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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65B259 it is the complementary color #9A4DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65B259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65B259 shade: #6AB254, #7BC467, #8CD67A, #9DE88D and #AEFAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65B259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65B259 shade: #65B259, #54A046, #438E33, #327C20 and #216A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65B259 shade: #64B257, #7CB257, #94B257, #ADB257 and #B29F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65B259 shade: #64B257, #57B264, #57B27C, #57B294 and #57B2AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65B259 shade matches the following richer shades: #64B257, #55C644, #47D930 and #38ED1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65B259 shade: #64B257, #729E6B, #808A7F, #8F7693 and #9D63A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65B259 shade: #95B257, #7DB257, #65B257, #57B262 and #57B27A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65B259 shade: #437D3A, #529947, #64B257, #7EBF74 and #98CC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65B259 shade: #65B259, #57ADB2 and #B25789

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65B259 shade: #65B259, #5765B2 and #B25765

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65B259 shade: #65B259, #57ADB2, #A457B2 and #B25C57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65B259 shade: #65B259, #5792B2, #A457B2 and #B27757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

Complementary color

CMYK 7 / 54 / 0 / 35

HEX #9A4DA6

RGB 154 77 166

HSL 291.91, 0.37%, 0.48%

LAB 45.54, 45.7, -34.4

 

CMYK 40 / 0 / 53 / 30

HEX #6AB254

RGB 106 178 84

HSL 105.96, 0.38%, 0.51%

LAB 66.17, -40.52, 40.7

 

CMYK 37 / 0 / 47 / 23

HEX #7BC467

RGB 123 196 103

HSL 107.1, 0.44%, 0.59%

LAB 72.67, -40.44, 39.47

 

CMYK 35 / 0 / 43 / 16

HEX #8CD67A

RGB 140 214 122

HSL 108.26, 0.53%, 0.66%

LAB 79.08, -40.29, 38.26

 

CMYK 32 / 0 / 39 / 9

HEX #9DE88D

RGB 157 232 141

HSL 109.45, 0.66%, 0.73%

LAB 85.41, -40.11, 37.07

 

CMYK 30 / 0 / 36 / 2

HEX #AEFAA0

RGB 174 250 160

HSL 110.67, 0.9%, 0.8%

LAB 91.64, -39.92, 35.93

 

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

CMYK 48 / 0 / 56 / 37

HEX #54A046

RGB 84 160 70

HSL 110.67, 0.39%, 0.45%

LAB 59.41, -41.49, 39.23

 

CMYK 53 / 0 / 64 / 44

HEX #438E33

RGB 67 142 51

HSL 109.45, 0.47%, 0.38%

LAB 52.71, -41.3, 40.38

 

CMYK 60 / 0 / 74 / 51

HEX #327C20

RGB 50 124 32

HSL 108.26, 0.59%, 0.31%

LAB 45.9, -40.77, 41.16

 

CMYK 69 / 0 / 88 / 58

HEX #216A0D

RGB 33 106 13

HSL 107.1, 0.78%, 0.23%

LAB 39, -39.62, 40.94

 

CMYK 44 / 0 / 51 / 30

HEX #64B257

RGB 100 178 87

HSL 111.43, 0.37%, 0.52%

LAB 65.93, -42.05, 38.87

 

CMYK 30 / 0 / 51 / 30

HEX #7CB257

RGB 124 178 87

HSL 95.6, 0.37%, 0.52%

LAB 67.14, -33.97, 40.61

 

CMYK 17 / 0 / 51 / 30

HEX #94B257

RGB 148 178 87

HSL 79.78, 0.37%, 0.52%

LAB 68.62, -24.88, 42.75

 

CMYK 3 / 0 / 51 / 30

HEX #ADB257

RGB 173 178 87

HSL 63.3, 0.37%, 0.52%

LAB 70.46, -14.74, 45.39

 

CMYK 0 / 11 / 51 / 30

HEX #B29F57

RGB 178 159 87

HSL 47.47, 0.37%, 0.52%

LAB 65.71, -2.63, 39.81

 

CMYK 44 / 0 / 51 / 30

HEX #64B257

RGB 100 178 87

HSL 111.43, 0.37%, 0.52%

LAB 65.93, -42.05, 38.87

 

CMYK 51 / 0 / 44 / 30

HEX #57B264

RGB 87 178 100

HSL 128.57, 0.37%, 0.52%

LAB 65.58, -43.95, 31.71

 

CMYK 51 / 0 / 30 / 30

HEX #57B27C

RGB 87 178 124

HSL 144.4, 0.37%, 0.52%

LAB 66, -39.67, 19.49

 

CMYK 51 / 0 / 17 / 30

HEX #57B294

RGB 87 178 148

HSL 160.22, 0.37%, 0.52%

LAB 66.52, -34.51, 7.08

 

CMYK 51 / 0 / 3 / 30

HEX #57B2AD

RGB 87 178 173

HSL 176.7, 0.37%, 0.52%

LAB 67.19, -28.3, -5.78

 

CMYK 44 / 0 / 51 / 30

HEX #64B257

RGB 100 178 87

HSL 111.43, 0.37%, 0.52%

LAB 65.93, -42.05, 38.87

 

CMYK 57 / 0 / 66 / 22

HEX #55C644

RGB 85 198 68

HSL 112.15, 0.53%, 0.52%

LAB 71.38, -56.33, 53.7

 

CMYK 67 / 0 / 78 / 15

HEX #47D930

RGB 71 217 48

HSL 111.83, 0.69%, 0.52%

LAB 76.79, -67.47, 66.26

 

CMYK 76 / 0 / 88 / 7

HEX #38ED1C

RGB 56 237 28

HSL 111.96, 0.85%, 0.52%

LAB 82.64, -76.9, 76.16

 

CMYK 44 / 0 / 51 / 30

HEX #64B257

RGB 100 178 87

HSL 111.43, 0.37%, 0.52%

LAB 65.93, -42.05, 38.87

 

CMYK 28 / 0 / 32 / 38

HEX #729E6B

RGB 114 158 107

HSL 111.76, 0.21%, 0.52%

LAB 60.86, -25.15, 22

 

CMYK 7 / 0 / 8 / 46

HEX #808A7F

RGB 128 138 127

HSL 114.55, 0.04%, 0.52%

LAB 56.39, -5.84, 4.63

 

CMYK 3 / 20 / 0 / 42

HEX #8F7693

RGB 143 118 147

HSL 291.72, 0.12%, 0.52%

LAB 52.84, 15.17, -12.05

 

CMYK 6 / 41 / 0 / 35

HEX #9D63A7

RGB 157 99 167

HSL 291.18, 0.28%, 0.52%

LAB 50.55, 34.96, -27.14

 

CMYK 16 / 0 / 51 / 30

HEX #95B257

RGB 149 178 87

HSL 79.12, 0.37%, 0.52%

LAB 68.69, -24.49, 42.85

 

CMYK 30 / 0 / 51 / 30

HEX #7DB257

RGB 125 178 87

HSL 94.95, 0.37%, 0.52%

LAB 67.19, -33.61, 40.69

 

CMYK 43 / 0 / 51 / 30

HEX #65B257

RGB 101 178 87

HSL 110.77, 0.37%, 0.52%

LAB 65.98, -41.74, 38.93

 

CMYK 51 / 0 / 45 / 30

HEX #57B262

RGB 87 178 98

HSL 127.25, 0.37%, 0.52%

LAB 65.55, -44.27, 32.7

 

CMYK 51 / 0 / 31 / 30

HEX #57B27A

RGB 87 178 122

HSL 143.08, 0.37%, 0.52%

LAB 65.96, -40.06, 20.52

 

CMYK 46 / 0 / 54 / 51

HEX #437D3A

RGB 67 125 58

HSL 111.94, 0.37%, 0.36%

LAB 47.19, -33.14, 30.49

 

CMYK 46 / 0 / 54 / 40

HEX #529947

RGB 82 153 71

HSL 111.95, 0.37%, 0.44%

LAB 57.11, -38.99, 35.96

 

CMYK 44 / 0 / 51 / 30

HEX #64B257

RGB 100 178 87

HSL 111.43, 0.37%, 0.52%

LAB 65.93, -42.05, 38.87

 

CMYK 34 / 0 / 39 / 25

HEX #7EBF74

RGB 126 191 116

HSL 112, 0.37%, 0.6%

LAB 71.53, -35.38, 31.43

 

CMYK 25 / 0 / 29 / 20

HEX #98CC90

RGB 152 204 144

HSL 112, 0.37%, 0.68%

LAB 77.21, -28.38, 24.6

 

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

CMYK 51 / 3 / 0 / 30

HEX #57ADB2

RGB 87 173 178

HSL 183.3, 0.37%, 0.52%

LAB 65.85, -24.48, -10.55

 

CMYK 0 / 51 / 23 / 30

HEX #B25789

RGB 178 87 137

HSL 327.03, 0.37%, 0.52%

LAB 49.6, 42.98, -10.61

 

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

CMYK 51 / 43 / 0 / 30

HEX #5765B2

RGB 87 101 178

HSL 230.77, 0.37%, 0.52%

LAB 45.01, 16.63, -42.73

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

CMYK 51 / 3 / 0 / 30

HEX #57ADB2

RGB 87 173 178

HSL 183.3, 0.37%, 0.52%

LAB 65.85, -24.48, -10.55

 

CMYK 8 / 51 / 0 / 30

HEX #A457B2

RGB 164 87 178

HSL 290.77, 0.37%, 0.52%

LAB 49.4, 45.77, -35.29

 

CMYK 0 / 48 / 51 / 30

HEX #B25C57

RGB 178 92 87

HSL 3.3, 0.37%, 0.52%

LAB 49.26, 34.32, 18.83

 

CMYK 43 / 0 / 50 / 30

HEX #65B259

RGB 101 178 89

HSL 111.91, 0.37%, 0.52%

LAB 66, -41.48, 37.97

 

CMYK 51 / 18 / 0 / 30

HEX #5792B2

RGB 87 146 178

HSL 201.1, 0.37%, 0.52%

LAB 57.85, -10.17, -22.67

 

CMYK 8 / 51 / 0 / 30

HEX #A457B2

RGB 164 87 178

HSL 290.77, 0.37%, 0.52%

LAB 49.4, 45.77, -35.29

 

CMYK 0 / 33 / 51 / 30

HEX #B27757

RGB 178 119 87

HSL 21.1, 0.37%, 0.52%

LAB 55.43, 19.49, 26.95

 

Description

Color code: HEX #65B259 | qconv.com Color code: HEX #65B259 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 178 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 178 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 50 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 50% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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