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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65E467 it is the complementary color #9A1B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65E467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65E467 shade: #6AE462, #7BF675, #8CFF88, #9DFF9B and #AEFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65E467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65E467 shade: #65E467, #54D254, #43C041, #32AE2E and #219C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65E467 shade: #67E469, #87E467, #A9E467, #CAE467 and #E4DC67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65E467 shade: #67E469, #67E48B, #67E4AD, #67E4CE and #67D8E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65E467 shade matches the following richer shades: #67E469 and #59F35B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65E467 shade: #67E469, #76D677, #84C785, #93B993 and #A1AAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65E467 shade: #AAE467, #89E467, #67E467, #67E489 and #67E4AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65E467 shade: #25D428, #44DE47, #67E469, #8AEA8C and #ADF1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65E467 shade: #65E467, #67CBE4 and #E46799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65E467 shade: #65E467, #6767E4 and #E46767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65E467 shade: #65E467, #67CBE4, #E467E4 and #E48067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65E467 shade: #65E467, #67A6E4, #E467E4 and #E4A667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

Complementary color

CMYK 0 / 82 / 1 / 40

HEX #9A1B98

RGB 154 27 152

HSL 300.94, 0.7%, 0.35%

LAB 37.7, 62.85, -38.42

 

CMYK 54 / 0 / 57 / 11

HEX #6AE462

RGB 106 228 98

HSL 116.31, 0.71%, 0.64%

LAB 81.53, -58.98, 52.35

 

CMYK 50 / 0 / 52 / 4

HEX #7BF675

RGB 123 246 117

HSL 117.21, 0.88%, 0.71%

LAB 87.68, -59.14, 51.16

 

CMYK 45 / 0 / 47 / 0

HEX #8CFF88

RGB 140 255 136

HSL 117.98, 1%, 0.77%

LAB 91.18, -55.62, 46.71

 

CMYK 38 / 0 / 39 / 0

HEX #9DFF9B

RGB 157 255 155

HSL 118.8, 1%, 0.8%

LAB 92.16, -48.07, 38.92

 

CMYK 32 / 0 / 32 / 0

HEX #AEFFAE

RGB 174 255 174

HSL 120, 1%, 0.84%

LAB 93.27, -40.02, 31.09

 

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

CMYK 60 / 0 / 60 / 18

HEX #54D254

RGB 84 210 84

HSL 120, 0.58%, 0.58%

LAB 75.21, -59.27, 51.11

 

CMYK 65 / 0 / 66 / 25

HEX #43C041

RGB 67 192 65

HSL 119.06, 0.5%, 0.5%

LAB 68.95, -58.62, 52.16

 

CMYK 71 / 0 / 74 / 32

HEX #32AE2E

RGB 50 174 46

HSL 118.13, 0.58%, 0.43%

LAB 62.63, -57.52, 52.85

 

CMYK 79 / 0 / 83 / 39

HEX #219C1B

RGB 33 156 27

HSL 117.21, 0.7%, 0.36%

LAB 56.27, -55.79, 52.82

 

CMYK 55 / 0 / 54 / 11

HEX #67E469

RGB 103 228 105

HSL 120.96, 0.7%, 0.65%

LAB 81.51, -58.9, 49.11

 

CMYK 41 / 0 / 55 / 11

HEX #87E467

RGB 135 228 103

HSL 104.64, 0.7%, 0.65%

LAB 82.71, -50.21, 51.76

 

CMYK 26 / 0 / 55 / 11

HEX #A9E467

RGB 169 228 103

HSL 88.32, 0.7%, 0.65%

LAB 84.43, -38.77, 54.21

 

CMYK 11 / 0 / 55 / 11

HEX #CAE467

RGB 202 228 103

HSL 72.48, 0.7%, 0.65%

LAB 86.52, -26.36, 57.16

 

CMYK 0 / 4 / 55 / 11

HEX #E4DC67

RGB 228 220 103

HSL 56.16, 0.7%, 0.65%

LAB 86.34, -12.1, 57.47

 

CMYK 55 / 0 / 54 / 11

HEX #67E469

RGB 103 228 105

HSL 120.96, 0.7%, 0.65%

LAB 81.51, -58.9, 49.11

 

CMYK 55 / 0 / 39 / 11

HEX #67E48B

RGB 103 228 139

HSL 137.28, 0.7%, 0.65%

LAB 81.97, -53.93, 33.15

 

CMYK 55 / 0 / 24 / 11

HEX #67E4AD

RGB 103 228 173

HSL 153.6, 0.7%, 0.65%

LAB 82.59, -47.52, 16.47

 

CMYK 55 / 0 / 10 / 11

HEX #67E4CE

RGB 103 228 206

HSL 169.44, 0.7%, 0.65%

LAB 83.35, -40.05, 0.19

 

CMYK 55 / 5 / 0 / 11

HEX #67D8E4

RGB 103 216 228

HSL 185.76, 0.7%, 0.65%

LAB 80.51, -28.77, -15.7

 

CMYK 55 / 0 / 54 / 11

HEX #67E469

RGB 103 228 105

HSL 120.96, 0.7%, 0.65%

LAB 81.51, -58.9, 49.11

 

CMYK 63 / 0 / 63 / 5

HEX #59F35B

RGB 89 243 91

HSL 120.78, 0.87%, 0.65%

LAB 85.49, -68.94, 59.77

 

CMYK 55 / 0 / 54 / 11

HEX #67E469

RGB 103 228 105

HSL 120.96, 0.7%, 0.65%

LAB 81.51, -58.9, 49.11

 

CMYK 45 / 0 / 44 / 16

HEX #76D677

RGB 118 214 119

HSL 120.63, 0.54%, 0.65%

LAB 78.04, -47.48, 38.21

 

CMYK 34 / 0 / 33 / 22

HEX #84C785

RGB 132 199 133

HSL 120.9, 0.37%, 0.65%

LAB 74.47, -34.44, 26.51

 

CMYK 21 / 0 / 21 / 27

HEX #93B993

RGB 147 185 147

HSL 120, 0.21%, 0.65%

LAB 71.56, -20.24, 15.17

 

CMYK 5 / 0 / 5 / 33

HEX #A1AAA1

RGB 161 170 161

HSL 120, 0.05%, 0.65%

LAB 68.68, -4.89, 3.53

 

CMYK 25 / 0 / 55 / 11

HEX #AAE467

RGB 170 228 103

HSL 87.84, 0.7%, 0.65%

LAB 84.49, -38.41, 54.29

 

CMYK 40 / 0 / 55 / 11

HEX #89E467

RGB 137 228 103

HSL 103.68, 0.7%, 0.65%

LAB 82.8, -49.58, 51.89

 

CMYK 55 / 0 / 55 / 11

HEX #67E467

RGB 103 228 103

HSL 120, 0.7%, 0.65%

LAB 81.48, -59.14, 50.01

 

CMYK 55 / 0 / 40 / 11

HEX #67E489

RGB 103 228 137

HSL 136.32, 0.7%, 0.65%

LAB 81.93, -54.26, 34.12

 

CMYK 55 / 0 / 25 / 11

HEX #67E4AA

RGB 103 228 170

HSL 152.16, 0.7%, 0.65%

LAB 82.53, -48.14, 17.96

 

CMYK 83 / 0 / 81 / 17

HEX #25D428

RGB 37 212 40

HSL 121.03, 0.7%, 0.49%

LAB 74.59, -71.46, 66.26

 

CMYK 69 / 0 / 68 / 13

HEX #44DE47

RGB 68 222 71

HSL 121.17, 0.7%, 0.57%

LAB 78.42, -67.9, 59.94

 

CMYK 55 / 0 / 54 / 11

HEX #67E469

RGB 103 228 105

HSL 120.96, 0.7%, 0.65%

LAB 81.51, -58.9, 49.11

 

CMYK 41 / 0 / 40 / 8

HEX #8AEA8C

RGB 138 234 140

HSL 121.25, 0.7%, 0.73%

LAB 85.07, -46.99, 36.96

 

CMYK 28 / 0 / 28 / 5

HEX #ADF1AE

RGB 173 241 174

HSL 120.88, 0.71%, 0.81%

LAB 89.32, -33.99, 25.74

 

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

CMYK 55 / 11 / 0 / 11

HEX #67CBE4

RGB 103 203 228

HSL 192, 0.7%, 0.65%

LAB 76.8, -22.34, -21.31

 

CMYK 0 / 55 / 33 / 11

HEX #E46799

RGB 228 103 153

HSL 336, 0.7%, 0.65%

LAB 60.33, 53.61, -3.26

 

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

CMYK 55 / 55 / 0 / 11

HEX #6767E4

RGB 103 103 228

HSL 240, 0.7%, 0.65%

LAB 49.72, 34.7, -63.8

 

CMYK 0 / 55 / 55 / 11

HEX #E46767

RGB 228 103 103

HSL 0, 0.7%, 0.65%

LAB 59.13, 48.62, 23.99

 

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

CMYK 55 / 11 / 0 / 11

HEX #67CBE4

RGB 103 203 228

HSL 192, 0.7%, 0.65%

LAB 76.8, -22.34, -21.31

 

CMYK 0 / 55 / 0 / 11

HEX #E467E4

RGB 228 103 228

HSL 300, 0.7%, 0.65%

LAB 63.17, 64.63, -41.57

 

CMYK 0 / 44 / 55 / 11

HEX #E48067

RGB 228 128 103

HSL 12, 0.7%, 0.65%

LAB 64.09, 36.12, 30.47

 

CMYK 56 / 0 / 55 / 11

HEX #65E467

RGB 101 228 103

HSL 120.94, 0.7%, 0.65%

LAB 81.42, -59.63, 49.91

 

CMYK 55 / 27 / 0 / 11

HEX #67A6E4

RGB 103 166 228

HSL 209.76, 0.7%, 0.65%

LAB 66.33, -2.64, -37.42

 

CMYK 0 / 55 / 0 / 11

HEX #E467E4

RGB 228 103 228

HSL 300, 0.7%, 0.65%

LAB 63.17, 64.63, -41.57

 

CMYK 0 / 27 / 55 / 11

HEX #E4A667

RGB 228 166 103

HSL 30.24, 0.7%, 0.65%

LAB 72.72, 15.96, 41.34

 

Description

Color code: HEX #65E467 | qconv.com Color code: HEX #65E467 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 228 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 228 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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