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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #655951 it is the complementary color #9AA6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #655951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #655951 shade: #6A594C, #7B6B5F, #8C7D72, #9D8F85 and #AEA198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #655951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #655951 shade: #655951, #54473E, #43352B, #322318 and #211105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #655951 shade: #665A52, #665452 and #665252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #655951 shade: #665A52, #665F52, #666552, #626652 and #5C6652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #655951 shade matches the following richer shades: #665A52, #755743, #845434, #925125 and #A14E16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #655951 shade: #665A52, #575D61, #48606F, #39637E and #2A668D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #655951 shade: #665254, #665452, #665A52, #665F52 and #666552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #655951 shade: #38312D, #4F463F, #665A52, #7D6E64 and #928278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #655951 shade: #655951, #5A6652 and #525266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #655951 shade: #655951, #52665A and #5A5266

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #655951 shade: #655951, #5A6652, #525E66 and #5E5266

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #655951 shade: #655951, #546652, #525E66 and #645266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

Complementary color

CMYK 11 / 5 / 0 / 32

HEX #9AA6AE

RGB 154 166 174

HSL 204, 0.11%, 0.64%

LAB 67.43, -2.57, -5.58

 

CMYK 0 / 16 / 28 / 58

HEX #6A594C

RGB 106 89 76

HSL 26, 0.16%, 0.36%

LAB 39.12, 4.73, 10.11

 

CMYK 0 / 13 / 23 / 52

HEX #7B6B5F

RGB 123 107 95

HSL 25.71, 0.13%, 0.43%

LAB 46.38, 4.23, 9.04

 

CMYK 0 / 11 / 19 / 45

HEX #8C7D72

RGB 140 125 114

HSL 25.38, 0.1%, 0.5%

LAB 53.45, 3.82, 8.08

 

CMYK 0 / 9 / 15 / 38

HEX #9D8F85

RGB 157 143 133

HSL 25, 0.11%, 0.57%

LAB 60.34, 3.47, 7.2

 

CMYK 0 / 7 / 13 / 32

HEX #AEA198

RGB 174 161 152

HSL 24.55, 0.12%, 0.64%

LAB 67.09, 3.16, 6.38

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 0 / 15 / 26 / 67

HEX #54473E

RGB 84 71 62

HSL 24.55, 0.15%, 0.29%

LAB 31.21, 3.88, 7.45

 

CMYK 0 / 21 / 36 / 74

HEX #43352B

RGB 67 53 43

HSL 25, 0.22%, 0.22%

LAB 23.38, 4.5, 8.67

 

CMYK 0 / 30 / 52 / 80

HEX #322318

RGB 50 35 24

HSL 25.38, 0.35%, 0.15%

LAB 15.2, 5.39, 10.17

 

CMYK 0 / 48 / 85 / 87

HEX #211105

RGB 33 17 5

HSL 25.71, 0.74%, 0.07%

LAB 6.64, 6.4, 8.01

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 0 / 18 / 20 / 60

HEX #665452

RGB 102 84 82

HSL 6, 0.11%, 0.36%

LAB 37.43, 7.07, 3.95

 

CMYK 0 / 20 / 20 / 60

HEX #665252

RGB 102 82 82

HSL 0, 0.11%, 0.36%

LAB 36.87, 8.3, 3.13

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 0 / 7 / 20 / 60

HEX #665F52

RGB 102 95 82

HSL 39, 0.11%, 0.36%

LAB 40.6, 0.38, 8.45

 

CMYK 0 / 1 / 20 / 60

HEX #666552

RGB 102 101 82

HSL 57, 0.11%, 0.36%

LAB 42.37, -3.18, 10.93

 

CMYK 4 / 0 / 20 / 60

HEX #626652

RGB 98 102 82

HSL 72, 0.11%, 0.36%

LAB 42.32, -5.44, 10.8

 

CMYK 10 / 0 / 20 / 60

HEX #5C6652

RGB 92 102 82

HSL 90, 0.11%, 0.36%

LAB 41.83, -7.91, 10.04

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 0 / 26 / 43 / 54

HEX #755743

RGB 117 87 67

HSL 24, 0.27%, 0.36%

LAB 39.59, 9.53, 16.43

 

CMYK 0 / 36 / 61 / 48

HEX #845434

RGB 132 84 52

HSL 24, 0.43%, 0.36%

LAB 40.4, 16.51, 26.76

 

CMYK 0 / 45 / 75 / 43

HEX #925125

RGB 146 81 37

HSL 24.22, 0.6%, 0.36%

LAB 41.42, 23.48, 36.68

 

CMYK 0 / 52 / 86 / 37

HEX #A14E16

RGB 161 78 22

HSL 24.17, 0.76%, 0.36%

LAB 42.89, 30.98, 45.78

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 10 / 4 / 0 / 62

HEX #575D61

RGB 87 93 97

HSL 204, 0.05%, 0.36%

LAB 39.1, -1.44, -3.1

 

CMYK 35 / 14 / 0 / 56

HEX #48606F

RGB 72 96 111

HSL 203.08, 0.21%, 0.36%

LAB 39.4, -4.92, -11.39

 

CMYK 55 / 21 / 0 / 51

HEX #39637E

RGB 57 99 126

HSL 203.48, 0.38%, 0.36%

LAB 40.08, -6.36, -19.59

 

CMYK 70 / 28 / 0 / 45

HEX #2A668D

RGB 42 102 141

HSL 203.64, 0.54%, 0.36%

LAB 41.09, -6.04, -27.14

 

CMYK 0 / 20 / 18 / 60

HEX #665254

RGB 102 82 84

HSL 354, 0.11%, 0.36%

LAB 36.93, 8.66, 1.97

 

CMYK 0 / 18 / 20 / 60

HEX #665452

RGB 102 84 82

HSL 6, 0.11%, 0.36%

LAB 37.43, 7.07, 3.95

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 0 / 7 / 20 / 60

HEX #665F52

RGB 102 95 82

HSL 39, 0.11%, 0.36%

LAB 40.6, 0.38, 8.45

 

CMYK 0 / 1 / 20 / 60

HEX #666552

RGB 102 101 82

HSL 57, 0.11%, 0.36%

LAB 42.37, -3.18, 10.93

 

CMYK 0 / 13 / 20 / 78

HEX #38312D

RGB 56 49 45

HSL 21.82, 0.11%, 0.2%

LAB 20.93, 2.32, 3.69

 

CMYK 0 / 11 / 20 / 69

HEX #4F463F

RGB 79 70 63

HSL 26.25, 0.11%, 0.28%

LAB 30.4, 2.46, 5.6

 

CMYK 0 / 12 / 20 / 60

HEX #665A52

RGB 102 90 82

HSL 24, 0.11%, 0.36%

LAB 39.15, 3.4, 6.4

 

CMYK 0 / 12 / 20 / 51

HEX #7D6E64

RGB 125 110 100

HSL 24, 0.11%, 0.44%

LAB 47.54, 4.12, 7.72

 

CMYK 0 / 11 / 18 / 43

HEX #928278

RGB 146 130 120

HSL 23.08, 0.11%, 0.52%

LAB 55.51, 4.35, 7.62

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 12 / 0 / 20 / 60

HEX #5A6652

RGB 90 102 82

HSL 96, 0.11%, 0.36%

LAB 41.67, -8.72, 9.79

 

CMYK 20 / 20 / 0 / 60

HEX #525266

RGB 82 82 102

HSL 240, 0.11%, 0.36%

LAB 35.57, 4.71, -11.54

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 20 / 0 / 12 / 60

HEX #52665A

RGB 82 102 90

HSL 144, 0.11%, 0.36%

LAB 41.27, -10.22, 4.3

 

CMYK 12 / 20 / 0 / 60

HEX #5A5266

RGB 90 82 102

HSL 264, 0.11%, 0.36%

LAB 36.3, 7.66, -10.36

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 12 / 0 / 20 / 60

HEX #5A6652

RGB 90 102 82

HSL 96, 0.11%, 0.36%

LAB 41.67, -8.72, 9.79

 

CMYK 20 / 8 / 0 / 60

HEX #525E66

RGB 82 94 102

HSL 204, 0.11%, 0.36%

LAB 39.17, -2.71, -6.13

 

CMYK 8 / 20 / 0 / 60

HEX #5E5266

RGB 94 82 102

HSL 276, 0.11%, 0.36%

LAB 36.69, 9.16, -9.73

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 18 / 0 / 20 / 60

HEX #546652

RGB 84 102 82

HSL 114, 0.11%, 0.36%

LAB 41.21, -11.1, 9.09

 

CMYK 20 / 8 / 0 / 60

HEX #525E66

RGB 82 94 102

HSL 204, 0.11%, 0.36%

LAB 39.17, -2.71, -6.13

 

CMYK 2 / 20 / 0 / 60

HEX #645266

RGB 100 82 102

HSL 294, 0.11%, 0.36%

LAB 37.3, 11.45, -8.75

 

Description

Color code: HEX #655951 | qconv.com Color code: HEX #655951 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 89 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 89 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 20 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 20% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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