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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #656CC2 it is the complementary color #9A933D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #656CC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #656CC2 shade: #6A6CBD, #7B7ED0, #8C90E3, #9DA2F6 and #AEB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #656CC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #656CC2 shade: #656CC2, #545AAF, #43489C, #323689 and #212476

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #656CC2 shade: #656CC1, #7765C1, #9065C1, #A965C1 and #C165C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #656CC2 shade: #656CC1 and #6565C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #656CC2 shade matches the following richer shades: #656CC1, #545ED3, #434FE4 and #3140F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #656CC2 shade: #656CC1, #777BB0, #888A9F, #99988D and #ABA77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #656CC2 shade: #659EC1, #6586C1, #656DC1, #7665C1 and #8F65C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #656CC2 shade: #3C4398, #4850B5, #656CC1, #8388CD and #A0A5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #656CC2 shade: #656CC2, #C165B7 and #92C165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #656CC2 shade: #656CC2, #C1656D and #6DC165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #656CC2 shade: #656CC2, #C165B7, #C1BA65 and #65C170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #656CC2 shade: #656CC2, #C1659B, #C1BA65 and #65C18C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

Complementary color

CMYK 0 / 5 / 60 / 40

HEX #9A933D

RGB 154 147 61

HSL 55.48, 0.43%, 0.42%

LAB 59.96, -8.74, 45.36

 

CMYK 44 / 43 / 0 / 26

HEX #6A6CBD

RGB 106 108 189

HSL 238.55, 0.39%, 0.58%

LAB 48.84, 20.34, -42.96

 

CMYK 41 / 39 / 0 / 18

HEX #7B7ED0

RGB 123 126 208

HSL 237.88, 0.47%, 0.65%

LAB 55.77, 19.38, -42.75

 

CMYK 38 / 37 / 0 / 11

HEX #8C90E3

RGB 140 144 227

HSL 237.24, 0.61%, 0.72%

LAB 62.57, 18.55, -42.61

 

CMYK 36 / 34 / 0 / 4

HEX #9DA2F6

RGB 157 162 246

HSL 236.63, 0.83%, 0.79%

LAB 69.23, 17.83, -42.51

 

CMYK 32 / 29 / 0 / 0

HEX #AEB4FF

RGB 174 180 255

HSL 235.56, 1%, 0.84%

LAB 75.36, 14.67, -37.72

 

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

CMYK 52 / 49 / 0 / 31

HEX #545AAF

RGB 84 90 175

HSL 236.04, 0.36%, 0.51%

LAB 41.68, 21.89, -46.3

 

CMYK 57 / 54 / 0 / 39

HEX #43489C

RGB 67 72 156

HSL 236.63, 0.4%, 0.44%

LAB 34.45, 23.45, -46.64

 

CMYK 64 / 61 / 0 / 46

HEX #323689

RGB 50 54 137

HSL 237.24, 0.47%, 0.37%

LAB 27.08, 25.37, -47

 

CMYK 72 / 69 / 0 / 54

HEX #212476

RGB 33 36 118

HSL 237.88, 0.56%, 0.3%

LAB 19.61, 27.76, -47.26

 

CMYK 48 / 44 / 0 / 24

HEX #656CC1

RGB 101 108 193

HSL 235.43, 0.43%, 0.58%

LAB 48.69, 20.32, -45.52

 

CMYK 38 / 48 / 0 / 24

HEX #7765C1

RGB 119 101 193

HSL 251.74, 0.43%, 0.58%

LAB 48.36, 29.05, -45.96

 

CMYK 25 / 48 / 0 / 24

HEX #9065C1

RGB 144 101 193

HSL 268.04, 0.43%, 0.58%

LAB 50.79, 35.78, -41.95

 

CMYK 12 / 48 / 0 / 24

HEX #A965C1

RGB 169 101 193

HSL 284.35, 0.43%, 0.58%

LAB 53.59, 42.88, -37.34

 

CMYK 0 / 48 / 0 / 24

HEX #C165C1

RGB 193 101 193

HSL 300, 0.43%, 0.58%

LAB 56.58, 49.83, -32.45

 

CMYK 48 / 44 / 0 / 24

HEX #656CC1

RGB 101 108 193

HSL 235.43, 0.43%, 0.58%

LAB 48.69, 20.32, -45.52

 

CMYK 48 / 48 / 0 / 24

HEX #6565C1

RGB 101 101 193

HSL 240, 0.43%, 0.58%

LAB 46.88, 24.62, -48.42

 

CMYK 48 / 44 / 0 / 24

HEX #656CC1

RGB 101 108 193

HSL 235.43, 0.43%, 0.58%

LAB 48.69, 20.32, -45.52

 

CMYK 60 / 55 / 0 / 17

HEX #545ED3

RGB 84 94 211

HSL 235.28, 0.59%, 0.58%

LAB 45.07, 31.23, -61.73

 

CMYK 71 / 65 / 0 / 11

HEX #434FE4

RGB 67 79 228

HSL 235.53, 0.75%, 0.58%

LAB 41.82, 43.7, -76.76

 

CMYK 80 / 74 / 0 / 4

HEX #3140F5

RGB 49 64 245

HSL 235.41, 0.91%, 0.58%

LAB 39.43, 56.37, -90.34

 

CMYK 48 / 44 / 0 / 24

HEX #656CC1

RGB 101 108 193

HSL 235.43, 0.43%, 0.58%

LAB 48.69, 20.32, -45.52

 

CMYK 32 / 30 / 0 / 31

HEX #777BB0

RGB 119 123 176

HSL 235.79, 0.27%, 0.58%

LAB 53.19, 11.19, -28.55

 

CMYK 14 / 13 / 0 / 38

HEX #888A9F

RGB 136 138 159

HSL 234.78, 0.11%, 0.58%

LAB 57.96, 3.71, -11.37

 

CMYK 0 / 1 / 8 / 40

HEX #99988D

RGB 153 152 141

HSL 55, 0.06%, 0.58%

LAB 62.64, -1.67, 5.91

 

CMYK 0 / 2 / 27 / 33

HEX #ABA77C

RGB 171 167 124

HSL 54.89, 0.22%, 0.58%

LAB 67.84, -5.56, 22.82

 

CMYK 48 / 18 / 0 / 24

HEX #659EC1

RGB 101 158 193

HSL 202.83, 0.43%, 0.58%

LAB 62.57, -9.08, -23.83

 

CMYK 48 / 31 / 0 / 24

HEX #6586C1

RGB 101 134 193

HSL 218.48, 0.43%, 0.58%

LAB 55.75, 4.62, -34.38

 

CMYK 48 / 44 / 0 / 24

HEX #656DC1

RGB 101 109 193

HSL 234.78, 0.43%, 0.58%

LAB 48.95, 19.7, -45.11

 

CMYK 39 / 48 / 0 / 24

HEX #7665C1

RGB 118 101 193

HSL 251.09, 0.43%, 0.58%

LAB 48.27, 28.8, -46.11

 

CMYK 26 / 48 / 0 / 24

HEX #8F65C1

RGB 143 101 193

HSL 267.39, 0.43%, 0.58%

LAB 50.68, 35.5, -42.13

 

CMYK 61 / 56 / 0 / 40

HEX #3C4398

RGB 60 67 152

HSL 235.43, 0.43%, 0.42%

LAB 32.35, 23.94, -47.64

 

CMYK 60 / 56 / 0 / 29

HEX #4850B5

RGB 72 80 181

HSL 235.6, 0.43%, 0.5%

LAB 38.64, 27.79, -54.77

 

CMYK 48 / 44 / 0 / 24

HEX #656CC1

RGB 101 108 193

HSL 235.43, 0.43%, 0.58%

LAB 48.69, 20.32, -45.52

 

CMYK 36 / 34 / 0 / 20

HEX #8388CD

RGB 131 136 205

HSL 235.95, 0.43%, 0.66%

LAB 58.83, 14.79, -36.22

 

CMYK 26 / 24 / 0 / 15

HEX #A0A5D9

RGB 160 165 217

HSL 234.74, 0.43%, 0.74%

LAB 69.04, 9.65, -26.91

 

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

CMYK 0 / 48 / 5 / 24

HEX #C165B7

RGB 193 101 183

HSL 306.52, 0.43%, 0.58%

LAB 56.15, 48.04, -27.38

 

CMYK 24 / 0 / 48 / 24

HEX #92C165

RGB 146 193 101

HSL 90.65, 0.43%, 0.58%

LAB 73.02, -31.31, 41.17

 

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

CMYK 0 / 48 / 44 / 24

HEX #C1656D

RGB 193 101 109

HSL 354.78, 0.43%, 0.58%

LAB 53.76, 37.48, 12.34

 

CMYK 44 / 0 / 48 / 24

HEX #6DC165

RGB 109 193 101

HSL 114.78, 0.43%, 0.58%

LAB 71.1, -43.82, 38.37

 

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

CMYK 0 / 48 / 5 / 24

HEX #C165B7

RGB 193 101 183

HSL 306.52, 0.43%, 0.58%

LAB 56.15, 48.04, -27.38

 

CMYK 0 / 4 / 48 / 24

HEX #C1BA65

RGB 193 186 101

HSL 55.43, 0.43%, 0.58%

LAB 74.44, -9.3, 43.68

 

CMYK 48 / 0 / 42 / 24

HEX #65C170

RGB 101 193 112

HSL 127.17, 0.43%, 0.58%

LAB 70.92, -44.53, 32.49

 

CMYK 48 / 44 / 0 / 24

HEX #656CC2

RGB 101 108 194

HSL 235.48, 0.43%, 0.58%

LAB 48.74, 20.62, -46.01

 

CMYK 0 / 48 / 20 / 24

HEX #C1659B

RGB 193 101 155

HSL 324.78, 0.43%, 0.58%

LAB 55.08, 43.46, -12.78

 

CMYK 0 / 4 / 48 / 24

HEX #C1BA65

RGB 193 186 101

HSL 55.43, 0.43%, 0.58%

LAB 74.44, -9.3, 43.68

 

CMYK 48 / 0 / 27 / 24

HEX #65C18C

RGB 101 193 140

HSL 145.43, 0.43%, 0.58%

LAB 71.42, -39.54, 18.4

 

Description

Color code: HEX #656CC2 | qconv.com Color code: HEX #656CC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 108 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 108 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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