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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65CEC7 it is the complementary color #9A3138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65CEC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65CEC7 shade: #6ACEC2, #7BE0D5, #8CF2E8, #9DFFFB and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65CEC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65CEC7 shade: #65CEC7, #54BCB4, #43AAA1, #32988E and #21867B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65CEC7 shade: #64CEC7, #64CEAA, #64CE8E, #64CE71 and #73CE64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65CEC7 shade: #64CEC7, #64B9CE, #649CCE, #647FCE and #6464CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65CEC7 shade matches the following richer shades: #64CEC7, #53DFD5 and #43EFE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65CEC7 shade: #64CEC7, #74BEB9, #85ADAA, #959D9C and #A68C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65CEC7 shade: #64CE8E, #64CEAB, #64CEC7, #64B9CE and #649DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65CEC7 shade: #36AAA2, #45C4BC, #64CEC7, #83D8D2 and #A3E2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65CEC7 shade: #65CEC7, #7264CE and #CE9D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65CEC7 shade: #65CEC7, #C764CE and #CEC764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65CEC7 shade: #65CEC7, #7264CE, #CE646B and #C0CE64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65CEC7 shade: #65CEC7, #9264CE, #CE646B and #A0CE64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

Complementary color

CMYK 0 / 68 / 64 / 40

HEX #9A3138

RGB 154 49 56

HSL 356, 0.52%, 0.4%

LAB 36.65, 44.08, 20.38

 

CMYK 49 / 0 / 6 / 19

HEX #6ACEC2

RGB 106 206 194

HSL 172.8, 0.51%, 0.61%

LAB 76.74, -32.2, -3.07

 

CMYK 45 / 0 / 5 / 12

HEX #7BE0D5

RGB 123 224 213

HSL 173.47, 0.62%, 0.68%

LAB 83.09, -32.18, -3.82

 

CMYK 42 / 0 / 4 / 5

HEX #8CF2E8

RGB 140 242 232

HSL 174.12, 0.8%, 0.75%

LAB 89.35, -32.12, -4.51

 

CMYK 38 / 0 / 2 / 0

HEX #9DFFFB

RGB 157 255 251

HSL 177.55, 1%, 0.81%

LAB 94.16, -29.68, -7.19

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

CMYK 55 / 0 / 4 / 26

HEX #54BCB4

RGB 84 188 180

HSL 175.38, 0.44%, 0.53%

LAB 70.28, -31.92, -5.08

 

CMYK 61 / 0 / 5 / 33

HEX #43AAA1

RGB 67 170 161

HSL 174.76, 0.43%, 0.46%

LAB 63.77, -31.69, -4.23

 

CMYK 67 / 0 / 7 / 40

HEX #32988E

RGB 50 152 142

HSL 174.12, 0.5%, 0.4%

LAB 57.16, -31.3, -3.3

 

CMYK 75 / 0 / 8 / 47

HEX #21867B

RGB 33 134 123

HSL 173.47, 0.6%, 0.33%

LAB 50.46, -30.65, -2.24

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 51 / 0 / 17 / 19

HEX #64CEAA

RGB 100 206 170

HSL 159.62, 0.52%, 0.6%

LAB 75.92, -39.25, 8.61

 

CMYK 51 / 0 / 31 / 19

HEX #64CE8E

RGB 100 206 142

HSL 143.77, 0.52%, 0.6%

LAB 75.33, -45.07, 22.7

 

CMYK 51 / 0 / 45 / 19

HEX #64CE71

RGB 100 206 113

HSL 127.36, 0.52%, 0.6%

LAB 74.85, -50.02, 37.02

 

CMYK 44 / 0 / 51 / 19

HEX #73CE64

RGB 115 206 100

HSL 111.51, 0.52%, 0.6%

LAB 75.27, -47.6, 44.05

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 51 / 10 / 0 / 19

HEX #64B9CE

RGB 100 185 206

HSL 191.89, 0.52%, 0.6%

LAB 70.78, -19.99, -18.52

 

CMYK 51 / 24 / 0 / 19

HEX #649CCE

RGB 100 156 206

HSL 208.3, 0.52%, 0.6%

LAB 62.46, -4.37, -31.27

 

CMYK 51 / 38 / 0 / 19

HEX #647FCE

RGB 100 127 206

HSL 224.72, 0.52%, 0.6%

LAB 54.39, 12.56, -43.91

 

CMYK 51 / 51 / 0 / 19

HEX #6464CE

RGB 100 100 206

HSL 240, 0.52%, 0.6%

LAB 47.34, 29.03, -55.15

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 63 / 0 / 4 / 13

HEX #53DFD5

RGB 83 223 213

HSL 175.71, 0.69%, 0.6%

LAB 81.52, -39.62, -6.27

 

CMYK 72 / 0 / 5 / 6

HEX #43EFE4

RGB 67 239 228

HSL 176.16, 0.84%, 0.6%

LAB 86.27, -44.91, -7.2

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 39 / 0 / 3 / 25

HEX #74BEB9

RGB 116 190 185

HSL 175.95, 0.36%, 0.6%

LAB 72.26, -24.19, -4.75

 

CMYK 23 / 0 / 2 / 32

HEX #85ADAA

RGB 133 173 170

HSL 175.5, 0.2%, 0.6%

LAB 67.86, -14.07, -2.88

 

CMYK 5 / 0 / 1 / 38

HEX #959D9C

RGB 149 157 156

HSL 172.5, 0.04%, 0.6%

LAB 64.08, -3.05, -0.48

 

CMYK 0 / 16 / 14 / 35

HEX #A68C8E

RGB 166 140 142

HSL 355.38, 0.13%, 0.6%

LAB 60.62, 10.13, 2.58

 

CMYK 51 / 0 / 31 / 19

HEX #64CE8E

RGB 100 206 142

HSL 143.77, 0.52%, 0.6%

LAB 75.33, -45.07, 22.7

 

CMYK 51 / 0 / 17 / 19

HEX #64CEAB

RGB 100 206 171

HSL 160.19, 0.52%, 0.6%

LAB 75.94, -39.02, 8.11

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 51 / 10 / 0 / 19

HEX #64B9CE

RGB 100 185 206

HSL 191.89, 0.52%, 0.6%

LAB 70.78, -19.99, -18.52

 

CMYK 51 / 24 / 0 / 19

HEX #649DCE

RGB 100 157 206

HSL 207.74, 0.52%, 0.6%

LAB 62.74, -4.93, -30.83

 

CMYK 68 / 0 / 5 / 33

HEX #36AAA2

RGB 54 170 162

HSL 175.86, 0.52%, 0.44%

LAB 63.46, -33.58, -5.28

 

CMYK 65 / 0 / 4 / 23

HEX #45C4BC

RGB 69 196 188

HSL 176.22, 0.52%, 0.52%

LAB 72.48, -36.2, -6.24

 

CMYK 51 / 0 / 3 / 19

HEX #64CEC7

RGB 100 206 199

HSL 176.04, 0.52%, 0.6%

LAB 76.66, -32.25, -5.91

 

CMYK 39 / 0 / 3 / 15

HEX #83D8D2

RGB 131 216 210

HSL 175.76, 0.52%, 0.68%

LAB 81.07, -27.11, -5.16

 

CMYK 28 / 0 / 2 / 11

HEX #A3E2DE

RGB 163 226 222

HSL 176.19, 0.52%, 0.76%

LAB 85.73, -20.62, -4.47

 

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

CMYK 45 / 51 / 0 / 19

HEX #7264CE

RGB 114 100 206

HSL 247.92, 0.52%, 0.6%

LAB 48.45, 32.15, -53.32

 

CMYK 0 / 24 / 51 / 19

HEX #CE9D64

RGB 206 157 100

HSL 32.26, 0.52%, 0.6%

LAB 68.14, 11.45, 36.69

 

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

CMYK 3 / 51 / 0 / 19

HEX #C764CE

RGB 199 100 206

HSL 296.04, 0.52%, 0.6%

LAB 57.76, 54.4, -37.95

 

CMYK 0 / 3 / 51 / 19

HEX #CEC764

RGB 206 199 100

HSL 56.04, 0.52%, 0.6%

LAB 78.98, -10.72, 49.85

 

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

CMYK 45 / 51 / 0 / 19

HEX #7264CE

RGB 114 100 206

HSL 247.92, 0.52%, 0.6%

LAB 48.45, 32.15, -53.32

 

CMYK 0 / 51 / 48 / 19

HEX #CE646B

RGB 206 100 107

HSL 356.04, 0.52%, 0.6%

LAB 55.38, 42.56, 16.04

 

CMYK 7 / 0 / 51 / 19

HEX #C0CE64

RGB 192 206 100

HSL 67.92, 0.52%, 0.6%

LAB 79.77, -19.91, 50.51

 

CMYK 51 / 0 / 3 / 19

HEX #65CEC7

RGB 101 206 199

HSL 176, 0.52%, 0.6%

LAB 76.7, -32.04, -5.85

 

CMYK 29 / 51 / 0 / 19

HEX #9264CE

RGB 146 100 206

HSL 266.04, 0.52%, 0.6%

LAB 51.48, 40.07, -48.3

 

CMYK 0 / 51 / 48 / 19

HEX #CE646B

RGB 206 100 107

HSL 356.04, 0.52%, 0.6%

LAB 55.38, 42.56, 16.04

 

CMYK 22 / 0 / 51 / 19

HEX #A0CE64

RGB 160 206 100

HSL 86.04, 0.52%, 0.6%

LAB 77.6, -32.32, 47.41

 

Description

Color code: HEX #65CEC7 | qconv.com Color code: HEX #65CEC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 206 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 206 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 3 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 3% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - SOOMMI
Link: http://mysmsm.cafe24.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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