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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65B253 it is the complementary color #9A4DAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65B253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65B253 shade: #6AB24E, #7BC461, #8CD674, #9DE887 and #AEFA9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65B253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65B253 shade: #65B253, #54A040, #438E2D, #327C1A and #216A07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65B253 shade: #65B253, #7EB253, #98B253, #B1B253 and #B29853

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65B253 shade: #65B253, #53B25A, #53B274, #53B28D and #53B2A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65B253 shade matches the following richer shades: #65B253, #58C63E, #4BDA2A and #3FEE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65B253 shade: #65B253, #719D67, #7E897B, #8A758F and #9761A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65B253 shade: #98B253, #7FB253, #66B253, #53B259 and #53B272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65B253 shade: #447B37, #549744, #65B253, #7EBE6F and #98CB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65B253 shade: #65B253, #53B2B2 and #B2538C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65B253 shade: #65B253, #5366B2 and #B25366

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65B253 shade: #65B253, #53B2B2, #9F53B2 and #B25353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65B253 shade: #65B253, #5395B2, #9F53B2 and #B26F53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

Complementary color

CMYK 10 / 55 / 0 / 33

HEX #9A4DAC

RGB 154 77 172

HSL 288.63, 0.38%, 0.49%

LAB 45.85, 46.91, -37.46

 

CMYK 40 / 0 / 56 / 30

HEX #6AB24E

RGB 106 178 78

HSL 103.2, 0.39%, 0.5%

LAB 66.1, -41.23, 43.51

 

CMYK 37 / 0 / 51 / 23

HEX #7BC461

RGB 123 196 97

HSL 104.24, 0.46%, 0.57%

LAB 72.6, -41.2, 42.33

 

CMYK 35 / 0 / 46 / 16

HEX #8CD674

RGB 140 214 116

HSL 105.31, 0.54%, 0.65%

LAB 79, -41.1, 41.13

 

CMYK 32 / 0 / 42 / 9

HEX #9DE887

RGB 157 232 135

HSL 106.39, 0.68%, 0.72%

LAB 85.32, -40.95, 39.94

 

CMYK 30 / 0 / 38 / 2

HEX #AEFA9A

RGB 174 250 154

HSL 107.5, 0.91%, 0.79%

LAB 91.55, -40.77, 38.78

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 48 / 0 / 60 / 37

HEX #54A040

RGB 84 160 64

HSL 107.5, 0.43%, 0.44%

LAB 59.34, -42.19, 42.02

 

CMYK 53 / 0 / 68 / 44

HEX #438E2D

RGB 67 142 45

HSL 106.39, 0.52%, 0.37%

LAB 52.65, -41.9, 43

 

CMYK 60 / 0 / 79 / 51

HEX #327C1A

RGB 50 124 26

HSL 105.31, 0.65%, 0.29%

LAB 45.86, -41.23, 43.4

 

CMYK 69 / 0 / 93 / 58

HEX #216A07

RGB 33 106 7

HSL 104.24, 0.88%, 0.22%

LAB 38.98, -39.91, 42.47

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 29 / 0 / 53 / 30

HEX #7EB253

RGB 126 178 83

HSL 92.84, 0.38%, 0.51%

LAB 67.2, -33.7, 42.67

 

CMYK 15 / 0 / 53 / 30

HEX #98B253

RGB 152 178 83

HSL 76.42, 0.38%, 0.51%

LAB 68.85, -23.69, 45.03

 

CMYK 1 / 0 / 53 / 30

HEX #B1B253

RGB 177 178 83

HSL 60.63, 0.38%, 0.51%

LAB 70.74, -13.42, 47.71

 

CMYK 0 / 15 / 53 / 30

HEX #B29853

RGB 178 152 83

HSL 43.58, 0.38%, 0.51%

LAB 63.79, 0.8, 39.54

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 53 / 0 / 49 / 30

HEX #53B25A

RGB 83 178 90

HSL 124.42, 0.38%, 0.51%

LAB 65.29, -46.54, 36.43

 

CMYK 53 / 0 / 35 / 30

HEX #53B274

RGB 83 178 116

HSL 140.84, 0.38%, 0.51%

LAB 65.7, -42.22, 23.38

 

CMYK 53 / 0 / 21 / 30

HEX #53B28D

RGB 83 178 141

HSL 156.63, 0.38%, 0.51%

LAB 66.22, -37.06, 10.48

 

CMYK 53 / 0 / 6 / 30

HEX #53B2A7

RGB 83 178 167

HSL 173.05, 0.38%, 0.51%

LAB 66.88, -30.74, -2.93

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 56 / 0 / 69 / 22

HEX #58C63E

RGB 88 198 62

HSL 108.53, 0.54%, 0.51%

LAB 71.43, -56.1, 56.2

 

CMYK 66 / 0 / 81 / 15

HEX #4BDA2A

RGB 75 218 42

HSL 108.75, 0.7%, 0.51%

LAB 77.16, -67.34, 68.35

 

CMYK 74 / 0 / 91 / 7

HEX #3FEE16

RGB 63 238 22

HSL 108.61, 0.86%, 0.51%

LAB 83.05, -76.35, 77.49

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 28 / 0 / 34 / 38

HEX #719D67

RGB 113 157 103

HSL 108.89, 0.22%, 0.51%

LAB 60.43, -25.67, 23.6

 

CMYK 8 / 0 / 10 / 46

HEX #7E897B

RGB 126 137 123

HSL 107.14, 0.06%, 0.51%

LAB 55.84, -6.8, 6.14

 

CMYK 3 / 18 / 0 / 44

HEX #8A758F

RGB 138 117 143

HSL 288.46, 0.1%, 0.51%

LAB 51.96, 13.13, -11.09

 

CMYK 7 / 40 / 0 / 36

HEX #9761A3

RGB 151 97 163

HSL 289.09, 0.26%, 0.51%

LAB 49.22, 33.36, -26.91

 

CMYK 15 / 0 / 53 / 30

HEX #98B253

RGB 152 178 83

HSL 76.42, 0.38%, 0.51%

LAB 68.85, -23.69, 45.03

 

CMYK 29 / 0 / 53 / 30

HEX #7FB253

RGB 127 178 83

HSL 92.21, 0.38%, 0.51%

LAB 67.26, -33.33, 42.76

 

CMYK 43 / 0 / 53 / 30

HEX #66B253

RGB 102 178 83

HSL 108, 0.38%, 0.51%

LAB 65.97, -41.93, 40.91

 

CMYK 53 / 0 / 50 / 30

HEX #53B259

RGB 83 178 89

HSL 123.79, 0.38%, 0.51%

LAB 65.28, -46.68, 36.91

 

CMYK 53 / 0 / 36 / 30

HEX #53B272

RGB 83 178 114

HSL 139.58, 0.38%, 0.51%

LAB 65.67, -42.59, 24.4

 

CMYK 45 / 0 / 55 / 52

HEX #447B37

RGB 68 123 55

HSL 108.53, 0.38%, 0.35%

LAB 46.54, -32.3, 31.28

 

CMYK 44 / 0 / 55 / 41

HEX #549744

RGB 84 151 68

HSL 108.43, 0.38%, 0.43%

LAB 56.52, -37.87, 36.79

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 34 / 0 / 42 / 25

HEX #7EBE6F

RGB 126 190 111

HSL 108.61, 0.38%, 0.59%

LAB 71.15, -35.65, 33.53

 

CMYK 25 / 0 / 31 / 20

HEX #98CB8C

RGB 152 203 140

HSL 108.57, 0.38%, 0.67%

LAB 76.85, -28.54, 26.22

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 53 / 0 / 0 / 30

HEX #53B2B2

RGB 83 178 178

HSL 180, 0.38%, 0.51%

LAB 67.2, -27.82, -8.55

 

CMYK 0 / 53 / 21 / 30

HEX #B2538C

RGB 178 83 140

HSL 324, 0.38%, 0.51%

LAB 48.94, 45.44, -13.4

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 53 / 43 / 0 / 30

HEX #5366B2

RGB 83 102 178

HSL 228, 0.38%, 0.51%

LAB 45.02, 15.08, -42.73

 

CMYK 0 / 53 / 43 / 30

HEX #B25366

RGB 178 83 102

HSL 348, 0.38%, 0.51%

LAB 47.77, 40.52, 7.76

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 53 / 0 / 0 / 30

HEX #53B2B2

RGB 83 178 178

HSL 180, 0.38%, 0.51%

LAB 67.2, -27.82, -8.55

 

CMYK 11 / 53 / 0 / 30

HEX #9F53B2

RGB 159 83 178

HSL 288, 0.38%, 0.51%

LAB 47.97, 46.44, -37.59

 

CMYK 0 / 53 / 53 / 30

HEX #B25353

RGB 178 83 83

HSL 0, 0.38%, 0.51%

LAB 47.33, 38.65, 18.63

 

CMYK 43 / 0 / 53 / 30

HEX #65B253

RGB 101 178 83

HSL 108.63, 0.38%, 0.51%

LAB 65.93, -42.25, 40.84

 

CMYK 53 / 16 / 0 / 30

HEX #5395B2

RGB 83 149 178

HSL 198.32, 0.38%, 0.51%

LAB 58.55, -12.74, -21.6

 

CMYK 11 / 53 / 0 / 30

HEX #9F53B2

RGB 159 83 178

HSL 288, 0.38%, 0.51%

LAB 47.97, 46.44, -37.59

 

CMYK 0 / 38 / 53 / 30

HEX #B26F53

RGB 178 111 83

HSL 17.68, 0.38%, 0.51%

LAB 53.45, 23.58, 26.66

 

Description

Color code: HEX #65B253 | qconv.com Color code: HEX #65B253 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 178 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 178 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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