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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65DA74 it is the complementary color #9A258B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65DA74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65DA74 shade: #6ADA6F, #7BEC82, #8CFE95, #9DFFA8 and #AEFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65DA74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65DA74 shade: #65DA74, #54C861, #43B64E, #32A43B and #219228

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65DA74 shade: #67DA76, #77DA67, #96DA67, #B5DA67 and #D5DA67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65DA74 shade: #67DA76, #67DA95, #67DAB4, #67DAD3 and #67C2DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65DA74 shade matches the following richer shades: #67DA76, #58E96A and #49F95F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65DA74 shade: #67DA76, #76CB81, #86BC8D, #95AC98 and #A49DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65DA74 shade: #97DA67, #78DA67, #67DA75, #67DA93 and #67DAB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65DA74 shade: #2FC041, #46D258, #67DA76, #88E294 and #AAEAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65DA74 shade: #65DA74, #67B6DA and #DA6788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65DA74 shade: #65DA74, #7567DA and #DA7567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65DA74 shade: #65DA74, #67B6DA, #DA67CD and #DA8C67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65DA74 shade: #65DA74, #6793DA, #DA67CD and #DAAE67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

Complementary color

CMYK 0 / 76 / 10 / 40

HEX #9A258B

RGB 154 37 139

HSL 307.69, 0.61%, 0.37%

LAB 37.94, 58.02, -30.08

 

CMYK 51 / 0 / 49 / 15

HEX #6ADA6F

RGB 106 218 111

HSL 122.68, 0.6%, 0.64%

LAB 78.67, -53.52, 42.84

 

CMYK 48 / 0 / 45 / 7

HEX #7BEC82

RGB 123 236 130

HSL 123.72, 0.75%, 0.7%

LAB 84.9, -53.5, 41.55

 

CMYK 45 / 0 / 41 / 0

HEX #8CFE95

RGB 140 254 149

HSL 124.74, 0.98%, 0.77%

LAB 91.07, -53.39, 40.31

 

CMYK 38 / 0 / 34 / 0

HEX #9DFFA8

RGB 157 255 168

HSL 126.73, 1%, 0.81%

LAB 92.36, -46.08, 32.74

 

CMYK 32 / 0 / 27 / 0

HEX #AEFFBB

RGB 174 255 187

HSL 129.63, 1%, 0.84%

LAB 93.5, -37.91, 24.85

 

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

CMYK 58 / 0 / 52 / 22

HEX #54C861

RGB 84 200 97

HSL 126.72, 0.51%, 0.56%

LAB 72.27, -53.95, 41.57

 

CMYK 63 / 0 / 57 / 29

HEX #43B64E

RGB 67 182 78

HSL 125.74, 0.46%, 0.49%

LAB 65.9, -53.58, 42.92

 

CMYK 70 / 0 / 64 / 36

HEX #32A43B

RGB 50 164 59

HSL 124.74, 0.53%, 0.42%

LAB 59.48, -52.86, 44.17

 

CMYK 77 / 0 / 73 / 43

HEX #219228

RGB 33 146 40

HSL 123.72, 0.63%, 0.35%

LAB 52.99, -51.58, 45.13

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 45 / 0 / 53 / 15

HEX #77DA67

RGB 119 218 103

HSL 111.65, 0.61%, 0.63%

LAB 79.07, -50.95, 47.26

 

CMYK 31 / 0 / 53 / 15

HEX #96DA67

RGB 150 218 103

HSL 95.48, 0.61%, 0.63%

LAB 80.52, -41.03, 49.34

 

CMYK 17 / 0 / 53 / 15

HEX #B5DA67

RGB 181 218 103

HSL 79.3, 0.61%, 0.63%

LAB 82.35, -29.73, 51.96

 

CMYK 2 / 0 / 53 / 15

HEX #D5DA67

RGB 213 218 103

HSL 62.61, 0.61%, 0.63%

LAB 84.62, -17.16, 55.19

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 53 / 0 / 32 / 15

HEX #67DA95

RGB 103 218 149

HSL 144, 0.61%, 0.63%

LAB 79.15, -48.08, 24.26

 

CMYK 53 / 0 / 17 / 15

HEX #67DAB4

RGB 103 218 180

HSL 160.17, 0.61%, 0.63%

LAB 79.8, -41.68, 8.83

 

CMYK 53 / 0 / 3 / 15

HEX #67DAD3

RGB 103 218 211

HSL 176.35, 0.61%, 0.63%

LAB 80.59, -34.22, -6.52

 

CMYK 53 / 11 / 0 / 15

HEX #67C2DA

RGB 103 194 218

HSL 192.52, 0.61%, 0.63%

LAB 73.89, -20.6, -20.33

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 62 / 0 / 55 / 9

HEX #58E96A

RGB 88 233 106

HSL 127.45, 0.77%, 0.63%

LAB 82.59, -63.98, 49.84

 

CMYK 71 / 0 / 62 / 2

HEX #49F95F

RGB 73 249 95

HSL 127.5, 0.94%, 0.63%

LAB 86.99, -73.38, 59.69

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 42 / 0 / 36 / 20

HEX #76CB81

RGB 118 203 129

HSL 127.76, 0.45%, 0.63%

LAB 74.92, -41.22, 29.07

 

CMYK 29 / 0 / 25 / 26

HEX #86BC8D

RGB 134 188 141

HSL 127.78, 0.29%, 0.63%

LAB 71.53, -27.19, 18.25

 

CMYK 13 / 0 / 12 / 33

HEX #95AC98

RGB 149 172 152

HSL 127.83, 0.12%, 0.63%

LAB 68.14, -11.91, 7.62

 

CMYK 0 / 4 / 1 / 36

HEX #A49DA3

RGB 164 157 163

HSL 308.57, 0.04%, 0.63%

LAB 65.48, 3.67, -2.22

 

CMYK 31 / 0 / 53 / 15

HEX #97DA67

RGB 151 218 103

HSL 94.96, 0.61%, 0.63%

LAB 80.57, -40.69, 49.42

 

CMYK 45 / 0 / 53 / 15

HEX #78DA67

RGB 120 218 103

HSL 111.13, 0.61%, 0.63%

LAB 79.11, -50.66, 47.31

 

CMYK 53 / 0 / 46 / 15

HEX #67DA75

RGB 103 218 117

HSL 127.3, 0.61%, 0.63%

LAB 78.64, -53.44, 39.85

 

CMYK 53 / 0 / 33 / 15

HEX #67DA93

RGB 103 218 147

HSL 142.96, 0.61%, 0.63%

LAB 79.12, -48.46, 25.25

 

CMYK 53 / 0 / 18 / 15

HEX #67DAB2

RGB 103 218 178

HSL 159.13, 0.61%, 0.63%

LAB 79.75, -42.13, 9.83

 

CMYK 76 / 0 / 66 / 25

HEX #2FC041

RGB 47 192 65

HSL 127.45, 0.61%, 0.47%

LAB 68.52, -62.17, 51.57

 

CMYK 67 / 0 / 58 / 18

HEX #46D258

RGB 70 210 88

HSL 127.71, 0.61%, 0.55%

LAB 74.89, -61.73, 48.85

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 40 / 0 / 35 / 11

HEX #88E294

RGB 136 226 148

HSL 128, 0.61%, 0.71%

LAB 82.79, -42.88, 29.9

 

CMYK 27 / 0 / 24 / 8

HEX #AAEAB2

RGB 170 234 178

HSL 127.5, 0.6%, 0.79%

LAB 87.29, -31.02, 20.86

 

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

CMYK 53 / 17 / 0 / 15

HEX #67B6DA

RGB 103 182 218

HSL 198.78, 0.61%, 0.63%

LAB 70.46, -14.35, -25.56

 

CMYK 0 / 53 / 38 / 15

HEX #DA6788

RGB 218 103 136

HSL 342.78, 0.61%, 0.63%

LAB 58.4, 48.33, 3.61

 

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

CMYK 46 / 53 / 0 / 15

HEX #7567DA

RGB 117 103 218

HSL 247.3, 0.61%, 0.63%

LAB 50.15, 34.55, -57.4

 

CMYK 0 / 46 / 53 / 15

HEX #DA7567

RGB 218 117 103

HSL 7.3, 0.61%, 0.63%

LAB 60.43, 37.99, 25.44

 

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

CMYK 53 / 17 / 0 / 15

HEX #67B6DA

RGB 103 182 218

HSL 198.78, 0.61%, 0.63%

LAB 70.46, -14.35, -25.56

 

CMYK 0 / 53 / 6 / 15

HEX #DA67CD

RGB 218 103 205

HSL 306.78, 0.61%, 0.63%

LAB 60.79, 58.06, -32.47

 

CMYK 0 / 36 / 53 / 15

HEX #DA8C67

RGB 218 140 103

HSL 19.3, 0.61%, 0.63%

LAB 65.47, 25.83, 31.99

 

CMYK 54 / 0 / 47 / 15

HEX #65DA74

RGB 101 218 116

HSL 127.69, 0.61%, 0.63%

LAB 78.56, -54.08, 40.23

 

CMYK 53 / 33 / 0 / 15

HEX #6793DA

RGB 103 147 218

HSL 217.04, 0.61%, 0.63%

LAB 60.62, 5.13, -40.83

 

CMYK 0 / 53 / 6 / 15

HEX #DA67CD

RGB 218 103 205

HSL 306.78, 0.61%, 0.63%

LAB 60.79, 58.06, -32.47

 

CMYK 0 / 20 / 53 / 15

HEX #DAAE67

RGB 218 174 103

HSL 37.04, 0.61%, 0.63%

LAB 73.65, 7.56, 42.24

 

Description

Color code: HEX #65DA74 | qconv.com Color code: HEX #65DA74 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 218 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 218 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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