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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65E3DD it is the complementary color #9A1C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65E3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65E3DD shade: #6AE3D8, #7BF5EB, #8CFFFE, #9DFFFF and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65E3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65E3DD shade: #65E3DD, #54D1CA, #43BFB7, #32ADA4 and #219B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65E3DD shade: #64E3DD, #64E3BA, #64E398, #64E376 and #74E364

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65E3DD shade: #64E3DD, #64C6E3, #64A4E3, #6482E3 and #6464E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65E3DD shade matches the following richer shades: #64E3DD and #55F1EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65E3DD shade: #64E3DD, #73D4CF, #82C5C2, #90B6B4 and #9FA7A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65E3DD shade: #64E399, #64E3BA, #64E3DC, #64C7E3 and #64A5E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65E3DD shade: #26CEC6, #41DCD5, #64E3DD, #87E9E4 and #AAEFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65E3DD shade: #65E3DD, #7764E3 and #E3AA64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65E3DD shade: #65E3DD, #DC64E3 and #E3DC64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65E3DD shade: #65E3DD, #7764E3, #E3646A and #D0E364

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65E3DD shade: #65E3DD, #9D64E3, #E3646A and #AAE364

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

Complementary color

CMYK 0 / 82 / 78 / 40

HEX #9A1C22

RGB 154 28 34

HSL 357.14, 0.69%, 0.36%

LAB 33.6, 50.47, 30.37

 

CMYK 53 / 0 / 5 / 11

HEX #6AE3D8

RGB 106 227 216

HSL 174.55, 0.68%, 0.65%

LAB 83.42, -36.53, -4.98

 

CMYK 50 / 0 / 4 / 4

HEX #7BF5EB

RGB 123 245 235

HSL 175.08, 0.86%, 0.72%

LAB 89.63, -36.61, -5.73

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFE

RGB 140 255 254

HSL 179.48, 1%, 0.77%

LAB 93.56, -32.94, -9.72

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

CMYK 60 / 0 / 3 / 18

HEX #54D1CA

RGB 84 209 202

HSL 176.64, 0.58%, 0.57%

LAB 77.13, -35.96, -6.88

 

CMYK 65 / 0 / 4 / 25

HEX #43BFB7

RGB 67 191 183

HSL 176.13, 0.49%, 0.51%

LAB 70.78, -35.57, -6.03

 

CMYK 71 / 0 / 5 / 32

HEX #32ADA4

RGB 50 173 164

HSL 175.61, 0.55%, 0.44%

LAB 64.36, -34.98, -5.08

 

CMYK 79 / 0 / 6 / 39

HEX #219B91

RGB 33 155 145

HSL 175.08, 0.65%, 0.37%

LAB 57.86, -34.12, -4.02

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DD

RGB 100 227 221

HSL 177.17, 0.69%, 0.64%

LAB 83.37, -36.41, -7.72

 

CMYK 56 / 0 / 18 / 11

HEX #64E3BA

RGB 100 227 186

HSL 160.63, 0.69%, 0.64%

LAB 82.48, -44.91, 9.49

 

CMYK 56 / 0 / 33 / 11

HEX #64E398

RGB 100 227 152

HSL 144.57, 0.69%, 0.64%

LAB 81.79, -51.91, 26.27

 

CMYK 56 / 0 / 48 / 11

HEX #64E376

RGB 100 227 118

HSL 128.5, 0.69%, 0.64%

LAB 81.27, -57.51, 42.64

 

CMYK 49 / 0 / 56 / 11

HEX #74E364

RGB 116 227 100

HSL 112.44, 0.69%, 0.64%

LAB 81.6, -55.72, 51.63

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DD

RGB 100 227 221

HSL 177.17, 0.69%, 0.64%

LAB 83.37, -36.41, -7.72

 

CMYK 56 / 13 / 0 / 11

HEX #64C6E3

RGB 100 198 227

HSL 193.7, 0.69%, 0.64%

LAB 75.23, -20.69, -23.17

 

CMYK 56 / 28 / 0 / 11

HEX #64A4E3

RGB 100 164 227

HSL 209.76, 0.69%, 0.64%

LAB 65.6, -2.45, -38.03

 

CMYK 56 / 43 / 0 / 11

HEX #6482E3

RGB 100 130 227

HSL 225.83, 0.69%, 0.64%

LAB 56.31, 17.43, -52.68

 

CMYK 56 / 56 / 0 / 11

HEX #6464E3

RGB 100 100 227

HSL 240, 0.69%, 0.64%

LAB 48.72, 35.63, -64.86

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DD

RGB 100 227 221

HSL 177.17, 0.69%, 0.64%

LAB 83.37, -36.41, -7.72

 

CMYK 65 / 0 / 3 / 5

HEX #55F1EA

RGB 85 241 234

HSL 177.31, 0.85%, 0.64%

LAB 87.38, -41.83, -8.67

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DD

RGB 100 227 221

HSL 177.17, 0.69%, 0.64%

LAB 83.37, -36.41, -7.72

 

CMYK 46 / 0 / 2 / 17

HEX #73D4CF

RGB 115 212 207

HSL 176.91, 0.53%, 0.64%

LAB 79.18, -29.78, -6.42

 

CMYK 34 / 0 / 2 / 23

HEX #82C5C2

RGB 130 197 194

HSL 177.31, 0.37%, 0.64%

LAB 75.19, -21.78, -5.25

 

CMYK 21 / 0 / 1 / 29

HEX #90B6B4

RGB 144 182 180

HSL 176.84, 0.21%, 0.64%

LAB 71.34, -13.13, -3.2

 

CMYK 5 / 0 / 0 / 35

HEX #9FA7A7

RGB 159 167 167

HSL 180, 0.04%, 0.64%

LAB 67.87, -2.82, -0.99

 

CMYK 56 / 0 / 33 / 11

HEX #64E399

RGB 100 227 153

HSL 145.04, 0.69%, 0.64%

LAB 81.81, -51.72, 25.78

 

CMYK 56 / 0 / 18 / 11

HEX #64E3BA

RGB 100 227 186

HSL 160.63, 0.69%, 0.64%

LAB 82.48, -44.91, 9.49

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DC

RGB 100 227 220

HSL 176.69, 0.69%, 0.64%

LAB 83.34, -36.67, -7.23

 

CMYK 56 / 12 / 0 / 11

HEX #64C7E3

RGB 100 199 227

HSL 193.23, 0.69%, 0.64%

LAB 75.51, -21.2, -22.74

 

CMYK 56 / 27 / 0 / 11

HEX #64A5E3

RGB 100 165 227

HSL 209.29, 0.69%, 0.64%

LAB 65.88, -3.01, -37.59

 

CMYK 82 / 0 / 4 / 19

HEX #26CEC6

RGB 38 206 198

HSL 177.14, 0.69%, 0.48%

LAB 75.22, -41.55, -7.66

 

CMYK 70 / 0 / 3 / 14

HEX #41DCD5

RGB 65 220 213

HSL 177.29, 0.69%, 0.56%

LAB 80.24, -40.83, -8.21

 

CMYK 56 / 0 / 3 / 11

HEX #64E3DD

RGB 100 227 221

HSL 177.17, 0.69%, 0.64%

LAB 83.37, -36.41, -7.72

 

CMYK 42 / 0 / 2 / 9

HEX #87E9E4

RGB 135 233 228

HSL 176.94, 0.69%, 0.72%

LAB 86.52, -30, -6.62

 

CMYK 29 / 0 / 1 / 6

HEX #AAEFEC

RGB 170 239 236

HSL 177.39, 0.68%, 0.8%

LAB 90.01, -21.97, -5.46

 

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

CMYK 48 / 56 / 0 / 11

HEX #7764E3

RGB 119 100 227

HSL 248.98, 0.69%, 0.64%

LAB 50.19, 39.38, -62.41

 

CMYK 0 / 25 / 56 / 11

HEX #E3AA64

RGB 227 170 100

HSL 33.07, 0.69%, 0.64%

LAB 73.55, 13.17, 43.84

 

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

CMYK 3 / 56 / 0 / 11

HEX #DC64E3

RGB 220 100 227

HSL 296.69, 0.69%, 0.64%

LAB 61.55, 63.74, -43.64

 

CMYK 0 / 3 / 56 / 11

HEX #E3DC64

RGB 227 220 100

HSL 56.69, 0.69%, 0.64%

LAB 86.22, -12.73, 58.67

 

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

CMYK 48 / 56 / 0 / 11

HEX #7764E3

RGB 119 100 227

HSL 248.98, 0.69%, 0.64%

LAB 50.19, 39.38, -62.41

 

CMYK 0 / 56 / 53 / 11

HEX #E3646A

RGB 227 100 106

HSL 357.17, 0.69%, 0.64%

LAB 58.5, 49.93, 21.38

 

CMYK 8 / 0 / 56 / 11

HEX #D0E364

RGB 208 227 100

HSL 68.98, 0.69%, 0.64%

LAB 86.64, -23.78, 58.74

 

CMYK 56 / 0 / 3 / 11

HEX #65E3DD

RGB 101 227 221

HSL 177.14, 0.69%, 0.64%

LAB 83.4, -36.22, -7.67

 

CMYK 31 / 56 / 0 / 11

HEX #9D64E3

RGB 157 100 227

HSL 266.93, 0.69%, 0.64%

LAB 53.84, 47.96, -56.35

 

CMYK 0 / 56 / 53 / 11

HEX #E3646A

RGB 227 100 106

HSL 357.17, 0.69%, 0.64%

LAB 58.5, 49.93, 21.38

 

CMYK 25 / 0 / 56 / 11

HEX #AAE364

RGB 170 227 100

HSL 86.93, 0.69%, 0.64%

LAB 84.18, -38.24, 55.28

 

Description

Color code: HEX #65E3DD | qconv.com Color code: HEX #65E3DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 227 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 227 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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