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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65B0CB it is the complementary color #9A4F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65B0CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65B0CB shade: #6AB0C6, #7BC2D9, #8CD4EC, #9DE6FF and #AEF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65B0CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65B0CB shade: #65B0CB, #549EB8, #438CA5, #327A92 and #21687F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65B0CB shade: #66B1CC, #6695CC, #667ACC, #6E66CC and #8966CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65B0CB shade: #66B1CC, #6695CC, #667ACC and #6666CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65B0CB shade matches the following richer shades: #66B1CC, #55B9DD, #45C1ED and #34C8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65B0CB shade: #66B1CC, #77A9BB, #87A1AB, #989A9A and #A8928A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65B0CB shade: #66CCAF, #66CCCA, #66B3CC, #6697CC and #667CCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65B0CB shade: #388AA8, #47A1C2, #66B1CC, #85C1D6 and #A4D1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65B0CB shade: #65B0CB, #9466CC and #CCBD66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65B0CB shade: #65B0CB, #CC66B3 and #B3CC66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65B0CB shade: #65B0CB, #9466CC, #CC8066 and #9ECC66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65B0CB shade: #65B0CB, #B366CC, #CC8066 and #80CC66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

Complementary color

CMYK 0 / 49 / 66 / 40

HEX #9A4F34

RGB 154 79 52

HSL 15.88, 0.5%, 0.4%

LAB 42.32, 28.89, 29.81

 

CMYK 46 / 11 / 0 / 22

HEX #6AB0C6

RGB 106 176 198

HSL 194.35, 0.45%, 0.6%

LAB 68.16, -16.16, -18.06

 

CMYK 43 / 11 / 0 / 15

HEX #7BC2D9

RGB 123 194 217

HSL 194.68, 0.55%, 0.67%

LAB 74.7, -16.31, -18.48

 

CMYK 41 / 10 / 0 / 7

HEX #8CD4EC

RGB 140 212 236

HSL 195, 0.72%, 0.74%

LAB 81.14, -16.42, -18.88

 

CMYK 38 / 10 / 0 / 0

HEX #9DE6FF

RGB 157 230 255

HSL 195.31, 1%, 0.81%

LAB 87.48, -16.5, -19.27

 

CMYK 32 / 3 / 0 / 0

HEX #AEF8FF

RGB 174 248 255

HSL 185.19, 1%, 0.84%

LAB 93.17, -21.02, -10.65

 

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

CMYK 54 / 14 / 0 / 28

HEX #549EB8

RGB 84 158 184

HSL 195.6, 0.41%, 0.53%

LAB 61.48, -15.61, -20.51

 

CMYK 59 / 15 / 0 / 35

HEX #438CA5

RGB 67 140 165

HSL 195.31, 0.42%, 0.45%

LAB 54.73, -15.17, -20.09

 

CMYK 66 / 16 / 0 / 43

HEX #327A92

RGB 50 122 146

HSL 195, 0.49%, 0.38%

LAB 47.84, -14.55, -19.63

 

CMYK 74 / 18 / 0 / 50

HEX #21687F

RGB 33 104 127

HSL 194.68, 0.59%, 0.31%

LAB 40.83, -13.65, -19.12

 

CMYK 50 / 13 / 0 / 20

HEX #66B1CC

RGB 102 177 204

HSL 195.88, 0.5%, 0.6%

LAB 68.48, -15.94, -20.9

 

CMYK 50 / 27 / 0 / 20

HEX #6695CC

RGB 102 149 204

HSL 212.35, 0.5%, 0.6%

LAB 60.5, -0.54, -33.19

 

CMYK 50 / 40 / 0 / 20

HEX #667ACC

RGB 102 122 204

HSL 228.24, 0.5%, 0.6%

LAB 53.06, 15.41, -44.87

 

CMYK 46 / 50 / 0 / 20

HEX #6E66CC

RGB 110 102 204

HSL 244.71, 0.5%, 0.6%

LAB 48.48, 29.43, -52.13

 

CMYK 33 / 50 / 0 / 20

HEX #8966CC

RGB 137 102 204

HSL 260.59, 0.5%, 0.6%

LAB 50.9, 36.08, -48.13

 

CMYK 50 / 13 / 0 / 20

HEX #66B1CC

RGB 102 177 204

HSL 195.88, 0.5%, 0.6%

LAB 68.48, -15.94, -20.9

 

CMYK 50 / 27 / 0 / 20

HEX #6695CC

RGB 102 149 204

HSL 212.35, 0.5%, 0.6%

LAB 60.5, -0.54, -33.19

 

CMYK 50 / 40 / 0 / 20

HEX #667ACC

RGB 102 122 204

HSL 228.24, 0.5%, 0.6%

LAB 53.06, 15.41, -44.87

 

CMYK 50 / 50 / 0 / 20

HEX #6666CC

RGB 102 102 204

HSL 240, 0.5%, 0.6%

LAB 47.86, 27.62, -53.16

 

CMYK 50 / 13 / 0 / 20

HEX #66B1CC

RGB 102 177 204

HSL 195.88, 0.5%, 0.6%

LAB 68.48, -15.94, -20.9

 

CMYK 62 / 16 / 0 / 13

HEX #55B9DD

RGB 85 185 221

HSL 195.88, 0.67%, 0.6%

LAB 70.77, -18.55, -26.78

 

CMYK 71 / 19 / 0 / 7

HEX #45C1ED

RGB 69 193 237

HSL 195.71, 0.82%, 0.6%

LAB 73.23, -20.17, -31.71

 

CMYK 80 / 21 / 0 / 0

HEX #34C8FE

RGB 52 200 254

HSL 196.04, 0.99%, 0.6%

LAB 75.57, -20.14, -37.27

 

CMYK 50 / 13 / 0 / 20

HEX #66B1CC

RGB 102 177 204

HSL 195.88, 0.5%, 0.6%

LAB 68.48, -15.94, -20.9

 

CMYK 36 / 10 / 0 / 27

HEX #77A9BB

RGB 119 169 187

HSL 195.88, 0.33%, 0.6%

LAB 66.43, -12.01, -14.52

 

CMYK 21 / 6 / 0 / 33

HEX #87A1AB

RGB 135 161 171

HSL 196.67, 0.18%, 0.6%

LAB 64.63, -6.77, -8.2

 

CMYK 1 / 0 / 0 / 40

HEX #989A9A

RGB 152 154 154

HSL 180, 0.01%, 0.6%

LAB 63.44, -0.72, -0.26

 

CMYK 0 / 13 / 18 / 34

HEX #A8928A

RGB 168 146 138

HSL 16, 0.15%, 0.6%

LAB 62.27, 6.86, 7.25

 

CMYK 50 / 0 / 14 / 20

HEX #66CCAF

RGB 102 204 175

HSL 162.94, 0.5%, 0.6%

LAB 75.52, -36.74, 5.36

 

CMYK 50 / 0 / 1 / 20

HEX #66CCCA

RGB 102 204 202

HSL 178.82, 0.5%, 0.6%

LAB 76.24, -30.1, -8.15

 

CMYK 50 / 12 / 0 / 20

HEX #66B3CC

RGB 102 179 204

HSL 194.71, 0.5%, 0.6%

LAB 69.06, -17, -20.03

 

CMYK 50 / 26 / 0 / 20

HEX #6697CC

RGB 102 151 204

HSL 211.18, 0.5%, 0.6%

LAB 61.06, -1.68, -32.32

 

CMYK 50 / 39 / 0 / 20

HEX #667CCC

RGB 102 124 204

HSL 227.06, 0.5%, 0.6%

LAB 53.6, 14.2, -44.02

 

CMYK 67 / 18 / 0 / 34

HEX #388AA8

RGB 56 138 168

HSL 196.07, 0.5%, 0.44%

LAB 53.86, -15.13, -23.17

 

CMYK 63 / 17 / 0 / 24

HEX #47A1C2

RGB 71 161 194

HSL 196.1, 0.5%, 0.52%

LAB 62.27, -16.68, -24.95

 

CMYK 50 / 13 / 0 / 20

HEX #66B1CC

RGB 102 177 204

HSL 195.88, 0.5%, 0.6%

LAB 68.48, -15.94, -20.9

 

CMYK 38 / 10 / 0 / 16

HEX #85C1D6

RGB 133 193 214

HSL 195.56, 0.5%, 0.68%

LAB 74.81, -14.01, -16.63

 

CMYK 27 / 7 / 0 / 12

HEX #A4D1E1

RGB 164 209 225

HSL 195.74, 0.5%, 0.76%

LAB 81.25, -11.04, -12.71

 

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

CMYK 27 / 50 / 0 / 20

HEX #9466CC

RGB 148 102 204

HSL 267.06, 0.5%, 0.6%

LAB 52.02, 38.98, -46.29

 

CMYK 0 / 7 / 50 / 20

HEX #CCBD66

RGB 204 189 102

HSL 51.18, 0.5%, 0.6%

LAB 76.19, -6.23, 45.52

 

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

CMYK 0 / 50 / 12 / 20

HEX #CC66B3

RGB 204 102 179

HSL 314.71, 0.5%, 0.6%

LAB 57.65, 50.2, -22.65

 

CMYK 12 / 0 / 50 / 20

HEX #B3CC66

RGB 179 204 102

HSL 74.71, 0.5%, 0.6%

LAB 78.3, -23.89, 47.6

 

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

CMYK 27 / 50 / 0 / 20

HEX #9466CC

RGB 148 102 204

HSL 267.06, 0.5%, 0.6%

LAB 52.02, 38.98, -46.29

 

CMYK 0 / 37 / 50 / 20

HEX #CC8066

RGB 204 128 102

HSL 15.29, 0.5%, 0.6%

LAB 60.99, 26.6, 26.4

 

CMYK 23 / 0 / 50 / 20

HEX #9ECC66

RGB 158 204 102

HSL 87.06, 0.5%, 0.6%

LAB 76.93, -31.92, 45.62

 

CMYK 50 / 13 / 0 / 20

HEX #65B0CB

RGB 101 176 203

HSL 195.88, 0.5%, 0.6%

LAB 68.12, -15.93, -20.91

 

CMYK 12 / 50 / 0 / 20

HEX #B366CC

RGB 179 102 204

HSL 285.29, 0.5%, 0.6%

LAB 55.53, 47.46, -40.5

 

CMYK 0 / 37 / 50 / 20

HEX #CC8066

RGB 204 128 102

HSL 15.29, 0.5%, 0.6%

LAB 60.99, 26.6, 26.4

 

CMYK 37 / 0 / 50 / 20

HEX #80CC66

RGB 128 204 102

HSL 104.71, 0.5%, 0.6%

LAB 75.29, -42.43, 43.24

 

Description

Color code: HEX #65B0CB | qconv.com Color code: HEX #65B0CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 176 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 176 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 13 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 13% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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