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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #651FE3 it is the complementary color #9AE01C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #651FE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #651FE3 shade: #6A1FDE, #7B31F1, #8C43FF, #9D55FF and #AE67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #651FE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #651FE3 shade: #651FE3, #540DD0, #4300BD, #3200AA and #210097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #651FE3 shade: #6621E4, #9B21E4, #CF21E4, #E421C3 and #E4218F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #651FE3 shade: #6621E4, #3221E4 and #2121E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #651FE3 shade matches the following richer shades: #6621E4 and #600CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #651FE3 shade: #6621E4, #6C35CF, #7249BB, #785DA7 and #7D7193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #651FE3 shade: #2144E4, #3121E4, #6521E4, #9921E4 and #CD21E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #651FE3 shade: #45149E, #5518C3, #6621E4, #7F45E8 and #996AED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #651FE3 shade: #651FE3, #E42178 and #2AE421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #651FE3 shade: #651FE3, #E46521 and #21E465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #651FE3 shade: #651FE3, #E42178, #9FE421 and #21E48C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #651FE3 shade: #651FE3, #E4213E, #9FE421 and #21E4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

Complementary color

CMYK 31 / 0 / 88 / 12

HEX #9AE01C

RGB 154 224 28

HSL 81.43, 0.78%, 0.49%

LAB 81.98, -47.04, 76.89

 

CMYK 52 / 86 / 0 / 13

HEX #6A1FDE

RGB 106 31 222

HSL 263.56, 0.75%, 0.5%

LAB 36.59, 68.81, -81.84

 

CMYK 49 / 80 / 0 / 5

HEX #7B31F1

RGB 123 49 241

HSL 263.13, 0.87%, 0.57%

LAB 42.4, 69.26, -83

 

CMYK 45 / 74 / 0 / 0

HEX #8C43FF

RGB 140 67 255

HSL 263.3, 1%, 0.63%

LAB 48.02, 67.75, -81.55

 

CMYK 38 / 67 / 0 / 0

HEX #9D55FF

RGB 157 85 255

HSL 265.41, 1%, 0.67%

LAB 52.82, 62.42, -73.64

 

CMYK 32 / 60 / 0 / 0

HEX #AE67FF

RGB 174 103 255

HSL 268.03, 1%, 0.7%

LAB 57.96, 57.01, -65.24

 

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

CMYK 60 / 94 / 0 / 18

HEX #540DD0

RGB 84 13 208

HSL 261.85, 0.88%, 0.43%

LAB 31.18, 67.96, -82.79

 

CMYK 65 / 100 / 0 / 26

HEX #4300BD

RGB 67 0 189

HSL 261.27, 1%, 0.37%

LAB 26.35, 64.74, -79.69

 

CMYK 71 / 100 / 0 / 33

HEX #3200AA

RGB 50 0 170

HSL 257.65, 1%, 0.33%

LAB 22.23, 59.42, -75.23

 

CMYK 78 / 100 / 0 / 41

HEX #210097

RGB 33 0 151

HSL 253.11, 1%, 0.3%

LAB 18.18, 54.1, -70.41

 

CMYK 55 / 86 / 0 / 11

HEX #6621E4

RGB 102 33 228

HSL 261.23, 0.78%, 0.51%

LAB 36.96, 69.27, -84.68

 

CMYK 32 / 86 / 0 / 11

HEX #9B21E4

RGB 155 33 228

HSL 277.54, 0.78%, 0.51%

LAB 43.74, 75.46, -73.28

 

CMYK 9 / 86 / 0 / 11

HEX #CF21E4

RGB 207 33 228

HSL 293.54, 0.78%, 0.51%

LAB 51.79, 83.39, -59.86

 

CMYK 0 / 86 / 14 / 11

HEX #E421C3

RGB 228 33 195

HSL 310.15, 0.78%, 0.51%

LAB 53.52, 82.37, -38.01

 

CMYK 0 / 86 / 37 / 11

HEX #E4218F

RGB 228 33 143

HSL 326.15, 0.78%, 0.51%

LAB 51.34, 76.44, -10.75

 

CMYK 55 / 86 / 0 / 11

HEX #6621E4

RGB 102 33 228

HSL 261.23, 0.78%, 0.51%

LAB 36.96, 69.27, -84.68

 

CMYK 78 / 86 / 0 / 11

HEX #3221E4

RGB 50 33 228

HSL 245.23, 0.78%, 0.51%

LAB 32.63, 65.68, -91.99

 

CMYK 86 / 86 / 0 / 11

HEX #2121E4

RGB 33 33 228

HSL 240, 0.78%, 0.51%

LAB 31.84, 65.06, -93.33

 

CMYK 55 / 86 / 0 / 11

HEX #6621E4

RGB 102 33 228

HSL 261.23, 0.78%, 0.51%

LAB 36.96, 69.27, -84.68

 

CMYK 61 / 95 / 0 / 3

HEX #600CF8

RGB 96 12 248

HSL 261.36, 0.94%, 0.51%

LAB 36.98, 78.16, -96

 

CMYK 55 / 86 / 0 / 11

HEX #6621E4

RGB 102 33 228

HSL 261.23, 0.78%, 0.51%

LAB 36.96, 69.27, -84.68

 

CMYK 48 / 74 / 0 / 19

HEX #6C35CF

RGB 108 53 207

HSL 261.43, 0.62%, 0.51%

LAB 38.27, 56.99, -70.42

 

CMYK 39 / 61 / 0 / 27

HEX #7249BB

RGB 114 73 187

HSL 261.58, 0.46%, 0.51%

LAB 41.11, 42.53, -54.13

 

CMYK 28 / 44 / 0 / 35

HEX #785DA7

RGB 120 93 167

HSL 261.89, 0.3%, 0.51%

LAB 45.1, 27.12, -35.96

 

CMYK 15 / 23 / 0 / 42

HEX #7D7193

RGB 125 113 147

HSL 261.18, 0.14%, 0.51%

LAB 49.83, 11.79, -16.78

 

CMYK 86 / 70 / 0 / 11

HEX #2144E4

RGB 33 68 228

HSL 229.23, 0.78%, 0.51%

LAB 37.95, 47.5, -83.19

 

CMYK 79 / 86 / 0 / 11

HEX #3121E4

RGB 49 33 228

HSL 244.92, 0.78%, 0.51%

LAB 32.57, 65.64, -92.08

 

CMYK 56 / 86 / 0 / 11

HEX #6521E4

RGB 101 33 228

HSL 260.92, 0.78%, 0.51%

LAB 36.85, 69.18, -84.86

 

CMYK 33 / 86 / 0 / 11

HEX #9921E4

RGB 153 33 228

HSL 276.92, 0.78%, 0.51%

LAB 43.45, 75.19, -73.77

 

CMYK 10 / 86 / 0 / 11

HEX #CD21E4

RGB 205 33 228

HSL 292.92, 0.78%, 0.51%

LAB 51.46, 83.06, -60.4

 

CMYK 56 / 87 / 0 / 38

HEX #45149E

RGB 69 20 158

HSL 261.3, 0.78%, 0.35%

LAB 24.43, 52.57, -64.22

 

CMYK 56 / 88 / 0 / 24

HEX #5518C3

RGB 85 24 195

HSL 261.4, 0.78%, 0.43%

LAB 30.7, 62.28, -75.97

 

CMYK 55 / 86 / 0 / 11

HEX #6621E4

RGB 102 33 228

HSL 261.23, 0.78%, 0.51%

LAB 36.96, 69.27, -84.68

 

CMYK 45 / 70 / 0 / 9

HEX #7F45E8

RGB 127 69 232

HSL 261.35, 0.78%, 0.59%

LAB 45.07, 59, -73.52

 

CMYK 35 / 55 / 0 / 7

HEX #996AED

RGB 153 106 237

HSL 261.53, 0.78%, 0.67%

LAB 55.27, 46.25, -59.69

 

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

CMYK 0 / 86 / 47 / 11

HEX #E42178

RGB 228 33 120

HSL 333.23, 0.78%, 0.51%

LAB 50.61, 74.39, 2.06

 

CMYK 82 / 0 / 86 / 11

HEX #2AE421

RGB 42 228 33

HSL 117.23, 0.78%, 0.51%

LAB 79.66, -75.84, 72.54

 

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

CMYK 0 / 56 / 86 / 11

HEX #E46521

RGB 228 101 33

HSL 20.92, 0.78%, 0.51%

LAB 57.95, 46.07, 58.39

 

CMYK 86 / 0 / 56 / 11

HEX #21E465

RGB 33 228 101

HSL 140.92, 0.78%, 0.51%

LAB 80.04, -70.83, 48.86

 

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

CMYK 0 / 86 / 47 / 11

HEX #E42178

RGB 228 33 120

HSL 333.23, 0.78%, 0.51%

LAB 50.61, 74.39, 2.06

 

CMYK 30 / 0 / 86 / 11

HEX #9FE421

RGB 159 228 33

HSL 81.23, 0.78%, 0.51%

LAB 83.43, -46.77, 77.26

 

CMYK 86 / 0 / 39 / 11

HEX #21E48C

RGB 33 228 140

HSL 152.92, 0.78%, 0.51%

LAB 80.57, -64.47, 30.55

 

CMYK 56 / 86 / 0 / 11

HEX #651FE3

RGB 101 31 227

HSL 261.43, 0.78%, 0.51%

LAB 36.54, 69.54, -84.8

 

CMYK 0 / 86 / 73 / 11

HEX #E4213E

RGB 228 33 62

HSL 351.08, 0.78%, 0.51%

LAB 49.41, 70.92, 35.6

 

CMYK 30 / 0 / 86 / 11

HEX #9FE421

RGB 159 228 33

HSL 81.23, 0.78%, 0.51%

LAB 83.43, -46.77, 77.26

 

CMYK 86 / 0 / 13 / 11

HEX #21E4C6

RGB 33 228 198

HSL 170.77, 0.78%, 0.51%

LAB 81.78, -51.3, 1.97

 

Description

Color code: HEX #651FE3 | qconv.com Color code: HEX #651FE3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 31 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 31 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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