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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #657400 it is the complementary color #9A8BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #657400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #657400 shade: #6A7400, #7B860E, #8C9821, #9DAA34 and #AEBC47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #657400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #657400 shade: #657400, #546200, #435000, #323E00 and #212C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #657400 shade: #667500, #756500, #754500, #752600 and #750600

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #657400 shade: #667500, #467500, #277500, #077500 and #007518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #657400 shade matches the following richer shades: #667500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #657400 shade: #667500, #5F6C09, #586213, #51591C and #4A4F26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #657400 shade: #754400, #756400, #687500, #487500 and #297500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #657400 shade: #1E2300, #424C00, #667500, #8A9F00 and #AEC800

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #657400 shade: #657400, #007525 and #540075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #657400 shade: #657400, #006875 and #750068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #657400 shade: #657400, #007525, #0E0075 and #750050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #657400 shade: #657400, #007548, #0E0075 and #75002D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

Complementary color

CMYK 40 / 45 / 0 / 0

HEX #9A8BFF

RGB 154 139 255

HSL 247.76, 1%, 0.77%

LAB 63.8, 32.62, -56.01

 

CMYK 9 / 0 / 100 / 55

HEX #6A7400

RGB 106 116 0

HSL 65.17, 1%, 0.23%

LAB 46.39, -16.76, 51.8

 

CMYK 8 / 0 / 90 / 47

HEX #7B860E

RGB 123 134 14

HSL 65.5, 0.81%, 0.29%

LAB 53.27, -18.12, 54.99

 

CMYK 8 / 0 / 78 / 40

HEX #8C9821

RGB 140 152 33

HSL 66.05, 0.64%, 0.36%

LAB 60.02, -19.19, 56.27

 

CMYK 8 / 0 / 69 / 33

HEX #9DAA34

RGB 157 170 52

HSL 66.61, 0.53%, 0.44%

LAB 66.65, -20.02, 56.33

 

CMYK 7 / 0 / 62 / 26

HEX #AEBC47

RGB 174 188 71

HSL 67.18, 0.47%, 0.51%

LAB 73.17, -20.66, 55.76

 

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

CMYK 14 / 0 / 100 / 62

HEX #546200

RGB 84 98 0

HSL 68.57, 1%, 0.19%

LAB 38.93, -17.44, 45.45

 

CMYK 16 / 0 / 100 / 69

HEX #435000

RGB 67 80 0

HSL 69.75, 1%, 0.16%

LAB 31.65, -15.77, 39.39

 

CMYK 19 / 0 / 100 / 76

HEX #323E00

RGB 50 62 0

HSL 71.61, 1%, 0.12%

LAB 24.08, -14.06, 32.42

 

CMYK 25 / 0 / 100 / 83

HEX #212C00

RGB 33 44 0

HSL 75, 1%, 0.09%

LAB 16.13, -12.3, 23.09

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 0 / 14 / 100 / 54

HEX #756500

RGB 117 101 0

HSL 51.79, 1%, 0.23%

LAB 42.9, -3.11, 49.72

 

CMYK 0 / 41 / 100 / 54

HEX #754500

RGB 117 69 0

HSL 35.38, 1%, 0.23%

LAB 34.06, 15.96, 43.71

 

CMYK 0 / 68 / 100 / 54

HEX #752600

RGB 117 38 0

HSL 19.49, 1%, 0.23%

LAB 27.21, 33.15, 38.7

 

CMYK 0 / 95 / 100 / 54

HEX #750600

RGB 117 6 0

HSL 3.08, 1%, 0.23%

LAB 23.38, 43.78, 35.09

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 40 / 0 / 100 / 54

HEX #467500

RGB 70 117 0

HSL 84.1, 1%, 0.23%

LAB 44.27, -32.84, 49.12

 

CMYK 67 / 0 / 100 / 54

HEX #277500

RGB 39 117 0

HSL 100, 1%, 0.23%

LAB 42.99, -42.74, 47.58

 

CMYK 94 / 0 / 100 / 54

HEX #077500

RGB 7 117 0

HSL 116.41, 1%, 0.23%

LAB 42.41, -47.84, 46.87

 

CMYK 100 / 0 / 79 / 54

HEX #007518

RGB 0 117 24

HSL 132.31, 1%, 0.23%

LAB 42.44, -47.17, 40.43

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 12 / 0 / 92 / 58

HEX #5F6C09

RGB 95 108 9

HSL 67.88, 0.85%, 0.23%

LAB 43.03, -17.37, 46.75

 

CMYK 10 / 0 / 81 / 62

HEX #586213

RGB 88 98 19

HSL 67.59, 0.68%, 0.23%

LAB 39.34, -14.85, 40.42

 

CMYK 9 / 0 / 69 / 65

HEX #51591C

RGB 81 89 28

HSL 67.87, 0.52%, 0.23%

LAB 35.94, -12.57, 33.07

 

CMYK 6 / 0 / 52 / 69

HEX #4A4F26

RGB 74 79 38

HSL 67.32, 0.35%, 0.23%

LAB 32.23, -9.14, 23.38

 

CMYK 0 / 42 / 100 / 54

HEX #754400

RGB 117 68 0

HSL 34.87, 1%, 0.23%

LAB 33.81, 16.56, 43.54

 

CMYK 0 / 15 / 100 / 54

HEX #756400

RGB 117 100 0

HSL 51.28, 1%, 0.23%

LAB 42.61, -2.53, 49.51

 

CMYK 11 / 0 / 100 / 54

HEX #687500

RGB 104 117 0

HSL 66.67, 1%, 0.23%

LAB 46.53, -18.22, 51.84

 

CMYK 38 / 0 / 100 / 54

HEX #487500

RGB 72 117 0

HSL 83.08, 1%, 0.23%

LAB 44.38, -32.06, 49.25

 

CMYK 65 / 0 / 100 / 54

HEX #297500

RGB 41 117 0

HSL 98.97, 1%, 0.23%

LAB 43.05, -42.24, 47.65

 

CMYK 14 / 0 / 100 / 86

HEX #1E2300

RGB 30 35 0

HSL 68.57, 1%, 0.07%

LAB 12.47, -8.37, 18.27

 

CMYK 13 / 0 / 100 / 70

HEX #424C00

RGB 66 76 0

HSL 67.89, 1%, 0.15%

LAB 30.22, -14.02, 38.28

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 13 / 0 / 100 / 38

HEX #8A9F00

RGB 138 159 0

HSL 67.92, 1%, 0.31%

LAB 61.83, -24.42, 64.41

 

CMYK 13 / 0 / 100 / 22

HEX #AEC800

RGB 174 200 0

HSL 67.8, 1%, 0.39%

LAB 76.26, -28.96, 76.35

 

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

CMYK 100 / 0 / 68 / 54

HEX #007525

RGB 0 117 37

HSL 138.97, 1%, 0.23%

LAB 42.55, -45.86, 35.13

 

CMYK 28 / 100 / 0 / 54

HEX #540075

RGB 84 0 117

HSL 283.08, 1%, 0.23%

LAB 20.71, 50.02, -44.57

 

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

CMYK 100 / 11 / 0 / 54

HEX #006875

RGB 0 104 117

HSL 186.67, 1%, 0.23%

LAB 39.89, -20.32, -14.53

 

CMYK 0 / 100 / 11 / 54

HEX #750068

RGB 117 0 104

HSL 306.67, 1%, 0.23%

LAB 26.1, 53.26, -27.14

 

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

CMYK 100 / 0 / 68 / 54

HEX #007525

RGB 0 117 37

HSL 138.97, 1%, 0.23%

LAB 42.55, -45.86, 35.13

 

CMYK 88 / 100 / 0 / 54

HEX #0E0075

RGB 14 0 117

HSL 247.18, 1%, 0.23%

LAB 11.81, 44.75, -59.57

 

CMYK 0 / 100 / 32 / 54

HEX #750050

RGB 117 0 80

HSL 318.97, 1%, 0.23%

LAB 24.83, 50.06, -13.26

 

CMYK 13 / 0 / 100 / 55

HEX #657400

RGB 101 116 0

HSL 67.76, 1%, 0.23%

LAB 45.98, -19.07, 51.32

 

CMYK 100 / 0 / 38 / 54

HEX #007548

RGB 0 117 72

HSL 156.92, 1%, 0.23%

LAB 43.05, -39.77, 17.08

 

CMYK 88 / 100 / 0 / 54

HEX #0E0075

RGB 14 0 117

HSL 247.18, 1%, 0.23%

LAB 11.81, 44.75, -59.57

 

CMYK 0 / 100 / 62 / 54

HEX #75002D

RGB 117 0 45

HSL 336.92, 1%, 0.23%

LAB 23.58, 46.78, 8.94

 

Description

Color code: HEX #657400 | qconv.com Color code: HEX #657400 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 116 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 116 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 100 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 100% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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