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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6555A4 it is the complementary color #9AAA5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6555A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6555A4 shade: #6A559F, #7B67B2, #8C79C5, #9D8BD8 and #AE9DEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6555A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6555A4 shade: #6555A4, #544391, #43317E, #321F6B and #210D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6555A4 shade: #6555A5, #7B55A5, #9055A5, #A555A4 and #A5558E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6555A4 shade: #6555A5 and #5555A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6555A4 shade matches the following richer shades: #6555A5, #5941B9, #4D2DCD, #4118E2 and #3504F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6555A4 shade: #6555A5, #716991, #7D7D7D, #899268 and #95A654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6555A4 shade: #5570A5, #555AA5, #6555A5, #7A55A5 and #9055A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6555A4 shade: #44396E, #54478A, #6555A5, #7D6FB5 and #958AC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6555A4 shade: #6555A4, #A55585 and #65A555

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6555A4 shade: #6555A4, #A56555 and #55A565

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6555A4 shade: #6555A4, #A55585, #95A555 and #55A575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6555A4 shade: #6555A4, #A5556D, #95A555 and #55A58D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

Complementary color

CMYK 9 / 0 / 46 / 33

HEX #9AAA5B

RGB 154 170 91

HSL 72.15, 0.32%, 0.51%

LAB 66.81, -18.05, 38.66

 

CMYK 33 / 47 / 0 / 38

HEX #6A559F

RGB 106 85 159

HSL 257.03, 0.3%, 0.48%

LAB 41.32, 25.82, -37.28

 

CMYK 31 / 42 / 0 / 30

HEX #7B67B2

RGB 123 103 178

HSL 256, 0.33%, 0.55%

LAB 48.42, 24.87, -37.15

 

CMYK 29 / 39 / 0 / 23

HEX #8C79C5

RGB 140 121 197

HSL 255, 0.4%, 0.62%

LAB 55.36, 24.03, -37.07

 

CMYK 27 / 36 / 0 / 15

HEX #9D8BD8

RGB 157 139 216

HSL 254.03, 0.5%, 0.7%

LAB 62.16, 23.29, -37.03

 

CMYK 26 / 33 / 0 / 8

HEX #AE9DEB

RGB 174 157 235

HSL 253.08, 0.66%, 0.77%

LAB 68.83, 22.62, -37.02

 

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

CMYK 42 / 54 / 0 / 43

HEX #544391

RGB 84 67 145

HSL 253.08, 0.37%, 0.42%

LAB 33.86, 27.05, -40.83

 

CMYK 47 / 61 / 0 / 51

HEX #43317E

RGB 67 49 126

HSL 254.03, 0.44%, 0.34%

LAB 26.44, 28.44, -41.1

 

CMYK 53 / 71 / 0 / 58

HEX #321F6B

RGB 50 31 107

HSL 255, 0.55%, 0.27%

LAB 18.88, 29.97, -41.28

 

CMYK 63 / 85 / 0 / 65

HEX #210D58

RGB 33 13 88

HSL 256, 0.74%, 0.2%

LAB 11.39, 31.3, -41.03

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 25 / 48 / 0 / 35

HEX #7B55A5

RGB 123 85 165

HSL 268.5, 0.32%, 0.49%

LAB 43.4, 32.22, -37.45

 

CMYK 13 / 48 / 0 / 35

HEX #9055A5

RGB 144 85 165

HSL 284.25, 0.32%, 0.49%

LAB 45.83, 38.34, -33.45

 

CMYK 0 / 48 / 1 / 35

HEX #A555A4

RGB 165 85 164

HSL 300.75, 0.32%, 0.49%

LAB 48.48, 44.4, -28.51

 

CMYK 0 / 48 / 14 / 35

HEX #A5558E

RGB 165 85 142

HSL 317.25, 0.32%, 0.49%

LAB 47.56, 40.52, -16.87

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 48 / 48 / 0 / 35

HEX #5555A5

RGB 85 85 165

HSL 240, 0.32%, 0.49%

LAB 39.82, 22.09, -43.35

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 52 / 65 / 0 / 27

HEX #5941B9

RGB 89 65 185

HSL 252, 0.48%, 0.49%

LAB 36.76, 41.4, -60.12

 

CMYK 62 / 78 / 0 / 20

HEX #4D2DCD

RGB 77 45 205

HSL 252, 0.64%, 0.49%

LAB 33.69, 56.11, -76.9

 

CMYK 71 / 89 / 0 / 11

HEX #4118E2

RGB 65 24 226

HSL 252.18, 0.81%, 0.49%

LAB 32.41, 68.76, -91.18

 

CMYK 78 / 98 / 0 / 4

HEX #3504F6

RGB 53 4 246

HSL 252.15, 0.97%, 0.49%

LAB 32.91, 77.07, -101.74

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 22 / 28 / 0 / 43

HEX #716991

RGB 113 105 145

HSL 252, 0.16%, 0.49%

LAB 46.52, 12.07, -20.76

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 6 / 0 / 29 / 43

HEX #899268

RGB 137 146 104

HSL 72.86, 0.17%, 0.49%

LAB 58.86, -10.67, 21.23

 

CMYK 10 / 0 / 49 / 35

HEX #95A654

RGB 149 166 84

HSL 72.44, 0.33%, 0.49%

LAB 65.2, -18.78, 40.15

 

CMYK 48 / 32 / 0 / 35

HEX #5570A5

RGB 85 112 165

HSL 219.75, 0.32%, 0.49%

LAB 47.28, 5.2, -31.54

 

CMYK 48 / 45 / 0 / 35

HEX #555AA5

RGB 85 90 165

HSL 236.25, 0.32%, 0.49%

LAB 41.15, 18.92, -41.22

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 26 / 48 / 0 / 35

HEX #7A55A5

RGB 122 85 165

HSL 267.75, 0.32%, 0.49%

LAB 43.29, 31.93, -37.62

 

CMYK 13 / 48 / 0 / 35

HEX #9055A5

RGB 144 85 165

HSL 284.25, 0.32%, 0.49%

LAB 45.83, 38.34, -33.45

 

CMYK 38 / 48 / 0 / 57

HEX #44396E

RGB 68 57 110

HSL 252.45, 0.32%, 0.33%

LAB 27.52, 18.56, -29.21

 

CMYK 39 / 49 / 0 / 46

HEX #54478A

RGB 84 71 138

HSL 251.64, 0.32%, 0.41%

LAB 34.45, 22.43, -35.62

 

CMYK 39 / 48 / 0 / 35

HEX #6555A5

RGB 101 85 165

HSL 252, 0.32%, 0.49%

LAB 41.18, 26.14, -41.09

 

CMYK 31 / 39 / 0 / 29

HEX #7D6FB5

RGB 125 111 181

HSL 252, 0.32%, 0.57%

LAB 50.76, 21.45, -35.19

 

CMYK 24 / 29 / 0 / 24

HEX #958AC3

RGB 149 138 195

HSL 251.58, 0.32%, 0.65%

LAB 60.34, 16.33, -28.12

 

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

CMYK 0 / 48 / 19 / 35

HEX #A55585

RGB 165 85 133

HSL 324, 0.32%, 0.49%

LAB 47.22, 39.06, -11.98

 

CMYK 39 / 0 / 48 / 35

HEX #65A555

RGB 101 165 85

HSL 108, 0.32%, 0.49%

LAB 61.94, -36.28, 34.97

 

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

CMYK 0 / 39 / 48 / 35

HEX #A56555

RGB 165 101 85

HSL 12, 0.32%, 0.49%

LAB 49.45, 24, 19.95

 

CMYK 48 / 0 / 39 / 35

HEX #55A565

RGB 85 165 101

HSL 132, 0.32%, 0.49%

LAB 61.46, -38.75, 25.8

 

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

CMYK 0 / 48 / 19 / 35

HEX #A55585

RGB 165 85 133

HSL 324, 0.32%, 0.49%

LAB 47.22, 39.06, -11.98

 

CMYK 10 / 0 / 48 / 35

HEX #95A555

RGB 149 165 85

HSL 72, 0.32%, 0.49%

LAB 64.93, -18.17, 39.31

 

CMYK 48 / 0 / 29 / 35

HEX #55A575

RGB 85 165 117

HSL 144, 0.32%, 0.49%

LAB 61.76, -35.76, 17.49

 

CMYK 38 / 48 / 0 / 36

HEX #6555A4

RGB 101 85 164

HSL 252.15, 0.32%, 0.49%

LAB 41.13, 25.85, -40.59

 

CMYK 0 / 48 / 34 / 35

HEX #A5556D

RGB 165 85 109

HSL 342, 0.32%, 0.49%

LAB 46.45, 35.61, 1.37

 

CMYK 10 / 0 / 48 / 35

HEX #95A555

RGB 149 165 85

HSL 72, 0.32%, 0.49%

LAB 64.93, -18.17, 39.31

 

CMYK 48 / 0 / 15 / 35

HEX #55A58D

RGB 85 165 141

HSL 162, 0.32%, 0.49%

LAB 62.31, -30.5, 4.91

 

Description

Color code: HEX #6555A4 | qconv.com Color code: HEX #6555A4 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 85 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 85 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 48 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 48% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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