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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #652CD8 it is the complementary color #9AD327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #652CD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #652CD8 shade: #6A2CD3, #7B3EE6, #8C50F9, #9D62FF and #AE74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #652CD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #652CD8 shade: #652CD8, #541AC5, #4308B2, #32009F and #21008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #652CD8 shade: #642BD8, #932BD8, #C12BD8, #D82BC0 and #D82B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #652CD8 shade: #642BD8, #362BD8 and #2B2BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #652CD8 shade matches the following richer shades: #642BD8 and #5E17EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #652CD8 shade: #642BD8, #6B40C4, #7254AF, #79689B and #807C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #652CD8 shade: #2B51D8, #342BD8, #622BD8, #902BD8 and #BE2BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #652CD8 shade: #441B96, #5321B8, #642BD8, #7E4EDE and #9771E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #652CD8 shade: #652CD8, #D82B7F and #3AD82B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #652CD8 shade: #652CD8, #D8622B and #2BD862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #652CD8 shade: #652CD8, #D82B7F, #A1D82B and #2BD884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #652CD8 shade: #652CD8, #D82B4B, #A1D82B and #2BD8B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

Complementary color

CMYK 27 / 0 / 82 / 17

HEX #9AD327

RGB 154 211 39

HSL 79.88, 0.69%, 0.49%

LAB 78.23, -41.13, 71.29

 

CMYK 50 / 79 / 0 / 17

HEX #6A2CD3

RGB 106 44 211

HSL 262.28, 0.65%, 0.5%

LAB 37.06, 61.61, -74.73

 

CMYK 47 / 73 / 0 / 10

HEX #7B3EE6

RGB 123 62 230

HSL 261.79, 0.77%, 0.57%

LAB 43.31, 61.12, -75.28

 

CMYK 44 / 68 / 0 / 2

HEX #8C50F9

RGB 140 80 249

HSL 261.3, 0.93%, 0.65%

LAB 49.68, 60.26, -75.49

 

CMYK 38 / 62 / 0 / 0

HEX #9D62FF

RGB 157 98 255

HSL 262.55, 1%, 0.69%

LAB 55.2, 55.95, -69.79

 

CMYK 32 / 55 / 0 / 0

HEX #AE74FF

RGB 174 116 255

HSL 265.04, 1%, 0.73%

LAB 60.52, 50.24, -61.13

 

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

CMYK 57 / 87 / 0 / 23

HEX #541AC5

RGB 84 26 197

HSL 260.35, 0.77%, 0.44%

LAB 31.01, 62.09, -76.64

 

CMYK 62 / 96 / 0 / 30

HEX #4308B2

RGB 67 8 178

HSL 260.82, 0.91%, 0.36%

LAB 25.51, 60.53, -74.55

 

CMYK 69 / 100 / 0 / 38

HEX #32009F

RGB 50 0 159

HSL 258.87, 1%, 0.31%

LAB 20.76, 56.73, -70.99

 

CMYK 76 / 100 / 0 / 45

HEX #21008C

RGB 33 0 140

HSL 254.14, 1%, 0.27%

LAB 16.59, 51.29, -66.21

 

CMYK 54 / 80 / 0 / 15

HEX #642BD8

RGB 100 43 216

HSL 259.77, 0.69%, 0.51%

LAB 36.73, 62.54, -78.17

 

CMYK 32 / 80 / 0 / 15

HEX #932BD8

RGB 147 43 216

HSL 276.07, 0.69%, 0.51%

LAB 42.6, 69.03, -68.34

 

CMYK 11 / 80 / 0 / 15

HEX #C12BD8

RGB 193 43 216

HSL 292.02, 0.69%, 0.51%

LAB 49.52, 76.81, -56.79

 

CMYK 0 / 80 / 11 / 15

HEX #D82BC0

RGB 216 43 192

HSL 308.32, 0.69%, 0.51%

LAB 51.99, 77.54, -38.83

 

CMYK 0 / 80 / 33 / 15

HEX #D82B91

RGB 216 43 145

HSL 324.62, 0.69%, 0.51%

LAB 49.94, 71.72, -14.28

 

CMYK 54 / 80 / 0 / 15

HEX #642BD8

RGB 100 43 216

HSL 259.77, 0.69%, 0.51%

LAB 36.73, 62.54, -78.17

 

CMYK 75 / 80 / 0 / 15

HEX #362BD8

RGB 54 43 216

HSL 243.82, 0.69%, 0.51%

LAB 32.85, 58.3, -84.71

 

CMYK 80 / 80 / 0 / 15

HEX #2B2BD8

RGB 43 43 216

HSL 240, 0.69%, 0.51%

LAB 32.26, 57.65, -85.72

 

CMYK 54 / 80 / 0 / 15

HEX #642BD8

RGB 100 43 216

HSL 259.77, 0.69%, 0.51%

LAB 36.73, 62.54, -78.17

 

CMYK 60 / 90 / 0 / 7

HEX #5E17EC

RGB 94 23 236

HSL 260, 0.85%, 0.51%

LAB 36.08, 73.23, -90.72

 

CMYK 54 / 80 / 0 / 15

HEX #642BD8

RGB 100 43 216

HSL 259.77, 0.69%, 0.51%

LAB 36.73, 62.54, -78.17

 

CMYK 45 / 67 / 0 / 23

HEX #6B40C4

RGB 107 64 196

HSL 259.55, 0.53%, 0.51%

LAB 39.2, 48.44, -62.51

 

CMYK 35 / 52 / 0 / 31

HEX #7254AF

RGB 114 84 175

HSL 259.78, 0.36%, 0.51%

LAB 42.78, 32.94, -44.39

 

CMYK 22 / 33 / 0 / 39

HEX #79689B

RGB 121 104 155

HSL 260, 0.2%, 0.51%

LAB 47.41, 17.77, -25.26

 

CMYK 5 / 8 / 0 / 47

HEX #807C87

RGB 128 124 135

HSL 261.82, 0.04%, 0.51%

LAB 52.68, 3.74, -5.43

 

CMYK 80 / 63 / 0 / 15

HEX #2B51D8

RGB 43 81 216

HSL 226.82, 0.69%, 0.51%

LAB 40.17, 35.85, -72.66

 

CMYK 76 / 80 / 0 / 15

HEX #342BD8

RGB 52 43 216

HSL 243.12, 0.69%, 0.51%

LAB 32.74, 58.17, -84.91

 

CMYK 55 / 80 / 0 / 15

HEX #622BD8

RGB 98 43 216

HSL 259.08, 0.69%, 0.51%

LAB 36.52, 62.31, -78.53

 

CMYK 33 / 80 / 0 / 15

HEX #902BD8

RGB 144 43 216

HSL 275.03, 0.69%, 0.51%

LAB 42.18, 68.57, -69.04

 

CMYK 12 / 80 / 0 / 15

HEX #BE2BD8

RGB 190 43 216

HSL 290.98, 0.69%, 0.51%

LAB 49.05, 76.27, -57.58

 

CMYK 55 / 82 / 0 / 41

HEX #441B96

RGB 68 27 150

HSL 260, 0.69%, 0.35%

LAB 24.37, 47.65, -59.42

 

CMYK 55 / 82 / 0 / 28

HEX #5321B8

RGB 83 33 184

HSL 259.87, 0.7%, 0.43%

LAB 30.37, 56.17, -70.02

 

CMYK 54 / 80 / 0 / 15

HEX #642BD8

RGB 100 43 216

HSL 259.77, 0.69%, 0.51%

LAB 36.73, 62.54, -78.17

 

CMYK 43 / 65 / 0 / 13

HEX #7E4EDE

RGB 126 78 222

HSL 260, 0.69%, 0.59%

LAB 45.85, 51.67, -66.58

 

CMYK 34 / 51 / 0 / 10

HEX #9771E5

RGB 151 113 229

HSL 259.66, 0.69%, 0.67%

LAB 56.13, 39.82, -53.85

 

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

CMYK 0 / 80 / 41 / 15

HEX #D82B7F

RGB 216 43 127

HSL 330.87, 0.69%, 0.51%

LAB 49.32, 69.9, -4.35

 

CMYK 73 / 0 / 80 / 15

HEX #3AD82B

RGB 58 216 43

HSL 114.8, 0.69%, 0.51%

LAB 76.18, -69.73, 67.04

 

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

CMYK 0 / 55 / 80 / 15

HEX #D8622B

RGB 216 98 43

HSL 19.08, 0.69%, 0.51%

LAB 55.59, 43.27, 51.45

 

CMYK 80 / 0 / 55 / 15

HEX #2BD862

RGB 43 216 98

HSL 139.08, 0.69%, 0.51%

LAB 76.38, -66.46, 45.89

 

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

CMYK 0 / 80 / 41 / 15

HEX #D82B7F

RGB 216 43 127

HSL 330.87, 0.69%, 0.51%

LAB 49.32, 69.9, -4.35

 

CMYK 25 / 0 / 80 / 15

HEX #A1D82B

RGB 161 216 43

HSL 79.08, 0.69%, 0.51%

LAB 80.1, -40.51, 72.07

 

CMYK 80 / 0 / 39 / 15

HEX #2BD884

RGB 43 216 132

HSL 150.87, 0.69%, 0.51%

LAB 76.86, -60.88, 29.72

 

CMYK 53 / 80 / 0 / 15

HEX #652CD8

RGB 101 44 216

HSL 259.88, 0.69%, 0.51%

LAB 36.98, 62.26, -77.77

 

CMYK 0 / 80 / 65 / 15

HEX #D82B4B

RGB 216 43 75

HSL 348.9, 0.69%, 0.51%

LAB 48.05, 66.05, 25.63

 

CMYK 25 / 0 / 80 / 15

HEX #A1D82B

RGB 161 216 43

HSL 79.08, 0.69%, 0.51%

LAB 80.1, -40.51, 72.07

 

CMYK 80 / 0 / 15 / 15

HEX #2BD8B8

RGB 43 216 184

HSL 168.9, 0.69%, 0.51%

LAB 77.93, -49.21, 3.84

 

Description

Color code: HEX #652CD8 | qconv.com Color code: HEX #652CD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 44 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 44 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 80 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 80% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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