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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #651B7B it is the complementary color #9AE484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #651B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #651B7B shade: #6A1B76, #7B2D89, #8C3F9C, #9D51AF and #AE63C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #651B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #651B7B shade: #651B7B, #540968, #430055, #320042 and #21002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #651B7B shade: #641B79, #791B75, #791B5C, #791B42 and #791B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #651B7B shade: #641B79, #4A1B79, #311B79 and #1B1B79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #651B7B shade matches the following richer shades: #641B79, #6A0F85 and #710391

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #651B7B shade: #641B79, #5D276D, #573361, #503F55 and #4A4A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #651B7B shade: #311B79, #4A1B79, #631B79, #791B76 and #791B5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #651B7B shade: #2C0C36, #481357, #641B79, #7F229B and #9B29BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #651B7B shade: #651B7B, #791B1E and #1B793D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #651B7B shade: #651B7B, #79631B and #1B7963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #651B7B shade: #651B7B, #791B1E, #31791B and #1B7976

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #651B7B shade: #651B7B, #79341B, #31791B and #1B6079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

Complementary color

CMYK 32 / 0 / 42 / 11

HEX #9AE484

RGB 154 228 132

HSL 106.25, 0.64%, 0.71%

LAB 83.98, -40.56, 39.68

 

CMYK 10 / 77 / 0 / 54

HEX #6A1B76

RGB 106 27 118

HSL 292.09, 0.63%, 0.28%

LAB 27.17, 46.8, -34.57

 

CMYK 10 / 67 / 0 / 46

HEX #7B2D89

RGB 123 45 137

HSL 290.87, 0.51%, 0.36%

LAB 33.76, 47.17, -35.81

 

CMYK 10 / 60 / 0 / 39

HEX #8C3F9C

RGB 140 63 156

HSL 289.68, 0.42%, 0.43%

LAB 40.46, 46.89, -36.59

 

CMYK 10 / 54 / 0 / 31

HEX #9D51AF

RGB 157 81 175

HSL 288.51, 0.37%, 0.5%

LAB 47.17, 46.3, -37.11

 

CMYK 10 / 49 / 0 / 24

HEX #AE63C2

RGB 174 99 194

HSL 287.37, 0.44%, 0.57%

LAB 53.83, 45.58, -37.5

 

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

CMYK 19 / 91 / 0 / 59

HEX #540968

RGB 84 9 104

HSL 287.37, 0.84%, 0.22%

LAB 20.36, 45.12, -36.7

 

CMYK 21 / 100 / 0 / 67

HEX #430055

RGB 67 0 85

HSL 287.29, 1%, 0.17%

LAB 14.67, 41.04, -33.4

 

CMYK 24 / 100 / 0 / 74

HEX #320042

RGB 50 0 66

HSL 285.45, 1%, 0.13%

LAB 9.57, 34.37, -28.66

 

CMYK 30 / 100 / 0 / 82

HEX #21002F

RGB 33 0 47

HSL 282.13, 1%, 0.09%

LAB 4.77, 24.92, -22.73

 

CMYK 17 / 78 / 0 / 53

HEX #641B79

RGB 100 27 121

HSL 286.6, 0.64%, 0.29%

LAB 26.37, 46.09, -37.82

 

CMYK 0 / 78 / 3 / 53

HEX #791B75

RGB 121 27 117

HSL 302.55, 0.64%, 0.29%

LAB 29.75, 50.03, -29.68

 

CMYK 0 / 78 / 24 / 53

HEX #791B5C

RGB 121 27 92

HSL 318.51, 0.64%, 0.29%

LAB 28.44, 46.14, -15.6

 

CMYK 0 / 78 / 45 / 53

HEX #791B42

RGB 121 27 66

HSL 335.11, 0.64%, 0.29%

LAB 27.41, 42.95, 0.13

 

CMYK 0 / 78 / 66 / 53

HEX #791B29

RGB 121 27 41

HSL 351.06, 0.64%, 0.29%

LAB 26.76, 40.83, 16.08

 

CMYK 17 / 78 / 0 / 53

HEX #641B79

RGB 100 27 121

HSL 286.6, 0.64%, 0.29%

LAB 26.37, 46.09, -37.82

 

CMYK 39 / 78 / 0 / 53

HEX #4A1B79

RGB 74 27 121

HSL 270, 0.64%, 0.29%

LAB 22.37, 40.8, -44.48

 

CMYK 60 / 78 / 0 / 53

HEX #311B79

RGB 49 27 121

HSL 254.04, 0.64%, 0.29%

LAB 19.3, 36.57, -49.64

 

CMYK 78 / 78 / 0 / 53

HEX #1B1B79

RGB 27 27 121

HSL 240, 0.64%, 0.29%

LAB 17.45, 33.92, -52.75

 

CMYK 17 / 78 / 0 / 53

HEX #641B79

RGB 100 27 121

HSL 286.6, 0.64%, 0.29%

LAB 26.37, 46.09, -37.82

 

CMYK 20 / 89 / 0 / 48

HEX #6A0F85

RGB 106 15 133

HSL 286.27, 0.8%, 0.29%

LAB 27.02, 53.34, -44.3

 

CMYK 22 / 98 / 0 / 43

HEX #710391

RGB 113 3 145

HSL 286.48, 0.96%, 0.29%

LAB 28.43, 58.99, -49.42

 

CMYK 17 / 78 / 0 / 53

HEX #641B79

RGB 100 27 121

HSL 286.6, 0.64%, 0.29%

LAB 26.37, 46.09, -37.82

 

CMYK 15 / 64 / 0 / 57

HEX #5D276D

RGB 93 39 109

HSL 286.29, 0.47%, 0.29%

LAB 26.4, 36.38, -30.17

 

CMYK 10 / 47 / 0 / 62

HEX #573361

RGB 87 51 97

HSL 286.96, 0.31%, 0.29%

LAB 27.45, 24.96, -20.81

 

CMYK 6 / 26 / 0 / 67

HEX #503F55

RGB 80 63 85

HSL 286.36, 0.15%, 0.29%

LAB 29.2, 11.98, -10.4

 

CMYK 0 / 0 / 1 / 71

HEX #4A4A49

RGB 74 74 73

HSL 60, 0.01%, 0.29%

LAB 31.43, -0.22, 0.59

 

CMYK 60 / 78 / 0 / 53

HEX #311B79

RGB 49 27 121

HSL 254.04, 0.64%, 0.29%

LAB 19.3, 36.57, -49.64

 

CMYK 39 / 78 / 0 / 53

HEX #4A1B79

RGB 74 27 121

HSL 270, 0.64%, 0.29%

LAB 22.37, 40.8, -44.48

 

CMYK 18 / 78 / 0 / 53

HEX #631B79

RGB 99 27 121

HSL 285.96, 0.64%, 0.29%

LAB 26.21, 45.88, -38.09

 

CMYK 0 / 78 / 2 / 53

HEX #791B76

RGB 121 27 118

HSL 301.91, 0.64%, 0.29%

LAB 29.8, 50.2, -30.22

 

CMYK 0 / 78 / 23 / 53

HEX #791B5D

RGB 121 27 93

HSL 317.87, 0.64%, 0.29%

LAB 28.48, 46.28, -16.18

 

CMYK 19 / 78 / 0 / 79

HEX #2C0C36

RGB 44 12 54

HSL 285.71, 0.64%, 0.13%

LAB 9.52, 24.16, -20.18

 

CMYK 17 / 78 / 0 / 66

HEX #481357

RGB 72 19 87

HSL 286.76, 0.64%, 0.21%

LAB 18.06, 35.74, -29.23

 

CMYK 17 / 78 / 0 / 53

HEX #641B79

RGB 100 27 121

HSL 286.6, 0.64%, 0.29%

LAB 26.37, 46.09, -37.82

 

CMYK 18 / 78 / 0 / 39

HEX #7F229B

RGB 127 34 155

HSL 286.12, 0.64%, 0.37%

LAB 34.03, 55.99, -46.37

 

CMYK 18 / 78 / 0 / 26

HEX #9B29BD

RGB 155 41 189

HSL 286.22, 0.64%, 0.45%

LAB 41.58, 65.62, -54.27

 

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

CMYK 0 / 78 / 75 / 53

HEX #791B1E

RGB 121 27 30

HSL 358.09, 0.64%, 0.29%

LAB 26.57, 40.2, 23.08

 

CMYK 78 / 0 / 50 / 53

HEX #1B793D

RGB 27 121 61

HSL 141.7, 0.64%, 0.29%

LAB 44.58, -40.81, 25.35

 

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

CMYK 0 / 18 / 78 / 53

HEX #79631B

RGB 121 99 27

HSL 45.96, 0.64%, 0.29%

LAB 42.87, 0.84, 41.78

 

CMYK 78 / 0 / 18 / 53

HEX #1B7963

RGB 27 121 99

HSL 165.96, 0.64%, 0.29%

LAB 45.37, -32.15, 4.48

 

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

CMYK 0 / 78 / 75 / 53

HEX #791B1E

RGB 121 27 30

HSL 358.09, 0.64%, 0.29%

LAB 26.57, 40.2, 23.08

 

CMYK 60 / 0 / 78 / 53

HEX #31791B

RGB 49 121 27

HSL 105.96, 0.64%, 0.29%

LAB 44.81, -40.27, 41.99

 

CMYK 78 / 0 / 2 / 53

HEX #1B7976

RGB 27 121 118

HSL 178.09, 0.64%, 0.29%

LAB 45.93, -26.57, -6

 

CMYK 18 / 78 / 0 / 52

HEX #651B7B

RGB 101 27 123

HSL 286.25, 0.64%, 0.29%

LAB 26.68, 46.72, -38.58

 

CMYK 0 / 57 / 78 / 53

HEX #79341B

RGB 121 52 27

HSL 15.96, 0.64%, 0.29%

LAB 30.88, 28.43, 29.69

 

CMYK 60 / 0 / 78 / 53

HEX #31791B

RGB 49 121 27

HSL 105.96, 0.64%, 0.29%

LAB 44.81, -40.27, 41.99

 

CMYK 78 / 21 / 0 / 53

HEX #1B6079

RGB 27 96 121

HSL 195.96, 0.64%, 0.29%

LAB 37.81, -12.01, -20.14

 

Description

Color code: HEX #651B7B | qconv.com Color code: HEX #651B7B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 27 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 27 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 78 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 78% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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