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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #657EA4 it is the complementary color #9A815B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #657EA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #657EA4 shade: #6A7E9F, #7B90B2, #8CA2C5, #9DB4D8 and #AEC6EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #657EA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #657EA4 shade: #657EA4, #546C91, #435A7E, #32486B and #213658

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #657EA4 shade: #657EA4, #656DA4, #6E65A4, #7F65A4 and #9065A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #657EA4 shade: #657EA4, #656DA4 and #6565A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #657EA4 shade matches the following richer shades: #657EA4, #517AB8, #3D76CC, #2972E0 and #166EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #657EA4 shade: #657EA4, #798291, #8C867D, #A08A69 and #B48E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #657EA4 shade: #65A0A4, #658FA4, #657EA4, #656DA4 and #6D65A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #657EA4 shade: #445673, #536A8D, #657EA4, #7F94B4 and #99AAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #657EA4 shade: #657EA4, #9865A4 and #98A465

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #657EA4 shade: #657EA4, #A4657E and #7EA465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #657EA4 shade: #657EA4, #9865A4, #A48B65 and #72A465

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #657EA4 shade: #657EA4, #A4659E, #A48B65 and #65A46B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

Complementary color

CMYK 0 / 16 / 41 / 40

HEX #9A815B

RGB 154 129 91

HSL 36.19, 0.26%, 0.48%

LAB 55.41, 4.08, 24.17

 

CMYK 33 / 21 / 0 / 38

HEX #6A7E9F

RGB 106 126 159

HSL 217.36, 0.22%, 0.52%

LAB 52.39, 0.95, -20.03

 

CMYK 31 / 19 / 0 / 30

HEX #7B90B2

RGB 123 144 178

HSL 217.09, 0.26%, 0.59%

LAB 59.32, 0.67, -20.24

 

CMYK 29 / 18 / 0 / 23

HEX #8CA2C5

RGB 140 162 197

HSL 216.84, 0.33%, 0.66%

LAB 66.1, 0.43, -20.47

 

CMYK 27 / 17 / 0 / 15

HEX #9DB4D8

RGB 157 180 216

HSL 216.61, 0.43%, 0.73%

LAB 72.74, 0.21, -20.73

 

CMYK 26 / 16 / 0 / 8

HEX #AEC6EB

RGB 174 198 235

HSL 216.39, 0.6%, 0.8%

LAB 79.26, 0.01, -21

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 42 / 26 / 0 / 43

HEX #546C91

RGB 84 108 145

HSL 216.39, 0.27%, 0.45%

LAB 45.16, 1.26, -23.05

 

CMYK 47 / 29 / 0 / 51

HEX #435A7E

RGB 67 90 126

HSL 216.61, 0.31%, 0.38%

LAB 37.86, 1.78, -22.97

 

CMYK 53 / 33 / 0 / 58

HEX #32486B

RGB 50 72 107

HSL 216.84, 0.36%, 0.31%

LAB 30.34, 2.47, -22.96

 

CMYK 63 / 39 / 0 / 65

HEX #213658

RGB 33 54 88

HSL 217.09, 0.45%, 0.24%

LAB 22.54, 3.47, -23.02

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 38 / 34 / 0 / 36

HEX #656DA4

RGB 101 109 164

HSL 232.38, 0.26%, 0.52%

LAB 47.47, 11.05, -30.58

 

CMYK 33 / 38 / 0 / 36

HEX #6E65A4

RGB 110 101 164

HSL 248.57, 0.26%, 0.52%

LAB 46.05, 18.54, -32.76

 

CMYK 23 / 38 / 0 / 36

HEX #7F65A4

RGB 127 101 164

HSL 264.76, 0.26%, 0.52%

LAB 47.62, 23.69, -30.18

 

CMYK 12 / 38 / 0 / 36

HEX #9065A4

RGB 144 101 164

HSL 280.95, 0.26%, 0.52%

LAB 49.4, 29.05, -27.29

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 38 / 34 / 0 / 36

HEX #656DA4

RGB 101 109 164

HSL 232.38, 0.26%, 0.52%

LAB 47.47, 11.05, -30.58

 

CMYK 38 / 38 / 0 / 36

HEX #6565A4

RGB 101 101 164

HSL 240, 0.26%, 0.52%

LAB 45.3, 15.96, -33.99

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 56 / 34 / 0 / 28

HEX #517AB8

RGB 81 122 184

HSL 216.12, 0.42%, 0.52%

LAB 50.84, 4.28, -37.02

 

CMYK 70 / 42 / 0 / 20

HEX #3D76CC

RGB 61 118 204

HSL 216.08, 0.58%, 0.52%

LAB 49.87, 9.98, -50.08

 

CMYK 82 / 49 / 0 / 12

HEX #2972E0

RGB 41 114 224

HSL 216.07, 0.75%, 0.52%

LAB 49.36, 17.57, -62.28

 

CMYK 91 / 55 / 0 / 4

HEX #166EF4

RGB 22 110 244

HSL 216.22, 0.91%, 0.52%

LAB 49.32, 26.54, -73.58

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 17 / 10 / 0 / 43

HEX #798291

RGB 121 130 145

HSL 217.5, 0.1%, 0.52%

LAB 54.11, -0.01, -9.19

 

CMYK 0 / 4 / 11 / 45

HEX #8C867D

RGB 140 134 125

HSL 36, 0.06%, 0.52%

LAB 56.19, 0.59, 5.64

 

CMYK 0 / 14 / 34 / 37

HEX #A08A69

RGB 160 138 105

HSL 36, 0.22%, 0.52%

LAB 58.67, 3.29, 20.76

 

CMYK 0 / 21 / 53 / 29

HEX #B48E55

RGB 180 142 85

HSL 36, 0.39%, 0.52%

LAB 61.4, 7.33, 35.63

 

CMYK 38 / 2 / 0 / 36

HEX #65A0A4

RGB 101 160 164

HSL 183.81, 0.26%, 0.52%

LAB 62.16, -18.08, -8.16

 

CMYK 38 / 13 / 0 / 36

HEX #658FA4

RGB 101 143 164

HSL 200, 0.26%, 0.52%

LAB 57.16, -8.88, -15.66

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 38 / 34 / 0 / 36

HEX #656DA4

RGB 101 109 164

HSL 232.38, 0.26%, 0.52%

LAB 47.47, 11.05, -30.58

 

CMYK 34 / 38 / 0 / 36

HEX #6D65A4

RGB 109 101 164

HSL 247.62, 0.26%, 0.52%

LAB 45.96, 18.25, -32.9

 

CMYK 41 / 25 / 0 / 55

HEX #445673

RGB 68 86 115

HSL 217.02, 0.26%, 0.36%

LAB 36.22, 1.17, -18.74

 

CMYK 41 / 25 / 0 / 45

HEX #536A8D

RGB 83 106 141

HSL 216.21, 0.26%, 0.44%

LAB 44.33, 1.01, -21.94

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 29 / 18 / 0 / 29

HEX #7F94B4

RGB 127 148 180

HSL 216.23, 0.26%, 0.6%

LAB 60.77, 0.12, -19.13

 

CMYK 22 / 13 / 0 / 24

HEX #99AAC3

RGB 153 170 195

HSL 215.71, 0.26%, 0.68%

LAB 69.08, -0.47, -14.75

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 7 / 38 / 0 / 36

HEX #9865A4

RGB 152 101 164

HSL 288.57, 0.26%, 0.52%

LAB 50.29, 31.62, -25.83

 

CMYK 7 / 0 / 38 / 36

HEX #98A465

RGB 152 164 101

HSL 71.43, 0.26%, 0.52%

LAB 65.09, -14.6, 31.28

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 0 / 38 / 23 / 36

HEX #A4657E

RGB 164 101 126

HSL 336.19, 0.26%, 0.52%

LAB 50.34, 28.88, -3.15

 

CMYK 23 / 0 / 38 / 36

HEX #7EA465

RGB 126 164 101

HSL 96.19, 0.26%, 0.52%

LAB 63.28, -24.7, 28.58

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 7 / 38 / 0 / 36

HEX #9865A4

RGB 152 101 164

HSL 288.57, 0.26%, 0.52%

LAB 50.29, 31.62, -25.83

 

CMYK 0 / 15 / 38 / 36

HEX #A48B65

RGB 164 139 101

HSL 36.19, 0.26%, 0.52%

LAB 59.25, 3.9, 23.84

 

CMYK 30 / 0 / 38 / 36

HEX #72A465

RGB 114 164 101

HSL 107.62, 0.26%, 0.52%

LAB 62.56, -29.05, 27.51

 

CMYK 38 / 23 / 0 / 36

HEX #657EA4

RGB 101 126 164

HSL 216.19, 0.26%, 0.52%

LAB 52.25, 0.85, -23.17

 

CMYK 0 / 38 / 4 / 36

HEX #A4659E

RGB 164 101 158

HSL 305.71, 0.26%, 0.52%

LAB 51.46, 34.36, -20.39

 

CMYK 0 / 15 / 38 / 36

HEX #A48B65

RGB 164 139 101

HSL 36.19, 0.26%, 0.52%

LAB 59.25, 3.9, 23.84

 

CMYK 38 / 0 / 35 / 36

HEX #65A46B

RGB 101 164 107

HSL 125.71, 0.26%, 0.52%

LAB 61.98, -32.44, 23.37

 

Description

Color code: HEX #657EA4 | qconv.com Color code: HEX #657EA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 126 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 126 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 23% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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