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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #653231 it is the complementary color #9ACDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #653231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #653231 shade: #6A322C, #7B443F, #8C5652, #9D6865 and #AE7A78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #653231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #653231 shade: #653231, #54201E, #430E0B, #320000 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #653231 shade: #643130 and #643030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #653231 shade: #643130, #643F30, #644D30, #645B30 and #5F6430

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #653231 shade matches the following richer shades: #643130, #702624, #7C1A18, #880F0C and #940300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #653231 shade: #643130, #583D3C, #4C4848, #405454 and #345F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #653231 shade: #64304B, #64303D, #643130, #643F30 and #644D30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #653231 shade: #2C1615, #482323, #643130, #803F3D and #9C4C4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #653231 shade: #653231, #596430 and #304464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #653231 shade: #653231, #306431 and #313064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #653231 shade: #653231, #596430, #306364 and #3B3064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #653231 shade: #653231, #496430, #306364 and #4B3064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

Complementary color

CMYK 25 / 0 / 0 / 19

HEX #9ACDCE

RGB 154 205 206

HSL 181.15, 0.35%, 0.71%

LAB 79.03, -16.22, -5.89

 

CMYK 0 / 53 / 58 / 58

HEX #6A322C

RGB 106 50 44

HSL 5.81, 0.41%, 0.29%

LAB 28.19, 24.37, 15.43

 

CMYK 0 / 45 / 49 / 52

HEX #7B443F

RGB 123 68 63

HSL 5, 0.32%, 0.36%

LAB 35.41, 23.05, 13.4

 

CMYK 0 / 39 / 41 / 45

HEX #8C5652

RGB 140 86 82

HSL 4.14, 0.26%, 0.44%

LAB 42.52, 21.89, 11.77

 

CMYK 0 / 34 / 36 / 38

HEX #9D6865

RGB 157 104 101

HSL 3.21, 0.22%, 0.51%

LAB 49.51, 20.89, 10.41

 

CMYK 0 / 30 / 31 / 32

HEX #AE7A78

RGB 174 122 120

HSL 2.22, 0.25%, 0.58%

LAB 56.36, 20.02, 9.23

 

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

CMYK 0 / 62 / 64 / 67

HEX #54201E

RGB 84 32 30

HSL 2.22, 0.47%, 0.22%

LAB 20.09, 24.07, 13.47

 

CMYK 0 / 79 / 84 / 74

HEX #430E0B

RGB 67 14 11

HSL 3.21, 0.72%, 0.15%

LAB 12.81, 25.16, 15.23

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 52 / 52 / 61

HEX #643030

RGB 100 48 48

HSL 0, 0.35%, 0.29%

LAB 26.84, 23.38, 10.83

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 37 / 52 / 61

HEX #643F30

RGB 100 63 48

HSL 17.31, 0.35%, 0.29%

LAB 30.59, 14.28, 15.85

 

CMYK 0 / 23 / 52 / 61

HEX #644D30

RGB 100 77 48

HSL 33.46, 0.35%, 0.29%

LAB 34.46, 5.6, 20.85

 

CMYK 0 / 9 / 52 / 61

HEX #645B30

RGB 100 91 48

HSL 49.62, 0.35%, 0.29%

LAB 38.56, -2.88, 25.95

 

CMYK 5 / 0 / 52 / 61

HEX #5F6430

RGB 95 100 48

HSL 65.77, 0.35%, 0.29%

LAB 40.83, -10.43, 28.59

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 66 / 68 / 56

HEX #702624

RGB 112 38 36

HSL 1.58, 0.51%, 0.29%

LAB 26.62, 32.6, 18.83

 

CMYK 0 / 79 / 81 / 51

HEX #7C1A18

RGB 124 26 24

HSL 1.2, 0.68%, 0.29%

LAB 26.99, 41.3, 27.49

 

CMYK 0 / 89 / 91 / 47

HEX #880F0C

RGB 136 15 12

HSL 1.45, 0.84%, 0.29%

LAB 28.39, 47.76, 36.33

 

CMYK 0 / 98 / 100 / 42

HEX #940300

RGB 148 3 0

HSL 1.22, 1%, 0.29%

LAB 30.31, 52.94, 43.92

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 31 / 32 / 65

HEX #583D3C

RGB 88 61 60

HSL 2.14, 0.19%, 0.29%

LAB 28.74, 11.71, 5.33

 

CMYK 0 / 5 / 5 / 70

HEX #4C4848

RGB 76 72 72

HSL 0, 0.03%, 0.29%

LAB 30.97, 1.67, 0.59

 

CMYK 24 / 0 / 0 / 67

HEX #405454

RGB 64 84 84

HSL 180, 0.14%, 0.29%

LAB 34.13, -7.65, -2.53

 

CMYK 46 / 1 / 0 / 62

HEX #345F60

RGB 52 95 96

HSL 181.36, 0.3%, 0.29%

LAB 37.41, -14.61, -5.25

 

CMYK 0 / 52 / 25 / 61

HEX #64304B

RGB 100 48 75

HSL 328.85, 0.35%, 0.29%

LAB 27.66, 27.06, -5.92

 

CMYK 0 / 52 / 39 / 61

HEX #64303D

RGB 100 48 61

HSL 345, 0.35%, 0.29%

LAB 27.19, 24.97, 2.68

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 37 / 52 / 61

HEX #643F30

RGB 100 63 48

HSL 17.31, 0.35%, 0.29%

LAB 30.59, 14.28, 15.85

 

CMYK 0 / 23 / 52 / 61

HEX #644D30

RGB 100 77 48

HSL 33.46, 0.35%, 0.29%

LAB 34.46, 5.6, 20.85

 

CMYK 0 / 50 / 52 / 83

HEX #2C1615

RGB 44 22 21

HSL 2.61, 0.35%, 0.13%

LAB 10.28, 11.02, 5.47

 

CMYK 0 / 51 / 51 / 72

HEX #482323

RGB 72 35 35

HSL 0, 0.35%, 0.21%

LAB 18.8, 17.53, 7.92

 

CMYK 0 / 51 / 52 / 61

HEX #643130

RGB 100 49 48

HSL 1.15, 0.35%, 0.29%

LAB 27.07, 22.8, 11.15

 

CMYK 0 / 51 / 52 / 50

HEX #803F3D

RGB 128 63 61

HSL 1.79, 0.35%, 0.37%

LAB 34.97, 27.78, 14.19

 

CMYK 0 / 51 / 52 / 39

HEX #9C4C4B

RGB 156 76 75

HSL 0.74, 0.35%, 0.45%

LAB 42.38, 33.18, 16.22

 

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

CMYK 11 / 0 / 52 / 61

HEX #596430

RGB 89 100 48

HSL 72.69, 0.35%, 0.29%

LAB 40.33, -13.15, 27.87

 

CMYK 52 / 32 / 0 / 61

HEX #304464

RGB 48 68 100

HSL 216.92, 0.35%, 0.29%

LAB 28.6, 2.17, -21.23

 

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

CMYK 52 / 0 / 51 / 61

HEX #306431

RGB 48 100 49

HSL 121.15, 0.35%, 0.29%

LAB 37.78, -29.13, 23.6

 

CMYK 51 / 52 / 0 / 61

HEX #313064

RGB 49 48 100

HSL 241.15, 0.35%, 0.29%

LAB 22.61, 16.11, -30.7

 

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

CMYK 11 / 0 / 52 / 61

HEX #596430

RGB 89 100 48

HSL 72.69, 0.35%, 0.29%

LAB 40.33, -13.15, 27.87

 

CMYK 52 / 1 / 0 / 61

HEX #306364

RGB 48 99 100

HSL 181.15, 0.35%, 0.29%

LAB 38.68, -16.73, -5.84

 

CMYK 41 / 52 / 0 / 61

HEX #3B3064

RGB 59 48 100

HSL 252.69, 0.35%, 0.29%

LAB 23.55, 18.85, -29.14

 

CMYK 0 / 50 / 51 / 60

HEX #653231

RGB 101 50 49

HSL 1.15, 0.35%, 0.29%

LAB 27.49, 22.74, 11.09

 

CMYK 27 / 0 / 52 / 61

HEX #496430

RGB 73 100 48

HSL 91.15, 0.35%, 0.29%

LAB 39.15, -20.06, 26.15

 

CMYK 52 / 1 / 0 / 61

HEX #306364

RGB 48 99 100

HSL 181.15, 0.35%, 0.29%

LAB 38.68, -16.73, -5.84

 

CMYK 25 / 52 / 0 / 61

HEX #4B3064

RGB 75 48 100

HSL 271.15, 0.35%, 0.29%

LAB 25.35, 23.67, -26.17

 

Description

Color code: HEX #653231 | qconv.com Color code: HEX #653231 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 50 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 50 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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