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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #653115 it is the complementary color #9ACEEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #653115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #653115 shade: #6A3110, #7B4323, #8C5536, #9D6749 and #AE795C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #653115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #653115 shade: #653115, #541F02, #430D00, #320000 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #653115 shade: #663115, #661B15 and #661515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #653115 shade: #663115, #664715, #665D15, #596615 and #436615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #653115 shade matches the following richer shades: #663115, #6F2E0B and #792B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #653115 shade: #663115, #5C341F, #523729, #483A33 and #3E3D3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #653115 shade: #661524, #661C15, #663115, #664715 and #665C15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #653115 shade: #211007, #43210E, #663115, #88421C and #AA5223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #653115 shade: #653115, #396615 and #151966

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #653115 shade: #653115, #156631 and #311566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #653115 shade: #653115, #396615, #154966 and #411566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #653115 shade: #653115, #216615, #154966 and #591566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

Complementary color

CMYK 34 / 12 / 0 / 8

HEX #9ACEEA

RGB 154 206 234

HSL 201, 0.66%, 0.76%

LAB 80.15, -10.16, -19.23

 

CMYK 0 / 54 / 85 / 58

HEX #6A3110

RGB 106 49 16

HSL 22, 0.74%, 0.24%

LAB 27.57, 23.14, 31.41

 

CMYK 0 / 46 / 72 / 52

HEX #7B4323

RGB 123 67 35

HSL 21.82, 0.56%, 0.31%

LAB 34.69, 21.24, 29.45

 

CMYK 0 / 39 / 61 / 45

HEX #8C5536

RGB 140 85 54

HSL 21.63, 0.44%, 0.38%

LAB 41.75, 19.65, 27.5

 

CMYK 0 / 34 / 54 / 38

HEX #9D6749

RGB 157 103 73

HSL 21.43, 0.37%, 0.45%

LAB 48.7, 18.32, 25.74

 

CMYK 0 / 30 / 47 / 32

HEX #AE795C

RGB 174 121 92

HSL 21.22, 0.34%, 0.52%

LAB 55.53, 17.19, 24.17

 

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

CMYK 0 / 63 / 98 / 67

HEX #541F02

RGB 84 31 2

HSL 21.22, 0.95%, 0.17%

LAB 19.51, 23.1, 28.03

 

CMYK 0 / 81 / 100 / 74

HEX #430D00

RGB 67 13 0

HSL 11.64, 1%, 0.13%

LAB 12.49, 25.08, 19.29

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 74 / 79 / 60

HEX #661B15

RGB 102 27 21

HSL 4.44, 0.66%, 0.24%

LAB 22.52, 33.11, 23.19

 

CMYK 0 / 79 / 79 / 60

HEX #661515

RGB 102 21 21

HSL 0, 0.66%, 0.24%

LAB 21.64, 35.56, 22.2

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 30 / 79 / 60

HEX #664715

RGB 102 71 21

HSL 37.04, 0.66%, 0.24%

LAB 32.67, 8.13, 33.73

 

CMYK 0 / 9 / 79 / 60

HEX #665D15

RGB 102 93 21

HSL 53.33, 0.66%, 0.24%

LAB 39.08, -5.15, 39.89

 

CMYK 13 / 0 / 79 / 60

HEX #596615

RGB 89 102 21

HSL 69.63, 0.66%, 0.24%

LAB 40.7, -16.46, 41

 

CMYK 34 / 0 / 79 / 60

HEX #436615

RGB 67 102 21

HSL 85.93, 0.66%, 0.24%

LAB 39.16, -26.17, 38.98

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 59 / 90 / 56

HEX #6F2E0B

RGB 111 46 11

HSL 21, 0.82%, 0.24%

LAB 27.73, 26.85, 34.21

 

CMYK 0 / 64 / 99 / 53

HEX #792B01

RGB 121 43 1

HSL 21, 0.98%, 0.24%

LAB 28.89, 32.32, 40

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 43 / 66 / 64

HEX #5C341F

RGB 92 52 31

HSL 20.66, 0.5%, 0.24%

LAB 26.25, 15.76, 20.8

 

CMYK 0 / 33 / 50 / 68

HEX #523729

RGB 82 55 41

HSL 20.49, 0.33%, 0.24%

LAB 25.82, 10.11, 13.6

 

CMYK 0 / 19 / 29 / 72

HEX #483A33

RGB 72 58 51

HSL 20, 0.17%, 0.24%

LAB 25.69, 4.89, 6.66

 

CMYK 0 / 2 / 3 / 76

HEX #3E3D3C

RGB 62 61 60

HSL 30, 0.02%, 0.24%

LAB 25.83, 0.21, 0.76

 

CMYK 0 / 79 / 65 / 60

HEX #661524

RGB 102 21 36

HSL 348.89, 0.66%, 0.24%

LAB 21.9, 36.44, 12.38

 

CMYK 0 / 73 / 79 / 60

HEX #661C15

RGB 102 28 21

HSL 5.19, 0.66%, 0.24%

LAB 22.69, 32.67, 23.37

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 30 / 79 / 60

HEX #664715

RGB 102 71 21

HSL 37.04, 0.66%, 0.24%

LAB 32.67, 8.13, 33.73

 

CMYK 0 / 10 / 79 / 60

HEX #665C15

RGB 102 92 21

HSL 52.59, 0.66%, 0.24%

LAB 38.78, -4.57, 39.61

 

CMYK 0 / 52 / 79 / 87

HEX #211007

RGB 33 16 7

HSL 20.77, 0.65%, 0.08%

LAB 6.41, 7.24, 6.85

 

CMYK 0 / 51 / 79 / 74

HEX #43210E

RGB 67 33 14

HSL 21.51, 0.65%, 0.16%

LAB 17.05, 14.46, 19.28

 

CMYK 0 / 52 / 79 / 60

HEX #663115

RGB 102 49 21

HSL 20.74, 0.66%, 0.24%

LAB 26.95, 21.56, 27.93

 

CMYK 0 / 51 / 79 / 47

HEX #88421C

RGB 136 66 28

HSL 21.11, 0.66%, 0.32%

LAB 36.39, 27.15, 35.63

 

CMYK 0 / 52 / 79 / 33

HEX #AA5223

RGB 170 82 35

HSL 20.89, 0.66%, 0.4%

LAB 45.22, 33, 42.71

 

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

CMYK 44 / 0 / 79 / 60

HEX #396615

RGB 57 102 21

HSL 93.33, 0.66%, 0.24%

LAB 38.6, -30.09, 38.25

 

CMYK 79 / 75 / 0 / 60

HEX #151966

RGB 21 25 102

HSL 237.04, 0.66%, 0.24%

LAB 14.48, 27.6, -45.32

 

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

CMYK 79 / 0 / 52 / 60

HEX #156631

RGB 21 102 49

HSL 140.74, 0.66%, 0.24%

LAB 37.63, -36.44, 23.23

 

CMYK 52 / 79 / 0 / 60

HEX #311566

RGB 49 21 102

HSL 260.74, 0.66%, 0.24%

LAB 16.25, 33.94, -42.32

 

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

CMYK 44 / 0 / 79 / 60

HEX #396615

RGB 57 102 21

HSL 93.33, 0.66%, 0.24%

LAB 38.6, -30.09, 38.25

 

CMYK 79 / 28 / 0 / 60

HEX #154966

RGB 21 73 102

HSL 201.48, 0.66%, 0.24%

LAB 29.12, -6.01, -21.79

 

CMYK 36 / 79 / 0 / 60

HEX #411566

RGB 65 21 102

HSL 272.59, 0.66%, 0.24%

LAB 18.45, 36.92, -38.63

 

CMYK 0 / 51 / 79 / 60

HEX #653115

RGB 101 49 21

HSL 21, 0.66%, 0.24%

LAB 26.78, 21.1, 27.71

 

CMYK 68 / 0 / 79 / 60

HEX #216615

RGB 33 102 21

HSL 111.11, 0.66%, 0.24%

LAB 37.63, -37.59, 36.97

 

CMYK 79 / 28 / 0 / 60

HEX #154966

RGB 21 73 102

HSL 201.48, 0.66%, 0.24%

LAB 29.12, -6.01, -21.79

 

CMYK 13 / 79 / 0 / 60

HEX #591566

RGB 89 21 102

HSL 290.37, 0.66%, 0.24%

LAB 22.37, 42.03, -32.1

 

Description

Color code: HEX #653115 | qconv.com Color code: HEX #653115 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 49 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 49 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 79 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 79% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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