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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6591CA it is the complementary color #9A6E35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6591CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6591CA shade: #6A91C5, #7BA3D8, #8CB5EB, #9DC7FE and #AED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6591CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6591CA shade: #6591CA, #547FB7, #436DA4, #325B91 and #21497E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6591CA shade: #6390CA, #6374CA, #6E63CA, #8963CA and #A563CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6591CA shade: #6390CA, #6374CA and #6363CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6591CA shade matches the following richer shades: #6390CA, #528EDB, #418CEC and #3089FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6591CA shade: #6390CA, #7492B9, #8594A8, #969697 and #A79986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6591CA shade: #63C8CA, #63ADCA, #6391CA, #6376CA and #6C63CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6591CA shade: #3866A3, #447ABF, #6390CA, #82A6D4 and #A1BCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6591CA shade: #6591CA, #B063CA and #BACA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6591CA shade: #6591CA, #CA6391 and #91CA63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6591CA shade: #6591CA, #B063CA, #CA9C63 and #7DCA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6591CA shade: #6591CA, #CA63C5, #CA9C63 and #63CA68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

Complementary color

CMYK 0 / 29 / 66 / 40

HEX #9A6E35

RGB 154 110 53

HSL 33.86, 0.49%, 0.41%

LAB 49.83, 11.36, 37.97

 

CMYK 46 / 26 / 0 / 23

HEX #6A91C5

RGB 106 145 197

HSL 214.29, 0.44%, 0.59%

LAB 59.29, 0.65, -31.11

 

CMYK 43 / 25 / 0 / 15

HEX #7BA3D8

RGB 123 163 216

HSL 214.19, 0.54%, 0.66%

LAB 66.03, 0.17, -31.2

 

CMYK 40 / 23 / 0 / 8

HEX #8CB5EB

RGB 140 181 235

HSL 214.11, 0.7%, 0.74%

LAB 72.64, -0.23, -31.31

 

CMYK 38 / 22 / 0 / 0

HEX #9DC7FE

RGB 157 199 254

HSL 214.02, 0.98%, 0.81%

LAB 79.14, -0.58, -31.44

 

CMYK 32 / 15 / 0 / 0

HEX #AED9FF

RGB 174 217 255

HSL 208.15, 1%, 0.84%

LAB 84.92, -5.31, -23.06

 

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

CMYK 54 / 31 / 0 / 28

HEX #547FB7

RGB 84 127 183

HSL 213.94, 0.41%, 0.52%

LAB 52.38, 1.63, -34.01

 

CMYK 59 / 34 / 0 / 36

HEX #436DA4

RGB 67 109 164

HSL 214.02, 0.42%, 0.45%

LAB 45.37, 2.52, -34.02

 

CMYK 66 / 37 / 0 / 43

HEX #325B91

RGB 50 91 145

HSL 214.11, 0.49%, 0.38%

LAB 38.21, 3.7, -34.06

 

CMYK 74 / 42 / 0 / 51

HEX #21497E

RGB 33 73 126

HSL 214.19, 0.58%, 0.31%

LAB 30.87, 5.31, -34.11

 

CMYK 51 / 29 / 0 / 21

HEX #6390CA

RGB 99 144 202

HSL 213.79, 0.49%, 0.59%

LAB 58.85, 1.04, -34.65

 

CMYK 51 / 43 / 0 / 21

HEX #6374CA

RGB 99 116 202

HSL 230.1, 0.49%, 0.59%

LAB 51.16, 17.75, -46.76

 

CMYK 46 / 51 / 0 / 21

HEX #6E63CA

RGB 110 99 202

HSL 246.41, 0.49%, 0.59%

LAB 47.63, 30.64, -52.35

 

CMYK 32 / 51 / 0 / 21

HEX #8963CA

RGB 137 99 202

HSL 262.14, 0.49%, 0.59%

LAB 50.1, 37.29, -48.25

 

CMYK 18 / 51 / 0 / 21

HEX #A563CA

RGB 165 99 202

HSL 278.45, 0.49%, 0.59%

LAB 53.15, 44.76, -43.22

 

CMYK 51 / 29 / 0 / 21

HEX #6390CA

RGB 99 144 202

HSL 213.79, 0.49%, 0.59%

LAB 58.85, 1.04, -34.65

 

CMYK 51 / 43 / 0 / 21

HEX #6374CA

RGB 99 116 202

HSL 230.1, 0.49%, 0.59%

LAB 51.16, 17.75, -46.76

 

CMYK 51 / 51 / 0 / 21

HEX #6363CA

RGB 99 99 202

HSL 240, 0.49%, 0.59%

LAB 46.76, 28.18, -53.79

 

CMYK 51 / 29 / 0 / 21

HEX #6390CA

RGB 99 144 202

HSL 213.79, 0.49%, 0.59%

LAB 58.85, 1.04, -34.65

 

CMYK 63 / 35 / 0 / 14

HEX #528EDB

RGB 82 142 219

HSL 213.72, 0.66%, 0.59%

LAB 58.28, 4.16, -45.14

 

CMYK 72 / 41 / 0 / 7

HEX #418CEC

RGB 65 140 236

HSL 213.68, 0.82%, 0.59%

LAB 57.98, 8.59, -55.12

 

CMYK 81 / 46 / 0 / 1

HEX #3089FC

RGB 48 137 252

HSL 213.82, 0.97%, 0.59%

LAB 57.61, 14.38, -64.58

 

CMYK 51 / 29 / 0 / 21

HEX #6390CA

RGB 99 144 202

HSL 213.79, 0.49%, 0.59%

LAB 58.85, 1.04, -34.65

 

CMYK 37 / 21 / 0 / 27

HEX #7492B9

RGB 116 146 185

HSL 213.91, 0.33%, 0.59%

LAB 59.68, -0.66, -23.68

 

CMYK 21 / 12 / 0 / 34

HEX #8594A8

RGB 133 148 168

HSL 214.29, 0.17%, 0.59%

LAB 60.78, -0.91, -12.29

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 0 / 8 / 20 / 35

HEX #A79986

RGB 167 153 134

HSL 34.55, 0.16%, 0.59%

LAB 63.93, 1.95, 11.85

 

CMYK 51 / 1 / 0 / 21

HEX #63C8CA

RGB 99 200 202

HSL 181.17, 0.49%, 0.59%

LAB 74.97, -28.8, -10.05

 

CMYK 51 / 14 / 0 / 21

HEX #63ADCA

RGB 99 173 202

HSL 196.89, 0.49%, 0.59%

LAB 67.13, -15.07, -21.87

 

CMYK 51 / 28 / 0 / 21

HEX #6391CA

RGB 99 145 202

HSL 213.2, 0.49%, 0.59%

LAB 59.13, 0.46, -34.21

 

CMYK 51 / 42 / 0 / 21

HEX #6376CA

RGB 99 118 202

HSL 228.93, 0.49%, 0.59%

LAB 51.69, 16.53, -45.91

 

CMYK 47 / 51 / 0 / 21

HEX #6C63CA

RGB 108 99 202

HSL 245.24, 0.49%, 0.59%

LAB 47.46, 30.18, -52.63

 

CMYK 66 / 37 / 0 / 36

HEX #3866A3

RGB 56 102 163

HSL 214.21, 0.49%, 0.43%

LAB 42.74, 4.36, -37.61

 

CMYK 64 / 36 / 0 / 25

HEX #447ABF

RGB 68 122 191

HSL 213.66, 0.49%, 0.51%

LAB 50.58, 4.06, -41.49

 

CMYK 51 / 29 / 0 / 21

HEX #6390CA

RGB 99 144 202

HSL 213.79, 0.49%, 0.59%

LAB 58.85, 1.04, -34.65

 

CMYK 39 / 22 / 0 / 17

HEX #82A6D4

RGB 130 166 212

HSL 213.66, 0.49%, 0.67%

LAB 67.11, -0.77, -27.29

 

CMYK 28 / 16 / 0 / 13

HEX #A1BCDF

RGB 161 188 223

HSL 213.87, 0.49%, 0.75%

LAB 75.37, -1.28, -20.51

 

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

CMYK 13 / 51 / 0 / 21

HEX #B063CA

RGB 176 99 202

HSL 284.85, 0.49%, 0.59%

LAB 54.47, 47.78, -41.06

 

CMYK 8 / 0 / 51 / 21

HEX #BACA63

RGB 186 202 99

HSL 69.32, 0.49%, 0.59%

LAB 78.22, -20.43, 49.04

 

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

CMYK 0 / 51 / 28 / 21

HEX #CA6391

RGB 202 99 145

HSL 333.2, 0.49%, 0.59%

LAB 55.61, 46.03, -6.01

 

CMYK 28 / 0 / 51 / 21

HEX #91CA63

RGB 145 202 99

HSL 93.2, 0.49%, 0.59%

LAB 75.55, -36.07, 45.22

 

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

CMYK 13 / 51 / 0 / 21

HEX #B063CA

RGB 176 99 202

HSL 284.85, 0.49%, 0.59%

LAB 54.47, 47.78, -41.06

 

CMYK 0 / 23 / 51 / 21

HEX #CA9C63

RGB 202 156 99

HSL 33.2, 0.49%, 0.59%

LAB 67.45, 10.23, 36.27

 

CMYK 38 / 0 / 51 / 21

HEX #7DCA63

RGB 125 202 99

HSL 104.85, 0.49%, 0.59%

LAB 74.51, -42.91, 43.71

 

CMYK 50 / 28 / 0 / 21

HEX #6591CA

RGB 101 145 202

HSL 213.86, 0.49%, 0.59%

LAB 59.23, 0.92, -34.04

 

CMYK 0 / 51 / 2 / 21

HEX #CA63C5

RGB 202 99 197

HSL 302.91, 0.49%, 0.59%

LAB 57.57, 54.1, -33.11

 

CMYK 0 / 23 / 51 / 21

HEX #CA9C63

RGB 202 156 99

HSL 33.2, 0.49%, 0.59%

LAB 67.45, 10.23, 36.27

 

CMYK 51 / 0 / 49 / 21

HEX #63CA68

RGB 99 202 104

HSL 122.91, 0.49%, 0.59%

LAB 73.48, -49.98, 39.75

 

Description

Color code: HEX #6591CA | qconv.com Color code: HEX #6591CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 145 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 145 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 28 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 28% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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