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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6591D4 it is the complementary color #9A6E2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6591D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6591D4 shade: #6A91CF, #7BA3E2, #8CB5F5, #9DC7FF and #AED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6591D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6591D4 shade: #6591D4, #547FC1, #436DAE, #325B9B and #214988

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6591D4 shade: #6490D3, #6472D3, #7464D3, #9264D3 and #B064D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6591D4 shade: #6490D3, #6472D3 and #6464D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6591D4 shade matches the following richer shades: #6490D3, #548DE3 and #4489F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6591D4 shade: #6490D3, #7493C3, #8497B3, #949AA3 and #A49D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6591D4 shade: #64CCD3, #64AED3, #6490D3, #6473D3 and #7364D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6591D4 shade: #3265B2, #4479CA, #6490D3, #84A7DC and #A4BEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6591D4 shade: #6591D4, #BD64D3 and #BDD364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6591D4 shade: #6591D4, #D36490 and #90D364

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6591D4 shade: #6591D4, #BD64D3, #D3A764 and #7AD364

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6591D4 shade: #6591D4, #D364C8, #D3A764 and #64D36F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

Complementary color

CMYK 0 / 29 / 72 / 40

HEX #9A6E2B

RGB 154 110 43

HSL 36.22, 0.56%, 0.39%

LAB 49.73, 10.75, 42.79

 

CMYK 49 / 30 / 0 / 19

HEX #6A91CF

RGB 106 145 207

HSL 216.83, 0.51%, 0.61%

LAB 59.73, 3.62, -36.06

 

CMYK 46 / 28 / 0 / 11

HEX #7BA3E2

RGB 123 163 226

HSL 216.7, 0.64%, 0.68%

LAB 66.44, 3.01, -36.07

 

CMYK 43 / 26 / 0 / 4

HEX #8CB5F5

RGB 140 181 245

HSL 216.57, 0.84%, 0.75%

LAB 73.03, 2.5, -36.12

 

CMYK 38 / 22 / 0 / 0

HEX #9DC7FF

RGB 157 199 255

HSL 214.29, 1%, 0.81%

LAB 79.18, -0.32, -31.92

 

CMYK 32 / 15 / 0 / 0

HEX #AED9FF

RGB 174 217 255

HSL 208.15, 1%, 0.84%

LAB 84.92, -5.31, -23.06

 

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

CMYK 56 / 34 / 0 / 24

HEX #547FC1

RGB 84 127 193

HSL 216.33, 0.47%, 0.54%

LAB 52.86, 4.86, -38.99

 

CMYK 61 / 37 / 0 / 32

HEX #436DAE

RGB 67 109 174

HSL 216.45, 0.44%, 0.47%

LAB 45.89, 5.96, -39.07

 

CMYK 68 / 41 / 0 / 39

HEX #325B9B

RGB 50 91 155

HSL 216.57, 0.51%, 0.4%

LAB 38.77, 7.38, -39.18

 

CMYK 76 / 46 / 0 / 47

HEX #214988

RGB 33 73 136

HSL 216.7, 0.61%, 0.33%

LAB 31.5, 9.28, -39.29

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 53 / 46 / 0 / 17

HEX #6472D3

RGB 100 114 211

HSL 232.43, 0.56%, 0.61%

LAB 51.21, 22.03, -51.81

 

CMYK 45 / 53 / 0 / 17

HEX #7464D3

RGB 116 100 211

HSL 248.65, 0.56%, 0.61%

LAB 48.92, 34.06, -55.4

 

CMYK 31 / 53 / 0 / 17

HEX #9264D3

RGB 146 100 211

HSL 264.86, 0.56%, 0.61%

LAB 51.76, 41.31, -50.7

 

CMYK 17 / 53 / 0 / 17

HEX #B064D3

RGB 176 100 211

HSL 281.08, 0.56%, 0.61%

LAB 55.12, 49.14, -45.15

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 53 / 46 / 0 / 17

HEX #6472D3

RGB 100 114 211

HSL 232.43, 0.56%, 0.61%

LAB 51.21, 22.03, -51.81

 

CMYK 53 / 53 / 0 / 17

HEX #6464D3

RGB 100 100 211

HSL 240, 0.56%, 0.61%

LAB 47.66, 30.6, -57.5

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 63 / 38 / 0 / 11

HEX #548DE3

RGB 84 141 227

HSL 216.08, 0.72%, 0.61%

LAB 58.49, 7.79, -49.26

 

CMYK 72 / 44 / 0 / 5

HEX #4489F3

RGB 68 137 243

HSL 216.34, 0.88%, 0.61%

LAB 57.65, 13.29, -59.52

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 41 / 25 / 0 / 24

HEX #7493C3

RGB 116 147 195

HSL 216.46, 0.4%, 0.61%

LAB 60.36, 1.52, -28.29

 

CMYK 26 / 16 / 0 / 30

HEX #8497B3

RGB 132 151 179

HSL 215.74, 0.24%, 0.61%

LAB 61.91, -0.29, -16.81

 

CMYK 9 / 6 / 0 / 36

HEX #949AA3

RGB 148 154 163

HSL 216, 0.08%, 0.61%

LAB 63.39, -0.32, -5.45

 

CMYK 0 / 4 / 10 / 36

HEX #A49D93

RGB 164 157 147

HSL 35.29, 0.09%, 0.61%

LAB 65.05, 0.75, 6.13

 

CMYK 53 / 3 / 0 / 17

HEX #64CCD3

RGB 100 204 211

HSL 183.78, 0.56%, 0.61%

LAB 76.43, -28.14, -12.72

 

CMYK 53 / 18 / 0 / 17

HEX #64AED3

RGB 100 174 211

HSL 200, 0.56%, 0.61%

LAB 67.79, -12.78, -25.83

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 53 / 45 / 0 / 17

HEX #6473D3

RGB 100 115 211

HSL 231.89, 0.56%, 0.61%

LAB 51.47, 21.42, -51.39

 

CMYK 45 / 53 / 0 / 17

HEX #7364D3

RGB 115 100 211

HSL 248.11, 0.56%, 0.61%

LAB 48.84, 33.84, -55.54

 

CMYK 72 / 43 / 0 / 30

HEX #3265B2

RGB 50 101 178

HSL 216.09, 0.56%, 0.45%

LAB 43.06, 9.51, -45.95

 

CMYK 66 / 40 / 0 / 21

HEX #4479CA

RGB 68 121 202

HSL 216.27, 0.56%, 0.53%

LAB 50.88, 8.52, -47.3

 

CMYK 53 / 32 / 0 / 17

HEX #6490D3

RGB 100 144 211

HSL 216.22, 0.56%, 0.61%

LAB 59.31, 4.04, -38.98

 

CMYK 40 / 24 / 0 / 14

HEX #84A7DC

RGB 132 167 220

HSL 216.14, 0.56%, 0.69%

LAB 67.81, 1.37, -30.61

 

CMYK 28 / 17 / 0 / 10

HEX #A4BEE5

RGB 164 190 229

HSL 216, 0.56%, 0.77%

LAB 76.3, -0.04, -22.33

 

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

CMYK 10 / 53 / 0 / 17

HEX #BD64D3

RGB 189 100 211

HSL 288.11, 0.56%, 0.61%

LAB 56.72, 52.63, -42.52

 

CMYK 10 / 0 / 53 / 17

HEX #BDD364

RGB 189 211 100

HSL 71.89, 0.56%, 0.61%

LAB 80.92, -23.55, 51.81

 

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

CMYK 0 / 53 / 32 / 17

HEX #D36490

RGB 211 100 144

HSL 336.22, 0.56%, 0.61%

LAB 57.05, 48.4, -3.15

 

CMYK 32 / 0 / 53 / 17

HEX #90D364

RGB 144 211 100

HSL 96.22, 0.56%, 0.61%

LAB 78.13, -40.35, 47.83

 

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

CMYK 10 / 53 / 0 / 17

HEX #BD64D3

RGB 189 100 211

HSL 288.11, 0.56%, 0.61%

LAB 56.72, 52.63, -42.52

 

CMYK 0 / 21 / 53 / 17

HEX #D3A764

RGB 211 167 100

HSL 36.22, 0.56%, 0.61%

LAB 71.15, 8.14, 40.54

 

CMYK 42 / 0 / 53 / 17

HEX #7AD364

RGB 122 211 100

HSL 108.11, 0.56%, 0.61%

LAB 77.07, -47.55, 46.3

 

CMYK 52 / 32 / 0 / 17

HEX #6591D4

RGB 101 145 212

HSL 216.22, 0.56%, 0.61%

LAB 59.68, 3.99, -38.95

 

CMYK 0 / 53 / 5 / 17

HEX #D364C8

RGB 211 100 200

HSL 305.95, 0.56%, 0.61%

LAB 59.1, 56.68, -32.34

 

CMYK 0 / 21 / 53 / 17

HEX #D3A764

RGB 211 167 100

HSL 36.22, 0.56%, 0.61%

LAB 71.15, 8.14, 40.54

 

CMYK 53 / 0 / 47 / 17

HEX #64D36F

RGB 100 211 111

HSL 125.95, 0.56%, 0.61%

LAB 76.34, -52.31, 39.89

 

Description

Color code: HEX #6591D4 | qconv.com Color code: HEX #6591D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 145 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 145 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 32 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 32% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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