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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #651917 it is the complementary color #9AE6E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #651917. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #651917 shade: #6A1912, #7B2B25, #8C3D38, #9D4F4B and #AE615E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #651917. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #651917 shade: #651917, #540704, #430000, #320000 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #651917 shade: #641917 and #641717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #651917 shade: #641917, #642D17, #644217, #645717 and #5C6417

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #651917 shade matches the following richer shades: #641917, #6E0F0D and #780603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #651917 shade: #641917, #5A2221, #502B2A, #463534 and #3C3E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #651917 shade: #64173E, #64172A, #641817, #642C17 and #644117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #651917 shade: #210807, #42100F, #641917, #85211E and #A72926

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #651917 shade: #651917, #536417 and #173464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #651917 shade: #651917, #176418 and #181764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #651917 shade: #651917, #536417, #176264 and #271764

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #651917 shade: #651917, #3C6417, #176264 and #3E1764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

Complementary color

CMYK 34 / 1 / 0 / 9

HEX #9AE6E8

RGB 154 230 232

HSL 181.54, 0.63%, 0.76%

LAB 86.65, -22.81, -8.44

 

CMYK 0 / 76 / 83 / 58

HEX #6A1912

RGB 106 25 18

HSL 4.77, 0.71%, 0.24%

LAB 23.01, 35.28, 25.81

 

CMYK 0 / 65 / 70 / 52

HEX #7B2B25

RGB 123 43 37

HSL 4.19, 0.54%, 0.31%

LAB 29.59, 34.42, 22.31

 

CMYK 0 / 56 / 60 / 45

HEX #8C3D38

RGB 140 61 56

HSL 3.57, 0.43%, 0.38%

LAB 36.36, 33.21, 19.53

 

CMYK 0 / 50 / 52 / 38

HEX #9D4F4B

RGB 157 79 75

HSL 2.93, 0.35%, 0.45%

LAB 43.16, 31.96, 17.31

 

CMYK 0 / 44 / 46 / 32

HEX #AE615E

RGB 174 97 94

HSL 2.25, 0.33%, 0.53%

LAB 49.93, 30.77, 15.48

 

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

CMYK 0 / 92 / 95 / 67

HEX #540704

RGB 84 7 4

HSL 2.25, 0.91%, 0.17%

LAB 15.72, 33.53, 22.65

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 75 / 77 / 61

HEX #641917

RGB 100 25 23

HSL 1.56, 0.63%, 0.24%

LAB 21.82, 33.34, 21

 

CMYK 0 / 77 / 77 / 61

HEX #641717

RGB 100 23 23

HSL 0, 0.63%, 0.24%

LAB 21.52, 34.17, 20.65

 

CMYK 0 / 75 / 77 / 61

HEX #641917

RGB 100 25 23

HSL 1.56, 0.63%, 0.24%

LAB 21.82, 33.34, 21

 

CMYK 0 / 55 / 77 / 61

HEX #642D17

RGB 100 45 23

HSL 17.14, 0.63%, 0.24%

LAB 25.71, 23.1, 25.36

 

CMYK 0 / 34 / 77 / 61

HEX #644217

RGB 100 66 23

HSL 33.51, 0.63%, 0.24%

LAB 31.04, 10.35, 31.02

 

CMYK 0 / 13 / 77 / 61

HEX #645717

RGB 100 87 23

HSL 49.87, 0.63%, 0.24%

LAB 37.09, -2.49, 37.09

 

CMYK 8 / 0 / 77 / 61

HEX #5C6417

RGB 92 100 23

HSL 66.23, 0.63%, 0.24%

LAB 40.33, -13.85, 39.98

 

CMYK 0 / 75 / 77 / 61

HEX #641917

RGB 100 25 23

HSL 1.56, 0.63%, 0.24%

LAB 21.82, 33.34, 21

 

CMYK 0 / 86 / 88 / 57

HEX #6E0F0D

RGB 110 15 13

HSL 1.24, 0.79%, 0.24%

LAB 22.6, 39.88, 28.38

 

CMYK 0 / 95 / 98 / 53

HEX #780603

RGB 120 6 3

HSL 1.54, 0.95%, 0.24%

LAB 24.1, 44.71, 34.81

 

CMYK 0 / 75 / 77 / 61

HEX #641917

RGB 100 25 23

HSL 1.56, 0.63%, 0.24%

LAB 21.82, 33.34, 21

 

CMYK 0 / 62 / 63 / 65

HEX #5A2221

RGB 90 34 33

HSL 1.05, 0.46%, 0.24%

LAB 21.68, 25.71, 13.7

 

CMYK 0 / 46 / 48 / 69

HEX #502B2A

RGB 80 43 42

HSL 1.58, 0.31%, 0.24%

LAB 22.3, 16.98, 8.13

 

CMYK 0 / 24 / 26 / 73

HEX #463534

RGB 70 53 52

HSL 3.33, 0.15%, 0.24%

LAB 23.99, 7.43, 3.55

 

CMYK 3 / 0 / 0 / 76

HEX #3C3E3E

RGB 60 62 62

HSL 180, 0.02%, 0.24%

LAB 26.02, -0.84, -0.3

 

CMYK 0 / 77 / 38 / 61

HEX #64173E

RGB 100 23 62

HSL 329.61, 0.63%, 0.24%

LAB 22.55, 37.59, -4.81

 

CMYK 0 / 77 / 58 / 61

HEX #64172A

RGB 100 23 42

HSL 345.19, 0.63%, 0.24%

LAB 21.91, 35.48, 8.14

 

CMYK 0 / 76 / 77 / 61

HEX #641817

RGB 100 24 23

HSL 0.78, 0.63%, 0.24%

LAB 21.67, 33.76, 20.82

 

CMYK 0 / 56 / 77 / 61

HEX #642C17

RGB 100 44 23

HSL 16.36, 0.63%, 0.24%

LAB 25.48, 23.67, 25.11

 

CMYK 0 / 35 / 77 / 61

HEX #644117

RGB 100 65 23

HSL 32.73, 0.63%, 0.24%

LAB 30.76, 10.97, 30.73

 

CMYK 0 / 76 / 79 / 87

HEX #210807

RGB 33 8 7

HSL 2.31, 0.65%, 0.08%

LAB 4.63, 10.87, 4.26

 

CMYK 0 / 76 / 77 / 74

HEX #42100F

RGB 66 16 15

HSL 1.18, 0.63%, 0.16%

LAB 13.01, 24.04, 13.54

 

CMYK 0 / 75 / 77 / 61

HEX #641917

RGB 100 25 23

HSL 1.56, 0.63%, 0.24%

LAB 21.82, 33.34, 21

 

CMYK 0 / 75 / 77 / 48

HEX #85211E

RGB 133 33 30

HSL 1.75, 0.63%, 0.32%

LAB 29.83, 41.99, 27.44

 

CMYK 0 / 75 / 77 / 35

HEX #A72926

RGB 167 41 38

HSL 1.4, 0.63%, 0.4%

LAB 37.74, 50.52, 33.25

 

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

CMYK 17 / 0 / 77 / 61

HEX #536417

RGB 83 100 23

HSL 73.25, 0.63%, 0.24%

LAB 39.61, -18.04, 39.02

 

CMYK 77 / 48 / 0 / 61

HEX #173464

RGB 23 52 100

HSL 217.4, 0.63%, 0.24%

LAB 22.15, 7.73, -31.52

 

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

CMYK 77 / 0 / 76 / 61

HEX #176418

RGB 23 100 24

HSL 120.78, 0.63%, 0.24%

LAB 36.67, -38.75, 34.71

 

CMYK 76 / 77 / 0 / 61

HEX #181764

RGB 24 23 100

HSL 240.78, 0.63%, 0.24%

LAB 13.98, 28.48, -44.81

 

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

CMYK 17 / 0 / 77 / 61

HEX #536417

RGB 83 100 23

HSL 73.25, 0.63%, 0.24%

LAB 39.61, -18.04, 39.02

 

CMYK 77 / 2 / 0 / 61

HEX #176264

RGB 23 98 100

HSL 181.56, 0.63%, 0.24%

LAB 37.55, -21.02, -7.61

 

CMYK 61 / 77 / 0 / 61

HEX #271764

RGB 39 23 100

HSL 252.47, 0.63%, 0.24%

LAB 15.3, 30.54, -42.6

 

CMYK 0 / 75 / 77 / 60

HEX #651917

RGB 101 25 23

HSL 1.54, 0.63%, 0.24%

LAB 22.03, 33.7, 21.29

 

CMYK 40 / 0 / 77 / 61

HEX #3C6417

RGB 60 100 23

HSL 91.17, 0.63%, 0.24%

LAB 38.09, -27.88, 37.02

 

CMYK 77 / 2 / 0 / 61

HEX #176264

RGB 23 98 100

HSL 181.56, 0.63%, 0.24%

LAB 37.55, -21.02, -7.61

 

CMYK 38 / 77 / 0 / 61

HEX #3E1764

RGB 62 23 100

HSL 270.39, 0.63%, 0.24%

LAB 18.17, 34.82, -37.78

 

Description

Color code: HEX #651917 | qconv.com Color code: HEX #651917 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 25 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 25 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 77 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 77% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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