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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65DC02 it is the complementary color #9A23FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65DC02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65DC02 shade: #6ADC00, #7BEE10, #8CFF23, #9DFF36 and #AEFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65DC02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65DC02 shade: #65DC02, #54CA00, #43B800, #32A600 and #219400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65DC02 shade: #66DE02, #A1DE02, #DDDE02, #DEA402 and #DE6902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65DC02 shade: #66DE02, #2BDE02, #02DE15, #02DE50 and #02DE8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65DC02 shade matches the following richer shades: #66DE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65DC02 shade: #66DE02, #68CC14, #69BA27, #6BA839 and #6D964B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65DC02 shade: #DEDE02, #A4DE02, #69DE02, #2EDE02 and #02DE11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65DC02 shade: #418C01, #53B502, #66DE02, #7AFD0D and #90FD36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65DC02 shade: #65DC02, #02DEA4 and #DE02C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65DC02 shade: #65DC02, #0269DE and #DE0269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65DC02 shade: #65DC02, #02DEA4, #7802DE and #DE023D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65DC02 shade: #65DC02, #02D7DE, #7802DE and #DE0A02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

Complementary color

CMYK 39 / 86 / 0 / 1

HEX #9A23FD

RGB 154 35 253

HSL 272.75, 0.98%, 0.56%

LAB 45.86, 79.96, -83.91

 

CMYK 52 / 0 / 100 / 14

HEX #6ADC00

RGB 106 220 0

HSL 91.09, 1%, 0.43%

LAB 78.61, -61.64, 76.62

 

CMYK 48 / 0 / 93 / 7

HEX #7BEE10

RGB 123 238 16

HSL 91.08, 0.87%, 0.5%

LAB 84.69, -62.98, 80.27

 

CMYK 45 / 0 / 86 / 0

HEX #8CFF23

RGB 140 255 35

HSL 91.36, 1%, 0.57%

LAB 90.42, -63.67, 82.48

 

CMYK 38 / 0 / 79 / 0

HEX #9DFF36

RGB 157 255 54

HSL 89.25, 1%, 0.61%

LAB 91.21, -57.61, 79.14

 

CMYK 32 / 0 / 71 / 0

HEX #AEFF49

RGB 174 255 73

HSL 86.7, 1%, 0.64%

LAB 92.13, -50.9, 74.54

 

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

CMYK 58 / 0 / 100 / 21

HEX #54CA00

RGB 84 202 0

HSL 95.05, 1%, 0.4%

LAB 72.31, -61.26, 71.34

 

CMYK 64 / 0 / 100 / 28

HEX #43B800

RGB 67 184 0

HSL 98.15, 1%, 0.36%

LAB 66.12, -59.28, 66.23

 

CMYK 70 / 0 / 100 / 35

HEX #32A600

RGB 50 166 0

HSL 101.93, 1%, 0.33%

LAB 59.84, -57, 61.07

 

CMYK 78 / 0 / 100 / 42

HEX #219400

RGB 33 148 0

HSL 106.62, 1%, 0.29%

LAB 53.5, -54.3, 55.87

 

CMYK 54 / 0 / 99 / 13

HEX #66DE02

RGB 102 222 2

HSL 92.73, 0.98%, 0.44%

LAB 79.08, -63.42, 76.75

 

CMYK 27 / 0 / 99 / 13

HEX #A1DE02

RGB 161 222 2

HSL 76.64, 0.98%, 0.44%

LAB 81.74, -44.03, 79.96

 

CMYK 0 / 0 / 99 / 13

HEX #DDDE02

RGB 221 222 2

HSL 60.27, 0.98%, 0.44%

LAB 85.82, -19.82, 84.83

 

CMYK 0 / 26 / 99 / 13

HEX #DEA402

RGB 222 164 2

HSL 44.18, 0.98%, 0.44%

LAB 70.93, 10.36, 74.23

 

CMYK 0 / 53 / 99 / 13

HEX #DE6902

RGB 222 105 2

HSL 28.09, 0.98%, 0.44%

LAB 57.69, 41.38, 65.65

 

CMYK 54 / 0 / 99 / 13

HEX #66DE02

RGB 102 222 2

HSL 92.73, 0.98%, 0.44%

LAB 79.08, -63.42, 76.75

 

CMYK 81 / 0 / 99 / 13

HEX #2BDE02

RGB 43 222 2

HSL 108.82, 0.98%, 0.44%

LAB 77.73, -74.82, 75.1

 

CMYK 99 / 0 / 91 / 13

HEX #02DE15

RGB 2 222 21

HSL 125.18, 0.98%, 0.44%

LAB 77.47, -77.13, 72.69

 

CMYK 99 / 0 / 64 / 13

HEX #02DE50

RGB 2 222 80

HSL 141.27, 0.98%, 0.44%

LAB 77.78, -73.13, 55.42

 

CMYK 99 / 0 / 37 / 13

HEX #02DE8C

RGB 2 222 140

HSL 157.64, 0.98%, 0.44%

LAB 78.55, -63.81, 27.82

 

CMYK 54 / 0 / 99 / 13

HEX #66DE02

RGB 102 222 2

HSL 92.73, 0.98%, 0.44%

LAB 79.08, -63.42, 76.75

 

CMYK 54 / 0 / 99 / 13

HEX #66DE02

RGB 102 222 2

HSL 92.73, 0.98%, 0.44%

LAB 79.08, -63.42, 76.75

 

CMYK 49 / 0 / 90 / 20

HEX #68CC14

RGB 104 204 20

HSL 92.61, 0.82%, 0.44%

LAB 73.66, -56.06, 70.37

 

CMYK 44 / 0 / 79 / 27

HEX #69BA27

RGB 105 186 39

HSL 93.06, 0.65%, 0.44%

LAB 68.22, -48.07, 61.25

 

CMYK 36 / 0 / 66 / 34

HEX #6BA839

RGB 107 168 57

HSL 92.97, 0.49%, 0.44%

LAB 62.87, -38.61, 49.37

 

CMYK 27 / 0 / 50 / 41

HEX #6D964B

RGB 109 150 75

HSL 92.8, 0.33%, 0.44%

LAB 57.63, -27.69, 34.89

 

CMYK 0 / 0 / 99 / 13

HEX #DEDE02

RGB 222 222 2

HSL 60, 0.98%, 0.44%

LAB 85.89, -19.4, 84.92

 

CMYK 26 / 0 / 99 / 13

HEX #A4DE02

RGB 164 222 2

HSL 75.82, 0.98%, 0.44%

LAB 81.91, -42.9, 80.17

 

CMYK 53 / 0 / 99 / 13

HEX #69DE02

RGB 105 222 2

HSL 91.91, 0.98%, 0.44%

LAB 79.19, -62.6, 76.87

 

CMYK 79 / 0 / 99 / 13

HEX #2EDE02

RGB 46 222 2

HSL 108, 0.98%, 0.44%

LAB 77.77, -74.46, 75.15

 

CMYK 99 / 0 / 92 / 13

HEX #02DE11

RGB 2 222 17

HSL 124.09, 0.98%, 0.44%

LAB 77.46, -77.23, 73.24

 

CMYK 54 / 0 / 99 / 45

HEX #418C01

RGB 65 140 1

HSL 92.37, 0.99%, 0.28%

LAB 51.7, -44.07, 54.65

 

CMYK 54 / 0 / 99 / 29

HEX #53B502

RGB 83 181 2

HSL 92.85, 0.98%, 0.36%

LAB 65.66, -54.1, 65.84

 

CMYK 54 / 0 / 99 / 13

HEX #66DE02

RGB 102 222 2

HSL 92.73, 0.98%, 0.44%

LAB 79.08, -63.42, 76.75

 

CMYK 52 / 0 / 95 / 1

HEX #7AFD0D

RGB 122 253 13

HSL 92.75, 0.98%, 0.52%

LAB 89.12, -68.6, 84.12

 

CMYK 43 / 0 / 79 / 1

HEX #90FD36

RGB 144 253 54

HSL 92.86, 0.98%, 0.6%

LAB 90.07, -60.97, 77.88

 

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

CMYK 99 / 0 / 26 / 13

HEX #02DEA4

RGB 2 222 164

HSL 164.18, 0.98%, 0.44%

LAB 79, -58.62, 15.94

 

CMYK 0 / 99 / 13 / 13

HEX #DE02C1

RGB 222 2 193

HSL 307.91, 0.98%, 0.44%

LAB 51.18, 84.42, -40.61

 

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

CMYK 99 / 53 / 0 / 13

HEX #0269DE

RGB 2 105 222

HSL 211.91, 0.98%, 0.44%

LAB 46.16, 20.57, -66.35

 

CMYK 0 / 99 / 53 / 13

HEX #DE0269

RGB 222 2 105

HSL 331.91, 0.98%, 0.44%

LAB 47.74, 75.58, 6.97

 

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

CMYK 99 / 0 / 26 / 13

HEX #02DEA4

RGB 2 222 164

HSL 164.18, 0.98%, 0.44%

LAB 79, -58.62, 15.94

 

CMYK 46 / 99 / 0 / 13

HEX #7802DE

RGB 120 2 222

HSL 272.18, 0.98%, 0.44%

LAB 36.58, 75.42, -81.8

 

CMYK 0 / 99 / 73 / 13

HEX #DE023D

RGB 222 2 61

HSL 343.91, 0.98%, 0.44%

LAB 46.86, 73.2, 32.89

 

CMYK 54 / 0 / 99 / 14

HEX #65DC02

RGB 101 220 2

HSL 92.75, 0.98%, 0.44%

LAB 78.44, -62.99, 76.22

 

CMYK 99 / 3 / 0 / 13

HEX #02D7DE

RGB 2 215 222

HSL 181.91, 0.98%, 0.44%

LAB 78.4, -40.13, -15.84

 

CMYK 46 / 99 / 0 / 13

HEX #7802DE

RGB 120 2 222

HSL 272.18, 0.98%, 0.44%

LAB 36.58, 75.42, -81.8

 

CMYK 0 / 95 / 99 / 13

HEX #DE0A02

RGB 222 10 2

HSL 2.18, 0.98%, 0.44%

LAB 46.65, 71.33, 60.03

 

Description

Color code: HEX #65DC02 | qconv.com Color code: HEX #65DC02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 220 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 220 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 99 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 99% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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