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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65676D it is the complementary color #9A9892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65676D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65676D shade: #6A6768, #7B797B, #8C8B8E, #9D9DA1 and #AEAFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65676D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65676D shade: #65676D, #54555A, #434347, #323134 and #211F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65676D shade: #64666D, #65646D, #67646D, #69646D and #6B646D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65676D shade: #64666D and #64646D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65676D shade matches the following richer shades: #64666D, #535E7E, #43568F, #324D9F and #2145B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65676D shade: #64666D, #756F5C, #86774B, #97803A and #A88829

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65676D shade: #646B6D, #64696D, #64666D, #65646D and #67646D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65676D shade: #3D3E42, #515257, #64666D, #787B82 and #8D9096

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65676D shade: #65676D, #6C646D and #6A6D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65676D shade: #65676D, #6D6466 and #666D64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65676D shade: #65676D, #6C646D, #6D6B64 and #656D64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65676D shade: #65676D, #6D646B, #6D6B64 and #646D66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

Complementary color

CMYK 0 / 1 / 5 / 40

HEX #9A9892

RGB 154 152 146

HSL 45, 0.04%, 0.59%

LAB 62.85, -0.39, 3.4

 

CMYK 0 / 3 / 2 / 58

HEX #6A6768

RGB 106 103 104

HSL 340, 0.01%, 0.41%

LAB 43.89, 1.38, -0.15

 

CMYK 0 / 2 / 0 / 52

HEX #7B797B

RGB 123 121 123

HSL 300, 0.01%, 0.48%

LAB 51.05, 1.16, -0.83

 

CMYK 1 / 2 / 0 / 44

HEX #8C8B8E

RGB 140 139 142

HSL 260, 0.01%, 0.55%

LAB 58.03, 0.96, -1.47

 

CMYK 2 / 2 / 0 / 37

HEX #9D9DA1

RGB 157 157 161

HSL 240, 0.02%, 0.62%

LAB 64.85, 0.78, -2.09

 

CMYK 3 / 3 / 0 / 29

HEX #AEAFB4

RGB 174 175 180

HSL 230, 0.04%, 0.69%

LAB 71.52, 0.61, -2.68

 

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

CMYK 7 / 6 / 0 / 65

HEX #54555A

RGB 84 85 90

HSL 230, 0.03%, 0.34%

LAB 36.21, 0.71, -3.04

 

CMYK 6 / 6 / 0 / 72

HEX #434347

RGB 67 67 71

HSL 240, 0.03%, 0.27%

LAB 28.54, 0.91, -2.42

 

CMYK 4 / 6 / 0 / 80

HEX #323134

RGB 50 49 52

HSL 260, 0.03%, 0.2%

LAB 20.53, 1.15, -1.75

 

CMYK 0 / 6 / 0 / 87

HEX #211F21

RGB 33 31 33

HSL 300, 0.03%, 0.13%

LAB 12.04, 1.44, -1.02

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 7 / 8 / 0 / 57

HEX #65646D

RGB 101 100 109

HSL 246.67, 0.04%, 0.41%

LAB 42.74, 2.32, -4.93

 

CMYK 6 / 8 / 0 / 57

HEX #67646D

RGB 103 100 109

HSL 260, 0.04%, 0.41%

LAB 42.92, 3.08, -4.65

 

CMYK 4 / 8 / 0 / 57

HEX #69646D

RGB 105 100 109

HSL 273.33, 0.04%, 0.41%

LAB 43.1, 3.84, -4.37

 

CMYK 2 / 8 / 0 / 57

HEX #6B646D

RGB 107 100 109

HSL 286.67, 0.04%, 0.41%

LAB 43.28, 4.6, -4.08

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 8 / 8 / 0 / 57

HEX #64646D

RGB 100 100 109

HSL 240, 0.04%, 0.41%

LAB 42.65, 1.94, -5.07

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 34 / 25 / 0 / 51

HEX #535E7E

RGB 83 94 126

HSL 224.65, 0.21%, 0.41%

LAB 40.17, 4.03, -19.32

 

CMYK 53 / 40 / 0 / 44

HEX #43568F

RGB 67 86 143

HSL 225, 0.36%, 0.41%

LAB 37.54, 9.9, -33.84

 

CMYK 69 / 52 / 0 / 38

HEX #324D9F

RGB 50 77 159

HSL 225.14, 0.52%, 0.41%

LAB 34.98, 18.07, -47.65

 

CMYK 81 / 61 / 0 / 31

HEX #2145B0

RGB 33 69 176

HSL 224.9, 0.68%, 0.41%

LAB 33.38, 27.76, -60.46

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 0 / 5 / 21 / 54

HEX #756F5C

RGB 117 111 92

HSL 45.6, 0.12%, 0.41%

LAB 46.87, -1.09, 11.43

 

CMYK 0 / 11 / 44 / 47

HEX #86774B

RGB 134 119 75

HSL 44.75, 0.28%, 0.41%

LAB 50.42, -0.76, 26.29

 

CMYK 0 / 15 / 62 / 41

HEX #97803A

RGB 151 128 58

HSL 45.16, 0.44%, 0.41%

LAB 54.37, 0.13, 40.48

 

CMYK 0 / 19 / 76 / 34

HEX #A88829

RGB 168 136 41

HSL 44.88, 0.61%, 0.41%

LAB 58.13, 2.35, 52.56

 

CMYK 8 / 2 / 0 / 57

HEX #646B6D

RGB 100 107 109

HSL 193.33, 0.04%, 0.41%

LAB 44.7, -2.23, -2.04

 

CMYK 8 / 4 / 0 / 57

HEX #64696D

RGB 100 105 109

HSL 206.67, 0.04%, 0.41%

LAB 44.11, -1.05, -2.91

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 7 / 8 / 0 / 57

HEX #65646D

RGB 101 100 109

HSL 246.67, 0.04%, 0.41%

LAB 42.74, 2.32, -4.93

 

CMYK 6 / 8 / 0 / 57

HEX #67646D

RGB 103 100 109

HSL 260, 0.04%, 0.41%

LAB 42.92, 3.08, -4.65

 

CMYK 8 / 6 / 0 / 74

HEX #3D3E42

RGB 61 62 66

HSL 228, 0.04%, 0.25%

LAB 26.25, 0.51, -2.6

 

CMYK 7 / 6 / 0 / 66

HEX #515257

RGB 81 82 87

HSL 230, 0.04%, 0.33%

LAB 34.95, 0.71, -3.06

 

CMYK 8 / 6 / 0 / 57

HEX #64666D

RGB 100 102 109

HSL 226.67, 0.04%, 0.41%

LAB 43.24, 0.74, -4.21

 

CMYK 8 / 5 / 0 / 49

HEX #787B82

RGB 120 123 130

HSL 222, 0.04%, 0.49%

LAB 51.58, 0.34, -4.2

 

CMYK 6 / 4 / 0 / 41

HEX #8D9096

RGB 141 144 150

HSL 220, 0.04%, 0.57%

LAB 59.72, 0.12, -3.56

 

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

CMYK 1 / 8 / 0 / 57

HEX #6C646D

RGB 108 100 109

HSL 293.33, 0.04%, 0.41%

LAB 43.37, 4.98, -3.93

 

CMYK 3 / 0 / 8 / 57

HEX #6A6D64

RGB 106 109 100

HSL 80, 0.04%, 0.41%

LAB 45.53, -2.96, 4.62

 

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

CMYK 0 / 8 / 6 / 57

HEX #6D6466

RGB 109 100 102

HSL 346.67, 0.04%, 0.41%

LAB 43.25, 3.95, 0.15

 

CMYK 6 / 0 / 8 / 57

HEX #666D64

RGB 102 109 100

HSL 106.67, 0.04%, 0.41%

LAB 45.2, -4.53, 4.1

 

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

CMYK 1 / 8 / 0 / 57

HEX #6C646D

RGB 108 100 109

HSL 293.33, 0.04%, 0.41%

LAB 43.37, 4.98, -3.93

 

CMYK 0 / 2 / 8 / 57

HEX #6D6B64

RGB 109 107 100

HSL 46.67, 0.04%, 0.41%

LAB 45.2, -0.6, 4.19

 

CMYK 7 / 0 / 8 / 57

HEX #656D64

RGB 101 109 100

HSL 113.33, 0.04%, 0.41%

LAB 45.11, -4.92, 3.98

 

CMYK 7 / 6 / 0 / 57

HEX #65676D

RGB 101 103 109

HSL 225, 0.04%, 0.41%

LAB 43.61, 0.52, -3.64

 

CMYK 0 / 8 / 2 / 57

HEX #6D646B

RGB 109 100 107

HSL 313.33, 0.04%, 0.41%

LAB 43.4, 4.96, -2.66

 

CMYK 0 / 2 / 8 / 57

HEX #6D6B64

RGB 109 107 100

HSL 46.67, 0.04%, 0.41%

LAB 45.2, -0.6, 4.19

 

CMYK 8 / 0 / 6 / 57

HEX #646D66

RGB 100 109 102

HSL 133.33, 0.04%, 0.41%

LAB 45.09, -4.9, 2.73

 

Description

Color code: HEX #65676D | qconv.com Color code: HEX #65676D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 103 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 103 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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