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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65AF58 it is the complementary color #9A50A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65AF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65AF58 shade: #6AAF53, #7BC166, #8CD379, #9DE58C and #AEF79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65AF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65AF58 shade: #65AF58, #549D45, #438B32, #32791F and #21670C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65AF58 shade: #67AF5A, #7EAF5A, #95AF5A, #ACAF5A and #AF9C5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65AF58 shade: #67AF5A, #5AAF64, #5AAF7B, #5AAF92 and #5AAFA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65AF58 shade matches the following richer shades: #67AF5A, #59C346, #4BD732, #3DEB1E and #2FFF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65AF58 shade: #67AF5A, #749C6E, #828881, #907495 and #9E60A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65AF58 shade: #94AF5A, #7DAF5A, #67AF5A, #5AAF64 and #5AAF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65AF58 shade: #457B3B, #549749, #67AF5A, #80BD76 and #9ACA91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65AF58 shade: #65AF58, #5AABAF and #AF5A89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65AF58 shade: #65AF58, #5A67AF and #AF5A67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65AF58 shade: #65AF58, #5AABAF, #A35AAF and #AF5E5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65AF58 shade: #65AF58, #5A91AF, #A35AAF and #AF785A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

Complementary color

CMYK 8 / 52 / 0 / 35

HEX #9A50A7

RGB 154 80 167

HSL 291.03, 0.35%, 0.48%

LAB 46.17, 44.35, -34

 

CMYK 39 / 0 / 53 / 31

HEX #6AAF53

RGB 106 175 83

HSL 105, 0.37%, 0.51%

LAB 65.24, -39.33, 40.07

 

CMYK 36 / 0 / 47 / 24

HEX #7BC166

RGB 123 193 102

HSL 106.15, 0.42%, 0.58%

LAB 71.76, -39.25, 38.84

 

CMYK 34 / 0 / 43 / 17

HEX #8CD379

RGB 140 211 121

HSL 107.33, 0.51%, 0.65%

LAB 78.2, -39.1, 37.62

 

CMYK 31 / 0 / 39 / 10

HEX #9DE58C

RGB 157 229 140

HSL 108.54, 0.63%, 0.72%

LAB 84.54, -38.92, 36.44

 

CMYK 30 / 0 / 36 / 3

HEX #AEF79F

RGB 174 247 159

HSL 109.77, 0.85%, 0.8%

LAB 90.79, -38.72, 35.3

 

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

CMYK 46 / 0 / 56 / 38

HEX #549D45

RGB 84 157 69

HSL 109.77, 0.39%, 0.44%

LAB 58.44, -40.34, 38.58

 

CMYK 52 / 0 / 64 / 45

HEX #438B32

RGB 67 139 50

HSL 108.54, 0.47%, 0.37%

LAB 51.71, -40.17, 39.73

 

CMYK 59 / 0 / 74 / 53

HEX #32791F

RGB 50 121 31

HSL 107.33, 0.59%, 0.3%

LAB 44.87, -39.67, 40.51

 

CMYK 68 / 0 / 88 / 60

HEX #21670C

RGB 33 103 12

HSL 106.15, 0.79%, 0.23%

LAB 37.93, -38.56, 40.26

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 28 / 0 / 49 / 31

HEX #7EAF5A

RGB 126 175 90

HSL 94.59, 0.35%, 0.52%

LAB 66.39, -31.49, 38.24

 

CMYK 15 / 0 / 49 / 31

HEX #95AF5A

RGB 149 175 90

HSL 78.35, 0.35%, 0.52%

LAB 67.86, -22.68, 40.37

 

CMYK 2 / 0 / 49 / 31

HEX #ACAF5A

RGB 172 175 90

HSL 62.12, 0.35%, 0.52%

LAB 69.59, -13.33, 42.86

 

CMYK 0 / 11 / 49 / 31

HEX #AF9C5A

RGB 175 156 90

HSL 46.59, 0.35%, 0.52%

LAB 64.67, -2.01, 36.93

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 49 / 0 / 43 / 31

HEX #5AAF64

RGB 90 175 100

HSL 127.06, 0.35%, 0.52%

LAB 64.77, -41.85, 30.68

 

CMYK 49 / 0 / 30 / 31

HEX #5AAF7B

RGB 90 175 123

HSL 143.29, 0.35%, 0.52%

LAB 65.17, -37.75, 18.91

 

CMYK 49 / 0 / 17 / 31

HEX #5AAF92

RGB 90 175 146

HSL 159.53, 0.35%, 0.52%

LAB 65.68, -32.84, 6.99

 

CMYK 49 / 0 / 3 / 31

HEX #5AAFA9

RGB 90 175 169

HSL 175.76, 0.35%, 0.52%

LAB 66.29, -27.2, -4.88

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 54 / 0 / 64 / 24

HEX #59C346

RGB 89 195 70

HSL 110.88, 0.51%, 0.52%

LAB 70.59, -53.99, 52.04

 

CMYK 65 / 0 / 77 / 16

HEX #4BD732

RGB 75 215 50

HSL 110.91, 0.67%, 0.52%

LAB 76.27, -65.9, 65.19

 

CMYK 74 / 0 / 87 / 8

HEX #3DEB1E

RGB 61 235 30

HSL 110.93, 0.84%, 0.52%

LAB 82.11, -75.54, 75.37

 

CMYK 82 / 0 / 96 / 0

HEX #2FFF0B

RGB 47 255 11

HSL 111.15, 1%, 0.52%

LAB 88.04, -83.39, 82.72

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 26 / 0 / 29 / 39

HEX #749C6E

RGB 116 156 110

HSL 112.17, 0.19%, 0.52%

LAB 60.44, -22.93, 19.8

 

CMYK 4 / 0 / 5 / 47

HEX #828881

RGB 130 136 129

HSL 111.43, 0.03%, 0.52%

LAB 56.03, -3.59, 2.98

 

CMYK 3 / 22 / 0 / 42

HEX #907495

RGB 144 116 149

HSL 290.91, 0.13%, 0.52%

LAB 52.5, 17.1, -13.74

 

CMYK 7 / 43 / 0 / 34

HEX #9E60A9

RGB 158 96 169

HSL 290.96, 0.3%, 0.52%

LAB 50.1, 37.35, -29

 

CMYK 15 / 0 / 49 / 31

HEX #94AF5A

RGB 148 175 90

HSL 79.06, 0.35%, 0.52%

LAB 67.79, -23.08, 40.27

 

CMYK 29 / 0 / 49 / 31

HEX #7DAF5A

RGB 125 175 90

HSL 95.29, 0.35%, 0.52%

LAB 66.33, -31.85, 38.15

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 49 / 0 / 43 / 31

HEX #5AAF64

RGB 90 175 100

HSL 127.06, 0.35%, 0.52%

LAB 64.77, -41.85, 30.68

 

CMYK 49 / 0 / 30 / 31

HEX #5AAF7B

RGB 90 175 123

HSL 143.29, 0.35%, 0.52%

LAB 65.17, -37.75, 18.91

 

CMYK 44 / 0 / 52 / 52

HEX #457B3B

RGB 69 123 59

HSL 110.63, 0.35%, 0.36%

LAB 46.64, -31.42, 29.31

 

CMYK 44 / 0 / 52 / 41

HEX #549749

RGB 84 151 73

HSL 111.54, 0.35%, 0.44%

LAB 56.58, -37.22, 34.33

 

CMYK 41 / 0 / 49 / 31

HEX #67AF5A

RGB 103 175 90

HSL 110.82, 0.35%, 0.52%

LAB 65.19, -39.41, 36.48

 

CMYK 32 / 0 / 38 / 26

HEX #80BD76

RGB 128 189 118

HSL 111.55, 0.35%, 0.6%

LAB 71.07, -33.49, 29.81

 

CMYK 24 / 0 / 28 / 21

HEX #9ACA91

RGB 154 202 145

HSL 110.53, 0.35%, 0.68%

LAB 76.77, -26.58, 23.5

 

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

CMYK 49 / 2 / 0 / 31

HEX #5AABAF

RGB 90 171 175

HSL 182.82, 0.35%, 0.52%

LAB 65.27, -23.61, -9.72

 

CMYK 0 / 49 / 22 / 31

HEX #AF5A89

RGB 175 90 137

HSL 326.82, 0.35%, 0.52%

LAB 49.78, 40.43, -10.39

 

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

CMYK 49 / 41 / 0 / 31

HEX #5A67AF

RGB 90 103 175

HSL 230.82, 0.35%, 0.52%

LAB 45.59, 15.15, -40.04

 

CMYK 0 / 49 / 41 / 31

HEX #AF5A67

RGB 175 90 103

HSL 350.82, 0.35%, 0.52%

LAB 48.77, 35.91, 8.52

 

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

CMYK 49 / 2 / 0 / 31

HEX #5AABAF

RGB 90 171 175

HSL 182.82, 0.35%, 0.52%

LAB 65.27, -23.61, -9.72

 

CMYK 7 / 49 / 0 / 31

HEX #A35AAF

RGB 163 90 175

HSL 291.53, 0.35%, 0.52%

LAB 49.73, 43.31, -33.03

 

CMYK 0 / 46 / 49 / 31

HEX #AF5E5A

RGB 175 94 90

HSL 2.82, 0.35%, 0.52%

LAB 49.32, 32.38, 17.06

 

CMYK 42 / 0 / 50 / 31

HEX #65AF58

RGB 101 175 88

HSL 111.03, 0.35%, 0.52%

LAB 65.07, -40.31, 37.32

 

CMYK 49 / 17 / 0 / 31

HEX #5A91AF

RGB 90 145 175

HSL 201.18, 0.35%, 0.52%

LAB 57.58, -9.78, -21.36

 

CMYK 7 / 49 / 0 / 31

HEX #A35AAF

RGB 163 90 175

HSL 291.53, 0.35%, 0.52%

LAB 49.73, 43.31, -33.03

 

CMYK 0 / 31 / 49 / 31

HEX #AF785A

RGB 175 120 90

HSL 21.18, 0.35%, 0.52%

LAB 55.36, 17.97, 25.11

 

Description

Color code: HEX #65AF58 | qconv.com Color code: HEX #65AF58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 175 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 175 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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