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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #653BF8 it is the complementary color #9AC407. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #653BF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #653BF8 shade: #6A3BF3, #7B4DFF, #8C5FFF, #9D71FF and #AE83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #653BF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #653BF8 shade: #653BF8, #5429E5, #4317D2, #3205BF and #2100AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #653BF8 shade: #643AF8, #973AF8, #CB3AF8, #F83AF2 and #F83ABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #653BF8 shade: #643AF8 and #3A3AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #653BF8 shade matches the following richer shades: #643AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #653BF8 shade: #643AF8, #6D4BE7, #775BD7, #806CC6 and #897CB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #653BF8 shade: #3A76F8, #3A44F8, #633AF8, #963AF8 and #C83AF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #653BF8 shade: #3608D8, #4512F6, #643AF8, #8462F9 and #A38AFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #653BF8 shade: #653BF8, #F83AA9 and #5DF83A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #653BF8 shade: #653BF8, #F8633A and #3AF863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #653BF8 shade: #653BF8, #F83AA9, #CFF83A and #3AF889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #653BF8 shade: #653BF8, #F83A70, #CFF83A and #3AF8C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

Complementary color

CMYK 21 / 0 / 96 / 23

HEX #9AC407

RGB 154 196 7

HSL 73.33, 0.93%, 0.4%

LAB 73.78, -35.2, 73.16

 

CMYK 56 / 76 / 0 / 5

HEX #6A3BF3

RGB 106 59 243

HSL 255.33, 0.88%, 0.59%

LAB 42.25, 63.56, -84.43

 

CMYK 52 / 70 / 0 / 0

HEX #7B4DFF

RGB 123 77 255

HSL 255.51, 1%, 0.65%

LAB 47.93, 60.56, -81.77

 

CMYK 45 / 63 / 0 / 0

HEX #8C5FFF

RGB 140 95 255

HSL 256.88, 1%, 0.69%

LAB 52.93, 54.17, -73.55

 

CMYK 38 / 56 / 0 / 0

HEX #9D71FF

RGB 157 113 255

HSL 258.59, 1%, 0.72%

LAB 58.22, 47.95, -64.91

 

CMYK 32 / 49 / 0 / 0

HEX #AE83FF

RGB 174 131 255

HSL 260.81, 1%, 0.76%

LAB 63.71, 42.08, -56.04

 

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

CMYK 63 / 82 / 0 / 10

HEX #5429E5

RGB 84 41 229

HSL 253.72, 0.78%, 0.53%

LAB 36.23, 65.12, -86.51

 

CMYK 68 / 89 / 0 / 18

HEX #4317D2

RGB 67 23 210

HSL 254.12, 0.8%, 0.46%

LAB 30.54, 65.03, -85.05

 

CMYK 74 / 97 / 0 / 25

HEX #3205BF

RGB 50 5 191

HSL 254.52, 0.95%, 0.38%

LAB 25.41, 63.5, -82.5

 

CMYK 81 / 100 / 0 / 33

HEX #2100AC

RGB 33 0 172

HSL 251.51, 1%, 0.34%

LAB 21.21, 59.39, -78.17

 

CMYK 60 / 77 / 0 / 3

HEX #643AF8

RGB 100 58 248

HSL 253.26, 0.93%, 0.6%

LAB 42.02, 64.67, -87.64

 

CMYK 39 / 77 / 0 / 3

HEX #973AF8

RGB 151 58 248

HSL 269.37, 0.93%, 0.6%

LAB 47.47, 71.39, -78.49

 

CMYK 18 / 77 / 0 / 3

HEX #CB3AF8

RGB 203 58 248

HSL 285.79, 0.93%, 0.6%

LAB 54.55, 79.98, -66.66

 

CMYK 0 / 77 / 2 / 3

HEX #F83AF2

RGB 248 58 242

HSL 301.89, 0.93%, 0.6%

LAB 61.13, 87.35, -52.41

 

CMYK 0 / 77 / 23 / 3

HEX #F83ABF

RGB 248 58 191

HSL 318, 0.93%, 0.6%

LAB 58.74, 80.48, -27.31

 

CMYK 60 / 77 / 0 / 3

HEX #643AF8

RGB 100 58 248

HSL 253.26, 0.93%, 0.6%

LAB 42.02, 64.67, -87.64

 

CMYK 77 / 77 / 0 / 3

HEX #3A3AF8

RGB 58 58 248

HSL 240, 0.93%, 0.6%

LAB 39.08, 60.99, -92.61

 

CMYK 60 / 77 / 0 / 3

HEX #643AF8

RGB 100 58 248

HSL 253.26, 0.93%, 0.6%

LAB 42.02, 64.67, -87.64

 

CMYK 60 / 77 / 0 / 3

HEX #643AF8

RGB 100 58 248

HSL 253.26, 0.93%, 0.6%

LAB 42.02, 64.67, -87.64

 

CMYK 53 / 68 / 0 / 9

HEX #6D4BE7

RGB 109 75 231

HSL 253.08, 0.76%, 0.6%

LAB 44.31, 52.74, -74.27

 

CMYK 45 / 58 / 0 / 16

HEX #775BD7

RGB 119 91 215

HSL 253.55, 0.61%, 0.6%

LAB 47.38, 41.14, -60.15

 

CMYK 35 / 45 / 0 / 22

HEX #806CC6

RGB 128 108 198

HSL 253.33, 0.44%, 0.6%

LAB 51.14, 28.62, -44.36

 

CMYK 25 / 32 / 0 / 29

HEX #897CB6

RGB 137 124 182

HSL 253.45, 0.28%, 0.6%

LAB 55.19, 17.6, -28.79

 

CMYK 77 / 52 / 0 / 3

HEX #3A76F8

RGB 58 118 248

HSL 221.05, 0.93%, 0.6%

LAB 52.55, 25.61, -70.53

 

CMYK 77 / 73 / 0 / 3

HEX #3A44F8

RGB 58 68 248

HSL 236.84, 0.93%, 0.6%

LAB 40.91, 55.77, -89.56

 

CMYK 60 / 77 / 0 / 3

HEX #633AF8

RGB 99 58 248

HSL 252.95, 0.93%, 0.6%

LAB 41.93, 64.57, -87.79

 

CMYK 40 / 77 / 0 / 3

HEX #963AF8

RGB 150 58 248

HSL 269.05, 0.93%, 0.6%

LAB 47.35, 71.24, -78.69

 

CMYK 19 / 77 / 0 / 3

HEX #C83AF8

RGB 200 58 248

HSL 284.84, 0.93%, 0.6%

LAB 54.11, 79.45, -67.39

 

CMYK 75 / 96 / 0 / 15

HEX #3608D8

RGB 54 8 216

HSL 253.27, 0.93%, 0.44%

LAB 29.2, 69.25, -90.79

 

CMYK 72 / 93 / 0 / 4

HEX #4512F6

RGB 69 18 246

HSL 253.42, 0.93%, 0.52%

LAB 34.7, 75.36, -98.72

 

CMYK 60 / 77 / 0 / 3

HEX #643AF8

RGB 100 58 248

HSL 253.26, 0.93%, 0.6%

LAB 42.02, 64.67, -87.64

 

CMYK 47 / 61 / 0 / 2

HEX #8462F9

RGB 132 98 249

HSL 253.51, 0.93%, 0.68%

LAB 52.38, 49.38, -71.15

 

CMYK 35 / 45 / 0 / 2

HEX #A38AFB

RGB 163 138 251

HSL 253.27, 0.93%, 0.76%

LAB 64.1, 34.37, -53.29

 

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

CMYK 0 / 77 / 32 / 3

HEX #F83AA9

RGB 248 58 169

HSL 324.95, 0.93%, 0.6%

LAB 57.89, 77.97, -15.87

 

CMYK 63 / 0 / 77 / 3

HEX #5DF83A

RGB 93 248 58

HSL 108.95, 0.93%, 0.6%

LAB 86.88, -72.41, 73.13

 

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

CMYK 0 / 60 / 77 / 3

HEX #F8633A

RGB 248 99 58

HSL 12.95, 0.93%, 0.6%

LAB 60.95, 54.94, 51.34

 

CMYK 77 / 0 / 60 / 3

HEX #3AF863

RGB 58 248 99

HSL 132.95, 0.93%, 0.6%

LAB 86.47, -74.76, 57.34

 

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

CMYK 0 / 77 / 32 / 3

HEX #F83AA9

RGB 248 58 169

HSL 324.95, 0.93%, 0.6%

LAB 57.89, 77.97, -15.87

 

CMYK 17 / 0 / 77 / 3

HEX #CFF83A

RGB 207 248 58

HSL 72.95, 0.93%, 0.6%

LAB 92, -36.45, 79.76

 

CMYK 77 / 0 / 45 / 3

HEX #3AF889

RGB 58 248 137

HSL 144.95, 0.93%, 0.6%

LAB 86.92, -69.46, 40.38

 

CMYK 59 / 76 / 0 / 3

HEX #653BF8

RGB 101 59 248

HSL 253.33, 0.93%, 0.6%

LAB 42.26, 64.33, -87.24

 

CMYK 0 / 77 / 55 / 3

HEX #F83A70

RGB 248 58 112

HSL 342.95, 0.93%, 0.6%

LAB 56.24, 72.9, 15.36

 

CMYK 17 / 0 / 77 / 3

HEX #CFF83A

RGB 207 248 58

HSL 72.95, 0.93%, 0.6%

LAB 92, -36.45, 79.76

 

CMYK 77 / 0 / 22 / 3

HEX #3AF8C2

RGB 58 248 194

HSL 162.95, 0.93%, 0.6%

LAB 87.93, -58.15, 12.94

 

Description

Color code: HEX #653BF8 | qconv.com Color code: HEX #653BF8 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 59 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 59 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 76 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 76% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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