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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #653D31 it is the complementary color #9AC2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #653D31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #653D31 shade: #6A3D2C, #7B4F3F, #8C6152, #9D7365 and #AE8578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #653D31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #653D31 shade: #653D31, #542B1E, #43190B, #320700 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #653D31 shade: #643C30 and #643030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #653D31 shade: #643C30, #644A30, #645830, #626430 and #546430

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #653D31 shade matches the following richer shades: #643C30, #703624, #7C2F18, #88290C and #942200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #653D31 shade: #643C30, #58423C, #4C4948, #404F54 and #345660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #653D31 shade: #643040, #643033, #643B30, #644930 and #645730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #653D31 shade: #2C1B15, #482B23, #643C30, #804D3D and #9C5E4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #653D31 shade: #653D31, #4E6430 and #303A64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #653D31 shade: #653D31, #30643B and #3B3064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #653D31 shade: #653D31, #4E6430, #305964 and #463064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #653D31 shade: #653D31, #3F6430, #305964 and #553064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

Complementary color

CMYK 25 / 6 / 0 / 19

HEX #9AC2CE

RGB 154 194 206

HSL 193.85, 0.35%, 0.71%

LAB 76.01, -10.53, -10.38

 

CMYK 0 / 42 / 58 / 58

HEX #6A3D2C

RGB 106 61 44

HSL 16.45, 0.41%, 0.29%

LAB 30.84, 17.84, 18.86

 

CMYK 0 / 36 / 49 / 52

HEX #7B4F3F

RGB 123 79 63

HSL 16, 0.32%, 0.36%

LAB 38.13, 16.54, 17.06

 

CMYK 0 / 31 / 41 / 45

HEX #8C6152

RGB 140 97 82

HSL 15.52, 0.26%, 0.44%

LAB 45.27, 15.47, 15.55

 

CMYK 0 / 27 / 36 / 38

HEX #9D7365

RGB 157 115 101

HSL 15, 0.22%, 0.51%

LAB 52.25, 14.58, 14.24

 

CMYK 0 / 24 / 31 / 32

HEX #AE8578

RGB 174 133 120

HSL 14.44, 0.25%, 0.58%

LAB 59.09, 13.82, 13.07

 

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

CMYK 0 / 49 / 64 / 67

HEX #542B1E

RGB 84 43 30

HSL 14.44, 0.47%, 0.22%

LAB 22.68, 17.52, 16.76

 

CMYK 0 / 63 / 84 / 74

HEX #43190B

RGB 67 25 11

HSL 15, 0.72%, 0.15%

LAB 15.02, 19.27, 18.14

 

CMYK 0 / 86 / 100 / 80

HEX #320700

RGB 50 7 0

HSL 8.4, 1%, 0.1%

LAB 7.5, 21.03, 11.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 52 / 52 / 61

HEX #643030

RGB 100 48 48

HSL 0, 0.35%, 0.29%

LAB 26.84, 23.38, 10.83

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 26 / 52 / 61

HEX #644A30

RGB 100 74 48

HSL 30, 0.35%, 0.29%

LAB 33.61, 7.45, 19.76

 

CMYK 0 / 12 / 52 / 61

HEX #645830

RGB 100 88 48

HSL 46.15, 0.35%, 0.29%

LAB 37.67, -1.09, 24.85

 

CMYK 2 / 0 / 52 / 61

HEX #626430

RGB 98 100 48

HSL 62.31, 0.35%, 0.29%

LAB 41.1, -9.06, 28.97

 

CMYK 16 / 0 / 52 / 61

HEX #546430

RGB 84 100 48

HSL 78.46, 0.35%, 0.29%

LAB 39.94, -15.36, 27.3

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 52 / 68 / 56

HEX #703624

RGB 112 54 36

HSL 14.21, 0.51%, 0.29%

LAB 29.94, 24, 22.9

 

CMYK 0 / 62 / 81 / 51

HEX #7C2F18

RGB 124 47 24

HSL 13.8, 0.68%, 0.29%

LAB 30.36, 32.15, 30.99

 

CMYK 0 / 70 / 91 / 47

HEX #88290C

RGB 136 41 12

HSL 14.03, 0.84%, 0.29%

LAB 31.46, 39.21, 38.73

 

CMYK 0 / 77 / 100 / 42

HEX #942200

RGB 148 34 0

HSL 13.78, 1%, 0.29%

LAB 32.79, 45.89, 45.63

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 25 / 32 / 65

HEX #58423C

RGB 88 66 60

HSL 12.86, 0.19%, 0.29%

LAB 30.15, 8.52, 7.32

 

CMYK 0 / 4 / 5 / 70

HEX #4C4948

RGB 76 73 72

HSL 15, 0.03%, 0.29%

LAB 31.28, 1.04, 1.04

 

CMYK 24 / 6 / 0 / 67

HEX #404F54

RGB 64 79 84

HSL 195, 0.14%, 0.29%

LAB 32.53, -4.6, -4.9

 

CMYK 46 / 10 / 0 / 62

HEX #345660

RGB 52 86 96

HSL 193.64, 0.3%, 0.29%

LAB 34.46, -9.36, -9.67

 

CMYK 0 / 52 / 36 / 61

HEX #643040

RGB 100 48 64

HSL 341.54, 0.35%, 0.29%

LAB 27.28, 25.38, 0.82

 

CMYK 0 / 52 / 49 / 61

HEX #643033

RGB 100 48 51

HSL 356.54, 0.35%, 0.29%

LAB 26.91, 23.72, 8.94

 

CMYK 0 / 41 / 52 / 61

HEX #643B30

RGB 100 59 48

HSL 12.69, 0.35%, 0.29%

LAB 29.54, 16.76, 14.46

 

CMYK 0 / 27 / 52 / 61

HEX #644930

RGB 100 73 48

HSL 28.85, 0.35%, 0.29%

LAB 33.32, 8.07, 19.4

 

CMYK 0 / 13 / 52 / 61

HEX #645730

RGB 100 87 48

HSL 45, 0.35%, 0.29%

LAB 37.37, -0.49, 24.49

 

CMYK 0 / 39 / 52 / 83

HEX #2C1B15

RGB 44 27 21

HSL 15.65, 0.35%, 0.13%

LAB 11.78, 7.49, 7.55

 

CMYK 0 / 40 / 51 / 72

HEX #482B23

RGB 72 43 35

HSL 12.97, 0.35%, 0.21%

LAB 20.93, 12.38, 10.81

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 40 / 52 / 50

HEX #804D3D

RGB 128 77 61

HSL 14.33, 0.35%, 0.37%

LAB 38.26, 19.7, 18.57

 

CMYK 0 / 40 / 52 / 39

HEX #9C5E4B

RGB 156 94 75

HSL 14.07, 0.35%, 0.45%

LAB 46.42, 23.21, 21.6

 

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

CMYK 22 / 0 / 52 / 61

HEX #4E6430

RGB 78 100 48

HSL 85.38, 0.35%, 0.29%

LAB 39.49, -17.96, 26.65

 

CMYK 52 / 42 / 0 / 61

HEX #303A64

RGB 48 58 100

HSL 228.46, 0.35%, 0.29%

LAB 25.49, 8.93, -26.12

 

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

CMYK 52 / 0 / 41 / 61

HEX #30643B

RGB 48 100 59

HSL 132.69, 0.35%, 0.29%

LAB 37.95, -27.38, 18.05

 

CMYK 41 / 52 / 0 / 61

HEX #3B3064

RGB 59 48 100

HSL 252.69, 0.35%, 0.29%

LAB 23.55, 18.85, -29.14

 

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

CMYK 22 / 0 / 52 / 61

HEX #4E6430

RGB 78 100 48

HSL 85.38, 0.35%, 0.29%

LAB 39.49, -17.96, 26.65

 

CMYK 52 / 11 / 0 / 61

HEX #305964

RGB 48 89 100

HSL 192.69, 0.35%, 0.29%

LAB 35.39, -11, -10.79

 

CMYK 30 / 52 / 0 / 61

HEX #463064

RGB 70 48 100

HSL 265.38, 0.35%, 0.29%

LAB 24.75, 22.12, -27.16

 

CMYK 0 / 40 / 51 / 60

HEX #653D31

RGB 101 61 49

HSL 13.85, 0.35%, 0.29%

LAB 30.22, 16.09, 14.75

 

CMYK 37 / 0 / 52 / 61

HEX #3F6430

RGB 63 100 48

HSL 102.69, 0.35%, 0.29%

LAB 38.52, -24.04, 25.25

 

CMYK 52 / 11 / 0 / 61

HEX #305964

RGB 48 89 100

HSL 192.69, 0.35%, 0.29%

LAB 35.39, -11, -10.79

 

CMYK 15 / 52 / 0 / 61

HEX #553064

RGB 85 48 100

HSL 282.69, 0.35%, 0.29%

LAB 26.64, 26.84, -24.06

 

Description

Color code: HEX #653D31 | qconv.com Color code: HEX #653D31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 61 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 61 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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