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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65DF99 it is the complementary color #9A2066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65DF99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65DF99 shade: #6ADF94, #7BF1A7, #8CFFBA, #9DFFCD and #AEFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65DF99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65DF99 shade: #65DF99, #54CD86, #43BB73, #32A960 and #21974D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65DF99 shade: #67E09A, #67E07A, #74E067, #95E067 and #B6E067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65DF99 shade: #67E09A, #67E0BB, #67E0DC, #67C3E0 and #67A3E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65DF99 shade matches the following richer shades: #67E09A, #58EF98 and #49FD96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65DF99 shade: #67E09A, #75D19C, #84C29F, #93B3A1 and #A2A4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65DF99 shade: #75E067, #67E079, #67E099, #67E0B9 and #67E0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65DF99 shade: #29CA6E, #44D984, #67E09A, #89E7B1 and #ABEEC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65DF99 shade: #65DF99, #6795E0 and #E06967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65DF99 shade: #65DF99, #9967E0 and #E09967

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65DF99 shade: #65DF99, #6795E0, #E067AD and #E0B167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65DF99 shade: #65DF99, #6771E0, #E067AD and #E0D667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

Complementary color

CMYK 0 / 79 / 34 / 40

HEX #9A2066

RGB 154 32 102

HSL 325.57, 0.66%, 0.36%

LAB 35.72, 54.54, -10.38

 

CMYK 52 / 0 / 34 / 13

HEX #6ADF94

RGB 106 223 148

HSL 141.54, 0.65%, 0.65%

LAB 80.73, -49.63, 26.93

 

CMYK 49 / 0 / 31 / 5

HEX #7BF1A7

RGB 123 241 167

HSL 142.37, 0.81%, 0.71%

LAB 86.95, -49.51, 25.72

 

CMYK 45 / 0 / 27 / 0

HEX #8CFFBA

RGB 140 255 186

HSL 144, 1%, 0.77%

LAB 91.97, -47.63, 23.02

 

CMYK 38 / 0 / 20 / 0

HEX #9DFFCD

RGB 157 255 205

HSL 149.39, 1%, 0.81%

LAB 93.06, -39.53, 14.92

 

CMYK 32 / 0 / 12 / 0

HEX #AEFFE0

RGB 174 255 224

HSL 157.04, 1%, 0.84%

LAB 94.27, -31.04, 6.99

 

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

CMYK 59 / 0 / 35 / 20

HEX #54CD86

RGB 84 205 134

HSL 144.79, 0.55%, 0.57%

LAB 74.36, -49.85, 25.5

 

CMYK 64 / 0 / 39 / 27

HEX #43BB73

RGB 67 187 115

HSL 144, 0.47%, 0.5%

LAB 68, -49.68, 26.89

 

CMYK 70 / 0 / 43 / 34

HEX #32A960

RGB 50 169 96

HSL 143.19, 0.54%, 0.43%

LAB 61.57, -49.27, 28.4

 

CMYK 78 / 0 / 49 / 41

HEX #21974D

RGB 33 151 77

HSL 142.37, 0.64%, 0.36%

LAB 55.06, -48.48, 30.02

 

CMYK 54 / 0 / 31 / 12

HEX #67E09A

RGB 103 224 154

HSL 145.29, 0.66%, 0.64%

LAB 81.03, -49.63, 24.22

 

CMYK 54 / 0 / 46 / 12

HEX #67E07A

RGB 103 224 122

HSL 129.42, 0.66%, 0.64%

LAB 80.52, -55.05, 39.76

 

CMYK 48 / 0 / 54 / 12

HEX #74E067

RGB 116 224 103

HSL 113.55, 0.66%, 0.64%

LAB 80.74, -54.2, 49.23

 

CMYK 33 / 0 / 54 / 12

HEX #95E067

RGB 149 224 103

HSL 97.19, 0.66%, 0.64%

LAB 82.21, -43.99, 51.33

 

CMYK 19 / 0 / 54 / 12

HEX #B6E067

RGB 182 224 103

HSL 80.83, 0.66%, 0.64%

LAB 84.09, -32.15, 54.01

 

CMYK 54 / 0 / 31 / 12

HEX #67E09A

RGB 103 224 154

HSL 145.29, 0.66%, 0.64%

LAB 81.03, -49.63, 24.22

 

CMYK 54 / 0 / 17 / 12

HEX #67E0BB

RGB 103 224 187

HSL 161.65, 0.66%, 0.64%

LAB 81.72, -42.74, 7.88

 

CMYK 54 / 0 / 2 / 12

HEX #67E0DC

RGB 103 224 220

HSL 178.02, 0.66%, 0.64%

LAB 82.57, -34.7, -8.37

 

CMYK 54 / 13 / 0 / 12

HEX #67C3E0

RGB 103 195 224

HSL 194.38, 0.66%, 0.64%

LAB 74.38, -19.41, -22.84

 

CMYK 54 / 27 / 0 / 12

HEX #67A3E0

RGB 103 163 224

HSL 210.25, 0.66%, 0.64%

LAB 65.33, -2.18, -36.79

 

CMYK 54 / 0 / 31 / 12

HEX #67E09A

RGB 103 224 154

HSL 145.29, 0.66%, 0.64%

LAB 81.03, -49.63, 24.22

 

CMYK 63 / 0 / 36 / 6

HEX #58EF98

RGB 88 239 152

HSL 145.43, 0.83%, 0.64%

LAB 85.03, -59.06, 30.57

 

CMYK 71 / 0 / 41 / 1

HEX #49FD96

RGB 73 253 150

HSL 145.67, 0.98%, 0.64%

LAB 88.86, -67.03, 36.58

 

CMYK 54 / 0 / 31 / 12

HEX #67E09A

RGB 103 224 154

HSL 145.29, 0.66%, 0.64%

LAB 81.03, -49.63, 24.22

 

CMYK 44 / 0 / 25 / 18

HEX #75D19C

RGB 117 209 156

HSL 145.43, 0.5%, 0.64%

LAB 77.15, -39.29, 17.91

 

CMYK 32 / 0 / 18 / 24

HEX #84C29F

RGB 132 194 159

HSL 146.13, 0.34%, 0.64%

LAB 73.54, -27.34, 11.34

 

CMYK 18 / 0 / 10 / 30

HEX #93B3A1

RGB 147 179 161

HSL 146.25, 0.17%, 0.64%

LAB 70.19, -14.53, 5.58

 

CMYK 1 / 0 / 1 / 36

HEX #A2A4A3

RGB 162 164 163

HSL 150, 0.01%, 0.64%

LAB 67.18, -0.9, 0.26

 

CMYK 48 / 0 / 54 / 12

HEX #75E067

RGB 117 224 103

HSL 113.06, 0.66%, 0.64%

LAB 80.78, -53.92, 49.29

 

CMYK 54 / 0 / 46 / 12

HEX #67E079

RGB 103 224 121

HSL 128.93, 0.66%, 0.64%

LAB 80.5, -55.2, 40.24

 

CMYK 54 / 0 / 32 / 12

HEX #67E099

RGB 103 224 153

HSL 144.79, 0.66%, 0.64%

LAB 81.01, -49.82, 24.71

 

CMYK 54 / 0 / 17 / 12

HEX #67E0B9

RGB 103 224 185

HSL 160.66, 0.66%, 0.64%

LAB 81.67, -43.2, 8.87

 

CMYK 54 / 0 / 3 / 12

HEX #67E0DA

RGB 103 224 218

HSL 177.02, 0.66%, 0.64%

LAB 82.52, -35.22, -7.39

 

CMYK 80 / 0 / 46 / 21

HEX #29CA6E

RGB 41 202 110

HSL 145.71, 0.66%, 0.48%

LAB 72.12, -60.11, 34.74

 

CMYK 69 / 0 / 39 / 15

HEX #44D984

RGB 68 217 132

HSL 145.77, 0.66%, 0.56%

LAB 77.59, -57.9, 30.77

 

CMYK 54 / 0 / 31 / 12

HEX #67E09A

RGB 103 224 154

HSL 145.29, 0.66%, 0.64%

LAB 81.03, -49.63, 24.22

 

CMYK 41 / 0 / 23 / 9

HEX #89E7B1

RGB 137 231 177

HSL 145.53, 0.66%, 0.72%

LAB 84.81, -39.64, 17.69

 

CMYK 28 / 0 / 16 / 7

HEX #ABEEC8

RGB 171 238 200

HSL 145.97, 0.66%, 0.8%

LAB 88.91, -28.61, 11.73

 

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

CMYK 54 / 33 / 0 / 12

HEX #6795E0

RGB 103 149 224

HSL 217.19, 0.66%, 0.64%

LAB 61.45, 5.83, -42.86

 

CMYK 0 / 53 / 54 / 12

HEX #E06967

RGB 224 105 103

HSL 0.99, 0.66%, 0.64%

LAB 58.91, 46.23, 23.58

 

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

CMYK 32 / 54 / 0 / 12

HEX #9967E0

RGB 153 103 224

HSL 264.79, 0.66%, 0.64%

LAB 53.87, 44.63, -54.64

 

CMYK 0 / 32 / 54 / 12

HEX #E09967

RGB 224 153 103

HSL 24.79, 0.66%, 0.64%

LAB 69.19, 21.28, 36.85

 

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

CMYK 54 / 33 / 0 / 12

HEX #6795E0

RGB 103 149 224

HSL 217.19, 0.66%, 0.64%

LAB 61.45, 5.83, -42.86

 

CMYK 0 / 54 / 23 / 12

HEX #E067AD

RGB 224 103 173

HSL 325.29, 0.66%, 0.64%

LAB 60.4, 54.94, -14.76

 

CMYK 0 / 21 / 54 / 12

HEX #E0B167

RGB 224 177 103

HSL 36.69, 0.66%, 0.64%

LAB 75, 8.45, 44.02

 

CMYK 55 / 0 / 31 / 13

HEX #65DF99

RGB 101 223 153

HSL 145.57, 0.66%, 0.64%

LAB 80.65, -49.86, 24.21

 

CMYK 54 / 50 / 0 / 12

HEX #6771E0

RGB 103 113 224

HSL 235.04, 0.66%, 0.64%

LAB 51.92, 27.39, -58

 

CMYK 0 / 54 / 23 / 12

HEX #E067AD

RGB 224 103 173

HSL 325.29, 0.66%, 0.64%

LAB 60.4, 54.94, -14.76

 

CMYK 0 / 4 / 54 / 12

HEX #E0D667

RGB 224 214 103

HSL 55.04, 0.66%, 0.64%

LAB 84.44, -10.72, 55.2

 

Description

Color code: HEX #65DF99 | qconv.com Color code: HEX #65DF99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 223 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 223 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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