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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65DF05 it is the complementary color #9A20FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65DF05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65DF05 shade: #6ADF00, #7BF113, #8CFF26, #9DFF39 and #AEFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65DF05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65DF05 shade: #65DF05, #54CD00, #43BB00, #32A900 and #219700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65DF05 shade: #66E105, #A1E105, #DCE105, #E1AA05 and #E16F05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65DF05 shade: #66E105, #2AE105, #05E11A, #05E156 and #05E191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65DF05 shade matches the following richer shades: #66E105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65DF05 shade: #66E105, #68CE17, #6ABC2A, #6CA93C and #6E974F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65DF05 shade: #DDE105, #A2E105, #68E105, #2DE105 and #05E117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65DF05 shade: #419003, #53B804, #66E105, #7AFA15 and #91FB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65DF05 shade: #65DF05, #05E1AA and #E105C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65DF05 shade: #65DF05, #0568E1 and #E10568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65DF05 shade: #65DF05, #05E1AA, #7E05E1 and #E1053C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65DF05 shade: #65DF05, #05D6E1, #7E05E1 and #E11005

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

Complementary color

CMYK 38 / 87 / 0 / 2

HEX #9A20FA

RGB 154 32 250

HSL 273.58, 0.96%, 0.55%

LAB 45.37, 80.03, -83.04

 

CMYK 52 / 0 / 100 / 13

HEX #6ADF00

RGB 106 223 0

HSL 91.48, 1%, 0.44%

LAB 79.52, -62.7, 77.33

 

CMYK 49 / 0 / 92 / 5

HEX #7BF113

RGB 123 241 19

HSL 91.89, 0.89%, 0.51%

LAB 85.59, -64, 80.65

 

CMYK 45 / 0 / 85 / 0

HEX #8CFF26

RGB 140 255 38

HSL 91.8, 1%, 0.57%

LAB 90.43, -63.57, 81.91

 

CMYK 38 / 0 / 78 / 0

HEX #9DFF39

RGB 157 255 57

HSL 89.7, 1%, 0.61%

LAB 91.23, -57.48, 78.33

 

CMYK 32 / 0 / 70 / 0

HEX #AEFF4C

RGB 174 255 76

HSL 87.15, 1%, 0.65%

LAB 92.15, -50.72, 73.53

 

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

CMYK 59 / 0 / 100 / 20

HEX #54CD00

RGB 84 205 0

HSL 95.41, 1%, 0.4%

LAB 73.25, -62.27, 72.09

 

CMYK 64 / 0 / 100 / 27

HEX #43BB00

RGB 67 187 0

HSL 98.5, 1%, 0.37%

LAB 67.08, -60.27, 66.99

 

CMYK 70 / 0 / 100 / 34

HEX #32A900

RGB 50 169 0

HSL 102.25, 1%, 0.33%

LAB 60.83, -57.97, 61.86

 

CMYK 78 / 0 / 100 / 41

HEX #219700

RGB 33 151 0

HSL 106.89, 1%, 0.3%

LAB 54.51, -55.23, 56.68

 

CMYK 55 / 0 / 98 / 12

HEX #66E105

RGB 102 225 5

HSL 93.55, 0.96%, 0.45%

LAB 80, -64.41, 77.2

 

CMYK 28 / 0 / 98 / 12

HEX #A1E105

RGB 161 225 5

HSL 77.45, 0.96%, 0.45%

LAB 82.61, -45.28, 80.37

 

CMYK 2 / 0 / 98 / 12

HEX #DCE105

RGB 220 225 5

HSL 61.36, 0.96%, 0.45%

LAB 86.54, -21.66, 85.08

 

CMYK 0 / 24 / 98 / 12

HEX #E1AA05

RGB 225 170 5

HSL 45, 0.96%, 0.45%

LAB 72.74, 8.51, 75.28

 

CMYK 0 / 51 / 98 / 12

HEX #E16F05

RGB 225 111 5

HSL 28.91, 0.96%, 0.45%

LAB 59.33, 39.6, 66.34

 

CMYK 55 / 0 / 98 / 12

HEX #66E105

RGB 102 225 5

HSL 93.55, 0.96%, 0.45%

LAB 80, -64.41, 77.2

 

CMYK 81 / 0 / 98 / 12

HEX #2AE105

RGB 42 225 5

HSL 109.91, 0.96%, 0.45%

LAB 78.67, -75.72, 75.57

 

CMYK 98 / 0 / 88 / 12

HEX #05E11A

RGB 5 225 26

HSL 125.73, 0.96%, 0.45%

LAB 78.44, -77.67, 72.71

 

CMYK 98 / 0 / 62 / 12

HEX #05E156

RGB 5 225 86

HSL 142.09, 0.96%, 0.45%

LAB 78.78, -73.24, 54.02

 

CMYK 98 / 0 / 36 / 12

HEX #05E191

RGB 5 225 145

HSL 158.18, 0.96%, 0.45%

LAB 79.57, -63.76, 26.62

 

CMYK 55 / 0 / 98 / 12

HEX #66E105

RGB 102 225 5

HSL 93.55, 0.96%, 0.45%

LAB 80, -64.41, 77.2

 

CMYK 55 / 0 / 98 / 12

HEX #66E105

RGB 102 225 5

HSL 93.55, 0.96%, 0.45%

LAB 80, -64.41, 77.2

 

CMYK 50 / 0 / 89 / 19

HEX #68CE17

RGB 104 206 23

HSL 93.44, 0.8%, 0.45%

LAB 74.28, -56.72, 70.39

 

CMYK 44 / 0 / 78 / 26

HEX #6ABC2A

RGB 106 188 42

HSL 93.7, 0.63%, 0.45%

LAB 68.89, -48.39, 60.98

 

CMYK 36 / 0 / 64 / 34

HEX #6CA93C

RGB 108 169 60

HSL 93.58, 0.48%, 0.45%

LAB 63.25, -38.43, 48.52

 

CMYK 27 / 0 / 48 / 41

HEX #6E974F

RGB 110 151 79

HSL 94.17, 0.31%, 0.45%

LAB 58.05, -27.29, 33.35

 

CMYK 2 / 0 / 98 / 12

HEX #DDE105

RGB 221 225 5

HSL 61.09, 0.96%, 0.45%

LAB 86.62, -21.24, 85.17

 

CMYK 28 / 0 / 98 / 12

HEX #A2E105

RGB 162 225 5

HSL 77.18, 0.96%, 0.45%

LAB 82.67, -44.91, 80.44

 

CMYK 54 / 0 / 98 / 12

HEX #68E105

RGB 104 225 5

HSL 93, 0.96%, 0.45%

LAB 80.07, -63.88, 77.29

 

CMYK 80 / 0 / 98 / 12

HEX #2DE105

RGB 45 225 5

HSL 109.09, 0.96%, 0.45%

LAB 78.71, -75.38, 75.62

 

CMYK 98 / 0 / 90 / 12

HEX #05E117

RGB 5 225 23

HSL 124.91, 0.96%, 0.45%

LAB 78.43, -77.76, 73.2

 

CMYK 55 / 0 / 98 / 44

HEX #419003

RGB 65 144 3

HSL 93.62, 0.96%, 0.29%

LAB 53.03, -45.55, 55.35

 

CMYK 55 / 0 / 98 / 28

HEX #53B804

RGB 83 184 4

HSL 93.67, 0.96%, 0.37%

LAB 66.62, -55.14, 66.36

 

CMYK 55 / 0 / 98 / 12

HEX #66E105

RGB 102 225 5

HSL 93.55, 0.96%, 0.45%

LAB 80, -64.41, 77.2

 

CMYK 51 / 0 / 92 / 2

HEX #7AFA15

RGB 122 250 21

HSL 93.54, 0.96%, 0.53%

LAB 88.24, -67.42, 82.56

 

CMYK 42 / 0 / 76 / 2

HEX #91FB3D

RGB 145 251 61

HSL 93.47, 0.96%, 0.61%

LAB 89.56, -59.55, 75.41

 

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

CMYK 98 / 0 / 24 / 12

HEX #05E1AA

RGB 5 225 170

HSL 165, 0.96%, 0.45%

LAB 80.06, -58.26, 14.27

 

CMYK 0 / 98 / 15 / 12

HEX #E105C0

RGB 225 5 192

HSL 309, 0.96%, 0.45%

LAB 51.75, 84.6, -39.09

 

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

CMYK 98 / 54 / 0 / 12

HEX #0568E1

RGB 5 104 225

HSL 213, 0.96%, 0.45%

LAB 46.14, 22.48, -68.09

 

CMYK 0 / 98 / 54 / 12

HEX #E10568

RGB 225 5 104

HSL 333, 0.96%, 0.45%

LAB 48.41, 75.94, 8.61

 

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

CMYK 98 / 0 / 24 / 12

HEX #05E1AA

RGB 5 225 170

HSL 165, 0.96%, 0.45%

LAB 80.06, -58.26, 14.27

 

CMYK 44 / 98 / 0 / 12

HEX #7E05E1

RGB 126 5 225

HSL 273, 0.96%, 0.45%

LAB 37.81, 76.22, -81.46

 

CMYK 0 / 98 / 73 / 12

HEX #E1053C

RGB 225 5 60

HSL 345, 0.96%, 0.45%

LAB 47.55, 73.63, 34.46

 

CMYK 55 / 0 / 98 / 13

HEX #65DF05

RGB 101 223 5

HSL 93.58, 0.96%, 0.45%

LAB 79.36, -63.99, 76.68

 

CMYK 98 / 5 / 0 / 12

HEX #05D6E1

RGB 5 214 225

HSL 183, 0.96%, 0.45%

LAB 78.21, -38.69, -17.74

 

CMYK 44 / 98 / 0 / 12

HEX #7E05E1

RGB 126 5 225

HSL 273, 0.96%, 0.45%

LAB 37.81, 76.22, -81.46

 

CMYK 0 / 93 / 98 / 12

HEX #E11005

RGB 225 16 5

HSL 3, 0.96%, 0.45%

LAB 47.48, 71.52, 59.87

 

Description

Color code: HEX #65DF05 | qconv.com Color code: HEX #65DF05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 223 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 223 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 98 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 98% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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