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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65223A it is the complementary color #9ADDC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65223A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65223A shade: #6A2235, #7B3448, #8C465B, #9D586E and #AE6A81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65223A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65223A shade: #65223A, #541027, #430014, #320001 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65223A shade: #632139, #632127 and #632121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65223A shade: #632139, #63214B, #63215D, #582163 and #462163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65223A shade matches the following richer shades: #632139, #6E1636, #790C33 and #840130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65223A shade: #632139, #592C3C, #4E373F, #434142 and #394C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65223A shade: #63215D, #63214B, #632139, #632128 and #632C21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65223A shade: #260D15, #451727, #632139, #822B4B and #A1365C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65223A shade: #65223A, #635821 and #215463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65223A shade: #65223A, #396321 and #213963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65223A shade: #65223A, #635821, #21634B and #212C63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65223A shade: #65223A, #5B6321, #21634B and #2A2163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

Complementary color

CMYK 30 / 0 / 11 / 13

HEX #9ADDC5

RGB 154 221 197

HSL 158.51, 0.5%, 0.74%

LAB 83.24, -26.13, 5.05

 

CMYK 0 / 68 / 50 / 58

HEX #6A2235

RGB 106 34 53

HSL 344.17, 0.51%, 0.27%

LAB 25.15, 33.77, 5.29

 

CMYK 0 / 58 / 41 / 52

HEX #7B3448

RGB 123 52 72

HSL 343.1, 0.41%, 0.34%

LAB 32.11, 33.04, 3.02

 

CMYK 0 / 50 / 35 / 45

HEX #8C465B

RGB 140 70 91

HSL 342, 0.33%, 0.41%

LAB 39.09, 32.11, 1.33

 

CMYK 0 / 44 / 30 / 38

HEX #9D586E

RGB 157 88 110

HSL 340.87, 0.28%, 0.48%

LAB 46.01, 31.16, -0.01

 

CMYK 0 / 39 / 26 / 32

HEX #AE6A81

RGB 174 106 129

HSL 339.71, 0.3%, 0.55%

LAB 52.83, 30.25, -1.13

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 0 / 81 / 54 / 67

HEX #541027

RGB 84 16 39

HSL 339.71, 0.68%, 0.2%

LAB 17.47, 32.61, 3.55

 

CMYK 0 / 100 / 70 / 74

HEX #430014

RGB 67 0 20

HSL 342.09, 1%, 0.13%

LAB 10.88, 31.67, 7.69

 

CMYK 0 / 100 / 98 / 80

HEX #320001

RGB 50 0 1

HSL 358.8, 1%, 0.1%

LAB 6.15, 24.76, 9.3

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 67 / 61 / 61

HEX #632127

RGB 99 33 39

HSL 354.55, 0.5%, 0.26%

LAB 23.29, 30.33, 12.06

 

CMYK 0 / 67 / 67 / 61

HEX #632121

RGB 99 33 33

HSL 0, 0.5%, 0.26%

LAB 23.17, 29.85, 15.95

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 67 / 24 / 61

HEX #63214B

RGB 99 33 75

HSL 321.82, 0.5%, 0.26%

LAB 24.48, 34.71, -10.75

 

CMYK 0 / 67 / 6 / 61

HEX #63215D

RGB 99 33 93

HSL 305.45, 0.5%, 0.26%

LAB 25.35, 37.77, -21.36

 

CMYK 11 / 67 / 0 / 61

HEX #582163

RGB 88 33 99

HSL 290, 0.5%, 0.26%

LAB 23.88, 35.88, -27.74

 

CMYK 29 / 67 / 0 / 61

HEX #462163

RGB 70 33 99

HSL 273.64, 0.5%, 0.26%

LAB 21.17, 31.06, -32.22

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 80 / 51 / 57

HEX #6E1636

RGB 110 22 54

HSL 338.18, 0.67%, 0.26%

LAB 24.18, 40.16, 3.33

 

CMYK 0 / 90 / 58 / 53

HEX #790C33

RGB 121 12 51

HSL 338.53, 0.82%, 0.26%

LAB 25.46, 45.87, 7.54

 

CMYK 0 / 99 / 64 / 48

HEX #840130

RGB 132 1 48

HSL 338.47, 0.98%, 0.26%

LAB 27.13, 50.6, 12.27

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 51 / 33 / 65

HEX #592C3C

RGB 89 44 60

HSL 338.67, 0.34%, 0.26%

LAB 24.49, 22.75, -0.79

 

CMYK 0 / 29 / 19 / 69

HEX #4E373F

RGB 78 55 63

HSL 339.13, 0.17%, 0.26%

LAB 25.89, 11.7, -0.92

 

CMYK 0 / 3 / 1 / 74

HEX #434142

RGB 67 65 66

HSL 330, 0.02%, 0.26%

LAB 27.76, 1.07, -0.31

 

CMYK 25 / 0 / 9 / 70

HEX #394C45

RGB 57 76 69

HSL 157.89, 0.14%, 0.26%

LAB 30.56, -9.14, 1.73

 

CMYK 0 / 67 / 6 / 61

HEX #63215D

RGB 99 33 93

HSL 305.45, 0.5%, 0.26%

LAB 25.35, 37.77, -21.36

 

CMYK 0 / 67 / 24 / 61

HEX #63214B

RGB 99 33 75

HSL 321.82, 0.5%, 0.26%

LAB 24.48, 34.71, -10.75

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 67 / 60 / 61

HEX #632128

RGB 99 33 40

HSL 353.64, 0.5%, 0.26%

LAB 23.32, 30.42, 11.41

 

CMYK 0 / 56 / 67 / 61

HEX #632C21

RGB 99 44 33

HSL 10, 0.5%, 0.26%

LAB 25.45, 23.89, 18.82

 

CMYK 0 / 66 / 45 / 85

HEX #260D15

RGB 38 13 21

HSL 340.8, 0.49%, 0.1%

LAB 6.81, 14.04, 0.33

 

CMYK 0 / 67 / 43 / 73

HEX #451727

RGB 69 23 39

HSL 339.13, 0.5%, 0.18%

LAB 15.62, 23.94, 0.49

 

CMYK 0 / 67 / 42 / 61

HEX #632139

RGB 99 33 57

HSL 338.18, 0.5%, 0.26%

LAB 23.79, 32.21, 0.44

 

CMYK 0 / 67 / 42 / 49

HEX #822B4B

RGB 130 43 75

HSL 337.93, 0.5%, 0.34%

LAB 31.76, 40.26, 0.71

 

CMYK 0 / 66 / 43 / 37

HEX #A1365C

RGB 161 54 92

HSL 338.69, 0.5%, 0.42%

LAB 39.56, 47.38, 1.81

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 0 / 11 / 67 / 61

HEX #635821

RGB 99 88 33

HSL 50, 0.5%, 0.26%

LAB 37.38, -2.93, 32.65

 

CMYK 67 / 15 / 0 / 61

HEX #215463

RGB 33 84 99

HSL 193.64, 0.5%, 0.26%

LAB 33.06, -11.83, -13.76

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 42 / 0 / 67 / 61

HEX #396321

RGB 57 99 33

HSL 98.18, 0.5%, 0.26%

LAB 37.67, -27.66, 32.05

 

CMYK 67 / 42 / 0 / 61

HEX #213963

RGB 33 57 99

HSL 218.18, 0.5%, 0.26%

LAB 24.16, 5.63, -27.64

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 0 / 11 / 67 / 61

HEX #635821

RGB 99 88 33

HSL 50, 0.5%, 0.26%

LAB 37.38, -2.93, 32.65

 

CMYK 67 / 0 / 24 / 61

HEX #21634B

RGB 33 99 75

HSL 158.18, 0.5%, 0.26%

LAB 37.4, -27.19, 7.59

 

CMYK 67 / 56 / 0 / 61

HEX #212C63

RGB 33 44 99

HSL 230, 0.5%, 0.26%

LAB 20.15, 14.87, -34.07

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 8 / 0 / 67 / 61

HEX #5B6321

RGB 91 99 33

HSL 67.27, 0.5%, 0.26%

LAB 40.01, -13.1, 35.27

 

CMYK 67 / 0 / 24 / 61

HEX #21634B

RGB 33 99 75

HSL 158.18, 0.5%, 0.26%

LAB 37.4, -27.19, 7.59

 

CMYK 58 / 67 / 0 / 61

HEX #2A2163

RGB 42 33 99

HSL 248.18, 0.5%, 0.26%

LAB 17.83, 24.4, -37.79

 

Description

Color code: HEX #65223A | qconv.com Color code: HEX #65223A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 34 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 34 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 43 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 43% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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