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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #653493 it is the complementary color #9ACB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #653493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #653493 shade: #6A348E, #7B46A1, #8C58B4, #9D6AC7 and #AE7CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #653493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #653493 shade: #653493, #542280, #43106D, #32005A and #210047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #653493 shade: #653493, #7F3493, #93348E, #933474 and #93345A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #653493 shade: #653493, #4B3493 and #343493

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #653493 shade matches the following richer shades: #653493, #6524A3, #6614B3 and #6603C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #653493 shade: #653493, #644483, #645473, #636463 and #637453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #653493 shade: #343793, #4A3493, #633493, #7D3493 and #933490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #653493 shade: #3B1E56, #502975, #653493, #7A3EB2 and #8E56C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #653493 shade: #653493, #933450 and #34933D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #653493 shade: #653493, #936334 and #349363

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #653493 shade: #653493, #933450, #639334 and #349377

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #653493 shade: #653493, #933434, #639334 and #349393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

Complementary color

CMYK 24 / 0 / 47 / 20

HEX #9ACB6C

RGB 154 203 108

HSL 90.95, 0.48%, 0.61%

LAB 76.48, -32.24, 42.09

 

CMYK 25 / 63 / 0 / 44

HEX #6A348E

RGB 106 52 142

HSL 276, 0.46%, 0.38%

LAB 32.86, 40.6, -40.47

 

CMYK 24 / 57 / 0 / 37

HEX #7B46A1

RGB 123 70 161

HSL 274.95, 0.39%, 0.45%

LAB 39.86, 39.8, -40.68

 

CMYK 22 / 51 / 0 / 29

HEX #8C58B4

RGB 140 88 180

HSL 273.91, 0.38%, 0.53%

LAB 46.78, 38.91, -40.8

 

CMYK 21 / 47 / 0 / 22

HEX #9D6AC7

RGB 157 106 199

HSL 272.9, 0.45%, 0.6%

LAB 53.6, 38.02, -40.86

 

CMYK 20 / 43 / 0 / 15

HEX #AE7CDA

RGB 174 124 218

HSL 271.91, 0.56%, 0.67%

LAB 60.32, 37.18, -40.92

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 34 / 73 / 0 / 50

HEX #542280

RGB 84 34 128

HSL 271.91, 0.58%, 0.32%

LAB 25.53, 41.26, -43.74

 

CMYK 39 / 85 / 0 / 57

HEX #43106D

RGB 67 16 109

HSL 272.9, 0.74%, 0.25%

LAB 18.66, 41.14, -42.85

 

CMYK 44 / 100 / 0 / 65

HEX #32005A

RGB 50 0 90

HSL 273.33, 1%, 0.18%

LAB 12.07, 39.82, -41.18

 

CMYK 54 / 100 / 0 / 72

HEX #210047

RGB 33 0 71

HSL 267.89, 1%, 0.14%

LAB 7.03, 33.13, -36.48

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 14 / 65 / 0 / 42

HEX #7F3493

RGB 127 52 147

HSL 287.37, 0.48%, 0.39%

LAB 36.13, 46.99, -38.14

 

CMYK 0 / 65 / 3 / 42

HEX #93348E

RGB 147 52 142

HSL 303.16, 0.48%, 0.39%

LAB 38.92, 51.17, -30.47

 

CMYK 0 / 65 / 21 / 42

HEX #933474

RGB 147 52 116

HSL 319.58, 0.48%, 0.39%

LAB 37.7, 46.97, -16.31

 

CMYK 0 / 65 / 39 / 42

HEX #93345A

RGB 147 52 90

HSL 336, 0.48%, 0.39%

LAB 36.74, 43.52, -1.34

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 49 / 65 / 0 / 42

HEX #4B3493

RGB 75 52 147

HSL 254.53, 0.48%, 0.39%

LAB 29.56, 34.82, -49.05

 

CMYK 65 / 65 / 0 / 42

HEX #343493

RGB 52 52 147

HSL 240, 0.48%, 0.39%

LAB 27.55, 30.58, -52.41

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 38 / 78 / 0 / 36

HEX #6524A3

RGB 101 36 163

HSL 270.71, 0.64%, 0.39%

LAB 31.05, 52.2, -56.24

 

CMYK 43 / 89 / 0 / 30

HEX #6614B3

RGB 102 20 179

HSL 270.94, 0.8%, 0.39%

LAB 30.83, 61.36, -66.2

 

CMYK 48 / 98 / 0 / 24

HEX #6603C3

RGB 102 3 195

HSL 270.94, 0.97%, 0.39%

LAB 31.42, 67.98, -74.72

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 24 / 48 / 0 / 49

HEX #644483

RGB 100 68 131

HSL 270.48, 0.32%, 0.39%

LAB 34.97, 27.03, -30.38

 

CMYK 13 / 27 / 0 / 55

HEX #645473

RGB 100 84 115

HSL 270.97, 0.16%, 0.39%

LAB 38.35, 13.16, -15.23

 

CMYK 1 / 0 / 1 / 61

HEX #636463

RGB 99 100 99

HSL 120, 0.01%, 0.39%

LAB 42.26, -0.6, 0.42

 

CMYK 15 / 0 / 28 / 55

HEX #637453

RGB 99 116 83

HSL 90.91, 0.17%, 0.39%

LAB 46.67, -12.82, 16.21

 

CMYK 65 / 63 / 0 / 42

HEX #343793

RGB 52 55 147

HSL 238.11, 0.48%, 0.39%

LAB 28.3, 28.63, -51.19

 

CMYK 50 / 65 / 0 / 42

HEX #4A3493

RGB 74 52 147

HSL 253.89, 0.48%, 0.39%

LAB 29.46, 34.61, -49.22

 

CMYK 33 / 65 / 0 / 42

HEX #633493

RGB 99 52 147

HSL 269.68, 0.48%, 0.39%

LAB 32.29, 40.14, -44.5

 

CMYK 15 / 65 / 0 / 42

HEX #7D3493

RGB 125 52 147

HSL 286.11, 0.48%, 0.39%

LAB 35.83, 46.49, -38.62

 

CMYK 0 / 65 / 2 / 42

HEX #933490

RGB 147 52 144

HSL 301.89, 0.48%, 0.39%

LAB 39.02, 51.52, -31.52

 

CMYK 31 / 65 / 0 / 66

HEX #3B1E56

RGB 59 30 86

HSL 271.07, 0.48%, 0.23%

LAB 18.05, 26.37, -28.68

 

CMYK 32 / 65 / 0 / 54

HEX #502975

RGB 80 41 117

HSL 270.79, 0.48%, 0.31%

LAB 25.49, 33.82, -36.85

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 31 / 65 / 0 / 30

HEX #7A3EB2

RGB 122 62 178

HSL 271.03, 0.48%, 0.47%

LAB 39.24, 47.89, -51.8

 

CMYK 28 / 56 / 0 / 23

HEX #8E56C4

RGB 142 86 196

HSL 270.55, 0.48%, 0.55%

LAB 47.48, 44.34, -48.95

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 0 / 65 / 46 / 42

HEX #933450

RGB 147 52 80

HSL 342.32, 0.48%, 0.39%

LAB 36.44, 42.41, 4.61

 

CMYK 65 / 0 / 59 / 42

HEX #34933D

RGB 52 147 61

HSL 125.68, 0.48%, 0.39%

LAB 53.96, -45.97, 36.92

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 0 / 33 / 65 / 42

HEX #936334

RGB 147 99 52

HSL 29.68, 0.48%, 0.39%

LAB 46.14, 14.48, 34.05

 

CMYK 65 / 0 / 33 / 42

HEX #349363

RGB 52 147 99

HSL 149.68, 0.48%, 0.39%

LAB 54.55, -39.4, 17.43

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 0 / 65 / 46 / 42

HEX #933450

RGB 147 52 80

HSL 342.32, 0.48%, 0.39%

LAB 36.44, 42.41, 4.61

 

CMYK 33 / 0 / 65 / 42

HEX #639334

RGB 99 147 52

HSL 90.32, 0.48%, 0.39%

LAB 55.85, -32.5, 43.83

 

CMYK 65 / 0 / 19 / 42

HEX #349377

RGB 52 147 119

HSL 162.32, 0.48%, 0.39%

LAB 55, -34.76, 6.72

 

CMYK 31 / 65 / 0 / 42

HEX #653493

RGB 101 52 147

HSL 270.95, 0.48%, 0.39%

LAB 32.55, 40.62, -44.08

 

CMYK 0 / 65 / 65 / 42

HEX #933434

RGB 147 52 52

HSL 0, 0.48%, 0.39%

LAB 35.8, 40.01, 21.55

 

CMYK 33 / 0 / 65 / 42

HEX #639334

RGB 99 147 52

HSL 90.32, 0.48%, 0.39%

LAB 55.85, -32.5, 43.83

 

CMYK 65 / 0 / 0 / 42

HEX #349393

RGB 52 147 147

HSL 180, 0.48%, 0.39%

LAB 55.79, -27.09, -8.19

 

Description

Color code: HEX #653493 | qconv.com Color code: HEX #653493 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 52 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 52 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 65 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 65% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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