

HEX #657BE7

RGB 101 123 231

HSL 229.85, 0.73%, 0.65%

LAB 54.76, 23.15, -57.38

 

CMYK 56 / 56 / 0 / 9

HEX #6565E7

RGB 101 101 231

HSL 240, 0.73%, 0.65%

LAB 49.31, 36.48, -66.17

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 65 / 1 / 0 / 4

HEX #56F3F5

RGB 86 243 245

HSL 180.75, 0.89%, 0.65%

LAB 88.29, -39.62, -13.06

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 47 / 0 / 0 / 15

HEX #73D7D8

RGB 115 215 216

HSL 180.59, 0.56%, 0.65%

LAB 80.29, -28.96, -9.58

 

CMYK 36 / 0 / 0 / 21

HEX #81C9CA

RGB 129 201 202

HSL 180.82, 0.41%, 0.65%

LAB 76.5, -22.15, -7.64

 

CMYK 23 / 1 / 0 / 26

HEX #90BBBC

RGB 144 187 188

HSL 181.36, 0.25%, 0.65%

LAB 72.96, -13.97, -5.19

 

CMYK 9 / 0 / 0 / 32

HEX #9EADAD

RGB 158 173 173

HSL 180, 0.08%, 0.65%

LAB 69.59, -5.22, -1.8

 

CMYK 56 / 0 / 30 / 9

HEX #65E7A1

RGB 101 231 161

HSL 147.69, 0.73%, 0.65%

LAB 83.17, -51.61, 23.52

 

CMYK 56 / 0 / 15 / 9

HEX #65E7C4

RGB 101 231 196

HSL 163.85, 0.73%, 0.65%

LAB 83.92, -44.16, 6.28

 

CMYK 56 / 0 / 0 / 9

HEX #65E7E7

RGB 101 231 231

HSL 180, 0.73%, 0.65%

LAB 84.84, -35.46, -10.82

 

CMYK 56 / 15 / 0 / 9

HEX #65C4E7

RGB 101 196 231

HSL 196.15, 0.73%, 0.65%

LAB 74.84, -18.31, -25.93

 

CMYK 56 / 30 / 0 / 9

HEX #65A1E7

RGB 101 161 231

HSL 212.31, 0.73%, 0.65%

LAB 64.98, 0.7, -41.19

 

CMYK 84 / 1 / 0 / 16

HEX #22D5D7

RGB 34 213 215

HSL 180.66, 0.73%, 0.49%

LAB 77.78, -40.05, -13

 

CMYK 71 / 1 / 0 / 12

HEX #41DFE1

RGB 65 223 225

HSL 180.75, 0.73%, 0.57%

LAB 81.48, -38.84, -12.76

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 42 / 0 / 0 / 7

HEX #88EBEC

RGB 136 235 236

HSL 180.6, 0.72%, 0.73%

LAB 87.34, -28.78, -9.59

 

CMYK 29 / 0 / 0 / 5

HEX #ACF1F2

RGB 172 241 242

HSL 180.86, 0.73%, 0.81%

LAB 90.82, -21.07, -7.39

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 45 / 56 / 0 / 9

HEX #7F65E7

RGB 127 101 231

HSL 252, 0.73%, 0.65%

LAB 51.37, 41.63, -62.74

 

CMYK 0 / 23 / 56 / 9

HEX #E7B365

RGB 231 179 101

HSL 36, 0.73%, 0.65%

LAB 76.17, 10.13, 46.6

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 0 / 56 / 0 / 9

HEX #E765E7

RGB 231 101 231

HSL 300, 0.73%, 0.65%

LAB 63.4, 66.79, -42.86

 

CMYK 0 / 0 / 56 / 9

HEX #E7E765

RGB 231 231 101

HSL 60, 0.73%, 0.65%

LAB 89.43, -16.47, 61.92

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 45 / 56 / 0 / 9

HEX #7F65E7

RGB 127 101 231

HSL 252, 0.73%, 0.65%

LAB 51.37, 41.63, -62.74

 

CMYK 0 / 56 / 56 / 9

HEX #E76565

RGB 231 101 101

HSL 0, 0.73%, 0.65%

LAB 59.19, 50.46, 25.3

 

CMYK 11 / 0 / 56 / 9

HEX #CDE765

RGB 205 231 101

HSL 72, 0.73%, 0.65%

LAB 87.52, -26.78, 59.24

 

CMYK 56 / 1 / 0 / 9

HEX #65E5E7

RGB 101 229 231

HSL 180.92, 0.73%, 0.65%

LAB 84.26, -34.53, -11.68

 

CMYK 28 / 56 / 0 / 9

HEX #A665E7

RGB 166 101 231

HSL 270, 0.73%, 0.65%

LAB 55.26, 50.55, -56.27

 

CMYK 0 / 56 / 56 / 9

HEX #E76565

RGB 231 101 101

HSL 0, 0.73%, 0.65%

LAB 59.19, 50.46, 25.3

 

CMYK 28 / 0 / 56 / 9

HEX #A6E765

RGB 166 231 101

HSL 90, 0.73%, 0.65%

LAB 85.1, -41.36, 55.84

 

Description

Color code: HEX #65E5E7 | qconv.com Color code: HEX #65E5E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 229 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 229 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 1 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 1% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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