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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65479B it is the complementary color #9AB864. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65479B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65479B shade: #6A4796, #7B59A9, #8C6BBC, #9D7DCF and #AE8FE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65479B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65479B shade: #65479B, #543588, #432375, #321162 and #21004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65479B shade: #64479A, #7B479A, #91479A, #9A478C and #9A4776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65479B shade: #64479A, #4E479A and #47479A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65479B shade matches the following richer shades: #64479A, #5F35AC, #5A22BE and #5510D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65479B shade: #64479A, #6A5988, #6F6B75, #747D63 and #798F51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65479B shade: #47569A, #4E479A, #64479A, #7A479A and #90479A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65479B shade: #3F2D61, #523A7D, #64479A, #7858B2 and #8F74BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65479B shade: #65479B, #9A476C and #4B9A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65479B shade: #65479B, #9A6447 and #479A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65479B shade: #65479B, #9A476C, #7D9A47 and #479A74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65479B shade: #65479B, #9A4753, #7D9A47 and #479A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

Complementary color

CMYK 16 / 0 / 46 / 28

HEX #9AB864

RGB 154 184 100

HSL 81.43, 0.37%, 0.56%

LAB 70.92, -24.06, 39.19

 

CMYK 29 / 53 / 0 / 41

HEX #6A4796

RGB 106 71 150

HSL 266.58, 0.36%, 0.43%

LAB 37.43, 31.86, -38.05

 

CMYK 27 / 47 / 0 / 34

HEX #7B59A9

RGB 123 89 169

HSL 265.5, 0.32%, 0.51%

LAB 44.55, 30.87, -37.99

 

CMYK 26 / 43 / 0 / 26

HEX #8C6BBC

RGB 140 107 188

HSL 264.44, 0.38%, 0.58%

LAB 51.52, 29.96, -37.94

 

CMYK 24 / 40 / 0 / 19

HEX #9D7DCF

RGB 157 125 207

HSL 263.41, 0.46%, 0.65%

LAB 58.36, 29.13, -37.92

 

CMYK 23 / 37 / 0 / 11

HEX #AE8FE2

RGB 174 143 226

HSL 262.41, 0.59%, 0.72%

LAB 65.07, 28.37, -37.93

 

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

CMYK 38 / 61 / 0 / 47

HEX #543588

RGB 84 53 136

HSL 262.41, 0.44%, 0.37%

LAB 29.93, 33.02, -41.61

 

CMYK 43 / 70 / 0 / 54

HEX #432375

RGB 67 35 117

HSL 263.41, 0.54%, 0.3%

LAB 22.58, 34.17, -41.63

 

CMYK 49 / 83 / 0 / 62

HEX #321162

RGB 50 17 98

HSL 264.44, 0.7%, 0.23%

LAB 15.28, 34.94, -41.25

 

CMYK 58 / 100 / 0 / 69

HEX #21004F

RGB 33 0 79

HSL 265.06, 1%, 0.15%

LAB 8.02, 35.38, -40.43

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 20 / 54 / 0 / 40

HEX #7B479A

RGB 123 71 154

HSL 277.59, 0.37%, 0.44%

LAB 39.67, 37.6, -36.79

 

CMYK 6 / 54 / 0 / 40

HEX #91479A

RGB 145 71 154

HSL 293.49, 0.37%, 0.44%

LAB 42.55, 43.84, -32.04

 

CMYK 0 / 54 / 9 / 40

HEX #9A478C

RGB 154 71 140

HSL 310.12, 0.37%, 0.44%

LAB 43.17, 43.91, -22.55

 

CMYK 0 / 54 / 23 / 40

HEX #9A4776

RGB 154 71 118

HSL 326.02, 0.37%, 0.44%

LAB 42.28, 40.36, -10.47

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 49 / 54 / 0 / 40

HEX #4E479A

RGB 78 71 154

HSL 245.06, 0.37%, 0.44%

LAB 34.92, 25.84, -44.64

 

CMYK 54 / 54 / 0 / 40

HEX #47479A

RGB 71 71 154

HSL 240, 0.37%, 0.44%

LAB 34.35, 24.27, -45.58

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 45 / 69 / 0 / 33

HEX #5F35AC

RGB 95 53 172

HSL 261.18, 0.53%, 0.44%

LAB 33.89, 45.42, -57.04

 

CMYK 53 / 82 / 0 / 25

HEX #5A22BE

RGB 90 34 190

HSL 261.54, 0.7%, 0.44%

LAB 31.89, 58.17, -71.04

 

CMYK 59 / 92 / 0 / 18

HEX #5510D0

RGB 85 16 208

HSL 261.56, 0.86%, 0.44%

LAB 31.48, 67.45, -82.29

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 22 / 35 / 0 / 47

HEX #6A5988

RGB 106 89 136

HSL 261.7, 0.21%, 0.44%

LAB 41.19, 17.28, -23.64

 

CMYK 5 / 9 / 0 / 54

HEX #6F6B75

RGB 111 107 117

HSL 264, 0.04%, 0.44%

LAB 45.88, 3.63, -5.01

 

CMYK 7 / 0 / 21 / 51

HEX #747D63

RGB 116 125 99

HSL 80.77, 0.12%, 0.44%

LAB 51.01, -8.32, 13.08

 

CMYK 15 / 0 / 43 / 44

HEX #798F51

RGB 121 143 81

HSL 81.29, 0.28%, 0.44%

LAB 56.39, -18.69, 30.37

 

CMYK 54 / 44 / 0 / 40

HEX #47569A

RGB 71 86 154

HSL 229.16, 0.37%, 0.44%

LAB 38.43, 14.55, -39.06

 

CMYK 49 / 54 / 0 / 40

HEX #4E479A

RGB 78 71 154

HSL 245.06, 0.37%, 0.44%

LAB 34.92, 25.84, -44.64

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 21 / 54 / 0 / 40

HEX #7A479A

RGB 122 71 154

HSL 276.87, 0.37%, 0.44%

LAB 39.54, 37.31, -36.99

 

CMYK 6 / 54 / 0 / 40

HEX #90479A

RGB 144 71 154

HSL 292.77, 0.37%, 0.44%

LAB 42.41, 43.56, -32.27

 

CMYK 35 / 54 / 0 / 62

HEX #3F2D61

RGB 63 45 97

HSL 260.77, 0.37%, 0.28%

LAB 22.99, 21.1, -28.06

 

CMYK 34 / 54 / 0 / 51

HEX #523A7D

RGB 82 58 125

HSL 261.49, 0.37%, 0.36%

LAB 30.16, 26.33, -34.41

 

CMYK 35 / 54 / 0 / 40

HEX #64479A

RGB 100 71 154

HSL 260.96, 0.37%, 0.44%

LAB 37.02, 31.32, -41.16

 

CMYK 33 / 51 / 0 / 30

HEX #7858B2

RGB 120 88 178

HSL 261.33, 0.37%, 0.52%

LAB 44.5, 32.96, -43.38

 

CMYK 25 / 39 / 0 / 25

HEX #8F74BF

RGB 143 116 191

HSL 261.6, 0.37%, 0.6%

LAB 54.12, 26.33, -35.56

 

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

CMYK 0 / 54 / 30 / 40

HEX #9A476C

RGB 154 71 108

HSL 333.25, 0.37%, 0.44%

LAB 41.94, 38.92, -4.83

 

CMYK 51 / 0 / 54 / 40

HEX #4B9A47

RGB 75 154 71

HSL 117.11, 0.37%, 0.44%

LAB 57.14, -41.51, 35.93

 

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

CMYK 0 / 35 / 54 / 40

HEX #9A6447

RGB 154 100 71

HSL 20.96, 0.37%, 0.44%

LAB 47.55, 18.56, 25.34

 

CMYK 54 / 0 / 35 / 40

HEX #479A64

RGB 71 154 100

HSL 140.96, 0.37%, 0.44%

LAB 57.44, -37.86, 20.88

 

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

CMYK 0 / 54 / 30 / 40

HEX #9A476C

RGB 154 71 108

HSL 333.25, 0.37%, 0.44%

LAB 41.94, 38.92, -4.83

 

CMYK 19 / 0 / 54 / 40

HEX #7D9A47

RGB 125 154 71

HSL 80.96, 0.37%, 0.44%

LAB 59.82, -23.83, 39.79

 

CMYK 54 / 0 / 25 / 40

HEX #479A74

RGB 71 154 116

HSL 152.53, 0.37%, 0.44%

LAB 57.76, -34.55, 12.41

 

CMYK 35 / 54 / 0 / 39

HEX #65479B

RGB 101 71 155

HSL 261.43, 0.37%, 0.44%

LAB 37.19, 31.85, -41.49

 

CMYK 0 / 54 / 46 / 40

HEX #9A4753

RGB 154 71 83

HSL 351.33, 0.37%, 0.44%

LAB 41.22, 35.86, 9.65

 

CMYK 19 / 0 / 54 / 40

HEX #7D9A47

RGB 125 154 71

HSL 80.96, 0.37%, 0.44%

LAB 59.82, -23.83, 39.79

 

CMYK 54 / 0 / 8 / 40

HEX #479A8D

RGB 71 154 141

HSL 170.6, 0.37%, 0.44%

LAB 58.39, -28.49, -0.85

 

Description

Color code: HEX #65479B | qconv.com Color code: HEX #65479B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 71 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 71 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 54 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 54% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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